Everybody knows that Superman is Clark Kent. Nobody knows that Superman is Clark Kent. Located between these two absolute statements is the epistemological limit that separates the superhero fictitious universe from our universe of causal reality. The superheroic double identity is a secret shared by the superhero and the reader of the comic or the viewer of the movie, and quite often the superhero winks at the outside world, thus breaking the 4th wall and establishing this collusive relationship. (...) However, in our hypothesis, we are interested in Superman not as a fictitious archetype, but rather as a fictitious metaphor. We are not interested in his double identity as the matrix of superheroic attributes and narratives, but rather as the differential limit between superhuman and human within the fictional universe. Because, the reader or the viewer may share the secret identity with Superman and also with Spiderman or Batman or any other superhuman, but the secret equivalence of Superman and Clark Kent contains another hidden antithesis. (shrink)

'You have known me for years, Lois' explains Superman, as I lay aside my copy of Crimmins’s example. 'But there is something you have not yet discovered. You also know me under a disguise. You have not yet realized that this person is I in disguise. On that way of thinking about me, you have different opinions of me. In fact you think me an idiot.' I've just informed Superman that I accept his testimony on the strength of (...) his intelligence. But I confess I don’t quite know how to acknowledge my acceptance of his final remark. (shrink)

In een tijd van diepgaand cynisme, beursschandalen en de afbraak van de publieke en de intellectuele moraal is er een type macht nodig dat tot de verbeelding van het volk spreekt en een geluksbelofte presenteert. Daarbij zijn waarden als vriendschap, respect, solidariteit en camaraderie van het grootste belang, zo leren Beethoven, Superman en Spider-Man ons.

This article discusses works of two artists—Marina Abramović and Elżbieta Jabłońska —who explore a clash between heroism and everydayness in the kitchen space. Everyday routine inexorably demands being performed. Its uncompromising decrees spare neither mystics nor the free souls of artists. Even the most spiritual people must eat and drink. To solve the conflict of matter and spirit, these artists draw on different traditions that transcend reality: mysticism and the superheroes of popular culture, respectively. Abramović enters the kitchen as St. (...) Teresa of Avila while Jabłońska dons Superman’s cap. Does one have to rise above the ground to feel that cooking, cleaning, and washing up are not beyond the powers of an average woman? Are the body and the soul doomed to fight each other permanently? Each artist’s work suggests different answers and solutions. (shrink)

Since the birth of the first test-tube baby, Louise Brown, in 1977, we have seen truly remarkable advances in biotechnology. We can now screen the fetus for Down Syndrome, Spina Bifida, and a wide range of genetic disorders. We can rearrange genes in DNA chains and redirect the evolution of species. We can record an individual's genetic fingerprint. And we can potentially insert genes into human DNA that will produce physical warning signs of cancer, allowing early detection. In fact, biotechnology (...) has progressed to such a point that virtually any kind of genetic manipulation, if not already possible, is just around the corner. But these breakthroughs also raise serious ethical and moral dilemmas that we are only now beginning to confront. In Wonderwoman and Superman, noted medical ethicist John Harris offers the first thorough analysis of the moral dilemmas created by the revolution in molecular biology. Covering a wide array of recent innovations, Harris discusses, for example, the moral decisions involved and the consequences of creating egg and embryo banks. Who should be allowed to use such resources? Should recipients be screened? Should such banks be open for public or private use? And does it cheapen life to make embryos available for sale? In another chapter, Harris examines the question of conceiving children chiefly for organ donation, focusing on the recent case of a woman who wanted to have a second child to provide a bone marrow donor for her first child sick with leukemia (she intended to abort the fetus if its bone marrow did not genetically match that of her living child). In this case, the medical staff had to decide whether they should perform in-vitro fertilization, knowing that the mother did not satisfy the clinic's criteria (there was no father), and also knowing the potential for abortion. Discussing the ethics of the mother's choice and the clinic's choice, Harris asks whether it is morally correct to create a child as an organ donor, whether the future child would suffer, whether it is worth any suffering to be born, and who has the right to weigh the various factors (both moral and physiological) involved in making these decisions. Delving into a multitude of issues such as when life begins, when suffering is needless, and whether we should play God, Wonderwoman and Superman provides not only a thought-provoking inquiry into the potential and actual ethical dilemmas created by the many advances in biotechnology, but challenges us to learn to choose responsibly and to face the moral implications of the choices that confront us. (shrink)

