This is the first scholarly study of Atlas Shrugged, covering in detail the historical, literary, and philosophical aspects of Ayn Rand's magnum opus. Topics explored in depth include the history behind the novel's creation, publication, and reception; its nature as a romantic novel; and its presentation of a radical new philosophy.

The essays in this collection treat historical, literary, and philosophical topics related to Ayn Rand's Anthem, an anti-utopia fantasy set in the future. The first book-length study on Anthem, this collection covers subjects such as free will, political freedom, and the connection between freedom and individual thought and privacy.

This chapter draws on Ayn Rand's esthetic discourse, especially her essay collection The Romantic Manifesto: A Philosophy of Literature and her lecture course on fiction‐writing, edited and published as The Art of Fiction: A Guide for Writers and Readers. First, it looks briefly at Romanticism in its historical context. Next, the chapter discusses how plot enables a writer to show the events of a story as following logically from the values and premises of the characters, and how this method implies (...) a specific approach to characterization. Then, the chapter looks at plot in relation to a story's theme; to the author's projection of his/her own unique values and personality; and to the distinctive use of imagination typical of Romantic art. Finally, it addresses the question of how Rand's advocacy of plot relates to her concept of objectivity. (shrink)