This wide-ranging book focuses upon the role that Latin was thought an ideal, universal, constructed language would play in the advancement of learning.

It is often argued that by assuming the existence of a universal language, one prohibits oneself from conducting semantical investigations. It could thus be thought that Tarski’s stance towards a universal language in his fruitful Wahrheitsbegriff differs essentially from Carnap’s in the latter’s less successful Untersuchungen zur allgemeinen Axiomatik. Yet this is not the case. Rather, these two works differ in whether or not the studied fragments of the universal language are languages themselves, i.e., (...) whether or not they are closed under derivation rules. In Carnap’s case, axiom systems are not closed under derivation rules, which enables him to adopt a substitutional concept of models. His approach is directly rooted in the tradition of formal axiomatics, we argue, and in this contrary to Tarski’s. In comparing these works by Carnap and Tarski, our aim will be to qualify the connection between Tarski’s approach and the tradition of formal axiomatics, which has been overemphasized in the literature. (shrink)

Knowlson nous a donné un des livres les plus complets, jusqu'à présent, sur l'histoire de l'idée d'une langue universelle. Dans cette étude critique, cet ouvrage est analysé en détail. Parmi ses mérites, on souligne l'usage de matériaux inédits , et l'effort pour élargir l'horizon de la recherche sur cette idée, en essayant de l'identifier non seulement dans une ou deux disciplines , mais dans un contexte culturel plus général. D'autre part, on critique l'absence d'une sensibilité plus aigüe pour l'analyse des (...) "transformations" que l'idée a pu subir au cours des 17éme et 18éme siécle, ainsi que pour les nuances d'opinions - souvent décisives - parmi des auteurs qui appartiennent au même groupe. (shrink)

Many people claim that music is a universal language considering the impact and beneficial results that it usually triggers, whereas others reject the idea due to contextual or cultural sentiments and parameters that must be considered. Both sides’ arguments make sense but, despite skepticism, music should be considered as a universal language, which becomes clear by depicting it in the context of peacebuilding and by exploring its linguistics and therapeutic effects, through various domains such as philosophy, (...) music theory and the contemporary world. The author argues that considering the counter-arguments and balancing it with this central claim, it is possible to reach an inspiring and complementary common ground between performing arts as music and philosophy. (shrink)

Other people's music -- Musical animals -- What's involved in sounding human? -- Cross-cultural understanding -- The music of language -- Musical synesthesia -- A song in your heart -- Comfort and joy -- Beyond ethnocentrism.

Semantic paradoxes pose a real threat to logics that attempt to be capable of expressing their own semantic concepts. Particularly, Curry paradoxes seem to show that many solutions must change our intuitive concepts of truth or validity or impose limits on certain inferences that are intuitively valid. In this way, the logic of a universal language would have serious problems. In this paper, we explore a different solution that tries to avoid both limitations as much as possible. Thus, (...) we argue that it is possible to capture the naive concepts of truth and validity without losing any of the valid inferences of classical logic. This approach is called the Buenos Aires plan. We present the logic of truth and validity, $$\mathsf {STTV}_{\omega }$$ based on the hierarchy of logics $$\textsf{ST}_{\omega }$$, whose validity predicate has the same semantic conditions as the material conditional. We argue that $$\mathsf {STTV}_{\omega }$$ is capable of blocking the problematic results while keeping the deductive power of classical logic as much as possible and offering an adequate semantic theory. On the other hand, one could object that it is not possible to reason with $$\mathsf {STTV}_{\omega }$$ because it is not closed under its logical principles. We respond to this objection and argue that the local characterization of validity shows how to make inferences using the logic $$\textsf{ST}_{\omega }$$. (shrink)

While endorsing Evans & Levinson's (E&L's) call for rigorous documentation of variation, we defend the idea of Universal Grammar as a toolkit of language acquisition mechanisms. The authors exaggerate diversity by ignoring the space of conceivable but nonexistent languages, trivializing major design universals, conflating quantitative with qualitative variation, and assuming that the utility of a linguistic feature suffices to explain how children acquire it.

