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  1.  80
    The Painting of Modern Life: Paris in the Art of Manet and His Followers.T. J. Clark - 1985 - Journal of Aesthetics and Art Criticism 44 (2):203-205.
  2.  20
    Farewell to an Idea: Episodes From a History of ModernismModernism's History: A Study in Twentieth-Century Art.Elizabeth Mansfield, T. J. Clark & Bernard Smith - 2000 - Journal of Aesthetics and Art Criticism 58 (4):411.
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  3.  57
    Clement Greenberg's Theory of Art.T. J. Clark - 1982 - Critical Inquiry 9 (1):139-156.
    It is not intended as some sort of revelation on my part that Greenberg's cultural theory was originally Marxist in its stresses and, indeed in its attitude to what constituted explanation in such matters. I point out the Marxist and historical mode of proceeding as emphatically as I do partly because it may make my own procedure later in this paper seem a little less arbitrary. For I shall fall to arguing in the end with these essay's Marxism and their (...)
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  4.  19
    Farewell to an Idea: Episodes From a History of Modernism.T. J. Clark - 2004 - Journal of Aesthetics and Art Criticism 62 (3):297-298.
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  5.  63
    The Absolute Bourgeois: Artists and Politics in France 1848-1851Image of the People: Gustave Courbet and the Second French Republic 1948-1851. [REVIEW]Alan C. Birnholz & T. J. Clark - 1973 - Journal of Aesthetics and Art Criticism 32 (2):291.
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  6. My Unknown Friends: A Response to Malcolm Bull.T. J. Clark - 2009 - In Malcolm Bull (ed.), Nietzsche's Negative Ecologies. Townsend Center for the Humanities, University of California Press.
     
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  7. Copyright© 2006 SAGE Publications (London, Thousand Oaks, CA and New Delhi) and David Rasmussen.Mitchell Aboulafia, Barry Allen, Foreword Richard Rorty Westview Press, Bruce A. Arrigo, Christopher R. Williams, Patrick Baert, Polity Press, Iain Boal, T. J. Clark & Joseph Matthews - 2006 - Philosophy and Social Criticism 32 (7):903-907.
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