Results for 'William Blaine Day'

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  1. What Present-Day Theologians Are Thinking.Daniel Day Williams - 1952
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  2.  34
    Priests, Prophets, and the Establishment.Daniel Day Williams - 1967 - Zygon 2 (4):309-326.
  3.  9
    William R. Day Jr., Michael Matzke, and Andrea Saccocci, Eds., Medieval European Coinage: With a Catalogue of the Coins in the Fitzwilliam Museum, Cambridge, Vol. 12, Italy I: Northern Italy. Cambridge: Cambridge University Press, 2016. Pp. 1134; Many Black-and-White Plates and Figures, 6 Maps, and Many Tables. $265. ISBN: 978-0-521-26021-3.Table of Contents Available Online at Http://Www.Cambridge.Org/Us/Academic/Subjects/History/European-History-1000-1450/Medieval-European-C oinage-Volume-12. [REVIEW]Lucia Travaini - 2019 - Speculum 94 (4):1142-1144.
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  4. The Prophetic Dimension.Daniel Day Williams - 1969 - In John D. Roslansky & Ernan McMullin (eds.), The Uniqueness of Man. London: North-Holland Pub. Co..
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  5. The Spirit and the Forms of Love.Daniel Day Williams - 1971 - Religious Studies 7 (1):70-71.
     
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  6.  2
    The Andover Liberals. A Study in American Theology.Daniel Day Williams - 1942 - Journal of Philosophy 39 (3):83-84.
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  7. God's Grace and Man's Hope.Daniel Day Williams - 1949
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  8. Essays in Process Theology.Daniel Day Williams - 1985
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  9. The Advancement of Theological Education.H. Richard Niebuhr, Daniel Day Williams & James M. Gustafson - 1957
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  10.  3
    Identifying Unwarranted Variation in Clinical Practice Between Healthcare Providers in England: Analysis of Administrative Data Over Time for the Getting It Right First Time Programme.William K. Gray, Jamie Day, Tim W. R. Briggs & Simon Harrison - 2021 - Journal of Evaluation in Clinical Practice 27 (4):743-750.
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  11. The Aesthetic Dimension of Wittgenstein's Later Writings.William Day - 2017 - In Garry L. Hagberg (ed.), Wittgenstein on Aesthetic Understanding. pp. 3-29.
    In this essay I argue the extent to which meaning and judgment in aesthetics figures in Wittgenstein’s later conception of language, particularly in his conception of how philosophy might go about explaining the ordinary functioning of language. Following a review of some biographical and textual matters concerning Wittgenstein’s life with music, I outline the connection among (1) Wittgenstein’s discussions of philosophical clarity or perspicuity, (2) our attempts to give clarity to our aesthetic experiences by wording them, and (3) the clarifying (...)
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  12.  89
    Seeing Aspects in Wittgenstein.William Day & Victor J. Krebs - 2010 - In William Day & Víctor J. Krebs (eds.), Seeing Wittgenstein Anew. Cambridge University Press.
    This is the introduction to Seeing Wittgenstein Anew, eds. William Day & Victor J. Krebs (Cambridge UP, 2010), a collection of essays on Ludwig Wittgenstein's remarks on aspect-seeing. Section 1: Why Seeing Aspects Now?; Section 2: The Importance of Seeing Aspects; Section 3: The Essays. (The front matter to Seeing Wittgenstein Anew appears above under "Books.").
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  13. Seeing Wittgenstein Anew.William Day & Victor J. Krebs (eds.) - 2010 - Cambridge, UK: Cambridge University Press.
    Seeing Wittgenstein Anew is the first collection to examine Ludwig Wittgenstein’s remarks on the concept of aspect-seeing. These essays show that aspect-seeing was not simply one more topic of investigation in Wittgenstein’s later writings, but, rather, that it was a pervasive and guiding concept in his efforts to turn philosophy’s attention to the actual conditions of our common life in language. Arranged in sections that highlight the pertinence of the aspect-seeing remarks to aesthetic and moral perception, self-knowledge, mind and consciousness, (...)
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  14.  85
    Zhenzhi and Acknowledgment in Wang Yangming and Stanley Cavell.William Day - 2012 - Journal of Chinese Philosophy 39 (2):174-191.
    This article highlights sympathies between Wang Yangming's notion of zhenzhi (real knowing) and Stanley Cavell's concept of acknowledgment. I begin by noting a problem in interpreting Wang on the unity of knowing and acting, which leads to considering how our suffering pain figures in our “real knowing” of another's pain. I then turn to Cavell's description of a related problem in modern skepticism, where Cavell argues that knowing another's pain requires acknowledging it. Cavell's concept of acknowledgment answers to Wang's insistence (...)
