Order:
  1.  34
    Jane Austen's Challenges, or the Powers of Character and the Understanding.Valerie Wainwright - 2014 - Philosophy and Literature 38 (1):58-73.
    “Indulging herself in air and exercise” as she wanders down a lane near the great house of Rosings, Elizabeth Bennet is unaware that she is just about to experience one of her most difficult challenges, and that Mr. Darcy is on his way with his letter.1 Just like present-day personality theorists, Jane Austen manifestly directed a great deal of creative and intellectual energy into devising a great variety of tests. But what are such situations designed to test for? What aspects (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  2.  17
    On Being Tough-Minded: Sense and Sensibility and the Moral Psychology of "Helping".Valerie Wainwright - 2015 - Philosophy and Literature 39 (1A):195-211.
    It is fortunate for the community in which she lives that one of the things about which Elinor Dashwood cares a great deal is the social duty of “general civility”—the practice, in Hume’s words, of “gentle usage.” The heroine of Sense and Sensibility is respectful and considerate toward others, whether or not these are dearly loved family members or comparative strangers. According to Karen Stohr, throughout the novel, “Elinor is the exemplar of moderation, propriety and moral rectitude,” and the reader’s (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  3.  9
    The Valentine'S Card: Far from the Madding Crowd and the Act/Art of Moral Evaluation.Valerie Wainwright - 2019 - Philosophy and Literature 43 (1):139-154.
    To Wayne Booth it was clear, authors seek to exert control and writers like Jane Austen endeavor to satisfy this imperative through rhetorical techniques that may include the creation of a wise male figure who can be counted upon to provide the necessary guidance for flawed heroine and reader alike. We require help "to direct our reactions," and thus throughout Austen's novel Emma, her hero and "chief corrective," Mr. Knightley, stands in the reader's mind for what Emma lacks.1 Subsequent scholars (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark