In this volume, Dieter Henrich provides an invaluable guide to the better understanding of the Grundlinien der Philosophie des Rechts. That well-known book was published in 1821, but the manuscript was finished on June 25, 1820, in other words, in immediate proximity to the Berlin lectures on the same topic, published here with Henrich’s extensive editorial introduction and comment. Furthermore, the Grundlinien of 1821 were intended to be an aid to the listeners of his lectures: in these published lectures on (...) the same topic of 1819/20 such a printed aid was not available to students. Hence the lectures have a directness, freshness, and attention to systematic detail that is missing both in the later lecture notes by Hotho and by D. F. Strauss, as also in the Grundlinien. This difficult publication of 1821 was to be interpreted by the later lectures, whereas in those of 1819/20 Hegel had to develop the theoretical foundation in the lectures themselves. They show an admirable cohesiveness in the flow of argumentation, and have some similarity to the popular editions of the lectures on the philosophy of history, aesthetics, and religion. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Werke, and: Vol. 1, Schriften zum Spinozastreit (1998), and: Vol. 2, Schriften zum transzendentalen Idealismus (2004), and: Vol. 3, Schriften zum Streit um die göttlichen Dinge und ihre Offenbarung (2000)Rolf AhlersFriedrich Heinrich Jacobi. Werke. Edited by Klaus Hammacher and Walter Jaeschke. Vol. 1, Schriften zum Spinozastreit ( 1998). Vol. 2, Schriften zum transzendentalen Idealismus ( 2004). Vol. 3, Schriften zum Streit um die göttlichen Dinge und ihre Offenbarung (...) ( 2000). Pp. x + 640. Cloth, € 168,00 (Vol. 1). Pp. vii + 823. Cloth, € 264,00 (Vol. 2). Pp. vi + 262. Cloth, € 78,00 (Vol. 3). Hamburg: Felix Meiner Verlag, 1998, 2000, 2004.The new critical Jacobi Werke Ausgabe (JWA), accompanied by four volumes of the still incomplete Briefwechsel (in progress at Frommann-Holzboog Publishers since 1981), is a masterpiece of research on Jacobi, early German Idealism and early Romanticism. Now [End Page 491] available are Volumes I, II and III. Volume I (1998) carries the title Schriften zum Spinozastreit and contains Jacobi's Spinozabriefe in the three editions of 1785, 1789, and 1819, Wider Mendelssohns Beschuldigungen of 1786, and the Vorbericht (Preface) of the third edition of the Spinozabriefe of 1819. The running text of all writings contains all editions, variant readings clearly identifiable with page references in the margins, subscripted to identify the various editions. This method enables the identification of various disputes which Jacobi provoked and in which his writings played a role. The Anhang, appendix, to all texts contains a) a list of abbreviations, and b) the editorial principles used and also a description of the circumstances leading to the writing of the texts. But the bulk of the Anhang of each volume is c) the "Kommentar," the commentary. It provides the key to the highly nuanced and, without guidance, the often cryptic allusions and references of Jacobi's texts. This commentary (separately bound in Volumes I and II) really brings Jacobi's work to life. The end of the Anhang contains d) a bibliography of all works mentioned not only by Jacobi himself but also emerging in the literary debate unlocked by the commentary, as well as e) an extensive index of names. Volume II (2004) is Schriften zur Transzendentalphilosophie, and contains David Hume of 1787, the Sendschreiben an Fichte, Ueberflüssiges Taschenbuch, both of 1799, and other essays such as Three Letters to Köppen of 1803. Volume III (2000) is Schriften zum Streit um die Göttlichen Dinge and contains mainly the famous essay Von den Göttlichen Dingen of 1811 plus three other writings. This book deals with the controversy between Schelling and Jacobi while both were at Munich. Other major works of Jacobi, such as the novel Allwill, are to follow in later volumes.This critical edition of Fr. H. Jacobi (1743–1819) definitively revises the standard interpretation of the man and his work. The standard interpretation (advocated by such figures as Fr. Schlegel, Moses Mendelssohn, and H. Heine) views his thought as promoting irrationalism, specifically a religious irrationalism of faith, taking form in "personalism." Heine spoke of Jacobi as a "whiney old biddy." Fr. Schlegel characterized Jacobi's salto mortale as the "leap into the arms of divine mercy," promoting an irrational "philosophical non-philosophy" (KFSA XVIII 13, Nr. 101). Schlegel criticized Jacobi at the very end of in his Woldemar Review of 1796 thus: "So (Jacobi's) Woldemar is really an invitation to meet God..., and (his) theological masterpiece ends, as do all moral excesses, with a salto mortale... into the abyss of divine mercy" (Früher Idealismus und Frühromantik PlS I.1, ed. W. Jaeschke [Hbg: Meiner, 1995], 270). Carl Philipp Moritz credited Jacobi with "fanaticism and superstition."In contrast, Jacobi himself was quite critical of this characterization of his thought, especially in the Sendschreiben of 1799, and earlier in his Briefe. Jacobi already in 1786 thought it was "outrageous" for Mendelssohn to suggest he surrenders a philosophy of reason in favor of the Christian faith, or worse. He addresses this problem, which is still today the dominant view of the "irrationality" of his "leap," with admirable clarity in his letter to Neeb of May 30, 1817: "I do not at all advocate a head-first... (shrink)

The apology to the reader -- The corpus chair and oxford jurisprudence as evolved by 1952 -- The gladsome light of philosophical jurisprudence -- The elusive sources of Hart's ideas in The Concept of Law -- Cyclops, hedgehogs, and foxes -- Where Homer nodded? -- Judging a pioneer.

THE PROBLEM OF THE INTERPRETATION OF HAMANN Johann Georg Hamann is an intriguing but poorly known figure in the contemporary intellectual world. Yet this is the man whom Kierkegaard saluted as "Emperor!", whose writings were to have been arranged for publication by none other than Goethe himself, and whom Dilthey numbered among the primordial figures in the rise of modern historical consciousness. There are reasons for the persistence of this general ignorance. Hamann is deep. And, in addition, there is his (...) forbidding style. The readers of Kierkegaard and Dilthey, two other giants who them selves achieved late recognition, have not had to face this kind of imposing obstacle. Not only does Hamann expect his readers to handle themselves in deep water, but to intuit their way between his ideas which bob up like islands with no visible connection between them. Like Kierkegaard too, Hamann has had his troubles with the public. He himself referred to the hope that he would be understood by a "better posterity". In fact only the last few years have seen the printing of some of his more controversial writings, in particular his theories on the nature of human sexuality. (shrink)

Richard Miller presents a bold new program for international justice. He argues for new standards of responsible conduct by governments, firms, and individuals in developed countries, to govern trade, investment, environmental policy, and the use of force. He offers an urgently needed strategy for moving humanity toward genuine global co-operation.

This paper undertakes an analysis of the distinctive forms of self-consciousness, self-representation and existential-therapeutic work characteristic of the ex-voto paintings in Mexican folk art, and examines the appropriation thereof in Kahlo's Self-Portrait with Cropped Hair.