15 found
Order:
  1.  27
    Art and Aesthetics After Adorno.J. M. Bernstein, Claudia Brodsky, Anthony J. Cascardi, Thierry de Duve, Aleš Erjavec, Robert Kaufman & Fred Rush (eds.) - 2022 - Fordham University Press.
    Theodor Adorno's Aesthetic Theory offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written. The work offers a deeply critical engagement with the history and philosophy of aesthetics and with the traditions of European art through the middle of the 20th century. It is coupled with ambitious claims about what aesthetic theory ought to be. But the cultural horizon of Adorno's Aesthetic Theory was the world of high modernism, and much has (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  2.  28
    Kant after GreenbergThe Collected Essays and CriticismClement Greenberg between the LinesKant after Duchamp.Stephen Melville, Clement Greenberg, John O'Brian & Thierry de Duve - 1998 - Journal of Aesthetics and Art Criticism 56 (1):67.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  3.  10
    Aesthetics as the Transcendental Ground of Democracy.Thierry de Duve - 2015 - Critical Inquiry 42 (1):149-165.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  4.  15
    Autour du « monde de l'art ».Arthur Coleman Danto, Thierry De Duve & Richard Shusterman - 2012 - Cahiers Philosophiques 131 (4):108-128.
    Dans le cadre des rencontres Contested Territories : Conversations in Practice qu’elle organise en partenariat avec la Chelsea School of Art and Design et la Naked Punch Review, la Tate Modern a réuni le 2 février 2006 Arthur Danto, Thierry de Duve et Richard Shusterman pour une table ronde portant sur le célèbre article publié par Danto en 1964, « Le monde de l’art 1 », et les questions qu’il continue de soulever. Voici la traduction de leurs exposés et de (...)
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  5.  42
    Pictorial Nominalism: On Marcel Duchamp's Passage from Painting to the Readymade.George H. Bauer & Thierry de Duve - 1993 - Substance 22 (2/3):350.
  6.  6
    Letters to the Editor.William Conger & Thierry de Duve - 1999 - Critical Inquiry 26 (1):159-160.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  7.  5
    Aesthetics at large.Thierry de Duve - 2018 - London: University of Chicago Press.
    Immanuel Kant’s Critique of Judgment, Thierry de Duve argues in the first volume of Aesthetics at Large, is as relevant to the appreciation of art today as it was to the enjoyment of beautiful nature in 1790. Going against the grain of all aesthetic theories situated in the Hegelian tradition, this provocative thesis, which already guided de Duve’s groundbreaking book Kant After Duchamp (1996), is here pursued in order to demonstrate that far from confining aesthetics to a stifling formalism isolated (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  8.  10
    Art as Symbol of the Politically Good.Thierry De Duve - 2023 - Revue Internationale de Philosophie 303 (1):91-110.
    Au paragraphe 59 de la Critique de la faculté de juger, juste avant de se lancer dans la Critique du jugement téléologique, Kant écrit une phase que rien dans la Critique du jugement esthétique, qu’il s’apprête à conclure, n’annonçait : “Je dis maintenant que le beau est le symbole du bien moral”. Il fait toutefois précéder cette ligne d’une explication de ce qu’il entend par “symbole”, qu’il illustre par un exemple qui semble aussi abrupt et hors contexte que la phrase (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  9.  46
    How Manet's "A Bar at the Folies-Bergère" Is Constructed.Thierry de Duve & Brian Holmes - 1998 - Critical Inquiry 25 (1):136-168.
  10.  21
    Intuition, Logic, Intuition.Thierry de Duve - 1998 - Critical Inquiry 25 (1):181-189.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  11.  8
    Kant's "free-play" in the light of minimal art.Thierry de Duve - 2008 - In Francis Halsall, Julia Alejandra Jansen & Tony O'Connor (eds.), Rediscovering Aesthetics: Transdisciplinary Voices from Art History, Philosophy, and Art Practice. Stanford, Calif.: Stanford University Press. pp. 87-100.
  12.  5
    Sewn in the Sweatshops of Marx: Beuys, Warhol, Klein, Duchamp.Thierry de Duve - 2012 - University of Chicago Press.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  13. The Post-Duchamp Deal. Remarks on a few Specifications of the Word 'Art'.Thierry de Duve - 2007 - Filozofski Vestnik 28 (2):27 - +.
    The purpose of this paper is to offer some theoretical clarification of the word art in the wake of the reception of Duchamp's readymades and their acknowledgment by art history.It became clear in the sixties that it is now both technically possible and institutionally legitimate to make art from absolutely anything whatever.To this a priori possibility would like to give the term art in general. After which shall define three other terms which may help clarify our usage of the word (...)
    No categories
     
    Export citation  
     
    Bookmark  
  14.  21
    The story of Fountain: Hard facts and soft speculation.Thierry De Duve - 2019 - Nordic Journal of Aesthetics 28 (57-58):10-47.
    Thierry de Duve’s essay is anchored to the one and perhaps only hard fact that we possess regarding the story of Fountain: its photo in The Blind Man No. 2, triply captioned “Fountain by R. Mutt,” “Photograph by Alfred Stieglitz,” and “THE EXHIBIT REFUSED BY THE INDEPENDENTS,” and the editorial on the facing page, titled “The Richard Mutt Case.” He examines what kind of agency is involved in that triple “by,” and revisits Duchamp’s intentions and motivations when he created the (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  15.  13
    Viande du monde.Thierry de Duve - 2011 - Revista Portuguesa de Filosofia 67 (3):417-432.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark