Is Heidegger a temporal idealist or a temporal realist? That is, does he believe that time is supplied by the human standpoint, or that we derive it from the structure of the world around us? Blattner makes a compelling case that Heidegger is a temporal idealist, but a failed one. Rousse, however, argues that Heidegger’s position is more promising when he is interpreted not as an unsuccessful idealist, but as an underdeveloped realist. In contrast, we offer arguments (...) grounded in German Idealist treatments of time that Heidegger is a successful idealist who can derive sequential time from nonsequential human temporality. (shrink)

This book is a systematic reconstruction of Heidegger's account of time and temporality in Being and Time. The author locates Heidegger in a tradition of 'temporal idealism' with its sources in Plotinus, Leibniz, and Kant. For Heidegger, time can only be explained in terms of 'originary temporality', a concept integral to his ontology. Blattner sets out not only the foundations of Heidegger's ontology, but also his phenomenology of the experience of time. Focusing on a neglected but central aspect (...) of Being and Time, this book will be of considerable interest to all students of Heidegger both inside and outside philosophy. (shrink)

In his Kurt Gödel Award 2021 essay, “The Philosophical Meaning of the Gödel Universe,” Prof. Kahle takes a fresh look at the philosophical ramifications of Gödel’s cosmology and helps clarify what Gödel’s intentions were and what the significance is of his arguments. I have several reservations, however, concerning Kahle’s discussion which will be discussed in this essay.

William Blattner is surely right that not enough scholarly attention has been paid to one of Heidegger's most central and most important philosophical notions: “originary temporality”. Blattner's exhaustive effort to lay bare and scrutinize Heidegger's arguments regarding temporality and time in Being and Time and in other early texts is impressive, and he offers several valuable new readings and insights. Yet, regrettably, Blattner tries too hard to trump Heidegger. He is bent on showing that Heidegger “failed” in his thinking about (...) temporality and time, and his overly polemical account mars an otherwise illuminating discussion of Heidegger's texts. (shrink)

Some of the most important contributions over the past two decades to understanding Heidegger's thought have been made by philosophers writing in English and sharing the broad perspective of analytic – or, perhaps better, “post-analytic” – philosophy. With Heidegger's Temporal Idealism, William Blattner has moved this approach several important steps forward. Like others in this recent movement, he interprets Heidegger not so much in the terms of existentialism or post-structuralism, as in those of the later Wittgenstein, classical American (...) pragmatism, and neo-pragmatism. Also like other Anglo-American interpretations of Heidegger, Blattner's (1.) focuses primarily on the Sein und Zeit era; (2.) tends to steer away from Heidegger's analysis of authenticity and toward his analysis of Dasein's everydayness; (3.) accords an especially large role to Being-with (Mitsein) and the They (das Man) in the constitution of everyday meaning; and (4.) is particularly concerned with developing a view of the foundation of “mind” and scientific knowledge in the practical abilities of Dasein as Being-in-the-world. Given the obvious centrality of time in SZ, it is surprising that there have been relatively few concerted attempts to critically explicate Heidegger's view of it. Blattner's book fills this gap by focusing on Heidegger's interpretation of Dasein's “originary temporality”, as explicated in Division Two of SZ. (shrink)

Hegel's rejection of the Kantian thing-in-itself makes the "an sich" an ingredient in experience—that about a thing which is not yet present to us is what it is "an sich." Hegel bars thus any philosophical appeal to anything construed as atemporal, a path which I argue was also taken by Nietzsche, Foucault, Rorty, and Habermas. Unlike them, however, Hegel pursues a project of systematic philosophy, which now consists in showing how temporal things mutually support one another. The recent Continental (...) philosophers I discuss do not share this systematic conception; hence some of their most distinctive insights and problems. (shrink)

I defend what I take to be a genuinely Kantian view on temporal extension: time is not an object but a human horizon of concrete particulars. As such, time depends on the existence of embodied human subjects. It does not, however, depend on those subjects determined as spatial objects. Starting with a realist notion of “apperception” as applied to indexical space, I proceed with the need for external criteria of temporal duration. In accordance with Kant’s Second Analogy of (...) Experience, these criteria are found in concepts and laws of motion and change. I then see what follows from this for a reasonable notion of transcendental idealism. Finally, in support of my Kantian conclusions, I argue for the transcendentally subjective nature of particular temporal extension. (shrink)

The article discusses the significance of Hegel’s and especially Schelling’s concepts for the formation of Heidegger’s conceptions of Being and ecstatic time. It is argued that the authors of German Idealism began to think about the Absolute in temporal and historical terms, and that this set the stage for Heidegger’s historical and temporal understanding of Being. Crucially, negativity is included in the structure of Being. The ecstatic structure of Being and time itself is shaped by Schelling’s thought (...) on the dialectic of ground and existence. (shrink)

Martin Heidegger closes his Winter Semester 1927–28 lectures by claiming that Kant’s Critique of Pure Reason, read through the lens of Edmund Husserl’s phenomenology, confirmed the accuracy of his philosophical path culminating in Being and Time. A notable interpretation of Heidegger’s debt to Kant, advanced by William Blattner, presents Heidegger as a temporal idealist. I argue that attention to Husserl’s adaptation of Kant’s critical philosophy shows that both Husserl and Heidegger are realists. I make my case by tracing a (...) unified philosophical problematic through three puzzling passages: the Schematism chapter of the first Critique, Husserl’s thought experiment of the destruction of the world in Ideas, and the passage in Being and Time that motivates Blattner’s idealist reading. Husserl and Heidegger give accounts, derived from Kant, of how the consciousness of time makes it possible for objects to be perceived as enduring unities, as well as ‘genealogies of logic’ that show how a priori knowledge, including ontology, is possible. These accounts are idealistic only in the sense that they concern the ideal or essential features of intentionality in virtue of which it puts us in touch with things as they are independently of the contributions of any mind of any type. -/- . (shrink)

Early Heidegger argues that a “homogenous space of nature” can be revealed by stripping away the intelligibility of Dasein's everyday world, a process he calls “deworlding.” Given this, some interpreters have suggested that Heidegger, despite not having worked out the details himself, is also committed to a notion of deworlded time. Such a “natural time” would amount to an endogenous sequentiality in which events are ordered independently of Dasein and the stand it takes on its being. I show that Heidegger (...) was indeed committed to such a temporal realism even though his treatment of these issues is somewhat scattered and pulled in different directions. In the course of my reconstruction, I renew an interpretation of Heidegger that stresses Dasein's thrownness into nature and I answer William Blattner's powerful interpretation of Heidegger as a failed temporal idealist who was unable to derive the sequentiality of ordinary time from Dasein's non-sequential originary temporality. Heidegger did not attempt to derive sequentiality; instead, he understood it as a built-in feature of the natural universe by which Dasein's activities are constrained. World-time turns out to be a co-production of Dasein's non-sequential originary temporality and the endogenous sequentiality of events in nature. (shrink)

Lucy Allais presents an original interpretation of Kant's transcendental idealism. She argues that his distinction between things in themselves and things as they appear to us has both epistemological and metaphysical components. Kant is committed to a genuine idealism about things as they appear to us, but this is not a phenomenalist idealism. He is committed to the claim that there is an aspect of reality that grounds mind-dependent spatio-temporal objects, and which we cannot cognize, but (...) he does not assert the existence of distinct non-spatio-temporal objects. On Allais's account, we cannot understand Kant's idealism without a clear account of his notion of intuition and of the role of intuition in cognition: she understands Kantian intuitions as representations that give us acquaintance with the objects of thought. This enables us to make sense of Kant's central argument for his idealism in the Transcendental Aesthetic, and to see why he takes the complete idealist position to be established there. (shrink)

This chapter contains sections titled: Why Being and Time? The Temporality of Human Existence But Why Call It “Time?” Residual Issues: Authenticity and Historicality Temporality and Ontology.

It is argued that Heidegger should be seen as something of a Kantian Idealist. Like Kant, Heidegger distinguishes two standpoints (transcendental and empirical) which we can occupy when we ask the question whether natural things depend on us. He agrees with Kant that from the empirical or human standpoint we are justified in saying that natural things do not depend on us. But in contrast with Kant, Heidegger argues that from the transcendental standpoint we can say neither that natural things (...) do depend on us, nor that they do not. His reasons for saying this, however, represent an attempt to rework both Kant's temporal idealism and his temporal interpretation of the concept of an object (which shows up in Heidegger as a temporal interpretation of being). Heidegger suggests that Kant was led astray into a transcendental idealism about natural entities, because he did not understand the implications of transcendental idealism about being. (shrink)

