It is very much connected to the social psychology of experience. This book is written for advanced undergraduate, masters and doctoral students in social psychology.

This new book proposes a way out of the crisis by letting go of the idea that psychology needs ‘new’ foundations or a new identity, whether biological, discursive, or cognitive. The psychological is not narrowly confined to any one aspect of human experience; it is quite literally ‘everywhere’. Drawing on a range of influential thinkers including Michel Serres, Michel Foucault, AN Whitehead, and Gilles Deleuze, the book proposes a strong process-oriented approach to the psychological, which studies ‘events’ or ‘occasions.’.

The issue of meaningful yet unexpressed background - to language, to our experiences of the body - is one whose exploration is still in its infancy. There are various aspects of "invisible," implicit, or background experiences which have been investigated from the viewpoints of phenomenology, cognitive psychology, and linguistics. I will claim that James, as explicated by Gurwitsch and others, has analyzed the phenomenon of fringes in such a way as to provide a structural framework from which to investigate and (...) better understand those ideas or concepts that are unexpressed, particularly those experienced in the sense of being sought-after. I will consider Johnson?s conception of the image -schematic gestalt as a way of bridging the descriptive gap between phenomenology and cognitive psychology. Starting from an analysis of the fringes, I will turn to a consideration of the of tip-of-tongue state, as a kind of feeling-of-knowing state, from a variety of approaches, focusing mainly on cognitive psychology and phenomenology. I will then integrate a phenomenological analysis of these experiences, from the James/Gurwitsch structural viewpoint, with a cognitive/ phenomenological analysis in terms of ISGs; and further integrate that with a cognitive/functional analysis of consciousness. I will employ this synthesis of three viewpoints to explore the thesis that the TOT state and similar experiences may relate to the gestalt nature of schemas as well as to particular cues, and may thus be experienced as an aspect of the continuum to the general background to all our conscious experiences. (shrink)

Savage et al. do an excellent job of making the case for social bonding in general, but do a less good job of distinguishing the manners by which dance and music achieve this. It is important to see dance and music as two parallel and interactive mechanisms that employ the “group body” and “group voice,” respectively, in engendering social cohesion.

Once upon a time, I attempted to create a web-based one-stop-shop for global poverty relief called the Maximin Project. Drawing on aspects of that experience, I show that although some existing ways of rating and recommending charities are significantly better than others, there remain certain challenges that need to be overcome. Specifically, I argue that the emerging Effective Altruism movement, with its emphasis on measurable effectiveness, runs the risk of neglecting a whole range of projects that are necessary for a (...) well-rounded approach to human development. I briefly model an alternative virtue-based approach that calls on the personal insight of individual researchers and practitioners in addition to the more directly experimental approach of organizations like GiveWell. (shrink)

This introduction to the Common Knowledge symposium titled “Comparative Relativism” outlines a variety of intellectual contexts where placing the unlikely companion terms comparison and relativism in conjunction offers analytical purchase. If comparison, in the most general sense, involves the investigation of discrete contexts in order to elucidate their similarities and differences, then relativism, as a tendency, stance, or working method, usually involves the assumption that contexts exhibit, or may exhibit, radically different, incomparable, or incommensurable traits. Comparative studies are required to (...) treat their objects as alike, at least in some crucial respects; relativism indicates the limits of this practice. Jensen argues that this seeming paradox is productive, as he moves across contexts, from Lévi-Strauss's analysis of comparison as an anthropological method to Peter Galison's history of physics, and on to the anthropological, philosophical, and historical examples offered in symposium contributions by Barbara Herrnstein Smith, Eduardo Viveiros de Castro, Marilyn Strathern, and Isabelle Stengers. Comparative relativism is understood by some to imply that relativism comes in various kinds and that these have multiple uses, functions, and effects, varying widely in different personal, historical, and institutional contexts that can be compared and contrasted. Comparative relativism is taken by others to encourage a “comparison of comparisons,” in order to relativize what different peoples—say, Western academics and Amerindian shamans—compare things “for.” Jensen concludes that what is compared and relativized in this symposium are the methods of comparison and relativization themselves. He ventures that the contributors all hope that treating these terms in juxtaposition may allow for new configurations of inquiry. (shrink)

