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Vincent Tomas [29]Vincent A. Tomas [1]
  1. The Moral Point of View: A Rational Basis of Ethics.Vincent Tomas - 1958 - Philosophical Review 69 (4):548-553.
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  2. Essays in the Philosophy of Science.Charles S. Peirce, Vincent Tomas & Philip P. Wiener - 1961 - British Journal for the Philosophy of Science 12 (45):72-73.
     
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  3. Creativity in art.Vincent Tomas - 1958 - Philosophical Review 67 (1):1-15.
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  4.  16
    Socratic Method and Critical Philosophy.Vincent Tomas - 1950 - Philosophical Review 59 (3):400.
  5.  35
    Aesthetic vision.Vincent Tomas - 1959 - Philosophical Review 68 (1):52-67.
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  6. Ethical disagreements and the emotive theory of values.Vincent Tomas - 1951 - Mind 60 (238):205-222.
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  7.  6
    Creativity in the Arts.Vincent Tomas - 1965 - Philosophy and Phenomenological Research 25 (4):597-597.
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  8.  78
    Kandinsky's theory of painting.Vincent Tomas - 1969 - British Journal of Aesthetics 9 (1):19-38.
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  9.  34
    Socratic Method and Critical Philosophy.Vincent Tomas - 1950 - Philosophical Review 59 (3):400-401.
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  10. Essays in the Philosophy of Science. Edited with an Introd. By Vincent Tomas.Charles S. Peirce & Vincent Tomas - 1957 - Liberal Arts Press.
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  11. Essays in the Philosophy of Science.Charles S. Peirce & Vincent Tomas - 1960 - Philosophy of Science 27 (3):312-313.
     
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  12. 9 basic arts.Vincent Tomas - 1962 - Review of Metaphysics 15 (3):494-498.
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  13.  21
    Nine Basic Arts.Vincent Tomas - 1962 - Review of Metaphysics 15 (3):494 - 498.
    The sentences, usually short and declarative, succeed one another with the rapidity and authority of left jabs. Like Lewis Mumford, Professor Weiss is not afraid, when it is appropriate, to call attention to the obvious. Thus he points out.
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  14.  21
    Can we know the contents of C I Lewis's mind?Vincent Tomas - 1950 - Philosophy and Phenomenological Research 11 (June):541-548.
  15.  29
    Has professor Greene proved that art is a cognitive process.Vincent Tomas - 1940 - Journal of Philosophy 37 (17):459-469.
  16.  22
    Some recent volumes on the arts.Vincent Tomas - 1950 - Philosophy and Phenomenological Research 11 (2):221-227.
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  17.  31
    A note on creation in art.Vincent Tomas - 1962 - Journal of Philosophy 59 (17):464-469.
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  18.  14
    Curt John Ducasse 1881-1969.Vincent Tomas - 1968 - Proceedings and Addresses of the American Philosophical Association 42:167 - 168.
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  19.  23
    On "is art a language?".Vincent Tomas - 1965 - Journal of Philosophy 62 (20):573-574.
  20.  24
    Dr. Munro, scientific aesthetics, and creative art.Vincent Tomas - 1958 - Philosophy and Phenomenological Research 19 (3):391-398.
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  21.  18
    Mr. Stolnitz's questions concerning aesthetic vision: A reply.Vincent Tomas - 1961 - Philosophy and Phenomenological Research 22 (1):88-91.
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  22.  23
    Ducasse on art and its appreciation.Vincent Tomas - 1952 - Philosophy and Phenomenological Research 13 (1):69-83.
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  23.  12
    Socratic Method and Critical Philosophy.Vincent Tomas - 1951 - Philosophy 26 (98):265-266.
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  24.  9
    Broad on “Supreme Dispositions”.Vincent Tomas - 1951 - Philosophical Studies 2 (6):81-85.
  25.  3
    The Quest for Beauty.Vincent Tomas - 1958 - Philosophy and Phenomenological Research 18 (4):561-561.
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  26.  11
    Art and the Social Order.Vincent Tomas - 1948 - Philosophical Review 57 (2):196.
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  27.  9
    The Language of Morals.Vincent Tomas - 1955 - Philosophical Review 64 (1):132.
  28.  2
    An Introduction to Aesthetics.Vincent Tomas - 1953 - Philosophy and Phenomenological Research 14 (1):129-130.
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  29.  7
    Power and Events: An Essay on Dynamics in Philosophy.Vincent A. Tomas - 1947 - Journal of Aesthetics and Art Criticism 5 (4):327-329.
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