Though Milton at no point in Areopagitica attacks monarchical government directly, his position in this treatise is implicitly republican. The vocabulary of Areopagitica is full of echoes of republican discourse, with terms like ?tyranny,? ?slavery,? ?yoke,? ?servile,? ?thraldom,? as well as ?true liberty.? In a number of eloquent metaphorical passages, the search for truth is presented both as a sacred duty and as a communal task, performed by free individuals working independently in a common cause. The extended metaphor of ?the (...) virgin Truth,? hewed into ?a thousand peeces? to be patiently reassembled ?in every joynt and member,? like many passages in Areopagitica, is simultaneously classical and Christian in its allusions and its imagery. In the celebrated ?fugitive and cloistered virtue? passage, anticipating the action of Paradise Lost, the reading of books is presented as one of many instances of the exercise of moral choice, ?triall???by what is contrary.? Conflating Biblical and classical allusions, Milton here redefines ?the rules of antient libertie? in terms of the freedom of the will, extended to Adam and Eve and their descendants by their creator, in accordance with Milton's Arminian theology. (shrink)

This stimulating, ambitious interdisciplinary study, as its subtitle indicates, links seventeenth-century and modern concerns: a relationship between Milton and modernity is indicated in the titles...

In his preface to Samson Agonistes, Milton cites ?the ancients? and especially Aeschylus, Sophocles, and Euripides, as his models in a tragedy ?after the Greek manner.? In this preface, Milton interprets Aristotelian catharsis in medical terms as a restoration of balance or ?just measure.? The final lines of Samson Agonistes, beginning with the words ?All is best,? are an attempt at closure, suggesting that the storms of passion should give way to a healthy, serene calmness. But the mass slaughter near (...) the end of the poem makes these closing moments deeply disturbing and problematical. Unlike the heroes of Sophocles? Oedipus at Colonus and Philoctetes, and unlike the Samson of the Book of Judges, Milton's Samson is presented throughout the poem as a free moral agent. Rather than being the plaything of a remote and cruel deity, Milton's Samson accepts his responsibility for his own downfall. His conviction that he is God's ?nurseling,? set aside from early childhood as ?a person separate to God, / Designed for great exploits,? that he has failed in his responsibilities and has been brought low by his own weaknesses is consistent with Milton's sometimes heterodox theology as set forth in De Doctrina Christiana. At the heart of Milton's tragedy is the paradox of tragic freedom, the hidden presence of a deity, who with divine foreknowledge, allows his creatures freedom on the condition that, if they fail to obey his exacting demands, they must bear the terrible consequences. (shrink)

Volume 24, Issue 3-4, May - June 2019, Page 432-436.