Can Hegel, a philosopher who claims that philosophy lsquo;has no other object but God and so is essentially rational theologyrsquo;, ever be taken as anything emother than/em a religious philosopher with little to say to any philosophical project that identifies itself as emsecular/em?nbsp; If the valuable substantive insights found in the detail of Hegelrsquo;s philosophy are to be rescued for a secular philosophy, then, it is commonly presupposed, some type of global reinterpretation of the enframing idealistic framework is required. In (...) this essay, this assumption is challenged. br /br /Kantrsquo;s interpretation of space and time as a response to Newtonrsquo;s theologically based spatio-temporal emrealism/em is taken as a model of what it is to be a Kantian emidealist/em about God and the self. In turn, Hegelrsquo;s philosophy is taken as a development of this approach that overcomes the limitations of Kantrsquo;s formal approach. Hegelrsquo;s major contribution to Kantrsquo;s revolutionary transformation of the task of philosophy is, it is argued, his recognitive conception of lsquo;spiritrsquo;. While this has been widely appreciated with regard to the relations between lsquo;subjectiversquo; and lsquo;objectiversquo; spirit, it is suggested that a fuller understanding of the nature of Hegelrsquo;s emabsolute/em idealism requires a proper understanding of how this approach also applies to the domain of lsquo;absolute spiritrsquo;. br /br /. (shrink)

In the "Transcendental Aesthetic" of the Critique of Pure Reason, Kant offers an argument for transcendental idealism. This argument is one focus of the longstanding controversy between "one-world" and "two-world" interpretations of the distinction between things in themselves and things as they appear. I present an interpretation of the argument of the "Aesthetic" that supports a novel "one-world" interpretation. On this interpretation, Kant is concerned with the mind-dependence of spatial and temporal properties; and with the idea that space (...) and time can be identified with mental objects. I end by arguing that, for Kant, even on a "one-world" interpretation, we do not know the nature or even the existence of mind-independent things. (shrink)

Can Hegel, a philosopher who claims that philosophy lsquo;has no other object but God and so is essentially rational theologyrsquo;, ever be taken as anything emother than/em a religious philosopher with little to say to any philosophical project that identifies itself as emsecular/em?nbsp; If the valuable substantive insights found in the detail of Hegelrsquo;s philosophy are to be rescued for a secular philosophy, then, it is commonly presupposed, some type of global reinterpretation of the enframing idealistic framework is required. In (...) this essay, this assumption is challenged. br /br /Kantrsquo;s interpretation of space and time as a response to Newtonrsquo;s theologically based spatio-temporal emrealism/em is taken as a model of what it is to be a Kantian emidealist/em about God and the self. In turn, Hegelrsquo;s philosophy is taken as a development of this approach that overcomes the limitations of Kantrsquo;s formal approach. Hegelrsquo;s major contribution to Kantrsquo;s revolutionary transformation of the task of philosophy is, it is argued, his recognitive conception of lsquo;spiritrsquo;. While this has been widely appreciated with regard to the relations between lsquo;subjectiversquo; and lsquo;objectiversquo; spirit, it is suggested that a fuller understanding of the nature of Hegelrsquo;s emabsolute/em idealism requires a proper understanding of how this approach also applies to the domain of lsquo;absolute spiritrsquo;. br /br /. (shrink)

The empiricist needs to explain the origin, in perception, of the idea of time. Kant believed the only answer was a kind of idealism about time. This essay examines Hume’s extensionalism as a possible answer to Kant. Extensionalism allegedly accounts for the experience of time via the manner of presentation of experiences, rather than the content of experience.

How does art – literature, visual art, or music – endure over time? What special power does it possess that enables it to “transcend” time – to overcome temporal distance and speak to us not just as evidence of times gone by, but as a living presence? The Renaissance, which discovered this transcendent power of art in the classical sculpture and literature it admired so strongly, concluded that great art is impervious to time – “timeless”, “immortal”, “eternal” – a (...) belief that left a profound impression on Renaissance culture and often found expression in its poetry. Subsequently the same belief exerted a powerful influence on Enlightenment aesthetics and, in various forms, it still lingers on today. The nineteenth century, however, saw a major challenge to this thinking. Hegel, Marx and Taine stressed the historical embeddedness of art and for these three thinkers, as for a series of more recent theorists such as Sartre, Benjamin, and Adorno, art belongs within the world of historical change. To locate its essential qualities in a “timeless” realm removed from the flow of history would be an idealist illusion. The conflict between these two positions has resulted in an impasse, and today we appear to lack any viable account of one of art’s key features – its capacity to transcend time. André Malraux proposes an entirely new account of this unique power of art. For Malraux, as this article explains, art is neither exempt from history (timeless) nor wholly inseparable from it. Art overcomes temporal distance – transcends time – through metamorphosis, a process of continual transformation in significance in which history plays an essential, but not exclusive, part. “La métamorphose,” Malraux writes, “est la vie même de l’œuvre d’art dans le temps, l’un de ses caractères spécifiques.” This proposition, to which contemporary aesthetics has so far paid very little attention, is a revolutionary step in our thinking about art. -/- . (shrink)