This volume brings together the published and the previously unpublished works on language by the seventeenth-century thinker George Dalgarno. His 'Art of Signs' - the earliest seventeenth-century work to attempt a fully elaborated universal language scheme - is presented here for the first time with a full English translation alongside the Latin. Also included is a further book-length tract, broadsheets, and correspondence, all of which provide the modern reader with better access to the ideas of this original (...) and stimulating thinker. (shrink)

This volume brings together the published and the previously unpublished works on language by the seventeenth-century thinker George Dalgarno. His 'Art of Signs' - the earliest seventeenth-century work to attempt a fully elaborated universal language scheme - is presented here for the first time with a full English translation alongside the Latin. Also included is a further book-length tract, broadsheets, and correspondence, all of which provide the modern reader with better access to the ideas of this original (...) and stimulating thinker. (shrink)

The mnemonic arts and the idea of a universal language that would capture the essence of all things were originally associated with cryptology, mysticism, and other occult practices. And it is commonly held that these enigmatic efforts were abandoned with the development of formal logic in the seventeenth century and the beginning of the modern era. In his distinguished book, Logic and the Art of Memory Italian philosopher and historian Paolo Rossi argues that this view is belied by (...) an examination of the history of the idea of a universal language. Based on comprehensive analyses of original texts, Rossi traces the development of this idea from late medieval thinkers such as Ramon Lull through Bruno, Bacon, Descartes, and finally Leibniz in the seventeenth century. The search for a symbolic mode of communication that would be intelligible to everyone was not a mere vestige of magical thinking and occult sciences, but a fundamental component of Renaissance and Enlightenment thought. Seen from this perspective, modern science and combinatorial logic represent not a break from the past but rather its full maturity. Available for the first time in English, this book (originally titled Clavis Universalis ) remains one of the most important contributions to the history of ideas ever written. In addition to his eagerly anticipated translation, Steven Clucas offers a substantial introduction that places this book in the context of other recent works on this fascinating subject. A rich history and valuable sourcebook, Logic and the Art of Memory documents an essential chapter in the development of human reason. (shrink)

Universal Grammar (UG) is a theory about the innate linguistic knowledge that child language learners bring to the task of language acquisition. This chapter examines the findings of experimental research on children's knowledge of one principle of UG, called Principle C. It presents the defining properties of Principle C. The chapter reviews empirical evidence showing that children apply Principle C to a range of disparate‐looking phenomena. It also presents empirical findings that document children's assignment of hierarchical structure (...) to strings of words. The empirical evidence supports a conclusion – that child language learners access a level of linguistic representation in addition to the constituent structure that is formed using Merge. This additional component of the language apparatus is called Logical Form. The chapter looks at a string of words where Principle C applies at the level of Logical Form. Cleft sentences are one such case. (shrink)

Objects and substances bear fundamentally different ontologies. In this article, we examine the relations between language, the ontological distinction with respect to individuation, and the world. Specifically, in cross‐linguistic developmental studies that followImai and Gentner (1997), we examine the question of whether language influences our thought in different forms, like (1) whether the language‐specific construal of entities found in a word extension context (Imai & Gentner, 1997) is also found in a nonlinguistic classification context; (2) whether the (...) presence of labelsper se, independent of the count‐mass syntax, fosters ontology‐based classification; (3) in what way, if at all, the count‐mass syntax that accompanies a label changes English speakers' default construal of a given entity?On the basis of the results, we argue that the ontological distinction concerning individuation is universally shared and functions as a constraint on early learning of words. At the same time, language influences one's construal of entities cross‐lingistically and developmentally, and causes a temporary change of construal within a single language. We provide a detailed discussion of how each of these three ways language may affect the construal of entities, and discuss how our universally possessed knowledge interacts with language both within a single language and in cross‐linguistic context. (shrink)

The mnemonic arts and the idea of a universal language that would capture the essence of all things were originally associated with cryptology, mysticism, and other occult practices. And it is commonly held that these enigmatic efforts were abandoned with the development of formal logic in the seventeenth century and the beginning of the modern era. In his distinguished book, Logic and the Art of Memory Italian philosopher and historian Paolo Rossi argues that this view is belied by (...) an examination of the history of the idea of a universal language. Based on comprehensive analyses of original texts, Rossi traces the development of this idea from late medieval thinkers such as Ramon Lull through Bruno, Bacon, Descartes, and finally Leibniz in the seventeenth century. The search for a symbolic mode of communication that would be intelligible to everyone was not a mere vestige of magical thinking and occult sciences, but a fundamental component of Renaissance and Enlightenment thought. Seen from this perspective, modern science and combinatorial logic represent not a break from the past but rather its full maturity. Available for the first time in English, this book (originally titled Clavis Universalis) remains one of the most important contributions to the history of ideas ever written. In addition to his eagerly anticipated translation, Steven Clucas offers a substantial introduction that places this book in the context of other recent works on this fascinating subject. A rich history and valuable sourcebook, Logic and the Art of Memory documents an essential chapter in the development of human reason. (shrink)

This essay is an attempt to offer at least a partial answer to the question concerning Leibniz's motivation for the need to create a universal language. It is relevant, among other things, due to Leibniz's claim which contradicts the idea of a universal language, in which he clearly stresses that “every language, even the poorest one, can express everything”, as well as owing to Leibniz's historical contribution to the idea of formalization and to the mechanization (...) of the reasoning processes. This paper is also an attempt to reconstruct the paradigm of language research pursued in a specific period of time in 17th century language theory. (shrink)