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  15. Wanting to Say Something: Aspect-Blindness and Language.William Day - 2010 - In William Day & Víctor J. Krebs (eds.), Seeing Wittgenstein Anew. Cambridge University Press.
    "Lest one think that the focus on aspect-seeing in Wittgenstein is only a means to more contemporary philosophical ends, one ought to read Day’s remarkable 'Wanting to Say Something: Aspect-Blindness and Language'. Day considers the issue of aspect-blindness, arguing that universal aspect-blindness is impossible for beings with language. Specifically, he shows that a child’s first attempt at language, at trying “bloh” for “ball,” is neither an indication that the child sees the ball for the first time, nor an indication that (...)
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  16.  24
    Lectures on the Religion of the Semites, Second and Third Series [by William Robertson Smith].Baruch Levine, John Day & William Robertson Smith - 1997 - Journal of the American Oriental Society 117 (3):617.
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  17. Knowing as Instancing: Jazz Improvisation and Moral Perfectionism.William Day - 2000 - Journal of Aesthetics and Art Criticism 58 (2):99-111.
    This essay presents an approach to understanding improvised music, finding in the work of certain outstanding jazz musicians an emblem of Ralph Waldo Emerson's notion of self-trust and of Stanley Cavell's notion of moral perfectionism. The essay critiques standard efforts to interpret improvised solos as though they were composed, contrasting that approach to one that treats the procedures of improvisation as derived from our everyday actions. It notes several levels of correspondence between our interest in jazz improvisations and the particular (...)
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  18. The Ends of Improvisation.William Day - 2010 - Journal of Aesthetics and Art Criticism 68 (3):291-296.
    This essay attempts to address the question, "What makes an improvised jazz solo a maturation of the possibilities of this artform?" It begins by considering the significance of one distinguishable feature of an improvised jazz solo - how it ends - in light of Joseph Kerman's seemingly parallel consideration of the historical development of how classical concertos end. After showing the limits of this comparison, the essay proposes a counter-parallel, between the jazz improviser's attitude toward the solo's end and Ludwig (...)
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  19. Representing Time of Day in Circadian Clocks.William Bechtel - unknown
    Positing representations and operations on them as a way of explaining behavior was one of the major innovations of the cognitive revolution. Neuroscience and biology more generally also employ representations in explaining how organisms function and coordinate their behavior with the world around them. In discussions of the nature of representation, theorists commonly differentiate between the vehicles of representation and their content—what they denote. Many contentious debates in cognitive science, such as those pitting neural network models against symbol processing accounts, (...)
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  20.  95
    A Soteriology of Reading: Cavell's Excerpts From Memory.William Day - 2011 - In James Loxley & Andrew Taylor (eds.), Stanley Cavell: Philosophy, Literature and Criticism. Manchester, UK: pp. 76-91.
    "William Day is . . . concerned to explore the dynamics of what Cavell calls 'a theology of reading' through a careful examination of a fragment of the philosopher's autobiography first published as 'Excerpts from Memory' (2006) and subsequently revised for Little Did I Know (2010). If, as Cavell suggests, 'the underlying subject' of both criticism and philosophy is 'the subject of examples', in which our interest lies in their emblematic aptness or richness as exemplars, exemplarity becomes central to (...)
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  21.  8
    Long Day's Journey Into Sublimation.William J. Richardson - 1997 - Journal of the British Society for Phenomenology 28 (1):63-79.
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  22.  99
    Zhenzhi and Acknowledgment in Wang Yangming and Stanley Cavell.William Day - 2012 - Journal of Chinese Philosophy 39 (S1):51-68.
    The present article is a slightly revised version of my article in Journal of Chinese Philosophy 39, no. 2 (2012): 174–91. I appreciate the opportunity to republish with very minor corrections. This article highlights sympathies between Wang Yangming’s notion of zhenzhi (real knowing) and Stanley Cavell’s concept of acknowledgment. I begin by noting a problem in interpreting Wang on the unity of knowing and acting, which leads to considering how our suffering pain figures in our “real knowing” of another’s pain. (...)
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  23.  14
    Mental Models of the Day/Night Cycle.Stella Vosniadou & William F. Brewer - 1994 - Cognitive Science 18 (1):123-183.
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  24. I Don't Know, Just Wait: Remembering Remarriage in Eternal Sunshine of the Spotless Mind.William Day - 2011 - In David LaRocca (ed.), The Philosophy of Charlie Kaufman. University Press of Kentucky.
    "In 'I Don't Know, Just Wait: Remembering Remarriage in Eternal Sunshine of the Spotless Mind', William Day shows how Kaufman's Eternal Sunshine of the Spotless Mind should be considered part of the film genre known as remarriage comedy; but he also shows how Kaufman contributes something new to the genre. Day addresses, in particular, how the conversation that is the condition for reunion involves discovering 'what it means to have memories together as a way of learning how to be (...)
