In the first section of the article, we examine some recent criticisms of the connectionist enterprise: first, that connectionist models are fundamentally behaviorist in nature (and, therefore, non-cognitive), and second that connectionist models are fundamentally associationist in nature (and, therefore, cognitively weak). We argue that, for a limited class of connectionist models (feed-forward, pattern-associator models), the first criticism is unavoidable. With respect to the second criticism, we propose that connectionist modelsare fundamentally associationist but that this is appropriate for building models (...) of human cognition. However, we do accept the point that there are cognitive capacities for which any purely associative model cannot provide a satisfactory account. The implication that we draw from is this is not that associationist models and mechanisms should be scrapped, but rather that they should be enhanced.In the next section of the article, we identify a set of connectionist approaches which are characterized by “active symbols” — recurrent circuits which are the basis of knowledge representation. We claim that such approaches avoid criticisms of behaviorism and are, in principle, capable of supporting full cognition. In the final section of the article, we speculate at some length about what we believe would be the characteristics of a fully realized active symbol system. This includes both potential problems and possible solutions (for example, mechanisms needed to control activity in a complex recurrent network) as well as the promise of such systems (in particular, the emergence of knowledge structures which would constitute genuine internal models). (shrink)

A critical analysis of contemporary strategic management theory and practice suggests that modernist, linear thinking has facilitated the development of an abstracted reality which is misleading to managers and fundamentally flawed. It is argued that formulaic strategic tools such as those propounded by Porter fail to capture the reality of the complex environments that confront firms and falsely suggest that an answer can be derived from a predetermined toolbox. As an alternative to this dominant paradigm, the complexity of markets is (...) presented not as something to be feared and ignored, but rather as a truth to be embraced. As a basis of taking this step, current knowledge on how complex environments work, perspectives on how they can be better understood and how people and organizations can engage within them, is presented. Ultimately it is recognised that both theoretical and practical foundations need significant, further development. (shrink)

French culture is unique in that philosophy has played a significant role from the early-modern period onwards, intimately associated with political, religious, and literary debates, as well as with epistemological and scientific ones. While Latin was the language of learning there was a universal philosophical literature, but with the rise of vernacular literatures things changed and a distinctive national form of philosophy arose in France. This Very Short Introduction covers French philosophy from its origins in the sixteenth century (...) up to the present, analysing it within its social, political, and cultural context. Beginning with psychology and epistemology, Stephen Gaukroger and Knox Peden then move onto the emergence of radical philosophy in the eighteenth century, before considering post-revolutionary philosophy in the nineteenth century, philosophy in the world wars, the radical thought of the 1960s, and finally French philosophy today. Throughout, they explore the dilemma sustained by the markedly national conception of French philosophy, and its history of speaking out on matters of universal concern. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. -- Provided by publisher. (shrink)

What is a medium? Why is there always a middle? Can media produce 'immediacy'? Henri Bergson recognized mediation as the central philosophical problem of modernity. This book traces his influence on the 'media philosophies' of Gilles Deleuze, Marshall McLuhan, Walter Benjamin and Michel Serres.

Philosophy and Poetry is the 33rd volume in the Midwest Studies in Philosophy series. It begins with contributions in verse from two world class poets, JohnAshbery and Stephen Dunn, and an article by Dunn on the creative processthat issued in his poem. The volume features new work from an internationalcollection of philosophers exploring central philosophical issues pertinent topoetry as well as the connections between the two domains.

_In this critical edition, Leibniz submits his metaphysics of substance and form, concomitance and expression, freedom and necessity to the searching Socratic interrogation of Arnauld_ In this critical edition, Stephen Voss establishes the text of the magnificent Socratic correspondence between Gottfried Wilhelm Leibniz and Antoine Arnauld, provides an accurate English translation of the French text, and includes full apparatus helpful to student and scholar alike. The philosopher, physicist, and mathematician Leibniz presents the philosopher and theologian Arnauld with a (...) unique new metaphysics and hones his ongoing thinking on the critical responses he receives. The result is a dialogue capable of illuminating metaphysical thought even now. (shrink)

Introduction: Ancient & modern : the braid of Cassiodorus -- Tradition, literacy and change -- Church versus scripture : the idea of biblical tradition -- Revolution and tradition -- Re-envisioning the past : metaphors and symbols of tradition -- Inventing Christian culture : Volney, Chateaubriand and the French Revolution -- Herder, Schleiermacher, Novalis and Schlegel : the idea of a Christian Europe -- Translating Herder : the idea of Protestant Reformation -- Keble and the Anglican tradition -- Newman and (...) the development of tradition -- Arnold : taking religion out of religion -- Radical tradition : theologizing Eliot -- Epilogue: Re-energizing the past -- Appendix: Velázquez and the royal boar hunt. (shrink)

