Although numbers as Volume 4, this is the second of the Complete Works to appear, following_ The History of King Richard III_. The Latin text is based on the editions of 1516, 1517, and 1518, fully collated and with the variant readings; the parallel English text is a thoroughly revised version of the translation by G. C. Richards. Also included are the letters on the book exchanged by More and his friends, their tributes, and the marginal glosses of the (...) early editions. The text is followed by a commentary on the relation of _Utopia_ to its own age and as it has been interpreted by scholars. The editors' Introduction included an outline of the genesis and composition of _Utopia_, edited by Father Surtz, will also appear in the Yale Paperbound format. Father Surtz is professor of English at Loyola University, and Mr. Hexter is professor of history at Yale University. Previously announced. (shrink)

This essay reflects on the ambivalent reception of The Death of Nature among English‐speaking historians of early modern science. It argues that, despite its importance, the book was mostly ignored or marginalized by these historians for a variety of reasons. These included the special role played by the “Scientific Revolution” in the grand narrative that increasingly shaped the historiography of science beginning in the 1940s and the subsequent “hyperprofessionalism” of the discipline as a whole. The essay concludes by placing (...) Carolyn Merchant’s work in the context of feminist utopian writing of the late 1970s and calls for renewed attention to the history of the utopian genre as a resource for teachers and feminist scholars of the history of science. (shrink)

Generally, anthropologists are not thought of as contributing to utopian thought and, really, there are few anthropological monographs or articles with even the word "utopia" in the title. As the late anthropological futurist Robert Textor pointed out, this is due to earlier orientations: cultural evolutionism and culture history in the nineteenth and early twentieth centuries, and an emphasis on the "ethnographic present" in the mid-twentieth that tended to represent other people as existing in a "timeless" present. Nevertheless, anthropologists have (...) explored utopian possibility. Margaret Mead, for example, drew on her... (shrink)

In this dissertation, I address the role of the social imaginary in the age of democracy. I first show that we live in the "age of democracy" by looking at the works of modern thinkers such as Machiavelli, Montesquieu, Rousseau and de Tocqueville. They see democracy as an overcoming of what I called "epistemocracy." Then I turn my attention to the debate that occurred in the early and the mid-twentieth century on "the End of Ideology." This debate that (...) still influences us today shaped the way we think of democracy; we oppose it to all that is ideological and utopian. But this position is paradoxical because on the one hand it rejects the "atemporality" of ideology and utopia, but on the other it places itself outside of time in order to make its claim. This is referred to as "Mannheim's paradox." Thanks to the work of Paul Ricoeur, I show that narratives are unsurpassable and that we ought to see them as constitutive of reality. I show that this is dominant theme throughout Ricoeur's life and work where he insists that the modern and autonomous subject of modernity must be rejected and a new form of subjectivity, one that understands finitude and one that is linguistically mediated, must be retrieved. I then apply this general philosophy to Ricoeur's reading of ideology and utopia, whereby each plays a necessary role of sedimentation---in the case of ideology---and of innovation---in the case of utopia. Once the social imaginary is retrieved, I move to the work of radical democrats---Claude Lefort, Ernesto Laclau and Chantal Mouffe---to show that radical democracy is the most compatible form of democracy with Ricoeur's thought. Lefort will show that Ricoeur is right in believing that power is symbolically mediated and that is ultimately groundless. Laclau and Mouffe will also complement Ricoeur's philosophy by showing that dissent is also linguistically and symbolically mediated. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Green Utopia Now! A Transdisciplinary Symposium on How to Deal with the Climate Crisis: November 30, 2022, University of Ferrara, ItalyManuel Sousa Oliveira, Ilenia Vittoria Casmiri, Fabiola Onofrio, Tânia Cerqueira, Francisca Teixeira, and Florian WagnerHow could we come together in transdisciplinary collaboration to deal with the climate crisis? Could utopianism be what brings us together? Last summer (2022) we started asking ourselves these questions, and months later Green Utopia (...) Now! A Transdisciplinary Symposium on How to Deal with the Climate Crisis was our initial attempt at finding an answer. The symposium was an ambitious and challenging venture from the start. Our aspirations for it were perhaps still formulated best in the event program:Green Utopia Now! brings together an outstanding group of early career researchers (ECRs) working on climate and the environment in various fields of study. The symposium will provide a creative space where ECRs can share their transdisciplinary perspectives on how to challenge the limits of monodisciplinary views on sustainability, and how the sciences and the humanities can join forces to tackle the current climate crisis. Each of these scientific and cultural points of view will be brought together by a utopian impulse that insists on the role of collaboration, and the urgency of positive [End Page 368] climate action. In fact, this symposium is guided by our conviction about the importance of (1) transdisciplinary collaboration, (2) innovative research conducted by ECRs, and (3) utopian thinking and practice for engaging with global scale problems.Fortunately, eleven guest speakers accepted the challenge, and their answers were unsurprisingly diverse.1If we are to approach the vicissitudes of the climate crisis, we must, as Hannah Nelson-Teutsch and Lena Pfeifer recently called for, seek “new, entangled form(at)s of scholarship in the humanities.”1 These entanglements have become even more obvious in the ways in which research on the climate and environmental crises challenges the very limits of humanities and monodisciplinary scholarship. Not circumscribed to the humanities, then, Green Utopia Now! similarly aspired to “new, entangled form(at)s” of transdisciplinary research at the intersection of environmental and utopian studies. Thus, it follows that this briefing too should diverge from the conventional form(at) in an attempt to convey the professional, personal and collective entanglements of our projects.Green utopianism, as described in a recent issue of this journal, shares with political ecological movements a radical and urgent “need to live and embody better alternatives within the Now.”2 This idea of “nowness” inspired our symposium down to its title. It would be only fitting, then, that the author, Heather Alberro, would deliver the opening keynote of the Green Utopia Now! symposium. Alberro (Nottingham Trent) joined us online to, on the one hand, (re)introduce the idea of green utopianism and, on the other, propose a new iteration termed “terrestrial ecotopianism.” Drawn for a wide range of both fictional and nonfictional, imaginative and empirical sources, Alberro’s terrestrial ecotopianism redirects our focus toward the here and the now. Providing a further layer to this utopian project is the work being conducted in empirical ecocriticism, as made obvious by W. P. Małecki (Wrocław), who delivered the closing keynote, which was based on “hot off the press” research on environmental communication, environmental psychology, as well as affective (and, of course, empirical) ecocriticism. It inquired into the possibilities of utopian cli-fi in general, and Kim Stanley Robinson’s The Ministry for the Future (2020) in particular, to change attitudes toward the climate crisis. [End Page 369]Most of our speakers, were far from being utopian scholars. Still, by the end of the symposium it was becoming clear that many (if not all) were in fact unwitting utopians. Regardless of the fields—from literature to genetics, biology to sociology, or economics to architecture—collectively the proposals that were put forth constitute a fresh and wide-ranging utopian project exploring both more and less exact ways of dealing with the climate crisis now. Not wishing to have the project become monolithic, much of the utopian aspirations for the symposium were placed in the process, the relationships, and the conversations. Even if to admittedly mixed results, the panels too... (shrink)