Superman’s legendary powers include super‐strength, super‐speed, flight, invulnerability, x‐ray vision, heat vision, and super‐hearing. One would think those powers would be enough, but occasionally writers add new ones. This chapter considers one of his less common powers‐the ability to read minds‐and use some basic philosophical thinking about minds to ask why it never caught on as one of Supes's main powers. The chapter explains why, despite mind‐reading’s occasional usefulness, it would be philosophically prudent to eliminate it from Superman’s (...) set of powers. Given that Superman was born on Krypton and raised on Earth, there is no reason to think that he should be confident in guessing the mental states of other beings. (shrink)

The superman in the works of Nietzsche and the first Super‐Man short story is a literal anti‐Christ, but over the years, he became nothing less than the ultimate Christ figure. Nietzsche argued that God does not exist and there is no objective moral law. While this may at first be terrifying news, it makes possible a new, superior type of man: the Übermensch or superman. We can see that Jesus is far from Nietzsche’s superman. Nietzsche’s superman (...) thinks himself brave for rejecting notions like pity, but ends up aligned with Lex Luthor, who, according to Superman, “doesn’t have the courage to change.” Nowadays the Man of Tomorrow has become such a Christ‐type that Superman literature, movies, and television shows regularly make allusions to Superman being a god. It's not surprising that some people have confused Superman as a Christ‐type with Superman as an idol, or even Superman as an anti‐Christ. (shrink)

While Superman’s fantastic abilities make him the most powerful being on Earth, his upbringing on the Kents’ farm is what makes him a hero. Unfortunately, moral philosophy often understates the importance of such character. One popular approach to ethics, utilitarianism, asks us to act in ways that maximize the happiness or well‐being of all the people affected. We are not born with virtues (or vices), and this is critical for understanding Superman's heroic personality. The question of how (...) class='Hi'>Superman's upbringing would be affected by landing in another nation was explored in Mark Millar's Superman: Red Son (2004). Instead of truth, justice, and the American way, Hitler's Superman would value the totalitarian ideals of propaganda, obedience, and serving the führer. Imagine how some of the major events of World War II may have been different had Superman been involved with Hitler's cause. (shrink)

Lex Luthor despises Superman. He obsesses about Superman. He tries to kill Superman. Luthor takes existentialism to the extreme, though, rejecting ethics and becoming an anti‐hero. In Superman: Secret Origin, Luthor is presented as self‐directed from an early age. Friedrich Nietzsche can help us understand Luthor as an iconoclast, literally one who breaks sacred images. Luthor also explains why he is so obsessed with bringing down Superman. Luthor thinks that Superman interferes with people viewing (...) their lives as an existential project. Lex Luthor underscores the complexities of existentialist philosophy. While he is creative, self‐determined, and autonomous, he is also completely immoral. His willingness to sacrifice anything or anyone takes existentialism to an extreme that Nietzsche, Sartre, and Kierkegaard would reject. And so, we are left to wonder: is Lex Luthor an evil genius and an abomination to existentialism, or might he be a true evolution of what existentialism can become. (shrink)

Clark Kent may be Superman's secret identity, but Superman is the secret identity of our own cultural inclination to violence. Superman is a part of our mythology, and Girard in particular argues that myth performs a specific function in regard to violence. The hope and faith of the normal people of Earth are fulfilled, as is the mythological formula: Superman returns to meet the imitative violence that is threatening to spiral out of control with violence of (...) his own. Kingdom Come makes heavy use of religious themes. For example, the first image we see of Superman clearly establishes him as a Christ figure. Superman’s hanging of the cape and his revelation about Marvel reminds us of and draws attention to the cycles of violence in our mythology and our history. (shrink)