This is the first book-length study to provide a structured interpretation of the significance of Michael Oakeshott's critique of the Enlightenment. By seeing the thinker as a 'sceptical idealist’ posing a serious challenge to the intellectual positions informed by the Enlightenment, this book attempts to resolve some of the issues debated by Oakeshott scholars. The author argues that Oakeshott’s famous critique of philosophisme and Rationalism in fact expresses a sense of the crisis of philosophical modernity. Moreover, notwithstanding some recent interpretations, (...) throughout his intellectual career Oakeshott has never altered his analysis of these two themes: philosophy as the persistent re-establishment of completeness by transcending abstractness, and the modes of experience as self-consistent worlds of discourse. To apply this philosophy in his moral and political writings, Oakeshott has redressed an imbalance in favour of the Enlightenment ethical position — ‘the sovereignty of technique’, ‘demonstrative moral truth’, ’the politics of faith’ and ‘enterprise association’ — by revitalising the importance of ‘traditional knowledge’, ‘conversation’, ‘intimation’, ‘the politics of scepticism’ and ‘civil association’. Oakeshott is neither a doctrinal liberal nor a dogmatic conservative, but a philosophical sceptic. Moreover, Oakeshott’s contribution to history not only lies in his effort to transcend the Enlightenment historiographical position — by separating the historical from the naturalised conception of History on which so-called ‘scientific history’ rests — but also in his idealistic solution for the ‘temporal dilemma’ and the ‘epistemic tension’ in history that have long bothered philosophers. (shrink)

In this essay, I shall attempt to shed light on central practical concepts, such as action and decision, in Heidegger’s existentialism and in Fichte’s idealism. BothFichte and Heidegger, though from different philosophical frameworks and with different results, address the practical moment by developing [1] a non-epistemic concept of certainty, in connection with [2] a temporal analysis of the conditions of action, which leads to the primacy of future in their analyses. Both [1] and [2] shed light on their (...) concept of the self, and on the concept of freedom. In addition, my paper offers a further clarification of what was called before Fichte’s “proto-existentialism” (G. Zöller, D. Henrich). The ontological framework of both philosophies and their concept of the practical self, finally, leads to the proposal to merge both perspectives into what I would like to call “existential idealism.” Fichte’s and Heidegger’s practical philosophies can be taken as two sides of the same coin. (shrink)

This paper uses Maurice Blanchot’s image of the corpse as a trope by which to offer a unique quasi-material reading of the German Idealist notion of speculative suicide. And its method of interpretative retrieval, like these idealists, works to think the relevance of idealism today by affirming the spirit against the letter. The paradox of suicide—that we aspire to be witness to our own death—presents itself as a double, as interpreted in works of Fichte and Schelling. This double, the (...) very core of speculative aspiration, is essentially a temporal other whose prosthetic character suggests that the speculative power of spirit is simultaneously technological, and that the limit-condition of suicide be found not in an ethereal speculative unity but rather in the intractable materiality of our own corporeal remains. (shrink)

This paper uses Maurice Blanchot’s image of the corpse as a trope by which to offer a unique quasi-material reading of the German Idealist notion of speculative suicide. And its method of interpretative retrieval, like these idealists, works to think the relevance of idealism today by affirming the spirit against the letter. The paradox of suicide—that we aspire to be witness to our own death—presents itself as a double, as interpreted in works of Fichte and Schelling. This double, the (...) very core of speculative aspiration, is essentially a temporal other whose prosthetic character suggests that the speculative power of spirit is simultaneously technological, and that the limit-condition of suicide be found not in an ethereal speculative unity but rather in the intractable materiality of our own corporeal remains. (shrink)