This article aims to draw a theoretical framework to discuss the role of religion in utopia's appeal to transcendence in Turkish literature. This aim entails interrogating the intricate relation between utopia and religion in order to demonstrate how religious discourse functions as a transcendent organizing principle in Turkish utopian vision. The employment of religious discourse in utopia often generates problematic moments in which utopia attains a transcendent position and comes closest to its sibling term, dystopia. This article seeks to identify (...) and describe this position of transcendence in Turkish utopia by resorting to Deleuzian distinction between the two types of utopia: “utopia of transcendence,” oriented toward authoritarianism, and “utopia of immanence,” oriented toward revolution. In so doing, it will engage with three early works from the Second Constitutional Period, Ruşeni Barkın's Müslümanların Gaye-i Hayâliyesi, İsmail Gaspıralı's Darürrahat Müslümanları, and Molla Davudzade's Rüyada Terakki ve Medeniyet-i İslamiyeyi Rü‘yet. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Utopia and Modernity in China: Contradictions in Transition ed. by David Margolies and Qing CaoArtur BlaimDavid Margolies and Qing Cao, eds. Utopia and Modernity in China: Contradictions in Transition. London: Pluto Press, 2022. 176 pp. Paperback, £19.99, ISBN 978 0 7453 4739 4In recent years, numerous publications have appeared focusing on the until now little known non-Western utopias and utopianism.1 Utopia and Modernity in China is a (...) most welcome addition, offering a highly informative survey of Chinese utopias and utopianism combined with an insightful discussion of their formative role in the making of modern China. The book consists of seven chapters introducing different aspects of the opposition of utopia and modernity as exemplified by various cultural productions and their impact on the social and political life of the country. Its publication has acquired a special relevance today not only due to China’s increasingly major role in the contemporary world, but also in connection with its official support of the [End Page 143] Russian invasion of Ukraine, contradicting its repeatedly declared adherence to the principles of international law and the ideals of national sovereignty, noninterference, and harmony in international affairs.Although the term utopia appeared in Chinese discourse only at the end of the nineteenth century, the idea of a radically better society has always existed in China, assuming different forms and shapes. The contributors to the volume trace the functioning of the broadly conceived phenomenon of utopian thinking in various domains of Chinese cultural, social, and political life, paying special attention to literary and cinematic works. The declared aims of the book are not only cognitive but also pragmatic as the editors believe that recent Chinese history involving “fundamental conflict of values,” the country’s experiences with economic systems that fail to supply the needs of the population, and the emergence of a society based on inequality, can be seen as highly relevant in the Western context also, to the extent that—as the editors convincingly argue—it “can provide English-language readers with a perspective useful for making sense of their own condition” (2).The editors see the opposition of utopia and modernity as less significant in the Western context than in China, where modernity became essential for preserving the integrity of the state torn by the conflict between the traditional values of nonconfrontation and continuity and the urgent need for significant change. Unlike in the West, where the dominant view of modernity was largely influenced by the Platonic model of the society in which the class of rulers was protected by the military class controlling the rest of the population, the Confucian model of social relations prevalent in China was based—at least in theory—on the principle of harmony rather than force. Other factors defining the Chinese variety of utopianism were Taoism, emphasizing the importance of nature and “The Way,” and Buddhism, advocating the limitation of needs and control of desires. The editors see this as “the reverse of the West’s view: for China, utopia (in the aspect of harmony) is the expectation, the desired normal, while modernity is the disrupter” (4) which is responsible for the predominance of the nostalgic utopia looking backwards to the idealized harmony of the past. The revolutions taking place in China in the twentieth century led to the decline of traditional ideals and brought with them experiments with the implementation of various Western ideologies, ranging from liberalism and democracy to socialism and communism. As a result, there are three main tendencies in the value system of contemporary China: orthodox communism, market-based liberalism, and [End Page 144] values derived from traditional Chinese culture. Nevertheless, the state continues to be generally seen in Confucian terms as an extension of the family based on moral authority rather than as “necessary evil.”The first chapter, “The Lure of Utopia: Reinterpreting Liang Qichao’s Xinmin Shuo, 1902–1906,” proposes a new perspective on the ideas of Liang Qichao, a highly influential early twentieth-century political activist, journalist, and intellectual, by focusing on the ways in which he advanced a utopian vision of the West as a radical alternative to the traditional Chinese social views. Liang... (shrink)