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  25. To Not Understand, but Not Misunderstand: Wittgenstein on Shakespeare.William Day - 2013 - In Sascha Bru, Wolfgang Huemer & Daniel Steuer (eds.), Wittgenstein Reading. Berlin: pp. 39-53.
    Wittgenstein's lack of sympathy for Shakespeare's works has been well noted by George Steiner and Harold Bloom among others. Wittgenstein writes in 1950, for instance: "It seems to me as though his pieces are, as it were, enormous sketches, not paintings; as though they were dashed off by someone who could permit himself anything, so to speak. And I understand how someone may admire this & call it supreme art, but I don't like it." Of course, the animosity of one (...)
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  26.  20
    The Unavoidable Intentionality of Affect: The History of Emotions and the Neurosciences of the Present Day.William M. Reddy - 2020 - Emotion Review 12 (3):168-178.
    The “problem of emotions,” that is, that many of them are both meaningful and corporeal, has yet to be resolved. Western thinkers, from Augustine to Descartes to Zajonc, have handled this problem by employing various forms of mind–body dualism. Some psychologists and neuroscientists since the 1970s have avoided it by talking about cognitive and emotional “processing,” using a terminology borrowed from computer science that nullifies the meaningful or intentional character of both thought and emotion. Outside the Western-influenced contexts, emotion and (...)
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  27. Words Fail Me. (Stanley Cavell's Life Out of Music).William Day - 2020 - In David LaRocca (ed.), Inheriting Stanley Cavell: Memories, Dreams, Reflections. New York: Bloomsbury. pp. 187-97.
    Stanley Cavell isn't the first to arrive at philosophy through a life with music. Nor is he the first whose philosophical practice bears the marks of that life. Much of Cavell's life with music is confirmed for the world in his philosophical autobiography Little Did I Know. A central moment in that book is Cavell's describing the realization that he was to leave his musical career behind – for what exactly, he did not yet know. He connects the memory-shock of (...)
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  28. " Blazoned Days": Meaning Changes in the Films of Woody Allen.William Krier - 1996 - Film & Philosophy (Society for the Philosophic Study of the Contemporary Visual Arts) 3:144.
     
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  29. Moonstruck, or How to Ruin Everything.William Day - 1995 - Philosophy and Literature 19 (2):292-307.
    A reading of the film Moonstruck (1987) is presented in two movements. The first aligns Moonstruck with certain Hollywood film comedies of the 1930s and 40s, those Stanley Cavell calls comedies of remarriage. The second turns to some aspects of Emerson's writing – in particular his interest in our relation to human greatness, and his coinciding interest in our relation to the words of a text – and shows how Moonstruck inherits these Emersonian, essentially philosophical interests.
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  30. Moonstruck, or How to Ruin Everything.William Day - 2003 - In Kenneth Dauber & Walter Jost (eds.), Ordinary Language Criticism: Literary Thinking after Cavell after Wittgenstein. Evanston, IL, USA: Northwestern University Press. pp. 315-328.
    A reading of the film Moonstruck (1987) is presented in two movements. The first aligns Moonstruck with certain Hollywood film comedies of the 1930s and 40s, those Stanley Cavell calls comedies of remarriage. The second turns to some aspects of Emerson's writing – in particular his interest in our relation to human greatness, and his coinciding interest in our relation to the words of a text – and shows how Moonstruck inherits these Emersonian, essentially philosophical interests.
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  31. The Ecstasy of Time Travel in Werner Herzog's Cave of Forgotten Dreams.William Day - 2017 - In David LaRocca (ed.), The Philosophy of Documentary Film: Image, Sound, Fiction, Truth. Lanham, MD 20706, USA: Lexington Books. pp. 209-224.
    Documentary film is that genre of filmmaking that lays bare the fact of all film, which is that it presents "a world past" (Cavell, The World Viewed). This fact of film seems to point to a paradox of time in our experience of movies: we are present at something that has happened, something that is over. But what if we were to take this fact to show that film has the power to place us outside our ordinary, unreflective relation to (...)
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  32.  54
    William James and the Evolution of Consciousness.Mark Nielsen & R. H. Day - 1999 - Journal of Theoretical and Philosophical Psychology 19 (1):90-113.
    Despite having been relegated to the realm of superstition during the dominant years of behaviorism, the investigation and discussion of consciousness has again become scientifically defensible. However, attempts at describing animal consciousness continue to be criticized for lacking independent criteria that identify the presence or absence of the phenomenon. William James recognized that mental traits are subject to the same evolutionary processes as are physical characteristics and must therefore be represented in differing levels of complexity throughout the animal kingdom. (...)
