54 found
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  1.  17
    Post-Truth, Philosophy and Law.Angela Condello & Tiziana Andina (eds.) - 2019 - New York, NY: Routledge.
    In the wake of Brexit and Trump, the debate surrounding post-truth fills the newspapers and is at the center of the public debate. Democratic institutions and the rule of law have always been constructed and legitimized by discourses of truth. And so the issue of "post-truth" or "fake truth" can be regarded as a contemporary degeneration of that legitimacy. But what, precisely, is post-truth from a theoretical point of view? Can it actually change perceptions of law, of institutions and political (...)
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  2.  24
    Transgenerational Social Structures and Fictional Actors: Community-Based Responsibility for Future Generations.Tiziana Andina & Fausto Corvino - 2023 - The Monist 106 (2):150-164.
    The notion of transgenerational community is usually based on two diachronic interactions. The first interaction consists of present generations taking up the legacy (not only economic, but also institutional, artistic, cultural, and so forth) of past generations and giving it continuity, exercising a form of active agency. The second interaction occurs when present generations pass on their legacy to future generations. This is supposed to expand the boundaries of the community in a transgenerational sense (both backward- and forward-looking). In this (...)
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  3.  13
    A philosophy for future generations: the structure and dynamics of transgenerationality.Tiziana Andina - 2022 - New York: Bloomsbury Academic. Edited by Antonella Emmi.
    If societies, like institutions, are built to endure, then the bond that exists between generations must be considered. Constructing a framework to establish a philosophy of future generations, Tiziana Andina explores the factors that make it possible for a society to reproduce over time. Andina's study of the diachronic structure of societies considers the never-ending passage of generations, as each new generation comes to form a part of the new social fabric and political model. Her model draws on the anthropologies (...)
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  4.  26
    Introduction: Emotions Towards Future Generations.Tiziana Andina & Giulio Sacco - 2024 - Topoi 43 (1):1-3.
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  5.  36
    Feeling Emotions for Future People.Tiziana Andina & Giulio Sacco - 2024 - Topoi 43 (1):5-15.
    It is more difficult to feel emotions for future generations than for those who currently exist, and this seems to be one of the reasons why we struggle to care for the future. According to a number of authors, who have recently focused on the psychological flaws that prevent us from dealing with transgenerational issues, the main problem is “future discounting”. Challenging this common view, we argue that the main reason we struggle to care about future generations lies in two (...)
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  6.  27
    Transgenerational actions and responsibility.Tiziana Andina - 2018 - Journal of Critical Realism 17 (4):364-373.
    ABSTRACTThe Imperative of Responsibility, by the German philosopher Hans Jonas, is a work that aspires to a re-foundation of ethics based on an analysis of the contemporary world as well as on a prediction about the fate of globalized humanity. Through a discussion of the fundamental concepts of Jonas’ work, the essay shows that the central themes of his research, which are still very relevant today, should be addressed by moving from the ethical level to that of ontology and social (...)
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  7.  24
    Climate Change, the Non-identity Problem, and the Metaphysics of Transgenerational Actions.Tiziana Andina & Fausto Corvino - 2023 - In Pellegrino Gianfranco & Marcello Di Paola (eds.), Handbook of Philosophy of Climate Change. Springer Nature. pp. 663-684.
    Why should one take action to move toward a greener world if doing so will cause the birth of a totally different group of future people? This chapter starts from the metaphysical evidence that many collective climate actions imply a change in the identity of future generations, as opposed to a counterfactual laissez-faire attitude. The climatic fallout from the non-identity paradox introduced by Derek Parfit is examined to determine if and how a principle of transgenerational responsibility can be defended against (...)
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  8.  9
    An ontology for social reality.Tiziana Andina - 2016 - London: Palgrave-Macmillan. Edited by Sarah De Sanctis & Tiziana Andina.
    The Domain of Social Ontology -- Theories -- State and Justice -- A Cross-Section of Power.
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  9.  11
    L’errore di Danto.Tiziana Andina - 2021 - Rivista di Estetica 77:7-26.
    It is known how much of the work that Arthur Danto has dedicated to the philosophy of art has concerned the concept of representation and, specifically, the concept of artistic representation. The basic thesis that Danto developed starting from The Artworld (1965) consists in the idea that art should be considered as a particular type of representation, as opposed to what Plato had suggested, who considered it as a form of mimesis of reality. The article will show how this Dantian (...)
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  10.  9
    Filosofie dell'arte: da Hegel a Danto.Tiziana Andina - 2012 - Roma: Carocci.
