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  1. Waga Kokoro Fukaki Soko Ari: Nishida Kitarō No Raifu Historī.Yoshiaki Ikeda & Takashi Kakuni (eds.) - 2005 - Kōyō Shobō.
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  2.  24
    Le Corps Aux Limites de La Représentation (French).Takashi Kakuni - 2010 - Chiasmi International 12:203-215.
    The Body at the Limits of Representation. The Theory of the Body and Painting in Merleau-PontyIn Eye and Mind,” Merleau-Ponty quotes a phrase from Valéry: “the painter brings his body with him.” He interprets the corporeal experience of the artist, not only as the center of a perceptual orientation or kinesthesis, but also as the inspiration for poets and for painters. In this sense, one can place his theory of body not only within the problematic of the phenomenological constitution of (...)
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  3.  16
    L’Interrogation Et L’Intuition : Merleau-Ponty Et Schelling.Takashi Kakuni - 2014 - Chiasmi International 16:185-197.
    In the 1956-1957 course titled “The Concept of Nature”, Merleau-Ponty takes up Schelling’s thought. In reading Merleau-Ponty’s text on Schelling’s philosophy, we arrive at a point of contact between the philosophy of natural productivity and the philosophy of intellectual or artistic intuition. Merleau-Ponty seems to discover the Schellingian idea of the absolute as an abyss against the Cartesian idea of God as creator. The Merleau-Pontian interpretation of Schelling’s philosophy of nature and art from his course gives us one of the (...)
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  4.  1
    El cuerpo como condición de la posibilidad de representación.Takashi Kakuni - 2008 - Investigaciones Fenomenológicas 1:291.
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