The subject of the article is the concept of a universal language and a reflection on its importance for law. The starting point is a presentation of the history of the concept of a common language for all mankind, a concept that has always accompanied man – it is present in the Bible, in the ancient writings of Near Eastern peoples, it was alive in the Middle Ages and during the Renaissance, and it experienced its particular heyday (...) – among other reasons because of the gradual abandonment of Latin as the language of science – in the seventeenth century, an age that was reformist by definition. Since its inception, the concept of a universal language has been inextricably linked with the idea of world peace and universal happiness for all people. It is significant that in most universal language designs, regardless of the era, there were, to a greater or lesser extent, references to the utility of such languages for law. The author, tracing the development of the concept of a universal language, focuses on its fullest contemporary development: Esperanto. Esperanto, like previous universal language designs, places particular emphasis on ideas linked to the concept of a universal language, especially the idea of peaceful coexistence and understanding between peoples. In this context, it is reasonable to ask what role Esperanto can play in the development of certain branches of law, especially international law. Given the position of English as the language of legal acts of international importance, the answer to this question is currently not clear. (shrink)

Frege’s famous definition of number famously uses the concept of “extension”. Extensions, in the Fregean framework, are susceptible to bringing many difficulties, and, some say, even paradoxes. Therefore, neo-logicist programs want to avoid the problems and to replace the classical Fregean definition of number with Hume’s Principle. I argue that this move, even if it makes sense from a computational point of view, is at odds with Frege’s larger philosophical project. For Frege, I claim, extensions were an important part of (...) his philosophical program of logic-as-an-universal-language. This is why Frege places his project in line with Leibniz’ philosophical project of finding a lingua characterica universalis. (shrink)

Frege’s famous definition of number famously uses the concept of “extension”. Extensions, in the Fregean framework, are susceptible to bringing many difficulties, and, some say, even paradoxes. Therefore, neo-logicist programs want to avoid the problems and to replace the classical Fregean definition of number with Hume’s Principle. I argue that this move, even if it makes sense from a computational point of view, is at odds with Frege’s larger philosophical project. For Frege, I claim, extensions were an important part of (...) his philosophical program of logic-as-an-universal-language. This is why Frege places his project in line with Leibniz’ philosophical project of finding a lingua characterica universalis. (shrink)

Frege’s famous definition of number famously uses the concept of “extension”. Extensions, in the Fregean framework, are susceptible to bringing many difficulties, and, some say, even paradoxes. Therefore, neo-logicist programs want to avoid the problems and to replace the classical Fregean definition of number with Hume’s Principle. I argue that this move, even if it makes sense from a computational point of view, is at odds with Frege’s larger philosophical project. For Frege, I claim, extensions were an important part of (...) his philosophical program of logic-as-an-universal-language. This is why Frege places his project in line with Leibniz’ philosophical project of finding a lingua characterica universalis. (shrink)

From our first social bonding as infants to the funeral rites that mark our passing, music plays an important role in our lives, bringing us closer to one another. In _The Music between Us_, philosopher Kathleen Marie Higgins investigates this role, examining the features of human perception that enable music’s uncanny ability to provoke, despite its myriad forms across continents and throughout centuries, the sense of a shared human experience. Drawing on disciplines such as philosophy, psychology, musicology, linguistics, and anthropology, (...) Higgins’s richly researched study showcases the ways music is used in rituals, education, work, healing, and as a source of security and—perhaps most importantly—joy. By participating so integrally in such meaningful facets of society, Higgins argues, music situates itself as one of the most fundamental bridges between people, a truly cross-cultural form of communication that can create solidarity across political divides. Moving beyond the well-worn takes on music’s universality, _The Music between Us_ provides a new understanding of what it means to be musical and, in turn, human. (shrink)

The mnemonic arts and the idea of a universal language that would capture the essence of all things were originally associated with cryptology, mysticism, and other occult practices. And it is commonly held that these enigmatic efforts were abandoned with the development of formal logic in the seventeenth century and the beginning of the modern era. In his distinguished book, _Logic and the Art of Memory_ Italian philosopher and historian Paolo Rossi argues that this view is belied by (...) an examination of the history of the idea of a universal language. Based on comprehensive analyses of original texts, Rossi traces the development of this idea from late medieval thinkers such as Ramon Lull through Bruno, Bacon, Descartes, and finally Leibniz in the seventeenth century. The search for a symbolic mode of communication that would be intelligible to everyone was not a mere vestige of magical thinking and occult sciences, but a fundamental component of Renaissance and Enlightenment thought. Seen from this perspective, modern science and combinatorial logic represent not a break from the past but rather its full maturity. Available for the first time in English, this book remains one of the most important contributions to the history of ideas ever written. In addition to his eagerly anticipated translation, Steven Clucas offers a substantial introduction that places this book in the context of other recent works on this fascinating subject. A rich history and valuable sourcebook, _Logic and the Art of Memory_ documents an essential chapter in the development of human reason. (shrink)

