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  1.  63
    Greek Theories of Art and Literature Down to 400 B.C.T. B. L. Webster - 1939 - Classical Quarterly 33 (3-4):166-.
    Greek art and literature follow parallel courses through the long period from Homer to Euripides. Homer and Euripides, Dipylon vases and the latest white lekythoi are as far apart from each other as it is possible for works in the same medium to be. The distance can only be explained by a similar change in the views of artists, writers, and their public.
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  2.  35
    South Italian Vases and Attic Drama.T. B. L. Webster - 1948 - Classical Quarterly 42 (1-2):15-.
    In The Theatre of Dionysus in Athens Dr. Pickard-Cambridge includes a most useful and convenient collection of south Italian vase-paintings which have been held to throw light on the stage-settings of Greek tragedy. He concludes that they give no evidence for Athens in the fifth century and in particular do not justify the assumption that interior scenes were played in a porch in front of the central door. The second conclusion is true, but some of the vases do show that (...)
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  3.  80
    Personification as a mode of greek thought.T. B. L. Webster - 1954 - Journal of the Warburg and Courtauld Institutes 17 (1/2):10-21.
  4. Recent Scholarship On Greek Tragedy.T. B. L. Webster - 1954 - Diogenes 2 (5):85-100.
    Greek tragedy is still acted in the original and in translations; it has inspired such modern drama as The Family Reunion and La Machine Infernale; in Norway and France Sophocles’ Antigone helped to give hope to the resistance. Greek tragedy was produced originally at a religious festival by a poet who was poet, musician, producer, and sometimes actor too. The plays were meant to be seen; they had staging and costumes, dancing, and dramatic technique. They were meant to be remembered; (...)
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  5.  10
    Studies in Menander.L. A. Post & T. B. L. Webster - 1953 - American Journal of Philology 74 (1):107.
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  6.  11
    Greek Terracottas.David M. Robinson & T. B. L. Webster - 1953 - American Journal of Philology 74 (3):331.
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  7.  25
    Correspondence.T. B. L. Webster - 1934 - The Classical Review 48 (05):203-.
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  8.  37
    Chronological Notes on Middle Comedy.T. B. L. Webster - 1952 - Classical Quarterly 2 (1-2):13-.
    My chief object in these notes is to provide evidence for tracing the ancestry of certain themes, situations, and characters which appear in New Comedy; I hope, however, that they may also be useful for the study of Middle Comedy itself. I am therefore chiefly concerned with the period from 400 b.c. to 320 b.c., when Menander had begun to write; I have, however, given some dates after 320 which were necessary to complete my story, but I have left out (...)
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  9.  31
    Greek Painting and the theatre.T. B. L. Webster - 1956 - The Classical Review 6 (3-4):272-.
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  10.  37
    Henri Metzger: La Céramique grecque. Pp. 112. Paris: Presses Universitairesde France, 1953. Paper, 150 fr.T. B. L. Webster - 1954 - The Classical Review 4 (3-4):319-.
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  11.  27
    Hans Walter: Vom Sinnwandel griechischer Mythen. Pp. 56; 50 figs. Waldsassen (Bayern): Stiftland Verlag, 1959. Cloth.T. B. L. Webster - 1960 - The Classical Review 10 (03):265-.
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  12.  43
    J. D. Beazley: Attic White Lekythoi. Pp. 26; 8 plates. London: Milford, 1938. Paper, 4s.T. B. L. Webster - 1939 - The Classical Review 53 (01):43-.
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  13.  8
    Menandre.T. B. L. Webster, E. W. Handley, W. Ludwig, F. Sandbach, F. Wehrli, C. Dedoussi, C. Questa & L. Kahil - 1973 - American Journal of Philology 94 (2):206.
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  14.  27
    Origins of Tragedy.T. B. L. Webster - 1963 - The Classical Review 13 (02):146-.
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  15.  20
    Preparation and Motivation in Greek Tragedy.T. B. L. Webster - 1933 - The Classical Review 47 (04):117-123.
