The morbidity of tick‐borne encephalitis (TBE) varies yearly by as much as 10‐fold among the people of Western Siberia. This long‐term variation is dependent on many factors such as the density of the tick populations, the prevalence of TBE virus (TBEV) among sub‐adult ticks, the yearly virulence of the TBEV, and prophylactic measures. Here we highlight the role of small mammal hosts in the circulation of TBEV through the ecosystem. Refining classical models of non‐viremic horizontal transmission, we emphasize the recently (...) understood fact that the physiological and immunological status of the small mammal hosts affects the tick and virus‐host interactions. In addition to its theoretical interest, our approach may lead to some practical improvements in the precision of epidemiological forecasts and perhaps in forestalling the severity of outbreaks of TBE, or, at least, in forewarning medical authorities and the general public of impending TBE outbreaks. (shrink)

By what process was the Jacobin identity transplanted into nineteenth-century Russian radical culture? According to the conventional account, the Jacobin label was coined by proponents like Zainevskij and Tkaev. Lenin, in turn, is said to have derived his Jacobin identity from them, thus revealing the non-Marxian source of his political ideas. This article contests that interpretation through a study of the origin and spread of the Jacobin terminology in post-emancipation Russia. I show that the Jacobin identity in Russia was invented (...) by anti-Jacobin populists and that there were scarcely any self-proclaimed Jacobins prior to Lenin. I also reconstruct the path by which Lenin came to identify with French Jacobinism. That path remained within the territory of Marxist theory from beginning to end. (shrink)

The article deals with the professional decorative and applied art of Krasnoyarsk from the 50s of the twentieth century to the present. The aspect of consideration is the use of the ethnographic motif of the Krasnoyarsk Territory and the features of its embodiment in the products of Krasnoyarsk artists of decorative and applied art. Using the example of the creativity of N.V. Kasatkina, A.G. Tkachev, A.S. Moskvitin, A.S. Migas, S.E. Anufriev and E.A. Krasnova, the aspects of the use of (...) the ethnographic motif and their transformation over time, which led to the formation of archeoart in modern decorative and applied art and the features of its embodiment in the works of the main conclusions of the study are shown. The principles of the use, functioning and transformation of signs of an ethnographic motif in works of decorative and applied art in the Krasnoyarsk Territory are presented. The process of forming a new style in art took place from quoting and simple stylization of individual objects of ethnography in the works of artists to the gradual increase of signs of an ethnographic motif in the works of masters, which led to the formation of a new understanding of the region in art. The main visual concept of modern archeoart is the representation of Yenisei Siberia as the "cradle of humanity". The ethnographic motif associated with the history and mythology of indigenous peoples becomes the starting point in the artistic image, through which the elevation of regional visual signs to symbols understandable to every person takes place. (shrink)

Defining nihilism -- Nietzsche : godfather of nihilism -- Revolution of nihilism -- The uprooted and disinherited -- French nihilism -- Pierre-Joseph Proudhon -- Russian nihilism -- Chernyshevskii : what is to be done? -- Nechayev and the science of destruction -- Tkachev -- Some famous nihilists -- Franz Fanon -- Regis Debray -- Nihilism in Black America.