This volume presents new work in history and historiography to the increasingly broad audience for studies of the history and philosophy of science. These essays are linked by a concern to understand the context of early modern science in its own context.

Las conjugadas nociones del Lugar y del Alcance pretenden promover aquí una forma inédita y potente de cuestionar la misma naturaleza de la (no) experiencia que nos proporcionan la pintura y el dibujo, apuntando para un (no) espacio y un (no) tiempo específicos de los (no) objetos pintados y/o dibujados, que no son en absoluto el espacio, el tiempo, y los objetos de nuestra experiencia perceptiva consciente de serdiciente tal como fue diseñada de un modo globalmente fenomenológico, por Kant o (...) por Husserl por ejemplo. (shrink)

¿Habrá motivos para hacer una lecturaestética de la Etica? Y ¿qué hacer entonces, sital fuese el caso, con el orden geométrico desu exposición que no se puede separar de susdoctrinas características? Intentando contestarestas preguntas, se propone la rehabilitacióndel criminal como criterio spinozista de lo estético,y se ponen de manifiesto cuatro quiebresconceptuales (clareza del enigma, afectode la TMdusa, opacidad de la verdad, densidadde la potencia) que le confieren su potenciaverdadera al orden geométrico, a la vez que determinansu alcance altamente estético, asícomo (...) una remanencia de las imágenes quedesdibuja la diferencia entre la razón y laimaginación. Derivando entre lo sublime y lotrágico, la gloria restituye a la naturaleza unainocencia soberana anterior a la invención dela mala conciencia, que hace quizás delMarqués de Sade el único spinozista auténticoen el curso de la historia. (shrink)

This chapter contains sections titled: The Tools of Folk Psychology The Modern Perversion of Mental Simulation Conclusions and Assessments Notes.

Inter-godsdienstige verhoudinge was nog altyd problematies. Teologie van godsdiens en teologie van godsdienste is die wyse waarop die Christendom oor die teenwoordigheid en aard van ander godsdienste besin. Die kerkhervormers het ook 'n bepaalde verstaan van die bestaan van en verhouding tussen die Christendom en nie-Christelike godsdienste gehad. Hierdie bydrae probeer aantoon hoe die kerkhervormers verskil het in hulle benadering tot ander godsdienste. Martin Luther en Philipp Melanchthon het die moontlikheid van verhoudinge met ander godsdienste, in besonder Jode en Moslems (...) voorgestaan, al was dit dan ook net n momentele mening van Luther. Daarmee verteenwoordig hulle n kategorie van 'moontlikheid'. Johannes Calvyn was meer afwysend teenoor die gedagte van moontlikheid van heil binne ander godsdienste en behoort daarom tot die kategorie van 'geslotenheid'. Die kerkhervormer Theodore Bibliander was oop vir gesprek en positief oor verhoudinge met Moslems alhoewel hy nie gedink het dat heil en verlossing buite die Christendom moontlik is nie. Vir Bibliander het verhouding met ander begin, met kennis van die ander. Hy verteenwoordig die kategorie van 'openheid'. Die kerkhervormers se verstaan van die verhouding met ander godsdienste lewer n bydrae tot n huidige besinning oor inter-godsdienstige verhoudinge. (shrink)

What is the significance of hermeneutics at the intersections of ethics, politics and the arts and humanities? In this book, George -/- - Discusses how hermeneutics offers ways to develop an ethics - Makes the case for the relevance of contemporary hermeneutics for current scholarly discussions of responsibility within continental European philosophy - Contributes a new, ethically inflected approach to current debate within post-Gadamerian hermeneutics - Extends his analysis to the practice of living and covers animals, art, literature and translation (...) -/- Few topics have received broader attention within contemporary philosophy than that of responsibility. Theodore George makes a novel case for a distinctive sense of responsibility at stake in the hermeneutical experiences of understanding and interpretation. -/- George argues for the significance of this hermeneutical responsibility in the context of our relations with things, animals and others, as well as political solidarity and the formation of solidarities through the arts, literature and translation. (shrink)

The dominance conditional 'If I drink the contents of cup A, I will drink more than if drink the contents of cup B' is true if we know that the first cup contains more than the second. In the first part of the paper, I show that only one kind of theory of indicative conditionals can explain this fact — a Stalnaker-type semantics. In the second part of the paper, I show that dominance conditionals can help explain a long-standing mystery: (...) the question of how one-boxers and two-boxers are guided by conditionals to their respective answers to the Newcomb problem. I will suggest that both implicitly appeal to a decision theoretic principle I will call the Dominance Norm (DN), a principle that connects indicative dominance conditionals with rational courses of action. Finally, I show that DN in combination with a Stalnaker-type theory of indicatives commits us to the two-boxing answer in the Newcomb problem. (shrink)

Hunting for sport or pleasure is ethical because (1) it does not violate any animal’s moral rights, (2) it has as its primary object the exercise of human skills, which is a sufficient good to compensate for the evil that results from it, namely, the death of the animal, and (3) it contributes to the ecological system by directly participating in the balancing process of life and death upon which the ecosystem thrives, thus indirectly benefiting the human community. As such, (...) hunting is not only a natural good, but also a moral good. (shrink)

In this paper I address some of the problems that the historical development of science poses for a realist and discuss whether a realist construal of scientific activity is conducive to historiographical practice. First, I discuss, by means of historical examples, Ian Hacking's defense of entity realism. Second, I try to show, drawing on Kuhn's recent work on incommensurability, that the realism problem is relevant to historiography and that a realist position entails a particular historiographical strategy, which faces problems. Finally, (...) I suggest that for historiographical purposes an agnostic attitude with respect to scientifictheories and unobservable entities is the most appropriate. (shrink)

The analytic hierarchy process (AHP) can be used to determine co-author responsibility for a scientific paper describing collaborative research. The objective is to deter scientific fraud by holding co-authors accountable for their individual contributions. A hiearchical model of the research presented in a paper can be created by dividing it into primary and secondary elements. The co-authors then determine the contributions of the primary and secondary elements to the work as a whole as well as their own individual contributions. They (...) can use the results to determine authorship order. (shrink)

Religion is a racialized category, even when race is not explicitly mentioned. In Modern Religion, Modern Race Theodore Vial argues that because the categories of religion and race are rooted in the post-Enlightenment project of reimagining what it means to be human, we cannot simply will ourselves to stop using them. Only by acknowledging that religion is already racialized can we begin to understand how the two concepts are intertwined and how they operate in our modern world.It has become (...) common to argue that the category religion is not universal, or even very old, but is a product of Europe's Enlightenment modernization. Equally common is the argument that religion is not an innocent category of analysis, but is implicated in colonial regimes of control and as such plays a role in Europe's process of identity construction of itself and of non-European. (shrink)

While many recognise that rigid historical and compositional goals are inadequate in a world where climate and other global systems are undergoing unprecedented changes, others contend that promoting ecosystem services and functions encourages practices that can ultimately lower the bar of ecological management. These worries are foregrounded in discussions about 'novel ecosystems' (NEs), where some researchers and conservationists claim that NEs provide a license to trash nature as long as certain ecosystem services are provided. This criticism arises from what we (...) call the 'anything goes problem' created by the release of historical conditions. After explaining the notion of NEs, we identify numerous substantive motivations for worrying about the 'anything goes problem' and then go on to show that the problem can be solved by correcting two mistaken assumptions. In short, we argue that the problem is a product of adopting an overly sparse functional perspective that assumes an unrealistically high degree of convergence in the trajectories of natural processes; our analysis illuminates why such assumptions are unwarranted. Further, we argue that adopting an appropriate ethical framework is essential to overcoming the 'anything goes problem', and suggest that a certain virtue-ethics conception of ecological management provides useful resources for framing and resolving the problem. (shrink)

In this article, I explore the value of philosophy of science for history of science. I start by introducing a distinction between two ways of integrating history and philosophy of science: historical philosophy of science and philosophical history of science. I then offer a critical discussion of Imre Lakatos’s project to bring philosophy of science to bear on historical interpretation. I point out certain flaws in Lakatos’s project, which I consider indicative of what went wrong with PHS in the past. (...) Finally, I put forward my own attempt to bring out the historiographical potential of philosophy of science. Starting from Norwood Russell Hanson’s insight that historical studies of science involve metascientific concepts, I argue that philosophical reflection on those concepts can be historiographically fruitful. I focus on four issues and discuss their significance and utility for historiographical practice. (shrink)