At the end of a paper on international research ethics published in the July-August 2010 issue of the Hastings Center Report, London and Zollman argue the need for grounding our duties in international medical and health-related research within a broader normative framework of social, distributive, and rectificatory justice. The same goes for Thomas Pogge, who, in a whole range of publications during the past years, has argued for a human-rights-based approach to international research. In a thought-provoking paper in the June (...) 2010 issue of the American Journal of Bioethics, Angela J. Ballantyne argues that “the global bioethics priority” in medical and health-related research ethics today is how to do research fairly in an unjust world. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 36.2 (2003) 168-172 [Access article in PDF] Logic and the Art of Memory: The Quest for a Universal Language. Paolo Rossi. Trans. Stephen Clucas. Chicago: University of Chicago Press, 2000. Pp. xxviii + 333. $32.00 cloth. Of the traditional five canons of rhetoric—inventio, dispositio, elocutio, memoria, and actio—the most circuitous and fascinating history belongs to memoria. From its propulsion of Homeric lore to its (...) grounding of rhetorical invention to its exile under print culture to its recent revival in public memory studies, the promiscuous and perplexing history of memory in the West may be one of the least appreciated, and perhaps least understood, elements of rhetorical and intellectual history. The publication in 1966 of Frances Yates's highly praised The Art of Memory drew the attention of contemporary scholars to the importance of mnemotechnics to the culture of late medieval and early modern Europe. 1 Yates persuasively argued that the art of memory is an integral element of European intellectual history, one that can enrich our understanding of everything from Dominican theology to Shakespearian theater. However, six years earlier, in 1960, the Italian intellectual historian Paolo Rossi published in Italian an important precursor to Yates's work entitled Clavis Universalis: Arti Della Memoria e Logica Combinatoria da Lullo a Leibniz. The book traces the encyclopaedic and mnemotechnical traditions from Aristotle through Cicero and Raymond Lull and into the early-modern period, arguing that the art of memory provides an important antecedent to the advent of method in seventeenth-century philosophy, especially in the works of Bacon, Descartes, and Leibniz. Yates, in her preface to The Art of Memory, acknowledges her debt to Rossi's work, and now this work has been made available in English translation. Stephen Clucas's translation, under the title Logic and the Art of Memory, will no doubt stimulate and supplement research into the mnemotechnical tradition in the English-speaking world, and perhaps lead us to reconsider the relationship between philosophy and rhetoric.Rossi argues that the neglect of the mnemotechnical tradition in its Ciceronian and Lullian strands has distorted our understanding of the "new" science and philosophy of the seventeenth-century, which is often interpreted as constituting, in a Kuhnian sense, a drastic paradigm shift from a [End Page 168] Renaissance worldview that still retained occult elements. Rossi places the work of Bacon, Descartes, and Leibniz within the historical strand of the logico-encyclopaedic and mnemotechnical traditions, suggesting that these figures culminate late medieval and early modern intellectual and cultural ambitions as much as they give rise to new ones. Rossi makes his argument by providing a history of mnemotechnics from Aristotle into the fifteenth century in chapter one; by examining the fascination with encyclopaedism, combinatoria, and memory in the sixteenth century in chapters two and three; by investigating the role of artificial memory in the works of key intellectual figures in the late sixteenth and seventeenth centuries in chapters four through six; and by tracing the impulse toward universal knowledge and its connection to mnemotechnics among seventeenth-century Cartesians, Baconians, and in the work of Leibniz, in chapters seven and eight.Chapter one, after showing the pervasiveness of Renaissance mnemotechnical literature, surveys its classical and medieval antecedents in philosophy and rhetoric. Rossi argues that Aristotle's De memoria et reminiscentia, Cicero's De oratore, Quintilian's De institutione oratoria, the Rhetorica ad Herennium, and the works of Albertus Magnus and Thomas Aquinas were each important to the mnemotechnical tradition into the seventeenth century. Fourteenth- and fifteenth-century treatises on the ars memorativa and the ars predicandi, drawing on these classical and medieval theories, emphasize the importance of memory places (loci), images (imagines), and order or arrangement (dispositio) in mnemotechnics. Additionally, they intimately link the memory to the imagination, stressing the importance of exciting and stimulating the imagination in memorization. The Italian Pietro da Ravenna, for example, attributed the might of his memory to, in his own words, turning "the images of the most beautiful virgins into memory places" (22). Such imaginative mnemonic techniques were considered to... (shrink)