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  33.  98
    Jazz Improvisation, the Body, and the Ordinary.William Day - 2002 - Tidskrift För Kulturstudier 5:80-94.
    What is one doing when one improvises music, as one does in jazz? There are two sorts of account prominent in jazz literature. The traditional answer is that one is organizing sound materials in the only way they can be organized if they are to be musical. This implies that jazz solos are to be interpreted with the procedures of written music in mind. A second, more controversial answer is offered in David Sudnow's pioneering account of the phenomenology of improvisation, (...)
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  34.  14
    The Interactive Effect of Personality, Time of Day, and Caffeine: A Test of the Arousal Model.William Revelle, Michael S. Humphreys, Lisa Simon & Kirby Gilliland - 1980 - Journal of Experimental Psychology: General 109 (1):1-31.
  35.  69
    "Art and Baseball, Like and Unlike." Review of Serious Larks: The Philosophy of Ted Cohen, Edited by Daniel Herwitz. [REVIEW]William Day - 2019 - American Book Review 40:12-13.
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  36. Davis, William Stearns: Readings in Ancient History, I and II, and A Day in Old Athens. [REVIEW]Robinson Robinson - 1915 - Classical World: A Quarterly Journal on Antiquity 9:53-55.
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  37. Davis, William Stearns: Readings in Ancient History, I and II, and A Day in Old Athens.R. W. Robinson - 1915 - Classical Weekly 9:53-55.
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  38. A William Ernest Hocking Reader: With Commentary.William Ernest Hocking - 2004 - Vanderbilt University Press.
    Leading Harvard philosophy professor William Ernest Hocking (1873-1966), author of 17 books and in his day second only to John Dewey in the breadth of his thinking, is now largely forgotten, and his once-influential writings are out of print. This volume, which combines a rich selection of Hocking’s work with incisive essays by distinguished scholars, seeks to recover Hocking’s valuable contributions to philosophical thought.
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  39. The Tractatus de Successivis.William of Ockham, Philotheus Boehner, Allan B. Wolter & Sebastian J. Day - 1949 - Philosophy 24 (90):274-275.
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  40.  80
    Review of Roger Scruton, A Short History of Modern Philosophy: From Descartes to Wittgenstein. [REVIEW]William Day - 1997 - Philosophy in Review 17 (5):371-372.
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  41.  56
    Review of Richard Shusterman, Performing Live: Aesthetic Alternatives for Ends of Art. [REVIEW]William Day - 2004 - Journal of Aesthetics and Art Criticism 62:300-302.
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  42. A Page Concordance for Unnumbered Remarks in Philosophical Investigations.William Day - 2010 - In William Day & Víctor J. Krebs (eds.), Seeing Wittgenstein Anew. Cambridge: Cambridge University Press. pp. 357-372.
    Wittgenstein's Philosophical Investigations is organized in short paragraphs or "remarks." Most of these are numbered consecutively, but some are not – including his remarks on "aspect-seeing" that are the focus of Seeing Wittgenstein Anew. This appendix to that volume is an indexed catalog of the unnumbered remarks, cross-referenced to four different editions, including the latest (4th) edition.
     
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  43.  5
    Five Days Which Transformed Russia Sergei Mstislavskii, Trans. Elizabeth Kristofovich Zelensky, Intro. William G. Rosenberg , Xiv + 168 Pp., Maps. $27.50, Cloth; $9.95, Paper. [REVIEW]F. Zuckerman - 1990 - History of European Ideas 12 (4):554-555.
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  44.  27
    Dorothy Day and the American Right.William Kauffman - 1999 - The Chesterton Review 25 (1/2):214-223.
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  45. A Conversation with Lydia Goehr.William Day - 1996 - Conference: A Journal of Philosophy and Theory 7 (1):11-20.
     
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  46. Benedetto da Firenze Un Maestro d'Abaco Del XV Secolo: Con Documenti Inediti E Con un'Appendice Su Abacisti E Scuole d'Abaco a Firenze Nei Secoli XIII-XVI. [REVIEW]William Day - 2005 - The Medieval Review 2.
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  47. Church Reform & Social Change in Eleventh-Century Italy: Dominic of Sora and His Patrons. [REVIEW]William Day Jr - 1998 - The Medieval Review 9.
  48. SMART, WILLIAM.-Second Thoughts of an Economist. [REVIEW]J. P. Day - 1916 - Mind 25:542.
     
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  49. Pasolini: The Last Days.Michael Williams - 1978 - New Blackfriars 59 (694):123-126.
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  50.  24
    Zecca: The Mint of Venice in the Middle AgesAlan M. Stahl.William R. Day - 2003 - Speculum 78 (2):602-605.
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