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  16.  31
    Political interpretations in Greek literature.T. B. L. Webster - 1948 - [Manchester]: Manchester University Press.
    Thomas Bertram Lonsdale Webster. the Persians decided on the best form of government in 520 B.C., but it is far more likely that the discussion reflects political theorising at Athens where he was writing during the contest for power between ...
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  17.  29
    Plot-Construction in Sophocles.T. B. L. Webster - 1932 - The Classical Review 46 (04):146-150.
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  18.  45
    Pierre-Maxime Schuhl: Platon et l'Art de son temps (Arts plastiques). Pp. 123. Paris: Alcan, 1933. Paper, 20 fr.T. B. L. Webster - 1934 - The Classical Review 48 (06):239-.
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  19.  25
    Self-Apostrophe in Menander.T. B. L. Webster - 1965 - The Classical Review 15 (01):17-18.
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  20.  26
    Two Comic Fragments.T. B. L. Webster - 1952 - The Classical Review 2 (02):57-60.
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  21.  26
    The Costume of The Actors In Aristophanic Comedy.T. B. L. Webster - 1955 - Classical Quarterly 5 (1-2):94-.
    Professor Beare has attacked the position established by Alfred Körte in 1893 and accepted in large measure by Sir Arthur Pickard-Cambridge in Dithyramb, etc., and Festivals. The following reply is brief because I have dealt with the works of art at some length in Rylands Bulletin, xxxvi , 563 f. and in a forthcoming number of Ephemeris Archaiologike. The statement of Aristotle . I have tried to show that various elements in the ‘phallic performances’ were taken over by comedy and (...)
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  22.  53
    The Gap in the Pro Flacco.T. B. L. Webster - 1930 - The Classical Review 44 (06):221-224.
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  23.  20
    The Greek Stage.T. B. L. Webster - 1963 - The Classical Review 13 (01):32-.
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  24.  9
    A Reply On Aristophanic Costume.T. B. L. Webster - 1957 - Classical Quarterly 7 (3-4):185.
    In answer to Professor Beare's note, which he has generously shown me, I would make the following points: I think it unlikely that Middle Comedy was more obscene than Old Comedy, and the Attic vases go back to about 420 B.C., 110 f.).
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  25.  61
    Chance in Euripides Gerda Busch: Untersuchungen zum Wesen der Τύχη in den Tragödien des Euripides. Pp. 54. Heidelberg: Winter, 1937. Paper. [REVIEW]T. B. L. Webster - 1938 - The Classical Review 52 (01):12-.
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  26.  56
    Corpus Vasorum Antiquorum. United States of America. The Robinson Collection, Baltimore, Md. Fasc. 2. By D. M. Robinson. Pp. 38; 51 monochrome and 4 coloured plates. Cambridge, Mass.: Harvard University Press (London: Milford), 1937. Cloth and boards, $5. [REVIEW]T. B. L. Webster - 1938 - The Classical Review 52 (04):150-.
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  27.  51
    Corpus Vasorum Antiquorum: United States of America, fasc. 10. M. H. de Young Memorial Museum and California Palace of the Legion of Honour, San Francisco. By H. R. W. Smith. Pp. 57; 30 plates. Cambridge, Mass.: Harvard University Press (London: Milford), 1943. Cloth and boards, $5. [REVIEW]T. B. L. Webster - 1944 - The Classical Review 58 (02):68-.
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  28.  46
    Corpus Vasorum Antiquorum, U.S.A.: University of California, Fascicule 1. By H. R. W. Smith. Pp. 60; 62 plates. Cambridge, Mass.: Harvard University Press (London: Milford), 1936. Cloth and boards, 22s. 6.d. [REVIEW]T. B. L. Webster - 1936 - The Classical Review 50 (06):242-.