There May Be No Succinct Way to articulate Kant’s doctrine of transcendental idealism without begging certain interpretive questions. Roughly, however, it is the tripartite doctrine that The objects of outer sense, along with those of inner sense, are mere appearances, not things in themselves. Space and time are merely forms of these appearances, and thus things in themselves are neither spatial nor temporal. We can have no cognition (Erkenntnis) of things in themselves. One’s understanding of these claims turns (...) mostly on how one understands the distinction between things in themselves and appearances. And this distinction is where much of the interpretive controversy lies. In this paper .. (shrink)

Conceptual realism acknowledges the existence of abstract objects: theoretical realism acknowledges the existence of non-observable objects; whereas classical realism acknowledges the existence of observable objects. Similarly, temporal realism accepts the existence of future and past events along with present ones, and spatial realism accepts the events which occur there (else-where) as well as those that occur here. We dealt earlier with the three former kinds of realism and their opposites: nominalism, instrumentalism and (ontological) idealism [2]. This paper contains (...) an examination of the two latter forms of realism: temporal and spatial, and their counterparts: temporal and spatial irrealisms. Analogies and connections between these standpoints will be the focus of the paper. (shrink)

In his Kant and the Claims of Knowledge, Paul Guyer offers an influential reading of Kant’s famous “Refutation of Idealism.” Guyer’s reading has been widely praised as Kantian exegesis but less favorably received as an anti-skeptical line of argument worthy of contemporary interest. In this paper, I focus on defending the general thrust of Guyer’s reading as a response to Cartesian skepticism. The paper falls into two sections. The first section constructs Guyer’s central argument in three steps and gives (...) it a quasi-formal presentation. That presentation reveals the principal obstacle to the argument’s being convincing to a contemporary audience, namely, its apparent reliance on Kant’s prohibition against psychological laws governing mental states. The second section constructs a lemma in defense of Guyer’s general line of attack. In effect, it suggests that that line does not depend on a metaphysical ban on psychological laws, but only on the modest premise that according to the Cartesian’s concept of knowledge such laws cannot justify claims about the temporal order of the self. (shrink)

This chapter analyzes two short texts in which Peirce sketches out an anti-skeptical argument inspired by Kant’s refutation of idealism. The chapter will first consider why Peirce found Kant’s argument interesting and promising, given that it is often regarded as problematic and unsuccessful. It will then briefly reconstruct Kant’s refutation, highlighting its most problematic passages. Moreover, since Peirce’s own version of the argument relies on Kant’s views regarding the temporal structure of consciousness, the chapter will explain how Peirce (...) tackles this issue in “The Law of Mind.” Finally, the chapter considers Peirce’s own anti-skeptical argument and examines whether and how it can be seen as appropriating Kant’s strategy. (shrink)

In this chapter, the author shows how certain deep points about temporal experience drive both versions of Kant's transcendental deduction of the categories – a transcendental argument that he called a “Deduction” not because of its deductive structure but because in German the term “Deduktion” had a legal meaning signifying establishment of the right or title to something, in this case the right to apply Kant's categorical concepts – and their sequel in the Analogies of Experience. The author also (...) discusses Kant's “Refutation of Idealism,” a famous transcendental argument in which time also plays a key role. Kant produced two versions of his Transcendental Deduction, one for the First Edition of the Critique of Pure Reason (“the A‐Deduction”) and one for the Second Edition (“the B‐Deduction”). The author also presents responses to the Stroudean objection to these transcendental arguments. (shrink)

When interpreters orient Kant’s philosophy of time in relation to McTaggart’s distinction among different ways of characterizing a temporal order, they claim that he is best described as endorsing an A series position according to which there is a metaphysically privileged present that determines the past and the future. Whether Kant might also be understood as a proponent of the B series - according to which there is no privileged present, but rather time is comprised of relations of earlier (...) than, later than, and simultaneity - has not been discussed in the literature. I argue that, for Kant, the appearances can be described as an A series, while the phenomena are to be understood as a B series, neither of which is more fundamental than the other. Contra a common approach in the literature that neglects a metaphysical difference between appearances and phenomena, I argue Kant’s transcendental idealism about time is best understood in relation to his account of appearances and phenomena. (shrink)