In this chapter I investigate the prospects of integrated history and philosophy of science, by examining how philosophical issues raised by “hidden entities”, entities that are not accessible to unmediated observation, can enrich the historical investigation of their careers. Conversely, I suggest that the history of those entities has important lessons to teach to the philosophy of science. Hidden entities have played a crucial role in the development of the natural sciences. Despite their centrality to past scientific practice, however, several (...) of them (e.g., phlogiston, caloric, and the ether) turned out to be fictitious. For this reason, they have figured prominently in recent debates on scientific realism. The issues I explore in this paper are entangled with those debates. I argue that our understanding of hidden entities and their role in experimental practice can be enhanced by adopting an integrated historical-cum-philosophical approach. On the one hand, philosophical reflection on the reality of those entities has a lot to gain by examining historically how they were ntroduced and investigated. On the other hand, the historical reconstruction of the careers of those entities may profit from philosophical reflection on their existence. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Neo-Baroque Aesthetics and Contemporary EntertainmentTheodore GracykNeo-Baroque Aesthetics and Contemporary Entertainment, by Angela Ndalianis. Cambridge, MA, and London: MIT Press, 2004, 323 pp., $34.95 cloth.Like the cliché about not judging a book by its cover, the prominence of the term "aesthetics" in a book's title is no indication of what one will find inside. Has the term become so elastic that it will now cover everything cultural? Or is (...) it the case, as in Angela Ndalianis's discussions of theme park rides and computer games, that the term applies to anything that has a parallel in earlier practices covered by this rubric? Ndalianis may be stretching it too far, for the book in question emphasizes parallels with baroque practices that predate Alexander Baumgarten's 1735 proposal to use "aesthetics" as the name of an emerging discipline concerned [End Page 115] with perception. We are alternately informed that the book explores the poetics, semiotics, and the "logic of contemporary media." But because Ndalianis holds that recent visual media involve a "specific system of perception" that arises from a "radical cultural transformation" (22-23), the term "aesthetics" may be as good as any other in conveying her purposes. For she is not concerned with artistic style—presumably the province of art historians. She is theorizing broadly about visual media by examining an assortment of media strategies found in the two eras and aims to identify their common "morphology" (19). Her sources are Fredric Jameson, Walter Benjamin, and Gilles Deleuze rather than, say, Kendall Walton, Noël Carroll, or Gregory Currie.Ndalianis's main idea is that there is a strong but not exact parallel between our own times and the visual forms favored in the seventeenth century. (For Ndalianis, the baroque period stretches from 1492 to the 1680s.) The two epochs involve similar cultural sensibilities and artistic practices, so if we understand baroque art and visual media, we will better understand what is going on in contemporary media. In short, the framing assumption is Shelley's dictum that art is the expression of the spirit of its time. More specifically, the design of modern entertainment media is argued to be very similar to a wide range of baroque entertainment and representational practice. But the similarity is not due to either awareness or imitation of baroque style. Each "logically emerged as a result of systemic and cultural transformations" peculiar to its own time (17). The similar "logic" of each period is thus seen as evidence that there are parallels in the "general tendencies" and consequent "dominant cultural sensibilities" of the two periods (17-21). Because hindsight is more reliable than precognition, a backward glance at the baroque may help us to better grasp our own historical and cultural context.Having outlined these proposals in a lengthy introduction, Ndalianis offers five chapters, each devoted to a specific parallel. All five chapters share a similar strategy. A different aspect of neo-baroque communication is highlighted, and one type of baroque art or entertainment is compared and contrasted with its neo-baroque counterpart, with at least one neo-baroque example explored in considerable detail.The introduction focuses on Jurassic Park (both the film and the theme park ride). Chapter 1 focuses on neo-baroque "narrative strategies," as first Don Quixote and its sequel and then the palace at Versailles are compared to the various Alien films and comic books. The main focus is "serial" art as an outgrowth of capitalism, generating "an aesthetics of repetition" enriched by its "rampant self-reflexivity" (69). Chapter 2 shifts to the baroque love of labyrinthine structure, with its "enforced circuitousness, planned chaos, choice among paths, intricacy, complexity, and an invitation to the audience to engage reflexively" in exploring the labyrinth (84). Ndalianis's baroque case is Pietro de Cortona's elaborate painted ceiling for the Palazzo Barberini in Rome. The neo-baroque counterpart is the Doom video game and its sequel, Doom II. Inexplicably, for a book with numerous illustrations, there are no visuals to display Doom for those unfamiliar with such games. Chapter 3 examines baroque cartography as a background for discussing geographic discovery and colonization, leading to the neo-baroque... (shrink)