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  29.  31
    D. M. Robinson: Corpus Vasorum Antiquorum. United States of America. The Robinson Collection, Baltimore, Md. Fasc. 3. Pp. 62; 44 plates. Cambridge, Mass.: Harvard University Press (London: Milford), 1938. Portfolio, $5 or 22 s. 6 d[REVIEW]T. B. L. Webster - 1939 - The Classical Review 53 (04):152-.
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  30.  35
    Greek Painting and the theatre Hedwig Kenner: Das Theater und der Realismus in der griechischen Kunst. Pp. 200; 30 figs. Vienna: Sexl, 1955. Paper, S. 98. [REVIEW]T. B. L. Webster - 1956 - The Classical Review 6 (3-4):272-275.
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  31.  55
    H. R. W. Smith: The Hearst Hydria. An Attic Footnote to Corinthian History. (University of California Publications in Classical Archaeology, Vol. I, No. 10.) Pp. 241–90; 5 plates. Berkeley, Calif.: University of California Press (London: Cambridge University Press), 1944. Paper, 75 c. [REVIEW]T. B. L. Webster - 1945 - The Classical Review 59 (01):28-.
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  32.  33
    J. A. Moore: Sophocles and Aretê. Pp. xii+78. Cambridge, Mass.: Harvard University Press (London: Milford), 1938. Cloth, 6 s[REVIEW]T. B. L. Webster - 1939 - The Classical Review 53 (04):147-.
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  33.  39
    J. D. Beazley: The Development of Attic Black-Figure. (Sather Classical Lectures, 1951.) Pp. xiv+127; 49 plates. Berkeley and Los Angeles: University of California Press (London: Cambridge University Press), 1951. Cloth, 45 s. net. [REVIEW]T. B. L. Webster - 1953 - The Classical Review 3 (02):128-.
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  34.  30
    Origins of Tragedy Harald Patzer: Die Anfänge der griechischen Tragödie. Pp. 178; 13 plates. Wiesbaden: Steiner, 1962. Paper, DM. 19.60. [REVIEW]T. B. L. Webster - 1963 - The Classical Review 13 (02):146-147.
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  35.  20
    Reviews : Die Entdeckung des Geistes BY BRUNO SNELL Hamburg: Claassen & Goverts, I948. Pp. 300. Principium Sapientiae BY F. M. CORNFORD Cambridge: University Press, I952. Pp. 270. 25s. The Greeks and the Irrational BY E. R. DODDS Los Angeles: University of California Press, I95I. Pp. 327. $5. [REVIEW]T. B. L. Webster - 1953 - Diogenes 1 (3):119-125.
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  36.  29
    Short Reviews Corpus Vasorum Antiquorum. United States of America. Fogg Museum and Gallatin Collections. By George H. Chase and Mary Zelia Pease. Pp. 116; 64 plates. Cambridge, Mass.: Harvard University Press (London: Milford), 1942. Cloth and boards, 30s. net. [REVIEW]T. B. L. Webster - 1943 - The Classical Review 57 (02):92-.
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  37.  31
    The Guilt of Antigone Ludwig Bieler: Antigones Schuld im Urieil der neueren Sophoklesforschung. Pp. 18. Vienna: Höfels, 1937. Paper, M. 1.20. [REVIEW]T. B. L. Webster - 1938 - The Classical Review 52 (05):177-.
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  38.  39
    The Greek Stage Peter Arnott: Greek Scenic Conventions in the Fifth Century B.C. Pp. xii+147. Oxford: Clarendon Press, 1962. Cloth, 27s. 6d. net. [REVIEW]T. B. L. Webster - 1963 - The Classical Review 13 (01):32-33.
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  39.  32
    Victor F. Lenzen: The Triumph of Dionysos on Textiles of Late Antique Egypt. (Publications in Classical Archaeology, Vol. 5, no. 1.) Pp. 38; 11 plates. Berkeley and Los Angeles: University of California Press, 1960. Paper. [REVIEW]T. B. L. Webster - 1961 - The Classical Review 11 (03):311-.
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