"The Philosophy of the Future" which has cost the author 'more than half a century of toil', is a stout defense of the principle of Causation both against the philosophical scientists who, following Hume, would reduce cause to customary sequence among our sense-impressions, and against the subordination by many writers on logic of the notion of cause to that of reason or ground. To cancel causality is to efface all distinction between truth and falsehood. Scientia est cognoscere causas. "The sole (...) essential function of all thinking is to discriminate between cause and effect." "There is no known form of thought which is not ultimately reducible into an assertion of cause and effect." From the vantage ground of this theorem, with its corollary that "a cause cannot be known except through its effects, or an effect apart from its cause", Mr. Hebberd trains his guns upon the systems of Hume, Kant, Hegel, Mill, and other logical writers. He reviews successively Space, Time, the Concept, Judgment, and finally Induction, defined as "the discovery of causal processes by means of physical and mental experiment", in the attempt to show that all categories are but species and derivative forms under the supreme and all-embracing category of causality. The logical discussion is followed by chapters on God, Freedom and the Soul, in which the metaphysical application of his principles is made. The causal concept is utilized to strengthen the ontological argument. "The conception of a sufficient cause, fully understood, is identical with the theistic conception of God." This conception of a sufficient cause involves unity, infinitude, freedom and love (if an infinite being acts at all, or causes any changes, it must be for the sake of others). The fact again that the causal nexus is "a reality imperceptible to the senses" discredits materialism and positivism, and is used in demonstration of the existence and immortality of the soul. Mr. Hebberd attempts no exact definition of cause, but this, as he says in the appendix, is because he regards it as incapable of ordinary definition, "there being no wider genus under which it can be ranged as a species" (p. 214). He omits also any discussion of the origin of the causal concept. While frequently inveighing against innate ideas and Kantian apriorities, and rejecting impartially "the Scottish philosophy of 'common sense', with its short and easy method of 'intuitions', the French and English empiricism, the Teutonic illusionism" (p. 95) he yet declares: "Man does come into the world equipped, not with intuitions, but with the means of attaining to an assured knowledge of the world as the workmanship of an infinite and benevolent Being. For he comes endowed with the prerogative of thought; but to think is to affirm causality" (p. 157). What is this but intuitionism? Mr. Hebberd's work, it will be seen, is a discussion at once ambitious and concise of the deepest problems of logic and metaphysics. His book, in our judgment, is well worth the attention of the philosophical reader, who cannot but enjoy its incisive style, its trenchant criticisms, its wide outlook upon philosophic thought, and its original insights into its problems. -The Princeton Theological Review, Vol. 12 [1914]. (shrink)

ncongruous places often inspire anomalous stories. In early 1984, I spent several nights at the Vatican housed in a hotel built for itinerant priests. While pondering over such puzzling issues as the intended function of the bidets in each bathroom, and hungering for something other than plum jam on my breakfast rolls (why did the basket only contain hundreds of identical plum packets and not a one of, say, strawberry?), I encountered yet another among the innumerable issues of contrasting cultures (...) that can make life so interesting. Our crowd (present in Rome for a meeting on nuclear winter sponsored by the Pontifical Academy of Sciences) shared the hotel with a group of French and Italian Jesuit priests who were also professional scientists. (shrink)

Maurice Merleau-Ponty is known and celebrated as a renowned phenomenologist and is considered a key figure in the existentialist movement. In this wide-ranging and penetrative study, Stephen Priest engages Merleau-Ponty across the full range of his philosophical thought. He considers Merleau-Ponty's writings on the problems of the body, perception, space, time, subjectivity, freedom, language, other minds, physical objects, art and being. Priest addresses Merleau-Ponty's thought in connection with Hegel, Husserl, Heidegger and Sartre. He uses clear and direct language to (...) explain the thoughts of and the ensuing importance of one of the greatest contemporary thinkers. Philosophy students and scholars alike will find great pleasure in this fascinating exploration of the writings and ideas of Maurice Merleau-Ponty. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The French Atlantic Triangle: Literature and Culture of the Slave TradeStephen Auerbach (bio)Christopher L. Miller. The French Atlantic Triangle: Literature and Culture of the Slave Trade. Durham, NC: Duke UP, 2008. xvi + 571 pp.Over the last decade scholars have shown a new interest in reconstructing the history of the French slave trade and slaveholding Atlantic. A scholarly consensus is slowly emerging around the notion (...) that the history of French slavery and colonialism is central to any understanding of the larger themes in French and Francophone history from the seventeenth century to the present. Christopher Miller’s The French Atlantic Triangle is a welcome contribution to this important subject. Miller rightly argues that France, Africa, and the Caribbean are tied together in a shared history of colonialism, slavery, and the slave trade. His goal in The French Atlantic Triangle is to reconstruct this history and illuminate its impact on modern French and Francophone cultural life.The French Atlantic Triangle is a fascinating example of research that combines methods employed in history and Francophone literary studies in order to discuss the triangular slave trade that condemned 2 million Africans to slavery on France’s Caribbean sugar islands and an untold number to their deaths during the Middle Passage. Miller’s central interest here is exploring the ways in which the slave trade and its afterlife were represented in literature and in film from the eighteenth to the twentieth century in France, Africa, and the Caribbean. In the absence of any extant Francophone slave narratives, Miller persuasively argues that fiction and later film allowed writers and filmmakers to pour their “speculations and reflections” (92) into that void. French and Francophone writers separated by thousands of miles and hundreds of years were united by the desire to construct slave narratives and stories that played on the reader’s sense of pity and shame, or desire for adventure, or to convey a powerful longing for home. The result is an ambitious and substantive work. Miller clearly succeeds in demonstrating a legacy of slavery and the slave trade in France and Francophone literature, yet the picture that emerges is a muddled one; the reader is left to make sense of competing, diverse, and sometimes divergent claims. In the end, The French Atlantic Triangle is more suggestive than persuasive.The book is organized into fourteen chapters, divided into four sections, arranged chronologically and geographically. Part 1 (chaps. 1–4) is largely synthesis. Drawing heavily on the work of historians of slavery and the slave trade, Miller outlines the details of the triangular trade from its inception in the mid-seventeenth century to its first abolition in 1794, and final suppression in 1848. Chapters 1 and 2 will be a review for anyone familiar with the history of this period. Chapter 3 focuses on the Enlightenment and the slave trade. Miller rightly notes that the Enlightenment coincided with the height of French slaving activity. Examining works by Montesquieu, Rousseau, and [End Page 59] Voltaire, Miller argues that the philosophes were never much interested in the plight of African slaves, and when they did speak out on the issue it was with heavy irony or wit that only diluted their message. Miller’s analysis is convincing, though he seems unjustified in suggesting that Voltaire remained mostly quiet on the issue because he was heavily invested in the slave trade. There is no evidence for that assertion.Part 2 (chaps. 5–8) covers the period from the French Revolution to the Bourbon Restoration during which time France experienced complete upheaval from the slave rebellions in Martinique in 1789 and Saint Domingue in 1791, to the abolition of slavery in 1794 and its reimposition under Napoleon. Focusing on the writings of Olympe de Gouges, Germaine de Staël, and Claire de Duras, Miller labels the three as abolitionists because in their works they created sympathetic black characters, critiqued racial prejudice, and instilled pity in their readers. Miller brings a fresh analytical eye to well-known texts like Duras’ Ourika, and shines new light on little-known (or unknown) works like Gouge’s play Zamore et Mirza.Miller’s task here is not only to demonstrate the... (shrink)

