Wolfram Hogrebe examines the anthropological relevance of logomantic [divinational] precursors of philosophy and poetry along with the idea of the implicit citizen and the nature of implicit musical structures.".

A traditional view maintains that thought, while expressed in language, is non-linguistic in nature and occurs in non-linguistic beings as well. I assess this view against current theories of the evolutionary design of human grammar. I argue that even if some forms of human thought are shared with non-human animals, a residue remains that characterizes a unique way in which human thought is organized as a system. I explore the hypothesis that the cause of this difference is a grammatical way (...) of structuring semantic information, and I present evidence that the organization of grammar precisely reflects the organization of a specific mode of thought apparently distinctive of humans. Since there appears to be no known non-grammatical structuring principle for the relevant mode of thought, I suggest that grammar is that principle, with no independent ?Language of Thought? needed. (shrink)

Life's Solution builds a persuasive case for the predictability of evolutionary outcomes. The case rests on a remarkable compilation of examples of convergent evolution, in which two or more lineages have independently evolved similar structures and functions. The examples range from the aerodynamics of hovering moths and hummingbirds to the use of silk by spiders and some insects to capture prey. Going against the grain of Darwinian orthodoxy, this book is a must read for anyone grappling with the meaning of (...) evolution and our place in the Universe. Simon Conway Morris is the Ad Hominen Professor in the Earth Science Department at the University of Cambridge and a Fellow of St. John's College and the Royal Society. His research focuses on the study of constraints on evolution, and the historical processes that lead to the emergence of complexity, especially with respect to the construction of the major animal body parts in the Cambrian explosion. Previous books include The Crucible of Creation (Getty Center for Education in the Arts, 1999) and co-author of Solnhofen (Cambridge, 1990). Hb ISBN (2003) 0-521-82704-3. (shrink)

Über das wesen der künstlerischen phantasie.--Über drei hymnen des Rig-Veda.--Über die bildwerke am Zeustempel von Olympia.--Mythenbildung um Alexander den Grossen.--Die anthroposophischen grundlagen des christentums.--Goethe und die goldene legende.--Die madonna der expressionisten.--Der mensch August Strindberg im spiegel seiner werke und das problem seines lebens als zeitproblem.--Das mysterium der Tristansage.

A soaring intellectual narrative starring the radical, brilliant, and provocative philosophers Simone de Beauvoir, Hannah Arendt, Simone Weil, and Ayn Rand by the critically acclaimed author of Time of the Magicians, Wolfram Eilenberger The period from 1933 to 1943 was one of the darkest and most chaotic in human history, as the Second World War unfolded with unthinkable cruelty. It was also a crucial decade in the dramatic, intersecting lives of some of history's greatest philosophers. In particular, four women (...) whose parallel ideas would come to dominate the twentieth century-at once in necessary dialogue and striking contrast with one another. Simone de Beauvoir, already in a deep emotional and intellectual partnership with Jean-Paul Sartre, was laying the foundations for nothing less than the future of feminism. Born Alissa Rosenbaum in St. Petersburg before emigrating to the US in 1926, Ayn Rand was honing one of the most politically influential voices of the 20th century. Her novels The Fountainhead and Atlas Shrugged would reach the hearts and minds millions of Americans in the decades to come, becoming canonical libertarian texts, which continue to echo today among Silicon Valley's tech elite. Hannah Arendt was developing some of today's most important leftwing ideas, culminating with the publication of The Origins of Totalitarianism and her arrival as a peerless intellectual celebrity. Perhaps the greatest thinker of all was a classmate of de Beauvoir: Simone Weil, who turned away from fame to devote herself entirely to refugee aid and the resistance movement during the war. Ultimately, in 1943, she would starve to death in England, a martyr and true saint in the eyes of many. Few authors can synthesize gripping storytelling with sophisticated philosophy like Wolfram Eilenberger. The Visionaries tells the story of four singular philosophers-indomitable women who were refugees and resistance fighters-each putting forward a vision of a truly free and open society at a time of authoritarianism and war. (shrink)

