In the early 1990s, cyberfeminism surfaced as an arena for critical analyses of the inter-connections of gender and new technology – especially so in the context of the internet, which was then emerging as something of a “mass-medium”. Scholars, activists and artists interested in media technology and its gendered underpinnings formed networks and groups. Consequently, they attached altering sets of meaning to the term cyberfeminism that ranged in their take on, and identifications with feminism. Cyberfeminist activities began to fade in (...) the early 2000s and the term has since been used by some as synonymous with feminist studies of new media – yet much is also lost in such a conflation. This article investigates the histories of cyberfeminism from two interconnecting perspectives. First, it addresses the meanings of the prefix “cyber” in cyberfeminism. Second, it asks what kinds of critical and analytical positions cyberfeminist networks, events, projects and publications have entailed. Through these two perspectives, the article addresses the appeal and attraction of cyberfeminism and poses some tentative explanations for its appeal fading and for cyberfeminist activities being channelled into other networks and practiced under different names. (shrink)

Feminist debates on pornography have relied on articulations of affect, from anti-pornography rhetoric of grief, anger and disgust to anti-anti-pornography claims to enjoyment and pleasure. The complexity of reading, the interpenetration of affect and analysis, experience and interpretation tend to become effaced in arguments both for and against pornography. This article argues for the necessity of moving beyond the affective range of disgust versus pleasure in feminist studies of pornography. Drawing on theorizations of reading and affect, particularly Eve Kosofsky Sedgwick’s (...) discussion of ‘paranoid’ and ‘reparative’ reading, it investigates the possibilities of analysing commercial email porn spam without reducing the outcome to the literal and the self-evident. This involves taking seriously the power of pornographic texts to move their readers, scholars included. Since affective encounters with porn are ambivalent and often contradictory, their status as basis of knowledge over pornography remains highly unstable. (shrink)