Hegel's Phenomenology of Spirit is probably his most famous work. First published in 1807, it has exercised considerable influence on subsequent thinkers from Feuerbach and Marx to Heidegger, Kojève, Adorno and Derrida. The book contains many memorable analyses of, for example, the master / slave dialectic, the unhappy consciousness, Sophocles' Antigone and the French Revolution and is one of the most important works in the Western philosophical tradition. It is, however, a difficult and challenging book and needs to be (...) studied together with a clear and accessible secondary text. Stephen Houlgate's Reader's Guide offers guidance on: Philosophical and historical context Key themes Reading the textReception and influence Further reading. (shrink)

The historicist approach is rarely challenged by art historians, who draw a clear distinction between art history and the present-centred pursuit of art criticism. The notion of the 'period eye' offers a relevant methodology. Bearing this in mind, I examine the nineteenth-century phase in the development of history painting, when artists started to take trouble over the accuracy of historical detail, instead of repeating conventions for portraying classical and biblical subjects. This created an unprecedented situation at the Paris Salon, where (...) such representations of history could be experienced as a collective 'dream-work', in Freud's sense. In France, this new pictorial language dates back to the aftermath of the Revolution, and the activities of the 'Lyon School'. Two artists, Richard and Révoil, were its leading proponents. However their initial closeness has obscured the differences in their approach to the past. Substituting for Freud's 'condensation' and 'displacement' the concepts of 'Resurrection' and 'Restoration', I analyse the pictorial language of the two painters, taking two works as examples. The conclusion is that Révoil, also a collector, was a precursor of the historical museum, which convinces through accumulating objects. Richard, however, employs technical and rhetorical devices to evoke empathetic reactions, and anticipates the illusionism of cinema. (shrink)

Several prominent philosophers of science, most notably Ron Giere, propose that scientific theories are collections of models and that models represent the objects of scientific study. Some, including Giere, argue that models represent in the same way that pictures represent. Aestheticians have brought the picturing relation under intense scrutiny and presented important arguments against the tenability of particular accounts of picturing. Many of these arguments from aesthetics can be used against accounts of representation in philosophy of science. I rely on (...) Dominic Lopes' recent summary of arguments against various views of picturing and reformulate some of them to fit the philosophy of science context. My specific targets here are Giere and Steven French. I go on to argue that assuming all scientific models and images represent in the same way is not the best guide to understanding scientific practice. (shrink)

For two and a half months in 1928, the Japanese philosopher Shûzô Kuki had weekly talks with a young French student of philosophy—Jean-Paul Sartre. In 1928, Kuki had just come to Paris after having studied with Heidegger and Husserl. Freshly ac­quainted with the new phenomenology, Kuki in­troduced Sartre to this emerging movement in philosophy. In a well-researched introductory essay, Stephen Light details the eight years Kuki spent in Europe in the 1920s, a period during which Kuki came to (...) know Henri Bergson, Heinrich Rickert, and Emile Brehier, as well as Husserl and Heidegger. Light includes translations of two of Kuki’s essays on time and often of his short essays on matters Japanese, culminating in the insightful “General Characteristics of French Philosophy.” None of the Kuki essays were previously available in English. The final section of the book is a facsimile of the never before published notebook Kuki used during his discussions with Sartre. (shrink)