In this, his latest book, Wolfram Hogrebe continues to unfold his project of an informal epistemology with an analysis of ties ("ligatures") to be found below the level of theoretically discussed norms, laws, and institutional regulations and nevertheless indispensable for a humane coexistence. Risks associated with such often hidden constellations of knowledge are also discussed. Master thinkers such as Schelling, Hegel, Heidegger, but also more marginal figures such as Felix Hausdorff alias Paul Mongré or artists such as Beuys are (...) discussed. In his inimitable style of concise yet succinct sketches, Hogrebe thus causes thinking to confront the often subtle nuances of being in a state of wonderment"--Publisher's website. (shrink)

This essay introduces ideas from Confucius, Xunzi, the Six Dynasties, and Kant about beauty, music, morality, and what we might today call “aesthetic education.” It asks how beauty and morality are related and how they ideally should be related to each other. We know that beauty and morality can drift apart, and we may wonder how aesthetic education might work best. Should the arts be a means for developing morality? Or should it be the other way around? These questions are (...) still relevant today. But our world has changed, not only since Confucius, but also since Kant. We may ask what to make of their ideas in our present time. I argue that there are good reasons for keeping morality and aesthetics apart, somewhat in the spirit of Kant, and in opposition to the idea of “fusing” the two. (shrink)

Es gehort zu den Aufgaben unserer Gegenwart, das Format einer neuen Metaphysik zu entwickeln. In diesem Buch wird der Versuch unternommen, aus exemplarischen philosophischen Fragestellungen Klarungsstrategien zu entfalten, die allesamt anigmatische Grenzzonen erkunden, aus denen niemand herauszufinden vermag. Abwesenheiten in kreativen Prozessen, die Geburt der Intentionalitat, der switch vom ungeheuren Objekt zum ungeheuren Subjekt, die Entbindung von Kreativitat aus unscharfen semantischen Verhaltnissen, die Bedeutung von Bildung in Prozessen eines konzilianten Geltenlassens, Formen als Augen der Dinge und schliealich Kosmologie als Poetik: (...) Die Rettung einer unvermeidlichen Ratselhaftigkeit ist das Sujet einer neuen Metaphysik. (shrink)

Ereignet sich anstelle von Klang oder Sprache, Musik oder Lärm lediglich Stille oder vielmehr das, was wir für Stille halten, kommt ein unerwartetes Aufmerken in Gang. Die Stille kann auffordern, genauer hinzuhören, aber auch genauer hinzusehen. Ein plötzliches Aufmerken geschieht jedoch nur, wenn die Stille den Wahrnehmenden unerwartet trifft. Einer im Alltäglichen zumeist durch die Priorität des Bewussten, Bekannten oder Vertrauten untergeordneten Stille, können Arbeiten, wie jene von Aernout Mik, eine konkrete Erfahrbarkeit geben. Was er erfahrbar werden lässt, ist aber (...) nicht die Stille, sondern das, was in der Regel überhört wird. In der Verkehrung des vermeintlich Unhörbaren in ein Hörbares zeigt sich mit der Stille ein Möglichkeitsraum, dessen Besonderheit die Autorin mit der Frage, was sich in der Erfahrung von Stille zeigt, nachgeht. Ist also von einer Stille als ästhetischem Phänomen die Rede, ist nicht eine Stille innerhalb der Rezeption genuin stiller Kunstwerke gemeint, sondern der bewusste Entzug des Auditiven. Damit widerspricht die Autorin zugleich einer Vorstellung von Stille als mess- oder bestimmbarer Grösse und stellt die Stille aus der ästhetischen Erfahrung heraus ins Zentrum ihrer Betrachtungen. (shrink)