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  11.  8
    Arthur Danto: un filosofo pop.Tiziana Andina - 2010 - Roma: Carocci.
  12.  14
    An Ontology for the Works of Art.Tiziana Andina - 2018 - Proceedings of the XXIII World Congress of Philosophy 1:15-19.
    “What is art?” All in all it sounds like a fairly trivial question: art is so ingrained in our world that intuitively we believe everyone is able to answer it. If we look at this question closely, however, we realize that things are not so simple. Among the first who tried to clarify the issue was Plato, one of the most ardent Western philosophers for definitions. In the 10th book of the Republic he drew a long lasting distinction: the objects (...)
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  13.  8
    (1 other version)Bridging the Analytical Continental Divide: A Companion to Contemporary Western Philosophy.Tiziana Andina (ed.) - 2014 - Boston: Brill.
    In this volume edited by Tiziana Andina and the contributors addresses some of the most compelling philosophical questions today, offering an exhaustive companion to Western philosophy through the past fifty years that bridges the Analytical Continental divide.
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  14.  16
    Contemporary Art: Judgments and Normativity.Tiziana Andina - 2017 - Rivista di Estetica 65:79-90.
    Is judgement still possible in art? The present paper tries to answer this question, exploring the two-main forms of judgement in the domain of art: the ontological-artistic judgment (regarding the identity of works of art) and the aesthetic judgement (regarding their aesthetic properties). Arguing that the most philosophically interesting cases are those in which judgment seems impossible, the article explores the elements necessary for the formulation of the two judgements that make up the domain of art.
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  15.  27
    Climate issue: the principle of transgenerational responsibility.Tiziana Andina - 2020 - Rivista di Estetica 75:17-32.
    The multidimensional nature of climate change makes it a complex matter, on both the theoretical and practical planes. The urgency and centrality of the issues and problems it poses are of key importance for our species and its survival. In this paper, we propose pairing the principle of common but differentiated responsibilities – the cornerstone of climate talks over the last thirty years – with the criterion of transgenerational responsibility. Such a criterion seeks to focus particular attention on the issues (...)
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  16.  20
    Confini sfumati: i problemi dell'arte, le soluzioni della percezione.Tiziana Andina - 2009 - Milano: Mimesis.
  17.  14
    Denkweg o di un certo gusto per la narrazione in arte.Tiziana Andina - 2014 - Rivista di Estetica:5-10.
    Ever since the last century art seems to be characterized by a powerful metareflective vocation. The works of Mimmo Paladino represent an effective barrier in this deconstructive movement and allow art to preserve the memory of its own narrative vocation.
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  18.  12
    Demetrio Paparoni, Cristo e l’impronta dell’arte.Tiziana Andina - 2017 - Rivista di Estetica 65:195-197.
    Abbozzando nel Fedro una indagine genealogica sull’origine dell’arte, Platone coglie un tratto fondamentale. Si tratta del legame assai profondo che unisce l’arte alla regina delle proprietà estetiche, la bellezza. L’arte è portata a ricercare costantemente la bellezza, questa la tesi, poiché alla sua origine vi sarebbe una tensione erotica che trova nella bellezza, insieme, una via privilegiata di espressione e un elemento di attrazione. Una seconda e non meno autorevole genealogia dell’orig...
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  19.  12
    Dalla parte di Testadura: ontologia e percezione.Tiziana Andina - 2008 - Rivista di Estetica 39:13-21.
    Intanto, chi è Testadura? Nel 1964 Arthur C. Danto pubblica sul “Journal of Philosophy” un saggio destinato a diventare un punto di riferimento importante per l’estetica analitica del Novecento: The Artworld. Testadura è il personaggio – dal simpatico nome italiano – che incarna il punto di vista opposto a quello sostenuto da Danto. Il problema che incuriosisce il filosofo americano, spingendolo a elaborare una filosofia dell’arte per molti versi originale è, in realtà, una questione tipicame...
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  20.  17
    Dialogo tra un epistemologo e un filosofo che amava Aristotele.Tiziana Andina - 2003 - Rivista di Estetica 43 (24):8-11.
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  21.  8
    Embodiment and Medium.Tiziana Andina - 2021 - In Lydia Goehr & Jonathan Gilmore (eds.), A Companion to Arthur C. Danto. Hoboken: Wiley. pp. 240–247.
    The concepts of embodiment and medium lie at the core of Arthur Danto's philosophy. As Danto underlines in Connections to the World, one speaks of embodiment when describing a state in which two objects with different properties constitute a single object, as the mind and body together constitute the human being. Humans are basically entes rapresentantes as their representative ability, their ability to process thoughts and incorporate them in language and, ultimately, their willingness to produce and enjoy art, are key (...)