Through an historical-conceptual analysis of Utopia, the essay examines several features of More’s international political thought, drawing attention to the analogies that permit to compare his work to contemporary theories and practices of justifying war. From this perspective, More’s conceptualisation of just war constitutes an early modern attempt to legitimise states’ policies aimed at exporting specific political and cultural models to other states, relying on the assumption that such models are intrinsically valuable or constitute optimal solutions for the life (...) of any political community. (shrink)

This article examines the utopian vision present in the eponymous work by Thomas More and in the early Anabaptists. In the light of the discussion on the power and dangers of utopian thinking in liberation theology it seeks to show how More struggled with the tension between the positive possibilities of a different world and the destructive criticism of the present reality. A similar tension is found in early Anabaptist practices, especially in terms of their relationship to the (...) state and their practice of commonality of goods. The article shows that that all attempts to reduce visions of a better world to a particular setting end up as ideological. (shrink)

Bloch’s philosophy of music is one of the most interesting of the twentieth century, particularly in the context of Marxist aesthetics. This article focuses on the various peculiarities of this thought, which seldom are highlighted. Firstly, through a new analysis of the musical sections of Spirit of Utopia and The Principle of Hope, the relation between utopia and music will be discussed in Sections 2 and 3 in order to show the originality of Bloch’s refusal of the Marxist base-superstructure model (...) in the field of aesthetics. In contrast to the other philosophies of music, the study of music inspires theoretical speculation in Bloch’s thought and not vice versa. In order to demonstrate this connection, in Sections 4 and 5, the idea of the sound in Spirit of Utopia will be examined and compared to the conception of the matter as it is presented in The Principle of Hope, The Materialism Problem, its History and Substance, and other works. These paragraphs aim to highlight how the early conception of sound was the model for the later conception of matter. (shrink)

Although the question of religion did not feature prominently in Jürgen Habermas’s early political theory, his more recent work has continuously addressed the topic. This later interest in religion is grounded in what one commentator in a volume on The Power of Religion in the Public Sphere, cited as the urgent need to integrate religious voices in the workings of public reason in order to avoid social disharmony and to thwart potential violence. However, the following paper argues that the (...) hermeneutic procedures Habermas develops for the public sphere cannot bear the weight that his later understanding of religion demands of them. Such an insight validates Paul Ricoeur’s earlier argument that Habermas’s “depth hermeneutics,” were themselves utopic in nature. It is from this vantage point that a return to Ricoeur's thought is justified, through which a more productive understanding of the public potential of religious discourse can be understood. (shrink)

During the European Renaissance, scholars and members of the bourgeoisie showed a stronginterest in practical philosophy, namely ethics and politics. This shift was expressed in works that described ideal societies, also known as utopias. Meanwhile, the Renaissance philosophy of nature, influenced by Late Ancient philosophy and mysticism, imposed a new worldview, according to which nature was seen as a living entity. Renaissance political thinkers attempted to imbue their socio-political visions with a sense of natural philosophy. A principal idea (...) in utopian literature is the strong presence of science, a key factor in the transformation of nature. In its search for the ideal political order, humanity was not content with maximising nature’s benefits but envisioned creating a new nature, one that better served the socio-political ideals of the Renaissance and the early modern era. I would like to argue that the prominent role of technocracy in sixteenth- and seventeenth-century utopias led gradually to the disruption and perversion of nature. Despite of the intentions of the utopian thinkers, their views on nature –which range from the unconditional respect to nature to its advancement through science – encouraged finally the mastery of nature, because they connected the socio-political progress with the exploitation of nature and the control of natural forces. In particular, a discussion on the relationship between humanity, nature and science in Renaissance utopian thought can shed some light on how early technocracy progressively led to the ravaging of nature. Departing from the major Renaissance philosophers’ all-encompassing perspective, political philosophers of the time, especially those who contributed to utopian literature, predominantly viewed nature as an instrument at the disposal of humanity and its science – a playground for human inventiveness and resourcefulness. With their works, they provided a new rationale, non-religious this time that defended humanity’s full exploitation of nature. (shrink)

The book under review examines how a number of key literary and cultural texts, spanning the nineteenth to the early twentieth centuries, from Britain and India, imagined the world after decolonization. The book, by an academic working in English and South Asian literary studies, uses literary and cultural geographical approaches, grounded in cultural and historical materialism. It also makes a fresh contribution to utopian studies, especially in the methods we use in this field. The book focuses on what the (...) first chapter evocatively terms, in its title, spatial desire in the age of empire. Taking inspiration from the work of scholars such as Edward Said and Raymond Williams who analyzed cultural... (shrink)

Studies on Kitāb ārāʼ ahl al-madīnah al-fāḍilah by Fārābī, a Muslim philosopher, related to Pancasila as the state ideology of Indonesia.