This article explores Gadamer’s description of time(s) and situates it within his aesthetic account and hermeneutics. Bringing together all of Gadamer’s major discussions on time, I develop a consistent account which I then challenge. Whereas Heidegger famously describes transcendental temporality with an emphasis on futurity, Gadamer accentuates a historical temporal awareness and itsdiscontinuous nature. Gadamer’s notion of time is best understood, paradoxically, as a timeless temporality, when time is defined as the sequential movement along discrete points. I argue that (...) Gadamer’s unique description of temporality, which has been largely ignored by scholars, is essential to his understanding of experience and, therefore, to our understanding of his philosophical hermeneutics. (shrink)

This article explores Gadamer’s description of time(s) and situates it within his aesthetic account and hermeneutics. Bringing together all of Gadamer’s major discussions on time, I develop a consistent account which I then challenge. Whereas Heidegger famously describes transcendental temporality with an emphasis on futurity, Gadamer accentuates a historical temporal awareness and itsdiscontinuous nature. Gadamer’s notion of time is best understood, paradoxically, as a timeless temporality, when time is defined as the sequential movement along discrete points. I argue that (...) Gadamer’s unique description of temporality, which has been largely ignored by scholars, is essential to his understanding of experience and, therefore, to our understanding of his philosophical hermeneutics. (shrink)

The World According to Kant offers an interpretation of Immanuel Kant’s critical idealism, as developed in the Critique of Pure Reason and associated texts. Critical idealism is understood as an ontological position, which comprises transcendental idealism, empirical realism, and a number of other basic ontological theses. According to Kant, the world, understood as the sum total of everything that has reality, comprises several levels of reality, most importantly, the transcendental level and the empirical level. The transcendental level (...) is a mind-independent level at which things in themselves exist. The empirical level is a fully mind-dependent level at which appearances exist, which are intentional objects of experience. Empirical objects and empirical minds are appearances, and empirical space and time are constituted by the spatial and temporal determinations of appearances. On the proposed interpretation, Kant is thus a genuine idealist about empirical objects, empirical minds, and space and time. But in contrast to other intentional objects, appearances genuinely exist, which is due both to the special character of experience compared to other kinds of representations such as illusions or dreams, and to the grounding of appearances in things themselves. This is why, on the proposed interpretation, Kant is also a genuine realist about empirical objects, empirical minds, and empirical space and time. This book develops the indicated interpretation, spells out Kant’s case for critical idealism thus understood, pinpoints the differences between critical idealism and ‘ordinary’ idealism, such as Berkley’s, and clarifies the relation between Kant’s conception of things in themselves and the conception of things in themselves by other philosophers, in particular, Kant’s Leibniz-Wolffian predecessors. -/- PS from the author: I maintain a list of errata plus corrections on my website (which can easily be found by googling my name). If you discover additional errors, typos, or unfortunate formulations, I would be grateful to hear from you. -/- . (shrink)

In Foucault’s theoretical writings, the problem of experience occurs in two shapes: his discussions of “limit-experience” and his definition of “experience.” In this article, I propose an interpretation of the concept of “limit-experience” in Foucault’s historiography according to which experience is already limit-experience, and not its static and confining other. I claim that Foucault’s concept of experience involves spatially and temporally indexed, rule-governed practices and that his interrogation of experience becomes critical not by referring to some other of reason but (...) by rendering visible the flip side of the limits of our own space of reasons. The argument in support of my interpretation of Foucault develops in two parts: 1) Foucault’s “methodology” should be seen not as historicizing the transcendental, but as giving it up. 2) This renunciation of the transcendental is nonetheless only intelligible and motivated against the background of the problematic of experience in Kant and Hegel. It thereby becomes possible to provide not a foundation but a justification for a Foucaultian critique of the limits of experience. (shrink)