We all know that Superman stands for truth, justice, and the American way. To explore what kind of justice Superman should stand for, the chapter explores two alternate theories from contemporary political philosophy. On the one hand, according to libertarianism, justice means that the state should ensure that our personal liberty is protected. On the other hand, according to liberal egalitarianism, justice involves the state ensuring not only that individual rights are protected but also that there is a (...) fair distribution of opportunity and resources among us. A popular alternative to libertarianism was provided by John Rawls, the most influential political philosopher in the last hundred years, in his famous book A Theory of Justice. Rawls gave us a way of answering that question and reaching conclusions about what fairness amounts to. (shrink)

This chapter discusses that the rivalry between Superman and Luthor is greater than any of those already mentioned because it’s a philosophical one. In the multiverse of philosophical theories, we find two Earths, which we’ll call Earth‐P and Earth‐O. These Earths are so diametrically opposed that one simply has to be a Bizarro version of the other. Using Superman as a guide, the author tries to figure out which is ours and which is the Bizarro World. The (...) class='Hi'>Superman of Earth‐O would never dominate humanity because he would perceive us as his (moral) equals. Superman believes that his upbringing on Earth makes him human, despite his Kryptonian heritage; therefore, he would have to believe that all humans, including his worst enemy, are by nature good. (shrink)

On an individual level, it’s hard to see anything wrong with the deeds Superman performs on a daily basis. Superman seems to cast aside his earlier secrecy by openly thwarting a series of petty crimes, such as a purse‐snatching and a liquor store heist. Nietzsche argues that Superman’s constant rescuing of mankind from problems that we could tackle on our own might cultivate weakness in the rescued. Superman’s presence on Earth actually leads humanity down the dark (...) path toward the idle contentment of the last man. If we believe Nietzsche, we might now think that Superman should just leave us alone, let us stand on our own two feet, and learn from mistakes and tragedies in order to better ourselves. Moral philosopher Peter Singer argues that donating as much money as we can reasonably afford to give is the only ethical action to take in the face of human suffering. (shrink)

If Plato were here today, he would argue that our knowledge of Superman is based on the unchanging and eternal Superman found in the world of being. Philosophers struggled with Plato’s theory of essences for over 2000 years. No one really challenged the idea itself until Ludwig Wittgenstein changed the rules of the game in his enormously influential Philosophical Investigations, published after his death in 1953. Wittgenstein suggests that at least sometimes it does not make sense to look (...) for a thing’s essence. The different versions of Superman share a family resemblance much like games do. Rather than trying to identify the one true essence of Superman, one can simply say that a candidate for being Superman must have enough of the typical Superman characteristics, though not necessarily all of them or any one in particular. (shrink)

Even though he serves the people of Earth as Superman, Clark Kent is still the one who pays income taxes to the US government, who renews his driver's license in Metropolis, and who is (sometimes) married to Lois Lane. In giving up his American citizenship, Superman appears to be denying exceptionalism, the belief that one nation ‐ in this case, the United States ‐ is qualitatively superior in some way to other nations. Superman is inescapably an American (...) icon in that he is deeply embedded in American society. Superman can affect the world in ways that far exceed Appiah's examples of interconnectedness, so the argument for cosmopolitanism is much more compelling for Superman. The question one needs to consider is whether Superman should feel morally obligated to avoid the appearance of impropriety. (shrink)

It is obvious that the use of these various terms does not result in a miscellany of ideas such as it occurs in many New Age theories. In perennialists’ writings we have come to realize that this is not an attempt to mix traditions together, but is instead an attempt to utilize existing terminology when it is appropriate. The paper has focused at studying the anthropology of perfection in perennial philosophy. It has addressed issues such as the nature of ‘self (...) and the states of self-realization’, selfessness and selfi shness’, ‘the categories of man’, ‘the process of exaltation’, ‘attributes’, ‘qualities’, ‘rights and obligations of the superior man in traditional worldview. In various places of the paper we have resorted to artworks belonging to various traditions and different times to communicate the ideas and worldviews. They show how essential the role of artists and the art they produce is in keeping alive the reverence for perfection and continuity of tradition through their inspired imagination. The superior qualities are not necessarily those of rulers and conquerors. They are rather to be found in mythical heroes, prophets of God and sages of various traditions; those who, in Ghazali’s words, “possess inner vision”. Such individuals hold attributes of perfection; their bodies die, yet their characters live beyond time and space inspiring generations after generations. After all, to be a superior being means starting a never-ending journey of becoming. (shrink)