Avec l’essor et le succès croissant de la littérature de voyages, nourrie par les grandes explorations et découvertes, les utopistes de l’Âge classique ont commencé à s’intéresser plus au sujet épique qu’à l’encadrement rhétorique de la relation utopique. Avec comme résultat des utopies réalistes dans lesquelles les narrateurs, en imitant le schéma de la littérature de voyages et d’exploration, prétendent avoir découvert des civilisations exotiques idéales, crédibles et applicables, qu’ils offrent en modèle à leurs contemporains. Les principaux procédés de construction (...) des « utopies réalistes » sont la sélection et l’extrapolation utopique. Travaillant sur l’image de son monde historique, l’utopiste fait un choix des traits négatifs et positifs et les regroupe dans deux espaces complémentaires. Les caractéristiques jugées mauvaises sont rassemblées et isolées dans la description de « notre » civilisation, celles bénéfiques sont regroupées et extrapolées dans la configuration de la civilisation exotique. L’exclusion des éléments désagréables, nuisibles et funestes soumet la fiction utopique à une « réduction au positif », ce qui fait d’elle un univers fictionnel eudémonique, capable de susciter l’adhésion rationnelle, morale et affective des personnages, ainsi que des lecteurs. Nurtured by the great explorations of the period, the emergence of voyage literature in early modern Europe led classical utopian writers to shift from the dialogical form of Renaissance utopias to voyage narratives. A great many of the classical utopias worked in a realistic code, mimicking the voyage epic, in which fictional voyagers discovered exotic ideal civilizations that were offered as a contrastive example to the European countries. The main construction procedures of these “realistic utopias” were utopian selection and extrapolation. The utopian writer started from the “neutral” image of his contemporary world and operated a separation between its positive and negative features. He regrouped the negative features into the image of “our” civilization and the positive features into the image of the antipodal civilization. By excluding the bad and harmful elements, the utopian writer submitted his ideal society to a “reduction to the positive” and transformed it into a eudemonic fictional world, meant to prompt a rational, moral and emotional adhesion response in the characters, as well as in the readers. (shrink)

Toward the end of the astonishing period of Athenian creativity that furnished Western civilization with the greater part of its intellectual, artistic, and political wealth, Plato wrote The Republic, his discussion of the nature and meaning of justice and of the ideal state and its ruler. All subsequent European thinking about these subjects owes its character, directly or indirectly, to this most famous (and most accessible) of the Platonic dialogues. Although he describes a society that looks to some like the (...) ideal human community and to others like a totalitarian nightmare, in the course of his description Plato raises enduringly relevant questions about politics, art, education, and the general conduct of life. Translated by A. D. Lindsay From the Hardcover edition. (shrink)

Olin’s focus in this collection of essays is the historical period of the early sixteenth century, the juncture of the Renaissance and the Reformation. Providing an in-depth alternative to the standard treatment – so often limited to the classical revival – this work concerns itself with the unique link between humanism and the great literary works of the period, and, in particular, the patristic scholarship inherent in Erasmus’ ideals of reform. Olin specifically take into account the movements of (...) New Learning and Humanism defining the cultural break between Medieval scholasticism and the renaissance of interest in the literature of antiquity. (shrink)

Essestially an inquiry into morality, the Republic is the central work of the Western world's most famous philosopher. Containing crucial arguments and insights into many other areas of philosophy, it is also a literary masterpiece: the philosophy is presented for the most part for ordinary readers, who are carried along by the wit and intensity of the dialogue and by Plato's unforgettable images of the human condition. This new, lucid translation is complemented by full explanatory notes and an up-to-date critical (...) introduction. (shrink)

Nicolas Gueudeville's 1715 French translation of Utopia is often dismissed as a “belle infidèle,” an elegant but unfaithful work of translation. Gueudeville does indeed expand the text to nearly twice its original length. But he presents Utopia as a contribution to emergent debates on tolerance, natural religion, and political anthropology, directly addressing the concerns of many early advocates of the ideas we associate with Enlightenment. In this sense, it is not as much an “unfaithful” presentation of More's project as (...) it is an attempt to introduce Utopia to eighteenth-century francophone audiences—readers for whom theses on political economy and natural religion were much more salient than More's own preoccupations with rhetoric and English law. This paper introduces Gueudeville and his oeuvre, paying particular attention to his revisions to Louis-Armand de Lom d'Arce, Baron de Lahontan's 1703 Nouveaux Voyages dans l'Amérique Septentrionale. Published in 1705, Gueudeville's “revised, corrected, & augmented” version of Lahontan's Voyages foregrounds the rational and natural religion of the Huron as well as their constitutive aversion to property, to concepts of “mine” and “yours.” Gueudeville's revised version of Lahontan's Voyages purports to be an anthropological investigation as well as a study of New World political economy; it looks forward, moreover, to his edition of Utopia, framing More's work as a comparable study of political economy and anthropology. Gueudeville, in other words, renders More's Utopia legible to Enlightenment audiences, depicting Utopia not in terms of impossibility and irony but rather as a study of natural religion and attendant forms of political, devotional, and economic life. Gueudeville's edition of Utopia even proved controversial due, in part, to his insistence on the rationality as well as the possibility of Utopia. (shrink)