The perpetual music track is a new concept that describes a condition of constant or near-constant musical imagery. This condition appears to be very rare even among composers and musicians. I present here a detailed self-analysis of musical imagery for the purpose of defining the psychological features of a perpetual music track. I have music running through my head almost constantly during waking hours, consisting of a combination of recently- heard pieces and distant pieces that spontaneously pop into the head. (...) Imagery consists mainly of short musical fragments that get looped repeatedly upon themselves. Corporeal manifestations of imagery occur in the form of unconscious finger movements whose patterns correspond to the melodic contour of the imagined piece. Musical dreams occur every week or two, and contain a combination of familiar and originally- composed music. These results are discussed in light of theories of imagery, consciousness, hallucination, obsessive cognition, and most especially the notion that acoustic consciousness can be split into multiple parallel streams. (shrink)

This article analyzes the demarcations made within psychology as a feature of the “memory wars”—the current controversy around “recovered” or “false” memory. As it is played out inside professional psychology, the dispute features clinical practitioners acting largely as proponents of recovered memory and experimentalists as proponents of false memory. Tracing a genealogy of this dispute back to a pair of original sites, we show how the traditions’engagement in three modes of scientific demonstration varies systematically in terms of the modes of (...) social relation inherent in their epistemic practices and the kinds of “reliable witness” these practices produce. We conclude that whereas the experimentalist tradition is able to transporttheir produced witnesses from oneto anothersite of demonstration with relative ease, the clinical tradition has much greater difficulty in doing so and thus has to engage in a variety of compensatory demonstrative strategies. (shrink)

In this paper, we discuss a team-taught, debate-style Philosophy of Religion course we designed and taught at The Ohio State University. Rather than tackling the breadth of topics traditionally subsumed under the umbrella of Philosophy of Religion, this course focused exclusively on the nuances of the atheism-theism debate, with the instructors openly identifying as atheist or theist, respectively. After discussing the motivations for designing and teaching such a course, we go on to detail its content and structure. We then examine (...) various challenges and hurdles we faced, as well as some benefits we encountered along the way. Next, we discuss some informal data collected from the students enrolled in the course, some of which suggest some rather surprising outcomes. We conclude with some considerations of the applicability of this style of teaching to other philosophical debates. (shrink)

The ‘mathematical imaginary’ at work in psychology is central to the contingent history of the discipline, but is also responsible for considerable confusion and ambiguity around the ontological assumptions of psychological theories and models. Rather than reject the mathematical altogether, this article argues for an alternative form of mathematical description in psychology through the use of topology. Drawing on DeLanda’s topological account of the virtual, the relationship between psychology and ontology is progressively questioned in relation to memory. Henri Bergson’s conception (...) of duration and the pure past is juxtaposed with the topological psychology of Kurt Lewin and its notion of life space as a manifold with n-dimensions. Using a diagrammatic strategy developed by Mullarkey, an actualist account of the virtual is used to hold these distinct bodies of work together. Psychological events may be given a ‘thick description’ through the identification of topological relations and invariants. The interplay between the actual entities that are afforded in experience can be seen to be virtualized as planes of irreality. A topological approach to psychology offers the opportunity of replacing the taxonomy of essences common to the discipline with a dynamic account of invariance through homeomorphism. (shrink)

In Kant's Critique of Judgment (CJ), the actual mechanism of the construction of aesthetic ideas is only briefly sketched. I suggest that there may be a connection between certain aspects of Sections 49 and 59, such that the creation of aesthetic ideas can be related to the process of "symbolic hypotyposis" (¤59.2). I will argue that the process of symbolic hypotyposis relates to the formation of aesthetic attributes, as symbols, through an analogical process; that a symbol acts, in effect, as (...) one part of the four parts of an analogy, and that the aesthetic idea may result from the application of the process of analogy. I will suggest that aesthetic attributes may, in some cases, function as symbols, and induce what I will term "conceptual overflow," in which the normal contents of the symbol are supplemented through the analogical process. (shrink)

