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  1.  7
    Introduction — Allosociality.Thomas M. Kemple - 2007 - Theory, Culture and Society 24 (7-8):1-19.
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  2.  4
    Instrumentum Vocale.Thomas M. Kemple - 2005 - Theory, Culture and Society 22 (4):1-22.
    Max Weber’s reply to Werner Sombart’s lecture on technology and culture, presented at the first meeting of the German Sociological Society held in Frankfurt in 1910, is discussed in terms of its conventional and improvised character as a distinctive mode of ‘sociological’ speech. Emphasis is placed on the specific rhetorical circumstances that gave rise to these remarks, especially with regard to Weber’s status as an authorized speaker at the meeting, and their formulation as a response to Marxist theories accepted or (...)
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  3. Review: Twentieth Century Music and the Question of ModernityFuenteEduardo de laTwentieth Century Music and the Question of Modernity. [REVIEW]Thomas M. Kemple - 2012 - Thesis Eleven 111 (1):130-133.
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  4.  12
    Spirits of Late Capitalism.Thomas M. Kemple - 2007 - Theory, Culture and Society 24 (3):147-159.
    Taking Max Weber's conception of the modern capitalist world system as a classical precedent, and with reference to a series of analytical schemas on capital formation, this essay takes three recent books as a starting point for examining the revival of critical theoretical attention to 'the new capitalism'. The Social Structures of the Economy by Pierre Bourdieu focuses on the erosion of the separation between business and household economies by providing a case study of the construction boom in single-family dwellings (...)
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  5. Writing the Republic: Politics and Polemics in The German Ideology.Charles Barbour & Thomas M. Kemple - 2005 - Telos: Critical Theory of the Contemporary 2005 (130):9-37.
     
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  6.  13
    The Sociological Imagination and its Imperial Shadows.Thomas M. Kemple & Renisa Mawani - 2009 - Theory, Culture and Society 26 (7-8):228-249.
    This article commemorates the fiftieth anniversary of The Sociological Imagination by recalling, renewing and updating C. Wright Mills’ pledge to expand a politically aware, self-reflective and publicly accessible intellectual culture between aestheticism and scientism. We begin by sketching how Mills’ ‘bifocal’ vision of the translation between the close-up perspective on personal milieus and the longer view of social structures contrasts with recent calls for a public sociology which would sustain its professional legitimacy while reviving its critical conscience. To illustrate this (...)
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  7.  20
    Introduction: Georg Simmel’s ‘Sociological Metaphysics’: Money, Sociality, and Precarious Life.Austin Harrington & Thomas M. Kemple - 2012 - Theory, Culture and Society 29 (7-8):7-25.
    The articles brought together in this double-length section of the Annual Review of Theory, Culture & Society focus on two intertwined strands of the thought of Georg Simmel, both of them neglected until recent years. A first bears on what might be called Simmel’s metaphysics of the social, or what he himself once called ‘sociological metaphysics’. A second strand centres on the renewed contemporary relevance of Simmel’s ideas about money economies and their relation to precarious individual life-situations in an age (...)
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  8. Founders, Classics, and Canons in the Formation of Social Theory.Thomas M. Kemple - 2006 - In Gerard Delanty (ed.), The Handbook of Contemporary European Social Theory. Routledge. pp. 3.
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  9.  13
    Review: Re-Reading Max Weber. [REVIEW]Thomas M. Kemple - 2008 - Minerva 46 (3):385-389.
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  10.  9
    'Unfashionable Observations' on the Use and Abuse of Weber.Thomas M. Kemple - 2006 - Minerva 44 (3):325-337.
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  11.  1
    A Chronology of Simmel’s Works in English.Thomas M. Kemple - 2012 - Theory, Culture and Society 29 (7-8):317-323.
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