Adaptation to changing and new environmental conditions is of fundamental importance to sustainability and requires concerted efforts amongst science, policy, and practice to produce solution-oriented knowledge. Joint knowledge production or co- production of knowledge has become increasingly popular terms to describe the process of scientists, policy makers and actors from the civil society coming together to cooperate in the production, dissemination, and application of knowledge to solve wicked problems such as climate change. Networks are particularly suited to produce knowledge in (...) a joint fashion. However, the process of joint knowledge production (JKP) in networks has rarely been examined. In this paper, we present a sketch of the adaptation network landscape and assess how joint knowledge production supports the development of solution-oriented knowledge in climate change adaptation networks. We conclude that the processes of JKP are diverse, complex, and highly dependent on the interests and roles of actors within the network. To keep such processes alive, signposts in form of analysis and intermediary products along the network lifetime should be positioned as means of stocktaking and monitoring for the future. (shrink)

DIREITOS HUMANOS E INTERPRETAÇÃO EM CHAIM PERELMAN.

This manuscript presents a demonstration study of Quiet Time, a classroom-based Transcendental Meditation intervention. The aim of the study is to assess the feasibility of implementing and evaluating QT in two pilot settings in the United Kingdom and Ireland. This study contributes to the field by targeting middle childhood, testing efficiency in two settings operating under different educational systems, and including a large array of measures. First, teacher and pupil engagement with QT was assessed. Second, the feasibility of using a (...) quasi-experimental design and a wide range of instruments to measure changes in pupil outcomes before and after the intervention was assessed. This allows us to obtain information about which instruments might be feasible to administer and most sensitive to change. The first setting included 89 students from a primary school in the United Kingdom: those in sixth grade received the QT intervention, while those in fifth grade practiced meditation using the Headspace application. The second setting included 100 fifth- and sixth-grade students from two schools in Ireland: one received the QT intervention, the other served as a control. Recruitment and retention rates were high in both settings, and the intervention was feasible and accepted by students, parents and teachers. Implementation fidelity was lower in the United Kingdom setting where delivery started later in the school year and the practice was affected by preparation for the Standard Assessment Tests. These results show that QT may be feasibly delivered in school settings, and suggest the use of a compact battery of tests to measure impact. We find suggestive evidence that the intervention affected executive function as children who practiced QT showed improved working memory in both settings. In the Irish setting, pupils in the QT group had improved ability to control responses. These results have implications for future studies by a) demonstrating that implementation fidelity is highly context dependent and b) providing suggestive evidence of the malleability of children’s skills in middle childhood. The results of this demonstration study will be used to inform a larger RCT of the QT intervention. (shrink)

Objetiva-se fazer uma breve explanação sobre a problemática da representação teatral e os seus efeitos sobre os espectadores a partir do caráter etnológico, através da crítica realizada pelo filósofo Jean-Jacques Rousseau (1712-1778). Fundamenta-se_ _com base na obra _Carta a D’Alembert sobre os espetáculos. _Nesta obra, Rousseau apresenta uma crítica à representação social através do teatro francês do século XVIII. Na _Carta _o autor discorre toda sua crítica ao teatro francês do século XVIII e expressa as razões para não fundar uma (...) companhia de teatro em Genebra, atribuindo aos jogos e espetáculos cívicos uma importância pedagógica em oposição aos espetáculos teatrais produzidos na época. Assim, iremos, no presente artigo, tratar sobre essa dualidade entre ser e parecer que se evidencia como um jogo de oposição entre uma sociedade corrompida pelos espetáculos teatrais e outra livre dos efeitos corruptores da cena teatral. Nessa última, o único espetáculo possível são as festas populares. (shrink)