En este trabajo propongo realizar un recorrido acerca de la utilización del concepto de mito en la obra de Carlos Astrada. En primer lugar analizaré sus obras tempranas en donde el filósofo encuentra en la Revolución Rusa la expresión del mito de la humanidad que ha emergido para llevar a ésta hacia su plenitud. Luego tomaré en consideración su obra El Mito Gaucho, la cual constituye una interpretación del Martín Fierro como expresión del mito de los argentinos. Seguidamente me referiré (...) a las obras en donde Astrada amplía su proyección hacia toda Latinoamérica buscando las raíces mitológicas en las culturas arcaicas de nuestro continente. Finalmente daré cuenta de la relación que establece entre mito y utopía en sus últimos escritos. In this work I propose to show the utilization of the concept of myth in the Carlos Astrada´s work. First, I will analyze his early works where the philosopher finds in the Russian Revolution the expression of the humanity´s myth. Later, I will take in consideration his work El Mito Gaucho, which constitutes an interpretation of Martín Fierro as expression of the argentinien´s myth. Continuously, I will refer to the works in where Astrada extends his projection towards the whole Latin America looking for the mythological roots in the archaic cultures of our continent. Finally I will show the relation that he establishes between myth and Utopia in his last writings. (shrink)

The aim of this article is to explore Gadamer’s early reflections on Plato’s utopian thought and its potential topicality. In the following section, I will show how areté, understood as a hermeneutical and existential virtue, is dialectically related to ethics and politics in Gadamer’s phenomenological reception of Plato’s philosophy. I argue that, in Gadamer’s eyes, Socratic-Platonic self-understanding enables human beings to be aware of their political responsibilities, to recognize how they are existentially and mutually related to the other, and (...) to clarify dialectically their own existential possibilities in order to transcend their inherited world of values. In the third section, I aim to show how these are the grounds on which Gadamer’s initial thoughts on the utopian dimension of Platonic political philosophy developed, mainly through his further critical account of the works on the German “political Plato” published in Germany between 1927 and 1933, i.e., Kurt Singer’s Platon, der Gründer (1927), Julius Stenzel’s Platon. Der Erzieher (1928), and Kurt von Hildendrandt‘s Platon, Der Kampf des Geistes um die Macht (1933). Then, in the fourth section, I will express my own views on the relevance of reconsidering how the notions of areté, phrónesis, and andreía are already related in Plato’s dialogues, complementing the insights on Gadamer’s interpretation of areté in section two. My purpose is to go beyond Gadamer’s reading and provide us with a more solid ground to address his late reflections on political courage and its relations with his dialectical understanding of Platonic utopia as a myth. Therefore, I will explore the problem of civil disobedience, a topic that was actually not at the centre of Gadamer’s concerns, as a genuine mode of utopian political action which can enact a true deviation from the sophistic pólis and its understanding of power. Finally, in the conclusion, I will characterize Gadamer’s portrait of Platonic utopia as a dialectical myth which enables human beings to recognize when politics are being reduced to mere power abuse by the State and also suggest why Gadamer’s approach to utopias is still relevant today. (shrink)

In 1951 Eric Voegelin dedicated a long and very dense essay to the Utopia of Thomas More, subsequently integrated in a larger portrait of the Renaissance political thought. The critical interpretation of Voegelin focuses on the breakdown of the traditional order and the emerging of a new vision of Man and Politics in the early sixteenth century, and particularly on the risks related to the mundane eschatology of which the work of More is involuntary and somewhat inconsistent anticipation.

Volume 4 of’ “The Early Works” series covers the period of Dewey’s last year and one-half at the University of Michigan and his first half-year at the University of Chicago. In addition to sixteen articles the present volume contains Dewey’s reviews of six books and three articles, verbatim reports of three oral statements made by Dewey, and a full-length book, The Study of Ethics. Like its predecessors in this series, this volume presents a “clear text,” free of interpretive (...) or reference material. Apparatus, including references, corrections, and emendations, is confined to appendix material. Fredson Bowers, the Consulting Textual Editor, has provided an essay on the textual principles and procedures, and Wayne A. R. Leys, Professor of Philosophy at Southern Illinois University, has written an Introduction discussing the relationship between Dewey’s writings of this period and his later work. That Dewey’s scholarship and writing was at an especially high level during 1893 and 1894 may be considered an index to the significance of this two-year period. (shrink)

The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and (...) impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture. (shrink)