All our conscious experiences, linguistic and nonlinguistic, are bound up with and dependent on a background that is vague, unexpressed, and sometimes unconscious. The combination of William JamesÕs concept of "fringes" coupled with Aaron GurwitschÕs analysis of the field of consciousness provides a general structure in which to embed phenomenal descriptions, enabling fringe phenomena to be understood, in part, relative to other experiences. I will argue, drawing on examples from Drew LederÕs book, The Absent Body, that specific and detailed phenomena (...) can and should be interrelated through JamesÕs and GurwitschÕs analyses. I am proposing first that phenomenological descriptions in general could benefit from explicit consideration of the context of the phenomena within the totality of the field of consciousness, and second, that establishing that context requires a general structural model of that field, similar to that provided by Gurwitsch. (shrink)

Husserlian phenomenology depends upon a particular and limited set of related methodologies, which assume not merely abilities and results on the part of phenomenologists which have been severely criticized, but more profoundly, that mental contents are atomistic and independently manipulable. I will show not only that this assumption is mistaken and that questioning it undermines traditional phenomenological method, but that it leads to a paradox when turned upon itself which forces the rejection of a purely Husserlian phenomenology. More generally, any (...) theory whose data is confined to the results of particular and limited methodologies is by that fact unable to investigate those methodologies, and is thus at best only able to function in a severely restricted realm. (shrink)

Whether human thinking can be formalized and whether machines can think in a human sense are questions that have been addressed by both Peirce and Searle. Peirce came to roughly the same conclusion as Searle, that the digital computer would not be able to perform human thinking or possess human understanding. However, his rationale and Searle's differ on several important points. Searle approaches the problem from the standpoint of traditional analytic philosophy, where the strict separation of syntax and semantics renders (...) understanding impossible for a purely syntactical device. Peirce disagreed with that analysis, but argued that the computer would only be able to achieve algorithmic thinking, which he considered the simplest type. Although their approaches were radically dissimilar, their conclusions were not. I will compare and analyze the arguments of both Peirce and Searle on this issue, and outline some implications of their conclusions for the field of Artificial Intelligence. (shrink)

Despite its long history, there is no agreed-upon conception of emergence. One might claim that a common idea of emergence seems to be that something termed a "system" gives rise to, or possesses, characteristics termed "properties," which latter are absent or unmanifested in whatever individual components the system consists and are thus "emergent" from the system itself. However, types of systems discussed run a gamut from purely mental entities to simple tools . "Properties" is similarly unconstrained . The so-called special (...) sciences, such as biology, psychology, sociology, and even chemistry have all claimed some properties as emergent. However, the enormous literature dealing with various types of systems characterized as emergent can be divided, roughly speaking, into two classes of descriptions of emergence. One might be termed "structural" and the other "functional." The first characterizes emergent systems in terms of their components and their interrelationships , while the second characterizes them in terms of their effects on other systems or elements . There is generally no mention of possible internal structures of the system in the latter, and if there is, it is in vague and/or abstract terms, while the former emphasizes internal structures over clear characterizations of the effects of emergence. Thus, a conception of emergence like Kim's is functional, while explicit descriptions of small-world networks, chaotic systems, or other types of complex internal organizations in mathematics, physics, and computer science are structural. The structuralfunctional distinction will play a part in the analysis of emergence later in this paper. (shrink)

This commentary on Isabelle Stengers's article, “Comparison as a Matter of Concern” is an assessment of her stance toward experimental psychology. At the various points in her work where she considers that discipline, she tends to accuse it of failing to embrace the “risk” that she sees as defining the “collective games” of science. Brown invokes the behavioral approach to experimental psychology of the early to mid-twentieth century to contextualize Stengers's treatment of continuous comparison conducted by scientists around “matters of (...) concern.” Her use of the metaphor of predator/prey relationships between practices is seen as reversing the usual direction of critique within psychology, such that experimental psychology appears to have, in the Wistar rat, an object grounding a community that is capable of performing continuous comparison, which its critics contrastingly lack. Stengers's ecological view of practices may then ultimately lead to a reappraisal of branches of the human sciences, such as experimental psychology, which she tends, on occasion, to dismiss. (shrink)

