31 found
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  1.  34
    Nietzsche and McDowell on The Second Nature of The Human Being.Stefano Marino - 2017 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy 9 (1):231-261.
    The concept of second nature has a long and complex history, having been widely employed by several philosophers and even scientists. In recent times, the most famous thinker who has employed the concept of second nature, and has actually grounded his philosophical program precisely on this notion, is probably John McDowell. However, it is also possible to find some occurrences of the concept of second nature, “zweite Natur”, in Nietzsche’s writings, both published and unpublished. In this contribution I will develop (...)
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  2.  13
    Adorno über Kant und das Verhältnis von Ästhetik und Metaphysik.Stefano Marino - 2017 - Deutsche Zeitschrift für Philosophie 65 (1):67-88.
    Name der Zeitschrift: Deutsche Zeitschrift für Philosophie Jahrgang: 65 Heft: 1 Seiten: 67-88.
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  3.  3
    Alternating-offers bargaining with one-sided uncertain deadlines: an efficient algorithm.Nicola Gatti, Francesco Di Giunta & Stefano Marino - 2008 - Artificial Intelligence 172 (8-9):1119-1157.
  4.  8
    Somaesthetics and Embodied/ Enactive Philosophies of Mind.Stefano Marino - 2023 - Espes 12 (2):142-150.
    In this article I focus on Jerold J. Abrams’ recently edited volume on Richard Shusterman’s somaesthetics and I assume as a starting point the concept itself of soma, widely cited and examined in various contributions collected in Abrams’ book. Then, I specifically concentrate my attention on one of the essays, the one authored by Stefán Snævarr, which connects in an interesting, original and sometimes also challenging way Shusterman’s thinking to some questions that have characterized the current debates in the field (...)
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  5.  39
    Varieties of the Lifeworld: Phenomenology and Aesthetic Experience.Iulian Apostolescu & Stefano Marino - 2022 - Continental Philosophy Review 55 (4):409-416.
    In this contribution we first sketch an outline of the concept of lifeworld (_Lebenswelt_), to introduce the readers to the guest-edited collection of essays _Varieties of the Lifeworld: Phenomenology and Aesthetic Experience_, special issue of the “Continental Philosophy Review.” We trace back the origin of the concept of lifeworld to Husserl’s late phenomenology, although also explaining (on the basis of the careful historical-conceptual reconstructions offered by some distinguished scholars of Husserl and the phenomenological movement) that the development of Husserl’s phenomenology (...)
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  6.  5
    Fusioni di orizzonti: saggi su estetica e linguaggio in Hans-Georg Gadamer.Stefano Marino - 2012 - Roma: Aracne.
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  7.  11
    Kant’s Concept of Power of Judgment and the Logic of Artistic Improvisation.Alessandro Bertinetto & Stefano Marino - 2020 - In Stefano Marino & Pietro Terzi (eds.), Kant’s ›Critique of Aesthetic Judgment‹ in the 20th Century: A Companion to its Main Interpretations. De Gruyter. pp. 315-338.
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  8.  6
    Da quando siamo un colloquio: percorsi ermeneutici nell'eredità nietzschiana: studi in onore di Carlo Gentili.Francesco Cattaneo, Stefano Marino & C. Gentili (eds.) - 2011 - Roma: Aracne.
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  9.  19
    The Role of Tragedy and the Tragic in Gadamer's Aesthetics and Hermeneutics.Carlo Gentili & Stefano Marino - 2013 - Journal of the British Society for Phenomenology 44 (2):145-162.
  10.  6
    Aesthetics, metaphysics, language: essays on Heidegger and Gadamer.Stefano Marino - 2015 - Newcastle upon Tyne, UK: Cambridge Scholars Press.
    Martin Heidegger and Hans-Georg Gadamer undoubtedly belong among the most important representatives of twentieth-century phenomenological hermeneutics, which represents, in turn, one of the major traditions within so-called continental philosophy. Respectively teacher and pupil, during their long and philosophically intense lives and careers Heidegger and Gadamer greatly contributed to the development of philosophical thought in our age, providing significant and often decisive contributions in various fields of philosophical inquiry. Their main works, Being and Time (1927) and Truth and Method (1960), respectively (...)