Volume 1 of The Early Works of John Dewey, 1882-1898 is entitled Early Essays and Leibniz's New Essays Concerning the Human Understanding, 1882-1888. Included here are all Dewey's earliest writings, from his first published article through his book on Leibniz. The materials in this volume provide a chronological record of Dewey's early development--beginning with the article he sent to the Journal of Speculative Philosophy in 1881 while he was a high-school teacher in Oil City, Pennsylvania, and (...) closing with his widely-acclaimed work on Leibniz in the Grigg's Series of German Philosophical Classics, written when he was an Assistant Professor at the University of Michigan. During these years be-tween 1882 and 1888, Dewey's life course was established: he decided to follow a career in philosophy, completed doctoral studies at Johns Hopkins University, became an Instructor at the University of Michigan, was promoted to Assistant Professor, and accepted a position as Chairman of the Department of Philosophy at the University of Minnesota. With the publication of Psychology, he became well known among scholars in this country; a series of articles in the British journal Mind brought him prominence in British philosophical circles. His articles were abstracted in the Revue philosophique. None of the articles collected in this volume was reprinted during the author's lifetime. For the first time, it is now possible for Dewey scholars to study consecutively in one publication all the essays which originally appeared in many periodicals. (shrink)

The aim of this paper is to study an early Spanish translation of Utopia that has not received much scholarly attention. We are referring to the manuscript II/1087 of the Real Biblioteca de Palacio, an anonymous text without explicit date that is still unpublished although it is most probably the first complete rendering into a vernacular language of Thomas More's work. We cast light on the date of composition of the manuscript as well as the Latin text used by (...) the anonymous translator. We also analyse the circumstances involved in the making of the text and we ponder the fidelity of the translation and the quality of the Spanish version by comparing it with the Latin text of Utopia. Finally, we draw some conclusions about the anonymous translator. (shrink)

In recent years, Swedish women belonging to a post-migrant generation have made their voices against racism and social inequality prominent within public debate. Engaging in segregated and economically deprived suburbs, these women make use of art in order to counter stereotypical narratives of themselves and their communities. Based on interviews from two research projects, Accessing Utopia and Gendered Islamophobia in Sweden, this article aims to understand the complexities in using art to protest racist structures and stereotypes. In what ways are (...) the young women making room for their own creative expressions in Swedish society, while countering processes of othering? How does the work of representation affect them? What meaning do the women give to the platforms and networks they have been involved in? This article shows that the women’s early experiences of othering and meeting likeminded youths play a central role in order to either enter or create collective platforms where they can creatively engage in expressing their subjectivities and counter society’s controlling images. Projects and platforms such as Revolution Poetry and Swedish hijabis provided collective self-care through support and confidence building among youths from marginalized communities. These platforms can be seen as an artistic homeplace for the interlocutors. The article also shows that the work of representation is sometimes felt as limiting. The activism the women engage in is a deeply personal struggle for self-valuation and seeking ways to live a life on one’s own terms. (shrink)

A critique of the prediction that technology will end humans' direct involvement in work. Contentions: a workless world is not without qualification desirable; it is not attainable by technology alone; the end sought does not in and by itself justify present job ending applications. Underlying these contentions: a claim that utopian visions with regard to work function as ideologies. Evidence for this claim derived from revisiting past non-industrial and industrial fantasies regarding a work-free utopia.

The renowned Christian theologian Bernard Lonergan was also a professor, teaching courses on theological method at universities in Canada, the United States, and Italy. This volume records his lectures and teaching materials, thus preserving and elucidating his intellectual development between the publication of Insight in 1957 and Method in Theology in 1972. The present volume contains a record of the lectures delivered in 1962, 1964, and 1968. This is the most 'interactive' volume yet published in the Collected Works series. (...) The audio recordings of the 1962 and 1968 lectures are now available on the website www.bernardlonergan.com, as are PDF files of original papers from his 1964 institute at Georgetown. These lectures help to elucidate the development of Lonergan's ideas on such key notions as horizon, conversion, and meaning, as well as his evolving opinion on how best to divide theology into fields of specialization. (shrink)

ABSTRACT This paper offers an account of the early career of Martha Kneale, née Hurst, and of the five papers she published between 1934 and 1950. One on metaphysical and logical necessity, from 1938, is particularly interesting. In it she considers the metaphysics of time and offers an explanation of ‘the necessity of the past’, which has some resemblance to Kripke’s ideas about metaphysical necessities, in that it assigns an important role to experience in how we come to know (...) them. But Kneale’s view is very different from Kripke’s, depending not on doctrines about rigid designation but rather on recognition of the failure of the atomist/empiricist account of ‘simple’ and ‘complex’ concepts. That account cannot deal with such things as the relations of the determinates of a determinable like colour. A plausible corollary of this, which Kneale exploits, is that some of our experience reveals to us that there are phenomena which are intrinsically complex in having multiple distinguishable aspects, but where those aspects are inseparable. Other of the papers show Kneale to have been pursuing interesting lines of thought about McTaggart’s argument against the reality of time and on the mind-body problem. (shrink)

This third volume in the definitive edition of Dewey's early work opens with his tribute to George Sylvester Morris, the former teacher who had brought Dewey to the University of Michigan.