In this dissertation I develop a structural model of phenomenal consciousness that integrates contemporary experimental and theoretical work in philosophy and cognitive science. I argue that phenomenology must be “naturalized” and that it should be acknowledged as a major component of empirical research. I use this model to describe important phenomenal structures, and I then employ it to provide a detailed explication of tip-of-tongue phenomena. The primary aim of “structural phenomenology” is the creation of a general framework within which descriptions (...) of experiences may be organized. The work of Husserl, Gurwitsch, the Gestalt psychologists, and many contemporary philosophers and cognitive scientists reveals several basic parameters underlying subjectivity. Chapter I argues that Husserlian methodology possesses problems both of praxis and of internal logic, and that its phenomenological descriptions cannot have the certainty he claimed. Consequently, an adequate phenomenology must incorporate empirical studies. This conclusion enables explicit transitions between empirical investigations and phenomenological insights. Chapter II introduces the theoretical framework underlying my model. I identify four parameters applicable to all experiences: 1) the degree of volitional emphasis with which something is experienced, i.e., the intensity of our focus on it, 2) the degree of non-volitional emphasis, i.e., the degree to which it is salient, 3) a variant of intentionality I term “directionality”, and 4) the property of recursion. Experiences are embedded within a complex set of relationships that unify and direct a layered phenomenal structure. I support these claims with evidence discovered over the past two centuries of research. Chapter III applies my model to the tip-of-tongue (TOT) state, in which difficulty remembering is accompanied by a sense of active searching. I show that a phenomenological description of the TOT experience is dependent on cognitive data, and that a phenomenological analysis is necessary to properly interpret these data. By showing how structural phenomenology offers a perspective from which to elucidate the results of experimental studies, I hope to clarify and establish the explicit role of introspection in empiricism, and of empiricism in phenomenology. (shrink)

Gurwitsch, following Husserl, described two structural parameters applicable to all phenomena: the intensity of our experiences, and their salience, i.e., their experienced relevance to other entities in consciousness. These dimensions subsume experiences within structures indicating the degree of attention consciously paid to phenomena, and their significance to other phenomena experienced simultaneously. For example, the recession to or from unconsciousness of mental contents may be described by the variation of their saliences and intensities. The focal organization implied by these dimensions gives (...) rise to the "searchlight" configuration underlying many models. Consciousness can be structurally analyzed more deeply than this, however. Through incorporation of two other parameters: an internalization of intentionality which I term “microdirectionality,” and a description of the recursive microstructure of the phenomenal field (“layered recursion”), strata of interrelated structures may be employed to explicate experiences in great depth. I will introduce these structural parameters and describe how this more inclusive perspective enables some aspects of both static interrelationships and the dynamics of the creation and dissolution of a variety of sensory, conceptual and linguistic phenomena to be explicated. I will utilize the tip-of-tongue phenomenon as an illustrative example. (shrink)

This paper is a comparative study of the accounts of the goddess Venus in the Genealogia of Giovanni Boccaccio (1313-1375) and the Mythologiae of Natale Conti (1520?-1382?). Conti's superior knowledge of Greek, access to Greek sources unknown or incomprehensible to Boccaccio, easily accessible Latin prose style, and exceptional organizational skills, enabled him to create a richer, more extensive, and more accurate account of the goddess than Boccaccio could provide. Both Boccaccio and Conti escape from the binary, antithetical understanding of Venus (...) that dominated medieval commentary. Conti focuses on the paradox of a beautiful goddess representing ugly things; Boccaccio's organizational scheme (based on a flawed genealogical chart originating with the supposed god Demogorgon) makes for a more disparate approach to symbolic interpretation, interesting in parts but thematically unfocused. (shrink)