Whatever theoretical perspective one adopts for interpreting Alice (mathematics, physics, psychoanalysis, etc.), reading it unfailingly turns into a series of unexpected discoveries. Yet probably no other readings prove to be as adventurous as the philosophical ones. Philosophers are inspired by the book to address a vast variety of issues, from the problem of internal meanings, i.e. the relation of saying to meaning, up to the existence of God and the creation of the world. In this chapter, I have tried to (...) trace some of the most impressive philosophical adventures in Wonderland that might give birth to still more stirring new ideas and discoveries in the future. (shrink)

Academic discussions of the count/mass distinction in Chinese feature three general problems, upon which this essay critically reflects: 1) Most studies focus either on modern or on classical Chinese thus representing parallel discussions that never intersect; 2) studies on count/mass grammar are often detached from reflections on count/mass semantics, which results in serious theoretical and terminological flaws; 3) approaches to Chinese often crucially depend on observations of English grammar and semantics, as, e.g., many/much vs. few/little patterns, the use of plural (...) inflections, etc., which is seldom justified. The article investigates the relevant discourse on the count/mass issue in classical and modern Chinese and concludes with exploring two distinct areas related to countability: the semantics of singular in contexts in which objects are introduced as referential-indefinite and the semantics of number and countability as revealed in diangu. (shrink)

In this chapter, Nonsense is approached as a category that reveals a close relation both to order and disorder, rationality and illogicality, conventionality and arbitrariness, reality and dream. Among its various illustrations, quite a prominent role is assigned to the Duchess’ sentence, which, in spite of being universally acknowledged as one of the best pieces of Nonsense, is rarely discussed in detail in philosophical and literary investigations: ‘Be what you would seem to be’ - or, if you’d like it put (...) more simply – ‘Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.’. (shrink)

The paper is a discussion of collected reviews of Erwin Ritter von Zach, one of the most influential scholars in the history of Sinology.

Since ancient times, the problem of evil has attracted intellectual minds in China probably as strongly as any other philosophical issue. One might reasonably take the view that particular ways of argumentation on this topic shaped the spiritual portrait of any major period of thought in Chinese history. The present essay investigates some crucial shifts in China’s coming to terms with evil in the course of the last one hundred years. The focus is put on Chinese readings of Nikolai Gogol, (...) Fyodor Dostoevsky, and Mikhail Bulgakov. (shrink)

One of the theories that have been produced in linguistics in the light of J. E. McTaggart’s influential essay “The Unreality of Time” (1908) is a critique of reality that may be attributed to the semantics of tenses in natural languages. This chapter from my book The Linguistic Picture of the World: Alice’s Adventures in Many Languages proposes an alternative approach to the semantics of time, not as a dubious product of linguists’ imagination, i.e. not as something that can easily (...) be discarded from the philosophy of language but rather as a firm category of human thinking. Particular emphasis is placed on the idea of time as it is expressed by the seemingly rather contradictory morphology of the past, present, and future. (shrink)

Fully in accord with the Aristotelian confidence in things that are probable (even if not really likely to happen in the near future), the essay anticipates an interplanetary critique against geocentric ways of thinking peculiar to most humans on Earth: Japanese, Chinese, English, Germans, Russians, etc. who insist on using expressions like sunset and sunrise and thus heavily offend the feelings of anyone coming from planets that do not enjoy Earth’s proximity to the Sun. As this critique would not be (...) significantly different to what currently is going on in intercultural studies (the central issue of the essay), the essay may be regarded as illuminating the ways to secure a peaceful future of interplanetary relations. (shrink)

Objectivity is one of the central themes in Max Weber's work. Weber criticizes uncontrolled mixing up of thought and feeling which is to be avoided in investigations of cultures. At the same time he is convinced that any cultural study is necessarily an expression of some "one-sided points of view" espoused by scholars. This consideration is crucial for Max Weber's method. The paper analyzes the application of Max Weber's methodology to his study on China. Special attention is paid to the (...) unity of style, ethics and the theory of cognition. (shrink)

Following Mary Douglas' conviction that "dirt is never an isolated event", the present study aims at a systematic analysis of bodily projections of good and poor health (bacteria, diseases, im/purity etc.) into philological taxonomies of Republican China. Embedded in a global Renaissance discourse, modern Chinese representations of un/healthy language and un/healthy literature provided a system according to which the whole body of the national cultural heritage could be reexamined quickly and effectively.

The paper is a review of a recently published work of Chinese anthropology which sets out with a criticism of Edward Said's "Orientalism" for displaying the "West" as the only possible subject of political imagination. The book under review is characteristic of many current trends in Chinese humanities, of the emphasis on the importance of preserving "national characteristics" which is possible only if "the West as the other" and the current global power relations are carefully reexamined.

A summary of my book on Western metaphor theories in the work of a prominent Chinese intellectual Qian Zhongshu. Qian's scepticism of metaphysics is discussed against the background of a global "post-modern" metaphor discourse in which metaphor is increasingly divested of its once important metaphysical qualities.

This book has been inspired by Walter Benjamin’s idea of an afterlife of an original in its translations and probes into a wide variety of extensions of Carroll’s story in six languages. For one thing, it deals with language that speaks and more or less automatically steers its users in a particular direction and, for another, it discusses the creativity of individual translators who not only share a definite picture of the world with their language community but, in great many (...) instances, reveal a unique resourcefulness in resisting its power. Each chapter deals first with a separate theoretical issue (e.g. literalness, style, gender, and tense) and then proceeds to examine its practical actualization in various translations of Alice. (shrink)