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  11.  11
    Adorno on the Dialectics of Love and Sex.Stefano Marino - 2021 - Krisis 41 (2):112-115.
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  12.  11
    Crisi della cultura e valorizzazione del Giudizio estetico-politico in Hannah Arendt.Stefano Marino - 2018 - Philosophical Readings 10 (1).
    In this article I take into examination Hannah Arendt’s original and influential “appropriation” of Immanuel Kant’s Critique of the Power of Judgment, providing both a reconstruction and a critical interpretation of it. In the first section I basically contextualize Arendt’s interest in this topic by showing that it is connected to her more general concern with the wider and more comprehensive question of the crisis of Western civilization. Then, in the second and third sections of my article, I offer an (...)
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  13.  6
    Critica della cultura e industria culturale.Stefano Marino - 2020 - Società Degli Individui 67:58-71.
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  14. Contingency, (In)significance, and the All-Encompassing Trip: Pearl Jam and the Question of the Meaning of Life.Stefano Marino - 2021 - In Stefano Marino & A. Schembari (eds.), Pearl Jam and philosophy. Bloomsbury Academic.
     
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  15.  15
    Critical theory vs philosophical anthropology on radio and TV: some remarks on Adorno and Gehlen.Stefano Marino - 2021 - Studi di Estetica 19.
    The relation between critical theory of society and philosophical anthropology is a very interesting and exciting but also problematic one. On the one hand, since Hork- heimer’s seminal essay Remarks on Philosophical Anthropology critical theorists have always expressed a clear distaste for anthropological speculation. On the other hand, notwithstanding Adorno’s aim in Negative Dialectics to “vetoe any anthropol- ogy” and criticize “the question of man [as] ideological”, he frequently mentioned the project of a “negative anthropology” or “dialectical anthropology” as an (...)
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  16.  6
    Estetica, tecnica, politica: immagini critiche del contemporaneo.Stefano Marino (ed.) - 2022 - Milano: Mimesis.
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  17.  14
    Giudizio estetico e Giudizio etico-politico: Gadamer e Arendt interpreti di Kant.Stefano Marino - 2013 - In Stefano Bacin, Alfredo Ferrarin, Claudio La Rocca & Margit Ruffing (eds.), Kant und die Philosophie in weltbürgerlicher Absicht. Akten des XI. Internationalen Kant-Kongresses. Boston: de Gruyter. pp. 131-140.
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  18.  41
    Gadamer on Heidegger: Is the History Of Being 'Just' Another Philosophy of History?Stefano Marino - 2010 - Journal of the British Society for Phenomenology 41 (3):287-303.
  19.  8
    Introduction.Stefano Marino & Pietro Terzi - 2020 - In Stefano Marino & Pietro Terzi (eds.), Kant’s ›Critique of Aesthetic Judgment‹ in the 20th Century: A Companion to its Main Interpretations. De Gruyter. pp. 3-38.
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  20.  19
    Kant’s ›Critique of Aesthetic Judgment‹ in the 20th Century: A Companion to its Main Interpretations.Stefano Marino & Pietro Terzi (eds.) - 2020 - De Gruyter.
    Kant’s Critique of Judgment represents one of the most important texts in modern philosophy. However, while its importance for 19th-century philosophy has been widely acknowledged, scholars have often overlooked its far-reaching influence on 20th-century thought. This book aims to account for the various interpretations of Kant’s notion of aesthetic judgment formulated in the last century. The book approaches the subject matter from both a historical and a theoretical point of view and in relation to different cultural contexts, also exploring in (...)
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  21.  8
    La ricezione della Critica della facoltà di giudizio nell’ermeneutica contemporanea.Stefano Marino - 2020 - Con-Textos Kantianos 1 (12):478-515.