Since the publication of his first book in 1953, Yves Bonnefoy has become one of the most important French poets of the postwar years. At last, we have the long-awaited English translation of Yves Bonnefoy’s celebrated work, _L’Arrière-pays_, which takes us to the heart of his creative process and to the very core of his poetic spirit. In his poem, “The Convex Mirror,” Bonnefoy writes: “Look at them down there, at that crossroads, / They seem to hesitate, then go (...) on.” The idea of the crossroads haunts Bonnefoy’s work, as he is troubled by the idea that the path not taken may lead to the _arrière-pays_, a place of greater plenitude, and of more authentic being—an “elsewhere in the absolute.” Seized by this fear that what he terms “presence” exists always somewhere else, a little further on, Bonnefoy here sets out on a labyrinthine quest to find traces of this “original place,” which he locates not only in objects of knowledge and experience as diverse as the deserts of Asia, a hill fort in India, a church in Armenia, the painting of Piero della Francesca but also, crucially, in the undivided intensity of his experiences as a child. Written with a visionary grace, _The Arrière-pays_ is a spiritual testament to art, philosophy, and poetry. Enriched by a new preface by the poet, this volume also includes three recent essays in which he returns to his original account of an ethical and aesthetic haunting, one that recounts the struggle between our instinct to idealize—what he deems our eternal Platonism—and the equally strong need to combat this and to be reconciled with our nature as finite beings, made of flesh and blood, in the world of the here and now. (shrink)

A critical review of Bourdieu’s theory of the state is developed here against the backdrop of both his wider theoretical project and empirical studies. Elaborating the concepts of symbolic capital, symbolic violence, and symbolic domination, the centrality that Bourdieu accords to symbolic forms is compared to benchmark Weberian accounts that start with the state monopoly of violence. Reviewing also some of the burgeoning secondary literature discussing his theory of the state, Bourdieu’s writings, which encompass various antinomies, are shown to vacillate (...) between two distinct perspectives—a strong and a weak theory of the state. His rejection of the “physicalist” approaches of Marx, Elias, and Tilly is elaborated and subject to a counter-critique, particularly in relation to the notion of symbolic “violence.” Bourdieu’s account of the state is shown to be as much a political as theoretical intervention. His antagonism towards Marxist accounts in particular is shown to be rooted in a pragmatic interest in the role of the “left hand of the state” in progressive reform; and this perspective is traced back to the twin influences of Durkheim and Hegel, French republicanism, and in particular the potential of the state to express a universal interest. At the same time, compared with sophisticated Marxist and Weberian accounts and the work of Norbert Elias and Gramsci, Bourdieu’s theory is shown to be severely lacking in the way that he deals with violence and coercion. His “expanded materialism,” particularly with the “strong theory,” bends the stick too far and overplays the symbolic basis of consent. Nevertheless, Bourdieu’s insights with regard to the pervasive influences of state practices of classification, taxonomy, delegation, and naming are shown to have real utility with regard to focused empirical investigations of the state in modern societies. (shrink)

This edited volume features 20 essays written by leading scholars that provide a detailed examination of L’Homme by René Descartes. It explores the way in which this work developed themes not just on questions such as the circulation of the blood, but also on central questions of perception and our knowledge of the world. Coverage first offers a critical discussion on the different versions of L'Homme, including the Latin, French, and English translations and the 1664 editions. Next, the authors (...) examine the early reception of the work, from the connection of L'Homme to early-modern Dutch Cartesianism to Nicolas Steno's criticism of the work and how Descartes' clock analogy is used to defend two different conceptions of the articulation between anatomical observations and functional hypotheses. The book then goes on to explore L'Homme and early-modern anthropology as well as the how the work has been understood and incorporated into the works of scientists, physicians, and philosophers over the last 150 years. Overall, readers will discover how the trend over the last few decades to understand human cognition in neuro-physiological terms can be seen to be not something unprecedented, but rather a revival of a way of dealing with these fundamental questions that was pioneered by Descartes. (shrink)

_ Source: _Volume 46, Issue 1, pp 35 - 53 In a letter written at the end of July 1930, Jean Cavaillès singled out two of his successful students at the _Ecole Normale_, Merleau-Ponty and Lautman, “full of interest in the philosophy of mathematics”. While both would play an important role in French philosophy in the coming decades, one almost never thinks of their names together. Indeed, only rarely do we think of Merleau-Ponty and Cavaillès together. This paper will (...) argue against this rarity. Cavaillès would write a treatise on logic that in retrospect is often viewed to advance French philosophy—but precisely at the expense phenomenology. I will argue that this evaluation is overblown. Merleau-Ponty’s philosophy, on the other hand, is often viewed in opposition to this as defending a Husserlian account of perception, a view equally too narrow. Between them, instead, I argue, we can see both transforming the Husserlian account of a transcendental logic and a transcendental aesthetic. Both provide resources for understanding phenomenology as a dialectical and historically emergent theory. Notwithstanding Cavaillès initial characterization of Husserl’s “exhorbitant use of the Cogito”, or his “aggressive” description of acts, to use Merleau-Ponty’s term, the result, in both cases, focuses on phenomenology as an emergent experience of philosophy as an “architecture” of signs. (shrink)