Alain Badiou’s elaboration of a subject faithful to an event is commonly known today in the academic world and beyond. However, his first systematic account of the subject was already published in 1982 and did not mention the ‘event’ at all. Therefore, this article aims at tracing back both the structural and the historical conditions that directed Badiou’s elaboration of the subject in the early work up until the publication of L’Être et l’Événément in 1988. On the one hand, (...) it investigates to what extent the Badiouan subject can be considered an exceptional product of the formalist project of the Cahiers pour l’Analyse as instigated by psychoanalytical discourse and a certain Marxist discourse insofar as both were centered upon a theory of the subject. On the other hand, this article examines the radical political implications of this subject insofar as Badiou has directed his philosophical aims towards the political field as a direct consequence of the events of May ’68. (shrink)

H. G. Wells has long occupied a curious place in the literary history of the early twentieth century, positioned as an extremely popular yet myopic outsider whose seeming miscalculation of the post-1910 literary zeitgeist acted in a directly inverse relation to his uncannily accurate technological predictions of the world to come. Wells’s reputation as a literary innovator in this period sunk in opposite relation to his rising stature as a futurologist, a shift whose repercussions for the author’s legacy are, (...) as both Roger Luckhurst and Steven McLean have recently noted, still largely evident in the ways his work is positioned, studied, and debated in the contemporary academy.1 As Wells’s 1890s scientific romances .. (shrink)

This paper analyzes Francis Bacon’s observations on institutions for the advancement of knowledge and technical innovation. Early references to establishments for the promotion of knowledge can be found initial in Bacon’s early works, in the 1590s. Bacon’s journey to France in the second half of the1570s played a role in shaping these early conceptions. In particular, Bacon was likely acquainted with Jaques Gohory’s Lycium philosophal and Nicholas Houel’s Maison de Charité Chrétienne. In the period following the (...) composition of The Advancement of Learning (1605), Francis Bacon focused his attention on the foundation of a college for inventors. Practical plans for the establishment of a college were discussed in the Commentarius solutus (1608). Bacon’s proposals addressed his general concerns for the production of technological innovation in Stuart society; both the college of the Commentarius and the imaginary institution of Salomon’s House in the New Atlantis (1626) can be seen as inventor’s utopias, where innovators are freed from the pressures of the world of crafts. Analogous continental project likely inspired such institutions. Again, the case of France may be relevant; around the time of Bacon’s proposals for his college, Henri IV was actively fostering collaboration among skilled inventors under royal patronage, and outside the strict control of the guild system. (shrink)

The paper deals with the problem of human conscience as an attentional mode of being that effectuates an original capacity for discernment. Such an undertaking, after the necessary terminological and phenomenological clarifications, requires one to cope with its specific background, especially the critique of the moral worldview and the postmetaphysical setting of contemporary thinking. Taking into consideration the Heideggerian view of the matter, I reflect on the doubts Ricoeur addressed to the former, and take advantage of Ricoeur’s early philosophy (...) to reinterpret and develop his own stance as expounded in Oneself as Another. His later work on ideology and utopia may contribute to helping to establish some criteria for the functioning of the conscience. (shrink)

One might say that Clare is almost by virtue of that label alone a political poet. “Peasant poet” is a contradiction in terms from the perspective of English literary history, or of the longer history of the literary pastoral. The phrase must refer to two different social locations, and as such makes social place an explicit, problematic concern for the middle-class readers of that poet’s work. To Clare’s publisher and patrons in the 1820s, as to his editors in the 1980s, (...) the language, the forms, the sentiments, and even the punctuation of his poetry are further markers of class difference for an audience invited to read him as a peasant poet. In recent collections concerned to recover the politics of English poetry these signs of difference are highly valued.2 They seem to mark Clare’s work as what Fredric Jameson terms “strong” political art, that is, “authentic cultural creation … dependent for its existence on authentic collective life, on the vitality of the ‘organic’ social group.”3At the time his poems were published class difference in English rural life was a political issue sufficiently charged to make publisher and patrons wish to minimize its marks in Clare’s poetry. On the one hand, a clearly understood hierarchy was the form of social stability that rural scenes staged for their urban middle-class audiences. Evidence of class difference confirmed the survival of this hierarchy and the reader’s position in it. Clare’s poetry of place affirmed a system of social as well as geographical differences felt as a traditional—and essential—aspect of English national identity. On the other hand, however, the countryside was precisely where the erosion of the hierarchical relations of deference and responsibility was particularly noticeable, and disturbing, in the years after 1815. Sporadic outbreaks of protest against low wages and unemployment in 1816, 1822, and 1830 realized dramatically for the middle and upper classes what one might call a rural version of the process Marx was later to term alienation: the known and familiar inhabitants of the rural scene—laborers, village artisans—were suddenly made strange to their middle- and upper-class neighbors, so much so that many observers were convinced that they must be strangers, intruders from another pace .4 The elements of difference, or strangeness, in Clare’s poetry—the marks of his identity as rural laborer—thus also risked awaking specific anxieties among his early readers. Clare’s editor and publisher, John Taylor, punctuated, regularized meter, and replaced some of Clare’s unfamiliar local vocabulary. Nonetheless, his two most important early patrons, the evangelical aristocrat Lord Radstock and the middle-class Mrs. Emmerson, objected to some lines as “radical slang” and others as “vulgar.” The language of class risked rejection as politically subversive. Especially in an already politicized rural scene, the peasant poet could not be a neutral figure. 2. Both A Book of English Pastoral Verse, ed. John Barrell and John Bull and The Faber Book of Political Verse, ed. Tom Paulin restore Clare’s original orthography and lack of punctuation to support the label “peasant poet.”3. Fredric Jameson, “Reification and Utopia in Mass Culture,” Social Text 1 : 140. Elizabeth Helsinger is associate professor of English and general studies at the University of Chicago and a coeditor of Critical Inquiry. Her Ruskin and the Art of the Beholder was published in 1982. The present essay is part of a book in progress on representations of the rural scene in Victorian England. (shrink)