    This article deals with the question of the reception and “history of effects” of Kant’s Critique of the Power of Judgment. More precisely, in the present contribution I take into examination some original and influential “appropriations” of Kant’s third Critique in the context of 20 th -century and contemporary hermeneutics, providing both a reconstruction and a critical interpretation of the readings of Kant’s work provided by Martin Heidegger, Hans-Georg Gadamer and nowadays Günter Figal. In the first section I basically offer (...)
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  22.  4
    La (ragionevole) prassi dialettica della traduzione e le sue regole.Stefano Marino - 2022 - Studi di Estetica 22.
    In this article I outline a conception of translation as a human practice that is dia- lectical, reasonable and not entirely governed by rules. In my contribution I use a concept of dialectics that is general and broad, not connected in a strict way to a single thinker or a single paradigm of dialectical thinking, and that is aimed to emphasize that a translation work is always characterized by dualities, by the simulta- neous presence of different or even opposite dimensions (...)
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  23.  7
    Le verità del non-vero: tre studi su Adorno, teoria critica ed estetica.Stefano Marino - 2019 - Milano: Mimesis.
  24.  9
    Pearl Jam and philosophy.Stefano Marino & Andrea Schembari (eds.) - 2021 - New York: Bloomsbury Academic.
    The first scholarly discussion on the band, Pearl Jam and Philosophy examines both the songs (music and lyrics) and the activities (live performances, political commitments) of one of the most celebrated and charismatic rock bands of the last 30 years. The book investigates the philosophical aspects of their music at various levels: existential, spiritual, ethical, political, and aesthetic. This philosophical interpretation is also dependent on the application of textual and poetic analysis: the interdisciplinary volume puts philosophical aspects of the band's (...)
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  25.  8
    Richard Shusterman (with Yann Toma), The Adventures of the Man in Gold / Les aventures de l’Homme en Or (Bilingual Edition.Stefano Marino - 2017 - European Journal of Pragmatism and American Philosophy 9 (2).
    The Adventures of the Man in Gold / Les aventures de l’Homme en Or is an interesting, original and, to some extent, also “strange” or “bizarre” book by the American philosopher Richard Shusterman. The book appears in bilingual edition, with Shusterman’s text published both in the original English version and in French translation, and is structured in a very clear way: Preface, three chapters, biographies of the author and all contributors, and acknowledgments. The book is also enriched by ma...
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  26.  3
    Sexuality and/as Art, Power, and Reconciliation.Stefano Marino - 2021 - Foucault Studies 31.
  27.  6
    The Dark Side of the Truth. Nature and Natural Beauty in Adorno.Stefano Marino - 2016 - Discipline filosofiche. 26 (2):9-45.
    The concept of nature plays a decisive role in Adorno’s philosophy, and must be understood as part of a conceptual constellation that also includes the notions of myth, enlightenment, dialectics, fate, reason, conceptuality, knowledge, freedom, society, and history. In the first section we provide a general analysis of the role played by the concept of nature in Adorno’s philosophy. In doing so, we mostly concentrate on his works The Idea of Natural History, Dialectic of Enlightenment, Minima Moralia, Negative Dialectics, and (...)
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  28.  2
    Un intreccio dialettico: teoresi, estetica, etica e metafisica in Theodor W. Adorno.Stefano Marino - 2010 - Roma: Aracne.
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  29.  5
    Verità e non-verità del popular: saggio su Adorno, dimensione estetica e critica della società.Stefano Marino - 2021 - Milano: Mimesis.
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  30.  5
    Writing Songs after Auschwitz.Stefano Marino - 2017 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 62 (1):26-41.
    In this paper I start with Adorno’s famous and provocative statement “To write poetry after Auschwitz is barbaric”, aimed at asking whether art was still possible in the age of genocides. Then, I take into examination Adorno’s concept of commitment in art – which is closely related to these questions - and the meaning itself of the notion of “Auschwitz” in Adorno’s philosophy. Analyzing what Adorno called “true” art (i.e. art provided with a relevant “truth content”) leads to take into (...)
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  31. Andrea PinottiEstetica Della PitturaIl Mulino 2007. [REVIEW]Stefano Marino - 2007 - Studi di Estetica 35.
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