_Philosophy Beside Itself _ was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The writings of French philosopher Jacques Derrida have been the single most powerful influence on critical theory and practice in the United States over the past decade. But with few exceptions American philosophers have taken little or no interest in Derrida's work, and the task of (...) reception, translation, and commentary has been left to literary critics. As a result, Derrida has appeared as a figure already defined by essentially literary critical activities and interests. Stephen Melville's aim in _Philosophy Beside Itself _ is to insist upon and clarify the distinctions between philosophy and criticism. He argues that until we grasp Derrida's philosophical project as such, we remain fundamentally unable to see his significance for criticism. In terms derived from Stanley Cavell's writings on modernism, Melville develops a case for Derrida as a modernist philosopher, working at once within and against that tradition and discipline. Melville first places Derrida in a Hegelian context, the structure of which he explores by examining the work of Heidegger, Lacan, and Bataille. With this foundation, he is able to reappraise the project of deconstructive criticism as developed in Paul de Man's _Blindness and Insight _and further articulated by other Yale critics. Central to this critique is the ambivalent relationship between deconstructive criticism and Lacanian psychoanalysis. Criticism—radical self-criticism—is a central means through which the difficult facts of human community come to recognition, and Melville argues for criticism as an activity intimately bound to the ways in which we do and do not belong in time and in community. Derrida's achievement has been to find a new and necessary way to assert that the task of philosophy is criticism; the task of literary criticism is to assume the burden of that achievement. Stephen Melville is an assistant professor of English at Syracuse University, and Donald Marshall is a professor of English at the University of Iowa. (shrink)

This collection of original essays deals with Cartesian themes and problems, especially as these arise in connection with Cartesian natural science and the theory of perception, agency, mentality, divinity, and the passions. It focuses in particular on Desmond Clarke's important contributions to these aspects of Descartes's writings.

An academic division of labor resulted from the distinction between sex and gender. Sex remained a productive topic (excuse the pun) for biologists, who are interested in the genetic, developmental, and chemical pathways of male/female dimorphism. People in the social sciences and humanities, by contrast, made gender, not sex, the subject of their work. In gender studies, we learn about the ways that men and women “perform” their respective roles—people of male sex can perform as female gender, and vice versa, (...) by adopting modes of speech, dress, behavior, and even values. There is no talk of innate instincts or brain differences in gender studies. The French philosopher Michel Foucault set the agenda when he lamented, as early as 1976, that “the notion of sex made it possible to group together, in an artificial unity, anatomical elements, biological functions, conducts, sensations, and pleasures, and it enabled one to make use of this fictitious unity as a causal principle.” Following this approach, more-recent theorists like Anne Fausto-Sterling and Judith Butler have argued that even the biological categories of sex are just artificial inventions, designed to keep women and intersexed peoples down. Society, they suggest, decides which of us are males and which are females—pushing everyone into rigid binary categories. -/- There are two main arguments that are usually offered in defense of this controversial thesis that sexual dimorphism is political rather than ontological. One is based on a general critique of knowledge (an epistemological argument), and the other on a specific picture of reality (a metaphysical argument). I will offer counterarguments to both. (shrink)

In 1872, Emil du Bois-Reymond delivered an astonishing lecture entitled “The Limits of Science” at a Congress of German Scientists and Physicians in Leipzig. No stranger to polemic and bellicose oratory, and possessing among his generation of physiologists unmatched rhetorical abilities, du Bois-Reymond had already attracted much public recognition and acclaim for his denigration of French culture at a time when belligerence and competition between Prussia and France had peaked. Yet, the topic of his 1872 lecture had a signal (...) significance which not only would inform du Bois-Reymond’s subsequent public lectures on literature, art, civilization and science, and the place of Darwin in the modern world, but would also elaborate a mechanistic and fatalistic view of consciousness, one that denied scientific understanding of the phenomenon as even obtainable. Controversy exploded—and from all quarters. Renowned scientists accused him of pessimism and of failing to apprehend the progress of in .. (shrink)

Ruins, their evocations and enigmas, have been a source of fascination since the advent of civilization. Both coordinating and distressing the relations of space and time, ruins are unparalleled catalysts of cultural analysis, as both history and adumbration. Ruins, and the concept of ruin on which they ‘rest’ and through which they decay, can be regarded in space, as strata, in time, as sedimenta, and in dynamic terms, as lamina. This essay works down through each focusing on the forceof ruin (...) occurring between them. The essay itself is a lamination: Anselm Kiefer's exploration of ruins as artefacts, in recent works such as ‘Falling Star’, shown at Paris’ Grand Palais in the summer of 2007 as the first installation in its Monumenta series, plays across many dimensions of ruins’ themes; Derrida's exploration of the very idea of ruin – not ruins but ruin, as artefacture – conceptualizing ruins’ liminal nature, at the very limit of phenomenology, in Mémoires d'aveuglesand elsewhere; the ruin-caught-in-motion of the virtually unknown French-Italian painter ‘Monsù Desiderio’; and the linguistic ruin of Samuel Beckett's ‘D'un ouvrage abandonné’ and ‘Sans’. Each contributes to the others as ruins and ruin accumulate. Finally, ruin's decay passes into and through a passe partout into the uninhabitable. (shrink)

This article considers the concept of the utopia from the point of view of garden design. It begins with an evocation of the `Jardin de Julie', the literary garden described in Rousseau and acutely analysed by Louis Marin. It then passes to a series of actual gardens created by the French contemporary designer Bernard Lassus, in which the use of landscape effects is seen as achieving similar dislocations of space and incitements to the imagination.