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  22.  14
    Ermeneutica, estetica, ontologia: a partire da Maurizio Ferraris.Tiziana Andina & Carola Barbero (eds.) - 2016 - Bologna: Il mulino.
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  23.  32
    Essere Maurizio Ferraris.Tiziana Andina - 2015 - Rivista di Estetica 60:7-12.
    Estetica, ermeneutica e ontologia sono le tre parole chiave utili per comprendere il percorso teorico di Maurizio Ferraris. Utilizzando una cifra narrativa di carattere autobiografico, l’articolo ripercorre taluni momenti della filosofia ferrarisiana cercando di evidenziare alcune cifre caratteristiche.
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  24.  35
    Eterno ritorno: Nietzsche, blanqui E la cosmologia Del big Bang.Tiziana Andina - 2001 - Rivista di Estetica 41 (17):3-36.
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  25. Filosofia Contemporanea.Tiziana Andina & Gregorio Fracchia (eds.) - 2023 - Roma: Carocci.
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  26.  16
    Filosofia contemporanea: uno sguardo globale.Tiziana Andina (ed.) - 2013 - Roma: Carocci.
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  27.  16
    (1 other version)3.3. Il mondo dell’arte come istituzione sociale.Tiziana Andina - 2012 - Rivista di Estetica 49:203-215.
    The essay has two main aims: (a) to provide an explanation of the ontology on which is based the concept of the “art world”; and, on the basis of that account, (b) to inquire whether the so-called Institutional Theories of Art are well founded. I will argue that it is not possible to consider the art world as a social institution and that, because of this, the so-called Institutional Theories of Art lack a secure foundation.
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  28.  13
    Il problema della percezione nella filosofia di Nietzsche.Tiziana Andina - 2005 - Milano: Alboversorio.
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  29. Introduzione. Storie dell’ontologia.Tiziana Andina & Carola Barbero - 2003 - Rivista di Estetica 43 (1).
     
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  30. Introduction. Thinking about Nietzsche.Tiziana Andina - 2005 - Rivista di Estetica 45 (1).
     
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  31.  10
    Introduzione. Un Brillo Box in salotto.Tiziana Andina - 2007 - Rivista di Estetica 35 (2):3-11.
    That’s my whole philosophy of art in a nutshell, finding the deep difference between art and craft, artworks and mere thing, when members from either class look exactly similar. What serves the purposes of ontology also serves the purpose of criticism. When you have found a similarity, avert your eyes and look for the explanation of how different artistic expression can look like affines of one another. Provo a iniziare con un indovinello: quale filosofo potrebbe avere nel salotto di casa, (...)
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  32.  7
    Il volto americano di Nietzsche: la ricezione di Nietzsche in America dal 1945 al 1996.Tiziana Andina - 1999 - Napoli: Istituto italiano per gli studi filosofici.
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  33.  15
    (1 other version)L’importanza degli affetti note per una ontologia sociale incorporata.Tiziana Andina - 2013 - Rivista di Estetica 53:179-195.
    In its mainstream analysis, social ontology seems to make use of the modern idea of subjectivity. Margaret Gilbert, and David Lewis in his previous book on conventions, consider the subject as an auto transparent postulate. The thesis I will discuss in this paper is based on the idea that the ethical position outlined by Friedrich Nietzsche, which remains problematic in its positive outcomes, becomes a useful instrument for the comprehension of the pre-institutional components of the social world when applied to (...)
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  34.  16
    Normativity and Beauty in Contemporary Arts.Tiziana Andina - 2017 - Rivista di Estetica 64:151-166.
    Our intuitions related to art are generally associated to ideas such as creativity, freedom of expression, experimentation. The fact that so many artists (especially writers, but also musicians, painters, performance artists) are or have been people with training in legal disciplines should be taken into account when considering the apparently extrinsic relationship between art and law. The question we have to answer is the following. When we make a judgment of taste looking, say, at the Mona Lisa, what does that (...)
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  35.  38
    No Appreciation without Interpretation.Tiziana Andina - 2008 - Rivista di Estetica 38:25-34.
    Il 1964 è una data importante per la filosofia di Arthur C. Danto. Durante la tarda primavera di quell’anno i responsabili della Stable Gallery di New York esposero una gran quantità di scatoloni, di dimensioni diverse e del tutto simili a quelli che si potevano vedere negli scaffali dei supermercati americani. Danto dice spesso di intendere quell’evento come la sua personale rivoluzione copernicana. Non dobbiamo dimenticare che ancora durante gli anni Sessanta del secolo scorso i filosofi an...