_Go beyond the cape and into the mind of the Man of Steel, in time for release of Zack Snyder's _Man of Steel_ movie and Superman's 75th anniversary_ He has thrilled millions for 75 years, with a legacy that transcends national, cultural, and generational borders, but is there more to the Man of Steel than just your average mythic superhero in a cape? The 20 chapters in this book present a fascinating exploration of some of the deeper philosophical questions (...) raised by Superman, the Last Son of Krypton and the newest hero in the Blackwell Philosophy and Pop Culture arsenal. (shrink)

There have been major developments in the understanding of children’s nonhuman concepts, particularly God concepts, within the past two decades, with a body of cross-cultural studies accumulating. Relatively less research has studied those of non-Christian faiths or children’s concepts of popular occult characters. This paper describes two studies, one in Spain and one in England, examining 5- to 10-year-olds’ human and nonhuman agent beliefs. Both settings were secular, but the latter comprised a Muslim majority. Children were given a false-belief task (...) in which they were asked to infer about three humans, three animals and three supernatural beings. Similar false beliefs about humans, with subtle differences in inferences about animals and supernatural beings, were found between the two locations. In London different patterns for God between participants with a family religion, in particular Muslims, and non-affiliates, were identified as well as an association between religious beliefs and practice and inferences about God. Findings are discussed in the light of theory and research on the role of sociocultural inputs in children’s theory of mind development and understanding of agency. (shrink)

Long-established stereotypes tend to dominate the perceptions physicians have of the philosophers and other humanists who serve as medical ethicists. They also alter the views humanists have of physicians, and those that the public have of both. These stereotypes are a formidable barrier to effective working relationships between the two groups of professionals, as well as to public understanding of medical ethics issues. To achieve a better working relationships and to foster more realistic understanding, it is important that the humanists (...) step out of their academic settings, for a time, and become part of the clinical service. (shrink)

In the present scenario, Superman’s problem is not just a problem of physical effort but one of practical reasoning. A well‐adjusted and fairly moral person will respond to the world in certain kinds of ways that go beyond making calculations of reasons. First, there is the issue of what they will count as a reason at all. Second, there is the matter of when serious deliberation is required at all. Just as we act out of habit in our usual (...) daily routines, so too we can act out of habit in less routine matters. And these habits can be emotional too. Injustice causes us to feel anger on our own or on others’ behalf, exemplified by Grant Morrison’s Superman‐as‐social‐crusader in the new Action Comics. When the circumstances make things clear, a virtuous person just acts. In this sense, Superman is virtuous in his exercise of practical reason. (shrink)

What are the blissful islands? And where are they? This book takes as its starting-point the chapter called On the Blissful Islands in Part Two of Nietzsche s Thus Spoke Zarathustra, and its enigmatic conclusion: The beauty of the Superman came to me as a shadow. From this remarkable and powerful passage, it disengages the Nietzschean idea of the Superman and the Jungian notion of the shadow, moving these concepts into a new, interdisciplinary direction. In particular, On the (...) Blissful Islands seeks to develop the kind of interpretative approach that Jung himself employed. Its chief topics are classical, psychological, and philosophical, blended together to produce a rich, intellectual-historical discussion. By bringing context and depth to a nexus of highly problematic concepts, it offers something new to the specialist and the general reader alike. So this book considers the significance of the statue in the culture of antiquity, and investigates the associated notion of self-sculpting as a form of existential exercise. This Neoplatonic theme is pursued in relation to a poem by Schiller, at the centre of which lies the notion of self-sculpting, thus highlighting Nietzsche s relationship to Idealism. Its conclusion directly addresses the vexed question of Nietzsche s relation to Plato. This book s main ambition is to provide a cross-cultural, interdisciplinary reading of key themes and motifs, using Jungian ideas in general to uncover a dimension of deep meaning in key passages in Nietzsche. Engaging the reader directly on major existential questions, it aims to be an original, thought-provoking contribution to the history of ideas, and to show that Zarathustra was right: There still are blissful islands! This book will be stimulating reading for analytical psychologists, including those in training, and academics and scholars of Jungian studies, Nietzsche, and the history of ideas. ". (shrink)