Jean-Louis Schefer's study takes as its point of departure Uccello's predella, Profanation of the Host. The painting in question has generally been interpreted within the context of medieval anti-Semitism. However, Schefer argues that the meaning of the work, and of numerous other representations of this particular miracle, must be referred ultimately to the codification by Charlemagne of the dogma of the Real Presence. Uccello's painting in effect makes manifest the requirement that the profaned host should reveal its nature through the (...) gushing of blood. This also involves a political significance, since the Carolingian theology organized around the consecrated host stands in direct opposition to the Byzantine theology of the icon. Schefer's argument leads him to make a thorough investigation not only of the many iconographic precedents, but also of some key Latin texts such as the Libri Carolini, which are published in a French translation. It also advances a methodology that is strikingly at variance with some of the more simple-minded attempts of historians to crack the codes of a complex visual tradition. One of its most original aspects is the new light that the overall thesis casts upon extremely well-known texts like The Merchant of Venice and Dracula. Thus the tendency to identify vampirism as an East European phenomenon, already discernible in Western sources in the eighteenth century, is shown to be closely linked to the historical extension of the myth of Profanation of the Host. In exploring the outcomes of this doctrinal split between East and West, Schefer has identified a deep fault-line in post-antique European history whose consequences are far from being understood at the present day. (shrink)

This paper takes as its point of departure Roland Barthes’s proposition in La Chambre claire that the nineteenth century “invented History and Photography,” that the era of photography is one of revolutions, and that the photograph’s “testimony” has diminished our capacity to think in terms of “duration.” Barthes also asserts that the French photographer Nadar is “the greatest photographer in the world,” but takes no account of Nadar’s acute receptivity to the history of the nineteenth century. The paper argues (...) that, though he fully recognized the unique properties of the new medium, Nadar himself was overridingly preoccupied with assessing photography’s role in a period when war and revolution were compromising the onward march of social and economic progress. Throughout his life, he was committed to the progressive ideas that he assimilated while growing up in Paris and Lyon in the 1830s. He wrote of the emergence of a Bohemian culture in the Latin Quarter of Paris, and remained keenly aware of the visual impressions that he had received in his youth from the popular lithographs of the pre-photographic era. He became a supporter of the artistic avant-garde, which led him to purchase important work by the landscape painter Daubigny. In his art criticism, he excoriated the later portraits of Ingres, which might have competed with his own reputation as a photographic portraitist. Yet, in his admiration for Delacroix, he emphasized the lengthy initiation necessary for the appreciation of the master’s paintings, implying a direct contrast with the “instantaneity” of the photographic process. By common consent, the period of Nadar’s great success as a portraitist, which secured his posthumous fame, occupied a short phase in his career as a whole. But his writings show that it was his lively intuition of the wider ramifications of photography that impelled him to move on—experimenting successfully with the first aerial photographs and documenting the catacombs of Paris with the aid of magnesium lighting. Though he could never experience television, he left a narrative in which the feasibility of transmitting images over a distance was presented as being startlingly realistic. In short, Nadar’s published work can be viewed as a sustained meditation on the interaction of historical experience and the media, which not only records but anticipates photography’s impact within the wider framework of visual culture. (shrink)

_Disorientation_ is the first publication in English of the second volume of _Technics and Time_, in which French philosopher Bernard Stiegler engages in a close dialogue with Husserl, Derrida, and other philosophers who have devoted their energies to technics, such as Heidegger and Simondon.The author's broad intent is to respond to Western philosophy's historical exclusion of technics and techniques from its metaphysical questionings, and in so doing to rescue critical and philosophical thinking. For many years, Stiegler has explored the (...) origins and philosophical, ethical, and political stakes of a global process he calls "the industrial temporalization of consciousness." Here, demonstrating that technology—including alphabetical writing—is memory, he argues that through new technologies of retention and inscription we have come to live in a world where time devours space, a disoriented world in which we have lost our bearings. Immersed in the multimedia of an over-connected world, with time and space as we know them abolished, we no longer find "cardinal points" to guide us and may even be led where we do not wish to go. We must therefore prepare to confront new spheres of ideological control and discover new possibilities in the digital environment. (shrink)

In exploring the nature of excess relative to a phenomenology of the limit, _Testing the Limit _ claims that phenomenology itself is an exploration of excess. What does it mean that "the self" is "given"? Should we see it as originary; or rather, in what way is the self engendered from textual practices that transgress—or hover around and therefore within—the threshold of phenomenologial discourse? This is the first book to include Michel Henry in a triangulation with Derrida and Levinas and (...) the first to critique Levinas on the basis of his interpolation of philosophy and religion. Sebbah claims that the textual origins of phenomenology determine, in their temporal rhythms, the nature of the subjectivation on which they focus. He situates these considerations within the broader picture of the state of contemporary French phenomenology, in order to show that these three thinkers share a certain "family resemblance," the identification of which reveals something about the traces of other phenomenological families. It is by testing the limit within the context of traditional phenomenological concerns about the appearance of subjectivity and ipseity that Derrida, Henry, and Levinas radically reconsider phenomenology and that French phenomenology assumes its present form. (shrink)