Mathematicians often say that their theorems, proofs, and theories can be beautiful. They say mathematics can be like art. They know how to move creatively and freely in their domains. But ordinary people usually cannot do this and do not share this view. They often have unpleasant memories from school and do not have this experience of freedom and creativity in doing mathematics. I myself have been a mathematician, and I wish to highlight some of the creative aspects in doing (...) mathematics. I always had the feeling that there is much freedom in mathematics and that one can do as one pleases as long as one avoids contradictions (and one can even live with contradictions for a while). In mathematics one only needs to define something and there it is! Just imagine it, and it immediately exists. Where else, besides fiction, does one have such power? --- This essay has three parts. In the first, I lay out some historical facts and views that I will need later. Second, I insert an interlude with Kant, pointing out some of his claims and insights in aesthetics, and some aspects in mathematics that I think he overlooked or underestimated. Third, I will bring out some aspects of higher mathematics that I will show are similar to art. These aspects are in the doing and creating of mathematics, not in the finished theories. They are usually not found in textbooks. I want to show that a researcher in mathematics is like a painter or composer, exploring and creating. To see this, one has to adopt a first-person perspective. In this way I will show that aesthetics plays a role and leaves its traces also in mathematics. (shrink)

"This is an extremely interesting and innovative collection with unusual empirical richness, with ethical and epistemological discussions cutting across ...

Über die Methoden der Lehre und die Lehrstätten der Philosophen der spätklassischen Zeit kursieren abenteuerliche Vorstellungen. Trotz einseitiger Quellenlage lassen sich die Wege von Sokrates in Athen, Platons Reisen nach Syrakus und Aristoteles Aufenthalte in Makedonien aber erstaunlich genau nachvollziehen. Philosophen nutzten für ihre Lehre bestimmte schattige Rundwege, um sich bei gleichmässiger Bewegung mit einem oder zwei Schülern auf einen dialogos zu konzentrieren. Schon für die Historiker der sp̈aten Antike wie Diogenes Laertius war dieses Verhalten zum Rätsel geworden. Das Phänomen (...) lässt sich dennoch erklären und sogar topographisch festlegen. Das Hauptaugenmerk gilt den Schulen der Philosophen. In vielen Fällen war damit der Peripatos gemeint, ein Bau-Typus, den Platon in der Akademie kreiert hatte. Wie er aussah, welche Räumlichkeiten vertreten waren und wie lange solche Lehrstätten Bestand hatten, ist Thema dieses Buches"--Publisher's website. (shrink)

Short description: Wie kann der Boden für eine kulturmenschliche Potenzialentfaltung politisch und gesellschaftlich fruchtbar gemacht werden?; Promotional text: Immanuel Hermann Fichtes ›System der Ethik‹ ist vor dem Hintergrund einer innenpolitischen Erstarrung als Folge der Revolution von 1848 und des in Deutschland sich nahezu gleichzeitig ereignenden wirtschaftlichen ›Take-off‹ des beginnenden Industriezeitalters verfasst. In direktem Bezug auf diese Umbruchssituation bietet Fichtes Konzeption, die Wolfram Schmitz in seiner Studie erstmals umfassend untersucht, Leitlinien für eine weitgreifende Reform von Staat und Gesellschaft.; Biographical note: (...) Dr. Wolfram Schmitz hat Philosophie, Geschichte und Soziologie studiert. (shrink)

Wolfram Hogrebe beschäftigt sich in diesem Buch mit dem sogenannten Zwischenreich - einem alten philosophischen Gedanken, wonach das Philosophieren es mit einer Art von Zwischenraum zu tun hat, der die Ordnungen der Begriffe und der Vorstellungen in eine bemerkenswerte Schwebe bringt. Das Zwischen ist da gleichsam ein Medium, das die Gedanken und Sprachen trägt und so in zuweilen unbekannte Gebiete führt, in denen sich das Denken verändert. Hogrebe zeigt, wie sehr dieses Zwischen, das sich auch in Naturerfahrungen aufzuschliessen vermag, (...) Thema bei so unterschiedlichen Philosophen und Dichtern wie Gottfried Wilhelm Leibniz, Gotthold Ephraim Lessing, Martin Heidegger, Henry David Thoreau und Peter Handke ist. (shrink)

