Results for 'Tilda Saydi'

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  1.  5
    Türkçe'de Renk Olgusu Gelişmişliği Ve Fransızca'ya Bazı Yansımalar: Kültürlerarası Genel Bir Bakış.Tilda Saydi - 2015 - Journal of Turkish Studies 10 (Volume 10 Issue 2):829-829.
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    Transnational Celebrity and the Fashion Icon: The Case of Tilda Swinton, ‘Visual Performance Artist at Large’.Hilary Radner - 2016 - European Journal of Women's Studies 23 (4):401-414.
    Tilda Swinton’s status as a fashion icon exemplifies the contradictory functions that Walter Benjamin attributes to fashion as both exemplifying commodity fetishism and expressing a utopian ‘image wish’. This vexed relationship with fashion inflects Swinton’s cinematic performances, enhanced by her emphasis on disguise and transformation that calls into question the nature of identity and its authenticity. Her persona speaks to the fluid and fragmented dimensions of contemporary European identities, which are rooted, but also cross borders, national and otherwise; similarly, (...)
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    Pelagianismo como una novedad en Agustín de Hipona.Giulio Malavasi - 2018 - Humanitas Hodie 1 (2):55-68.
    Agustín luchó en contra de los pelagianos por más de dos décadas, desde 411 hasta su muerte en 430, cuando dejó su inacabado y último trabajo contra Julián de Aeclanum. Durante este largo periodo, Agustín se opuso al movimiento pelagiano, principalmente, a través de tratados teológicos y sermones. En este artículo, dichas fuentes serán analizadas desde la perspectiva retórica: en particular, observaremos varios fragmentos en los cuales Agustín tilda el movimiento pelagiano de novedad, una técnica retórica que le abre (...)
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  4. "Portraits of Wittgenstein" by Ian Ground and F.A. Flowers. [REVIEW]Tim Crane - 2016 - The Times Literary Supplement 1:1-1.
    Derek Jarman’s Wittgenstein (1993) is one of the very few films made about a philosopher’s life. Almost a parody of a late twentieth-century art-house movie, it contains a mimetic performance by Karl Johnson in the title role, plus cameos by Michael Gough (Bertrand Russell) and the ubiquitous Tilda Swinton (Russell’s lover, Ottoline Morrell). There is a green Martian (played by Nabil Shaban) who quizzes the young Ludwig Wittgenstein, and a collection of handsome young men sitting on deckchairs, looking puzzled (...)
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    Face to Face.Jan M. Broekman - 2009 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 22 (1):45-59.
    Peirce shows how he presupposes that a ‘most general science of semeiotic’ is entirely a matter of culture. Semiotics unfolds even beyond the debate on specific differences between nature and culture. The expression ‘semiotics of culture’ entails all components of a true pleonasm. Pierce finds his parallel in the philosophy of Hegel and both philosophers consider the close ties between expressiveness and consciousness as a specifically human, cultural and spiritual activity. That viewpoint leads not only to linguistic but also to (...)
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