Some secrets are fine to keep to ourselves, and others are not. At first glance, Clark’s secret seems to be fine, but it may not be if we look further into it. We all know Clark’s big secret: he is Superman. Secrets always belong to someone. This is one of the things that distinguish secrets from information we simply don’t have. Secrecy is morally neutral and can be used for good or bad ends. One other closely linked concept we (...) must distinguish from secrecy is privacy. Clark Kent is a citizen (sort of), but Superman is purely a public persona. In Superman, vol. 2, #2 (February 1987), Lex Luthor figured out Superman’s secret. Superman has confided his true identity to the Kents and Lana. In Clark’s case, there are several reasons for his secret, but the most compelling one is to protect his loved ones. (shrink)

This paper investigates the work of Frank Miller, particularly his Batman: The Dark Knight Returns, in light of Nietzschean aesthetics and social commentary. A graphic novelist, and thus nominally an entertainer of the masses, Miller uses the comic medium to challenge, aesthetically and intellectually. Batman: The Dark Knight Returns explores the struggles of an ageing Batman to redefine the relationship between the dictates of the government and his own will and capacity to control his environment. Through text and image, Miller (...) emphasises the personal impotence of those agents of order who are working to restrain Batman, and the essential similarities between Batman and the criminals he fights, both of whom exist outside of that social order. Quintessentially Nietzschean themes – sickness and health, self-created and imposed identities, and irresolvable conflict between the true individual and society – recur throughout the work. Miller's work is triply subversive. First, it subverts generic expectations that the superhero will uphold the social order; second, it both challenges and supports Nietzsche's contention that art was the province of the noble singular artist and a product of ‘high culture', rather than of the masses; thirdly, it repositions Nietzsche within popular culture, subverting his expectations of his reception. This phenomenon of at one appropriating and challenging Nietzsche makes Miller an instructive example of an alternative way in which we can confront Nietzschean ideas about art and life. South African Journal of Philosophy Vol. 26 (1) 2007: pp. 96-108. (shrink)

On June 17, 2015, white supremacist Dylann Roof marched into the Emanuel African Methodist Episcopal Church in Charleston, South Carolina, and massacred nine black people in prayer. He credited his radicalization to the Council for Conservative Citizens, which was, in his words, "his gateway into the world of white nationalism."1 When Roof's selfies began to circulate—brandishing Confederate battle flags and standing in front of Greenville, South Carolina's own Museum and Library of Confederate History—the Southern civic sphere stammered in response. Governor (...) Nikki Haley had promised in 2014 never to remove the Confederate flag at the South Carolina State House, but after Roof's massacre and his flag-waving pride... (shrink)

What is man? “The feather of an angel was brought and tied to a donkey's tail that the donkey perhaps might turn into an angel”.Thus writes the greatest of all Persian-writing mystical poets of Islam, Maulânâ Jalâladdân Rûmî (1207-1273) in his conversations, Fîhi mâ fîhi, when pointing to the mystery of man's existence : man is able to attain a rank superior to that of the angels (who have no free will and are eternally good) provided he develops his God-given (...) faculties of reason and love; but he can sink lower than a beast if he neglects his spiritual powers and falls a prey to sensual pleasures and crimes owing to the misuse of his rational faculties. (shrink)

ABSTRACTThis essay explores D’Annunzio’s reception of Nietzsche—particularly his sociopolitical theory and idea of the Übermensch—as dramatized in his novel Le Vergini delle rocce. D’Annunzio’s attitude towards Nietzsche was complicated and contradictory, varying from fascination and rivalry to rejection and negation: rather than a philosopher or master, he saw Nietzsche as a poet and soulmate. Like many writers and artists of fin-de-siècle Europe, D’Annunzio too was attracted by Nietzsche’s elitist social theory and Übermensch, of which he presents his own version especially (...) in Maidens of the Rocks. In the novel, the young aristocrat Claudio Cantelmo aspires to overcome himself. However, the fact that Cantelmo fails to achieve his dream of fathering a New King of Rome, reveals D’Annunzio’s deep skepticism about contemporary Italy as well as his own “decadent” soul. (shrink)