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  36.  19
    Nuovi libri.Tiziana Andina - 2000 - Rivista di Filosofia 91 (3).
  37. Nessun omuncolo in vista.Tiziana Andina - 2005 - Rivista di Estetica 45 (28):123-146.
     
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  38.  10
    Ontologia sociale: trangenerazionalità, potere, giustizia.Tiziana Andina - 2016 - Roma: Carocci editore.
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  39.  8
    Percezione e rappresentazione: alcune ipotesi tra Gombrich e Arnheim.Tiziana Andina - 2005 - [Palermo]: Centro Internazionale Studi di Estetica.
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  40. Post-truth : what is it about? : introduction.Tiziana Andina & Angela Condello - 2019 - In Angela Condello & Tiziana Andina (eds.), Post-Truth, Philosophy and Law. New York, NY: Routledge.
     
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  41.  6
    Roberta De Monticelli, Al di qua del bene e del male.Tiziana Andina - 2016 - Rivista di Estetica 61:171-173.
    «Everything is what it is, and not another thing»: Roberta De Monticelli avrebbe forse potuto servirsi dell’epigrafe che George Moore pose come incipit dei Principia Ethica, nel 1922, per intitolare il suo nuovo libro. Sceglie invece un titolo che richiama Nietzsche e ciò che il suo pensiero ha rappresentato, per porre l’accento su un disegno teorico che percorre tutto il libro: tornare al di qua del nietzschianesimo, del suo scetticismo epistemologico e assiologico, per riprenderci non solo...
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  42.  14
    States and Intergenerational Bonds.Tiziana Andina & Jacopo Domenicucci - 2018 - Rivista di Estetica 68:123-130.
    Institutions are naturally seen as the stable and relatively fixed backbone of the social world. While the structural role of institutions is usually discussed in social ontology, the temporal implications of this regulation are often overlooked. It is indeed tempting to take a present-centred approach to institutions. The latter clearly are instrumental in stabilizing and structuring the social coordination between a number of actors. But it is all too easy to focus only on their role in syn...
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  43. Storie dell'ontologia.Tiziana Andina & Carola Barbero - 2003 - Rivista di Estetica 43 (22):3-13.
     
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  44.  10
    The Artistic Disfranchisement of Reality.Tiziana Andina - 2014 - Philosophical Readings 6 (2):94-100.
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  45. Truth, lies, and post-truth.Tiziana Andina - 2019 - In Angela Condello & Tiziana Andina (eds.), Post-Truth, Philosophy and Law. New York, NY: Routledge.
     
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  46.  12
    Tra Lichtenstein e Warhol.Tiziana Andina - 2015 - Rivista di Estetica:75-80.
    Pop Art is one of the most prominent artistic movement of the Nineteenth century whose legacy is very influent also in this century. After a brief historical reconstruction of the origins of Pop Art in Great Britain and in the United State, the paper will offer a comparison between the Warholian way of interpreting Pop Art — a realistic way — the Lichtensteinian way, which is fantastic, and the personal interpretation offered by Ugo Nespolo whose Pop is fabulist and fabulous.
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  47.  7
    The philosophy of art: the question of definition from Hegel to post-Dantian theories.Tiziana Andina - 2013 - New York: Bloomsbury Academic.
    A study of the philosophy of art that addresses the question of definition presented by both continental and analytic thinkers.
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  48.  10
    Transgenerazionalità: una filosofia per le generazioni future.Tiziana Andina - 2020 - Roma: Carocci editore.
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  49.  9
    Una vita contro. Conversazione con Lucia Pizzo Russo.Tiziana Andina & Carmelo Calì - 2011 - Rivista di Estetica 48:3-11.
    The research Lucia Pizzo Russo carried out all over her academic and scientific career is focussed on a the following idea: human mind and behaviour make up a cognitive device from whose complexity stems an evolutionary advantage. Hence, the psychological study of mind should take into account all those cognitive functions that underlie man’s ability of perceiving structures and affordances in the visual world as much as of solving problems, where perception and thought deeply interact, and of giving shape to (...)
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  50. Veicoli semantici che sono opere d'arte.Tiziana Andina - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5.
    As it is well known an historical comprehension of the time in which people live and philosophers work is something essential in order to outline a theory that could grasps something of the world. The history of the relationship between art and philosophy is almost as old as philosophy itself. Among the first to take up the topic was Plato who posed the question in the most classical of ways—that is, by facing the problem of definition. The question of definition (...)
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