In ‘Kant's Refutation of Idealism’ (Noûs, 47), I defend a version of the Refutation, pioneered by Paul Guyer inKant and the Claims of Knowledge, whose core idea is that the only way that one can know the order of one's own past experiences, except in certain rare cases, is by correlating them with the successive states of perceived external objects that caused the experiences. Andrew Chignell has offered a probing critique of my reconstruction of Kant's argument (Philosophical Quarterly, 60), (...) and I have responded (Philosophical Quarterly, 61). In a rebuttal of my response, Chignell raises three new objections (Philosophical Quarterly, 61). My purpose in this paper is to reply to these. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kant’s Idealism by Philip J. NeujahrYolanda EstesPhilip J. Neujahr. Kant’s Idealism. Macon, GA: Mercer University Press, 1995. Pp. viii + 134. Paper, $16.00.In Kant’s Idealism, Philip Neujahr contends that the Critique of Pure Reason expresses no distinctively “transcendental” form of idealism. Neujahr disagrees with commentators, such as H. J. Paton and Henry Allison, who attempt to show that the Kantian project is in essence (...) a coherent and tenable one. He agrees with commentators, such as Norman Kemp Smith and P. F. Strawson, who argue that the various facets of Kant’s philosophy do not constitute a coherent whole. Moreover, he suggests that the tensions in Kant’s philosophy betray more serious, deep-rooted contradictions than have been previously imagined by the least generous interpreters.Neujahr maintains Kant’s theoretical philosophy contains disparate threads of idealism, which remain closely tied to the idealistic tradition preceding it, but which present no single idealist doctrine, because Kant provided neither a unified account of the nature of the cognitive subject nor a single theory of the subject’s relation to the object of knowledge. The description of the cognitive subject given in the Critique permits several readings. One might assume that the cognitive subject represents the individual human being. According to Neujahr, this interpretation yields a monadistic view of the subject, similar to Leibniz’s, which allows for no interaction between individual minds within a public, spatio-temporal world. Alternatively, one might imagine a universal mind, something akin to Berkeley’s God or Hegel’s Spirit, which is not equivalent to the individual human subject. This interpretation avoids some complications associated with the first view, but it makes it difficult to specify the relation between the cosmic mind and the phenomenal individual or to account for our a priori knowledge of the subjective contribution to experience.Unresolved tensions between the doctrines of sensibility and understanding generate ambiguities in Kant’s overall account of consciousness, including his explanation of the status of the subject and object of experience. Neujahr suggests that the Transcendental Aesthetic presupposes a “correspondence” theory of consciousness, whereas the Transcendental Deduction contains a “coherence” theory of consciousness. According to Neujahr’s interpretation of the doctrine of sensibility, consciousness involves a relation between an ontologically distinct subject and object. On this reading, the status of the object seems ambiguous, and thus the phenomenal world remains in some sense “unreal” in contrast to the thing in itself. Neujahr believes the doctrine of understanding avoids these difficulties by eliminating the thing in itself and redefining “reality” in [End Page 143] terms of those features about the world that make it knowable, but he doubts the possibility of reconciling this approach with the Transcendental Aesthetic. Kant’s distinction between the empirical and transcendental points of view is often seen as a way of entering and understanding his philosophy, but Neujahr argues that Kant’s use of this terminology is itself inconsistent and unhelpful without a thoroughgoing revision.Neujahr contends that Kant attempts to discover the conditions necessary for knowledge, but that he locates the source of these epistemic conditions within the mind and that this “psychologizing” tendency has important ontological implications. Neujahr considers the possibility of salvaging Kant’s philosophy by attempts, such as Allison’s, to give sympathetic epistemological interpretations of transcendental idealism or by efforts, such as Strawson’s, to excise the idealism from the critical philosophy, but he denies that these endeavors can save transcendental idealism without violating the letter of Kant’s philosophy. Moreover, he contends that Kant’s idealism remains vulnerable to skepticism in asmuch as it fails to answer Hume’s doubts about the unity of consciousness and Descartes’s questions about the existence of the external world.Neujahr’s unsympathetic reading of Kant’s theoretical philosophy may appear unduly harsh to many readers. Many readers will wish for some acknowledgment that the second Critique and the third Critique might mitigate some of the inconsistencies delineated by Neujahr, who provides little elucidation of the first Critique through any texts other than the Inaugural Dissertation and the Prolegomena. Nonetheless, Kant’s Idealism grapples with complex issues in the first Critique and suggests a... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kant’s Idealism by Philip J. NeujahrYolanda EstesPhilip J. Neujahr. Kant’s Idealism. Macon, GA: Mercer University Press, 1995. Pp. viii + 134. Paper, $16.00.In Kant’s Idealism, Philip Neujahr contends that the Critique of Pure Reason expresses no distinctively “transcendental” form of idealism. Neujahr disagrees with commentators, such as H. J. Paton and Henry Allison, who attempt to show that the Kantian project is in essence (...) a coherent and tenable one. He agrees with commentators, such as Norman Kemp Smith and P. F. Strawson, who argue that the various facets of Kant’s philosophy do not constitute a coherent whole. Moreover, he suggests that the tensions in Kant’s philosophy betray more serious, deep-rooted contradictions than have been previously imagined by the least generous interpreters.Neujahr maintains Kant’s theoretical philosophy contains disparate threads of idealism, which remain closely tied to the idealistic tradition preceding it, but which present no single idealist doctrine, because Kant provided neither a unified account of the nature of the cognitive subject nor a single theory of the subject’s relation to the object of knowledge. The description of the cognitive subject given in the Critique permits several readings. One might assume that the cognitive subject represents the individual human being. According to Neujahr, this interpretation yields a monadistic view of the subject, similar to Leibniz’s, which allows for no interaction between individual minds within a public, spatio-temporal world. Alternatively, one might imagine a universal mind, something akin to Berkeley’s God or Hegel’s Spirit, which is not equivalent to the individual human subject. This interpretation avoids some complications associated with the first view, but it makes it difficult to specify the relation between the cosmic mind and the phenomenal individual or to account for our a priori knowledge of the subjective contribution to experience.Unresolved tensions between the doctrines of sensibility and understanding generate ambiguities in Kant’s overall account of consciousness, including his explanation of the status of the subject and object of experience. Neujahr suggests that the Transcendental Aesthetic presupposes a “correspondence” theory of consciousness, whereas the Transcendental Deduction contains a “coherence” theory of consciousness. According to Neujahr’s interpretation of the doctrine of sensibility, consciousness involves a relation between an ontologically distinct subject and object. On this reading, the status of the object seems ambiguous, and thus the phenomenal world remains in some sense “unreal” in contrast to the thing in itself. Neujahr believes the doctrine of understanding avoids these difficulties by eliminating the thing in itself and redefining “reality” in [End Page 143] terms of those features about the world that make it knowable, but he doubts the possibility of reconciling this approach with the Transcendental Aesthetic. Kant’s distinction between the empirical and transcendental points of view is often seen as a way of entering and understanding his philosophy, but Neujahr argues that Kant’s use of this terminology is itself inconsistent and unhelpful without a thoroughgoing revision.Neujahr contends that Kant attempts to discover the conditions necessary for knowledge, but that he locates the source of these epistemic conditions within the mind and that this “psychologizing” tendency has important ontological implications. Neujahr considers the possibility of salvaging Kant’s philosophy by attempts, such as Allison’s, to give sympathetic epistemological interpretations of transcendental idealism or by efforts, such as Strawson’s, to excise the idealism from the critical philosophy, but he denies that these endeavors can save transcendental idealism without violating the letter of Kant’s philosophy. Moreover, he contends that Kant’s idealism remains vulnerable to skepticism in asmuch as it fails to answer Hume’s doubts about the unity of consciousness and Descartes’s questions about the existence of the external world.Neujahr’s unsympathetic reading of Kant’s theoretical philosophy may appear unduly harsh to many readers. Many readers will wish for some acknowledgment that the second Critique and the third Critique might mitigate some of the inconsistencies delineated by Neujahr, who provides little elucidation of the first Critique through any texts other than the Inaugural Dissertation and the Prolegomena. Nonetheless, Kant’s Idealism grapples with complex issues in the first Critique and suggests a... (shrink)

The article is an explication of husserl's theory of perception. In particular, The meaning of 'constitution' is analyzed, With the result that traditional realistic or idealistic readings of husserl are discarded. Examination of passive and active synthesis and the meaning of 'hyle' within the framework of husserl's theory of inner time-Consciousness clarifies in turn the nature of phenomenological intuition and the significance of reduction.

In this paper I propose to study the different combinations between temporality and the idea of totality in the beginning of Classical German Philosophy. In order to do that I will analyze the image of liberation in the philosophical and practical articulation of a new mythology in the manuscript “The Oldest Systematic Program of German Idealism”, and the outlines of a theory of the Spirit in the documents written by Hegel in the first part of his Jena stage, more (...) specifically, in the fragments of the period 1803/04. For this purpose I will take as specific objects the figures of an “eternal unity” [die ewige Einheit] to come and of an “absolute becoming” [das absolute Werden] of Spirit. The hypothesis I intend to develop holds that the confrontation of these two images can lead to duplicated consequences: on the one hand, this comparison would make it possible to relativize the binary readings that oppose as terms of a simple contradiction both conceptual lineages, Idealism and Romanticism. On the other hand it would express an insurmountable tension between two ways of thinking about the relationship between time and totality. (shrink)