ABSTRACT:Workplace transgressions elicit a variety of opinions about their meaning and what is required to address them. This diversity in views makes it difficult for managers to identify a mutually satisfactory response and to enable repair of the relationships between the affected parties. We develop a conceptual model for understanding how to bridge these diverging perspectives and foster relationship repair. Specifically, we argue that effective relationship repair is dependent on the parties’ reciprocal concern for others’ viewpoints and collective engagement in (...) the justice repair process. This approach enhances our understanding of the interdependency between justice and reconciliation/reintegration, while also providing theoretical insight into the processes underlying restorative conferencing, innovations that promise to help managers heal damaged organizational bonds. (shrink)

The question of 20th century philosophy was: how are we humans situated in our world? In forms of consciousness, as Husserl insistently analyzed, in language games, as Wittgenstein thought, or in a prior understanding of being, as Heidegger recommended? Wolfram Hogrebe summarizes these answers in what he calls scenic existence. This is grounded in certainties in which we experience ourselves sensitively 'tinted'. In this respect, forms of consciousness, language games and understanding of being are only built up from an (...) anonymous sonority. Wolfram Hogrebe has been following these circumstances for several years. In this new book, he delineates the project in historically informed, multi-faceted differentiations, terminating in a plea for a new enlightenment that may be understood as a program for our time. (shrink)

"What is mathematics?" is a question that has been debated since antiquity. This book presents a groundbreaking and surprising answer to the question-showing through the concept of the physicalization of metamathematics how both mathematics and physics as experienced by humans can be seen to emerge from the unique underlying computational structure of the recently formulated ruliad. Written with Stephen Wolfram's characteristic expositional flair and richly illustrated with remarkable algorithmic diagrams, the book takes the reader on a unprecedented intellectual journey (...) to the center of some of the deepest questions about mathematics and its nature-and points the way to a new understanding of the foundations and future of mathematics, taking a major step beyond ideas from Plato, Kant, Hilbert, Gödel and others. (shrink)

This chapter explores some fundamental consequences of the correspondence between physical process and computations. Most physical questions may be answerable only through irreducible amounts of computation. Those that concern idealized limits of infinite time, volume, or numerical precision can require arbitrarily long computations, and so be considered formally undecidable. The behavior of a physical system may always be calculated by simulating explicitly each step in its evolution. Much of theoretical physics has, however, been concerned with devising shorter methods of calculation (...) that reproduce the outcome without tracing each step. Computational irreducibility is common among the systems investigated in mathematics and computation theory, but it may well be the exception rather than the rule, since most physical questions may be answerable only through irreducible amounts of computation. (shrink)

Name der Zeitschrift: Neue Zeitschrift für Systematische Theologie und Religionsphilosophie Jahrgang: 58 Heft: 3 Seiten: 325-336.

Name der Zeitschrift: Neue Zeitschrift für Systematische Theologie und Religionsphilosophie Jahrgang: 57 Heft: 4 Seiten: 501-520.

This essay will inform the reader about Kant’s views on mathematics and aesthetics. It will also critically discuss these views and offer further suggestions and personal opinions from the author’s side. Kant (1724-1804) was not a mathematician, nor was he an artist. One must even admit that he had little understanding of higher mathematics and that he did not have much of a theory that could be called a “philosophy of mathematics” either. But he formulated a very influential aesthetic theory (...) that is contained in his “Critique of the Power of Aesthetic Judgment” (1790), and his views on mathematics, especially those that compare it with philosophy, are distinctive and worthy of our attention. Hence, combining mathematics and aesthetics, asking whether mathematics can be beautiful and why and how it can or cannot be so called, according to Kant’s theory, will be particularly interesting. This essay has three parts: it discusses mathematics, aesthetics, and the aesthetics of mathematics, primarily in Kantian perspectives but also in ways that critically evaluate those perspectives. (shrink)