The notion of utopia in Quebec culture has been a formal and thematic constant since the origins of its literature and indeed French Canadian history. From the discovery and cartography of the so-called New World, as documented in the early colonial travel writings of the sixteenth and seventeenth centuries, to twenty-first-century science fiction, both reactionary and revolutionary texts have pervaded the ideological landscape of Quebec, markedly inspired by political and religious struggles.1 The texts that constitute this diverse science-fictional body (...) of work often create a hybrid genre through a simultaneously utopian and uchronian—or alternate historical—approach. While appearing on the surface to be limited... (shrink)

When discussing Wilfrid Sellars’s philosophy, very little work has been done to offer a developmental account of his systematic views. More often than not, Sellars’s complex views are presented in a systematic and holistic fashion that ignores any periodization of his work. I argue that there is a metaphilosophical shift in Sellars’s early philosophy that results in substantive changes to his conception of language, linguistic rules, and normativity. Specifically, I claim that Sellars’s shift from a formalist metaphilosophy to one (...) more closely aligned with psychology allows for the construction of a normative conception of language. My central claim is that without his abandonment of earlier metaphilosophical commitments, Sellars could not hold what I call an external conception of normativity. It is this move away from a formalist notion of philosophy that allows Sellars to construct a normative picture of language. I conclude that because this substantive shift in philosophical commitments results from changes in Sellars’s metaphilosophical views, there is insight to be found in a meticulous periodization of his work. (shrink)

According to the editors, Alfred Tarski: Early work in Poland – Geometry and Teaching has three main goals. First, to publish translations so that all of Alfred Tarski's work will be accessi...

The paper analyzes, from a perspective which is itself existential-ontological, the way in which in an early text of Martin Heidegger, Phänomenologische Interpretationen zu Aristoteles (Anzeige der hermeneutischen Situation) [1922] – which had already outlined some determinative elements of the ideas expounded in Being and Time –, the meditation on the always living and current conditions and hermeneutical situation of philosophizing expanded in fact into an inquiry about the origins, grounds, essence and sense of philosophy as such. Meditation in (...) and through which philosophy identifies itself and is founded on the one hand exactly as a mode of existence of the mortal “human Dasein” (menschliches Dasein), that is a factic mode of existence of this, philosophy, on the other hand, itself originates from and in man’s factic life exactly with the aim of being the modality through which this being – namely ourselves – returns towards the problematization of his existential possibilities even by taking upon himself the burden and “weight” of radical interrogation. Which therefore goes and must go itself and resolutely – because if this entirely “without God” and consequently a-theist – to the historical and ontological roots of a present con-temporarized (mitzeitigt) both with the past and the future existential horizons of the assumed factic possibilities. (shrink)

With his Statuten aus dem Land Wolfaria, Johann Eberlin von Günzburg is the first author to imitate More’s Utopia, even though Eberlin’s proposals for religious, social and political reform are addressed directly at contemporary Germany, in the style of the pamphlets that characterize the first years of the Reformation. Often acknowledged as the first Lutheran utopia, Wolfaria has in fact little in common with the subtle Humanistic game played by Erasmus and More, yet it still is an extremely interesting work, (...) precisely because it allows us to perceive, in all their unresolved issues, the enthusiastic moments of fervent Lutheran propaganda of the beginning. (shrink)

This third volume in the definitive edition of Dewey's early work opens with his tribute to George Sylvester Morris, the former teacher who had brought Dewey to the University of Michigan. Morris's death in 1889 left vacant the Department of Philosophy chairmanship and led to Dewey's returning to fill that post after a year's stay at Minnesota. Appearing here, among all his writings from 1889 through 1892, are Dewey's earliest comprehensive statements on logic and his first book on ethics. (...) Dewey's marked copy of the galley-proof for his important article The Present Position of Logical Theory, recently discovered among the papers of the Open Court Publishing Company, is used as the basis for the text, making available for the first time his final changes and corrections. The textual studies that make The Early Works unique among American philosophical editions are reported in detail. One of these, A Note on Applied Psychology, documents the fact that Dewey did not co-author this book frequently attributed to him. Six brief unsigned articles written in 1891 for a University of Michigan student publication, the Inlander, have been identified as Dewey's and are also included in this volume. In both style and content, these articles reflect Dewey's conviction that philosophy should be used as a means of illuminating the contemporary scene; thus they add a new dimension to present knowledge of his early writing. (shrink)