This work is an examination of the metaphysical presuppositions involved in the science of organic form. Taking the dichotomy of structuralism versus functionalism in nineteenth century biology as the central subject of my study, I explore a network of unquestioned premises and isolate areas where empirical research programs and underlying metaphysical commitments both inform and hinder each other. ;I begin with the Cuvier-Geoffroy debate of 1830--a debate that clearly articulates the tensions between structuralist and functionalist approaches to organic form. On (...) the side of functionalism, I am led to confront the rich concept of teleological causality. The concept of teleology, frequently taken to be semantically univocal, in fact unfolds into a cluster of related notions. I begin to demarcate significant differences between "intentional," "heuristic," "cosmic," and "organismic" teleology. On the side of structuralism, I set out to unearth the presuppositions of materialist versus idealist conceptions of structure--showing where naturalists have been both liberated and enslaved by their respective metaphysical commitments. With the basic divisions between structuralist and functionalist drawn, I set out to trace the dichotomy through the paradigm shift from fixism to transformism. ;In Darwin's system the structural/functional tensions become synthesized into complementary principles of causality. Here I explore the underlying presuppositional shifts which enabled Darwin to harmonize the previously intractable oppositions. These shifts include: rethinking teleology without "design," rethinking the archetype as real progenitor, and adopting a pluralistic perspective regarding causal mechanisms. ;The relative success of Darwin's appropriation of structuralism and functionalism leads to a discussion of the dichotomous character of the central subject itself. I argue that at the root of the dichotomous characterization of structure and function lies an impoverished understanding of teleology. I then offer "organicist" teleology as a powerful alternative to the French-Anglo tradition of "intentional" teleology. Presupposing the alternative teleology forms a challenge to the way in which French-Anglo naturalists have understood structural and functional relations. Together with Darwin's causal pluralism, a richer notion of teleology provides a different set of metaphysical assumptions and leads to an alternative model for empirical research programs. (shrink)

Austin discusses the supposed opposition between performative and constative utterances in a paper delivered to a French audience in 1962 entitled Performative—Constative. It is his aim in this paper in a sense to recant his earlier views that such a distinction was clear. A translation of this paper made by G. J. Warnock appeared in 1972 in a collection of essays on the philosophy of language, edited by John Searle. Alongside this translation were criticisms and comments by P. F. (...) Strawson and H. P. Grice. Taken altogether, I regard these papers as containing several important insights that have informed contemporary notions regarding meaning and communication, particularly as they are thought of by Brandom and Habermas. I follow the course of Austin's discussion in assessing the status of the distinction that gives his paper its name and consider its merits, as well as drawing upon some of Strawson's and Grice's thoughts on the matter. After these discussions, I hope that it shall be clear how indebted to these past thinkers are those important theorists of our time. (shrink)

Edmund Burke: Modernity, Politics, and Aesthetics examines the philosophy of Burke in view of its contribution to our understanding of modernity. Burke's relevance, until recently, has lain in how his critique of the French Revolution bolstered arguments against revolutionary communism. As that threat recedes, should we allow Burke's significance to recede as well? Stephen K. White argues that Burke remains important because he shows us how modernity engenders an implicit forgetfulness of human finitude. White illustrates this theme by (...) showing how Burke's political thought, his judgment of the 'modern system of morality and policy,' and its taste for a 'false sublime' are structured by his aesthetics. In the late 20th century, an undemocratic thinker such as Burke may not have answers to our problems, but we might do well to let him deepen the questions that we ask. (shrink)

The essay discusses the March 5, 1944 "Discussion on Sin," an event that was held between French intellectual Georges Bataille and the Jesuit priest and patristics scholar Jean Daniélou, along with other important Christian and non-Christian intellectuals. I argue that the event is the best recorded wartime intellectual encounter between the founders of contestation (subsequently so important in deconstructive thought) and serious practitioners of Christianity. Aspects of the thought of French thinker Maurice Blanchot and Swiss theologian Hans Urs (...) Von Balthasar are also profiled. (shrink)

Historical outlines of fin-de-siècle European criminology have typically focused on the debate between supporters of Lombrosian anatomical determinism on the one hand, and the more environmentalist (i.e. French) explanations of crime on the other. What has gone largely unnoticed, however, is how the basic tenets of the 'French school' were shaped by an implicit moral concern with mass consumption and indi vidualism, particularly in regard to juvenile crime. This paper examines the psychosocial conception of the juvenile criminal - (...) within the par ticular context of fin-de-siècle culture, social theory and political ideol ogy - to delineate how French criminologists encountered economic modernity and reconceptualized their understanding of the relationship between the child, the family and the state. (shrink)

Ralph Kingston, inBureaucrats and Bourgeois Society, argues that government employees constituted the core of the French bourgeoisie in the eighteenth and nineteenth centuries. The book lends support to the Marxist interpretation of the Revolution, not as a breakthrough of a capitalist bourgeoisie, but as a conflict originating in a social structure whose economic surplus was appropriated politically. This review posits that the peasants’ subsistence strategies constrained the economic evolution of the country and led well-to-do families to invest in shares (...) of governmental authority and careers in the civil service rather than in private enterprises. The slow economic growth and pursuit of state offices represent underlying continuities between the Old Regime and the nineteenth century. The notable changes resulted from the popular uprisings of 1789–93 and the rationalisation of the state apparatus during the revolutionary decade. (shrink)

Scott-Baumann’s topic in this book is an essential introduction to Ricoeur’s thinking over a long life; but Ricoeur’s work was vast, leaving her much work still needing to be done on his wide ranging and multi-disciplinary philosophy. I look forward to further volumes which, since his philosophical writing is dense, will help us all. I fully recommend this book. It is priced as for library purchase, and well worth ordering. For further reading, I also recommend the official Ricoeur website in (...) French and English, http://www.fondsricoeur.fr. (shrink)

The Question of Workplace Resistance in the French Sociology of Work The modernisation of the process of production and labour which, until recently, had aroused responses of indulgent enchantment, is today the object of a sustained sociological critique. This aim of the article is to examine the theoretical orientations which focus their attention on domination in work and which consider the workplace as a steel cage. A different approach is put forward here, one built around the concepts of subsumption (...) and workplace resistance. Analysis centred on the question of domination frequently tends to neglect the possibility of micro-practices, regarding them as a contribution to the fluidity and overall efficiency of work. The perspective adopted here is a different one. The article argues that spaces of autonomy still exist in the workplace. Though limited, these spaces are real. In addition, everyday workplace solidarities are a reality. It is thus important not to equate workplace solidarities with other types of informal behaviour. Such resistance is intimately bound up with the nature of wage-labour, understood as a coercive activity subject to the logical of value-creation. (shrink)

Immanuel Kant’s theory of justifiable resistance to authority is complex and, at times, appears to conflict with his own practice, if not with itself. He distinguishes between the role of authority in “public” and “private” contexts. In private—e.g., when a person is under contract to do a specific job or accepts a social contract with one’s government—resistance is forbidden; external behavior must be governed by policy or law. In contexts involving the public use of reason, on the other hand—e.g., when (...) a person is faced with a moral decision or is engaged in a philosophical dispute—the freedom of conscience sometimes requires resistance, especially in cases where other persons inappropriately attempt to usurp authority over matters that are rightfully up to the individual to decide. In texts such as Perpetual Peace, Kant looks forward to a political situation wherein no political resistance (e.g., in the form of war) would be necessary. Yet in Metaphysics of Morals, he argues that a citizen never has the right to revolt against one’s government, suggesting we must cooperate even with war. On a personal level, Kant openly praised both the American and the French revolutions; yet when his own writings on religion were deemed by the censor to have come into conflict with the king’s edict, Kant failed to resist the (arguably unjust) authority; instead, he gave up his (apparently public) right to free philosophical expression, promising never to write or speak on religion again during the king’s reign. I shall argue that a key to resolving these tensions lies in the principle that universities must promote a healthy, public “conflict” between philosophers and all “private” employments of reason. The only ground for disallowing private resistance, therefore, is the underlying presence of genuine philosophical resistance. (shrink)

In recent years there has been an extended debate about Enlightenment thought. Though many scholars have concluded that there were several 'Enlightenments,' some continue to make generalizations about the Englightenment and some speak about 'the Enlightment agenda.' After discussing the cult of the deathbed scene in eighteenth-century Britain and France, the author looks at three currents of Enlightment thought implicit in the deathbed 'projects' of David Hume, Samuel Johnson, and Jean Paul Marat. Although Hume and Johnson hold profoundly different views (...) of religion, their political thinking has much in common. Their reformist thought differs radically from what might be called the transformist thought of Marat, who hoped the French would become disinterested citizens whose civil religion was patriotism. (shrink)

SummaryMusic intended to evoke awe-inspiring fear in the presence of transcendence may be found throughout the work of Olivier Messiaen (1908–1992). The emotion's genealogy extends back through Hebrew and Christian scriptures (‘Fear of the Lord’), the Romantic period (‘sublime’), and the early twentieth century (the creature feeling response to the ‘numinous’ and ‘wholly other’). Messiaen's understanding of this emotion particularly derived from distinctions made by the French Catholic spiritual writer Ernest Hello (1828–1885). Hello distinguished between simple fear (la peur) (...) that makes us cower and the fear of ‘awe’ or ‘wonder’ (la crainte) that opens up possibilities of adoration and self-transcendence. This essay surveys several instances of Messiaen's evocations of fear in works dating from the 1940s through the 1970s. It then concludes with a brief consideration of Apparition of the Eternal Church (2008), a documentary film that records auditors’ reactions as they listen through headphones to Messiaen's crushing organ work (c. 1931/2) with the same title. A concluding question is posed to recent research in the ‘history of emotions’. If listeners do not share communal emotional categories of transcendence, to what extent can they experience Messiaen's intended ‘awe’ (la crainte) as something more than mere ‘fear’ (la peur)? (shrink)