In early modernity, one can find many spatial logic diagrams whose geometric forms share a family resemblance with religious art and symbols. The family resemblance these diagrams bear in form is often based on a vesica piscis or on a cross: Both logic diagrams and spiritual symbols focus on the intersection or conjunction of two or more entities, e.g. subject and predicate, on the one hand, or god and man, on the other. This paper (...) deals with the development and function of logic diagrams, their analogy to religious art and symbols, and their modern application in artificial intelligence. (shrink)

In his Berlin Lectures of the 1820s, the German philosopher Arthur Schopenhauer (1788–1860) used spatial logic diagrams for philosophy of language. These logic diagrams were applied to many areas of semantics and pragmatics, such as theories of concept formation, concept development, translation theory, clarification of conceptual disputes, etc. In this paper we first introduce the basic principles of Schopenhauer’s philosophy of language and his diagrammatic method. Since Schopenhauer often gives little information about how the individual (...) diagrams are to be understood, we then make the attempt to reconstruct, specify and further develop one diagram type for the field of conceptual analysis. (shrink)

Translations across symbolic forms necessarily involve shifts and transformations of meaning due to the logic of the medium. They challenge us to examine fundamental metaphors as an aspect of design reasoning, particularly in relation to the construction of spatial relationships and meanings. They also involve the exploration of diagrams as a way of moving from the space of linguistic description to architectural space where topology and visual image are tightly interfaced. In this paper, Terragni's unrealized design for (...) a monument to Dante, which projects The Divine Comedy into an architectural schema is examined as a case study. The Divine Comedy is treated as an expanded body of work that includes, in addition to the original text, a multitude of paintings, as well as Terragni's project. The paper draws a distinction between transformations of meaning that arise of necessity due to the internal logic of symbolic forms and transformations which manifest specific design intentions. The Divine Comedy with its compositional, numerological, and descriptive attributes forms the program for the architectural project. Nevertheless, as in any project, the program does not, in itself, generate architecture. This paper shows that in the Danteum project three major operations are involved in design synthesis. The first inflects the familiar metaphor of the column as a body. The second uses recursive 'extreme to mean ratio' proportions to establish nesting, repetition and scaling, and through these a sense of unity. The third uses a pattern of overlapping squares so as to create a dialogue between strongly differentiated interiors and transitional zones. These operations in conjunction with the compositional and narrative aspects of the poem interpreted as program make the translation from linguistic space to architectural space possible. Thus, in this case, design formulation is not based on a single metaphor, but rather on a system of metaphors working together to bring physical elements, spatial relationships and design operations within a coherent framework of design reasoning. (shrink)

In his Berlin Lectures of the 1820s, the German philosopher Arthur Schopenhauer (1788–1860) used spatial logic diagrams for philosophy of language. These logic diagrams were applied to many areas of semantics and pragmatics, such as theories of concept formation, concept development, translation theory, clarification of conceptual disputes, etc. In this paper we first introduce the basic principles of Schopenhauer’s philosophy of language and his diagrammatic method. Since Schopenhauer often gives little information about how the individual (...) diagrams are to be understood, we then make the attempt to reconstruct, specify and further develop one diagram type for the field of conceptual analysis. (shrink)

The aim of this article is to investigate the roles of commutative diagrams (CDs) in a specific mathematical domain, and to unveil the reasons underlying their effectiveness as a mathematical notation; this will be done through a case study. It will be shown that CDs do not depict spatial relations, but represent mathematical structures. CDs will be interpreted as a hybrid notation that goes beyond the traditional bipartition of mathematical representations into diagrammatic and linguistic. It will be argued (...) that one of the reasons why CDs form a good notation is that they are highly mathematically tractable: experts can obtain valid results by ‘calculating’ with CDs. These calculations, take the form of ‘diagram chases’. In order to draw inferences, experts move algebraic elements around the diagrams. It will be argued that these diagrams are dynamic. It is thanks to their dynamicity that CDs can externalize the relevant reasoning and allow experts to draw conclusions directly by manipulating them. Lastly, it will be shown that CDs play essential roles in the context of proof as well as in other phases of the mathematical enterprise, such as discovery and conjecture formation. (shrink)

The “origins” of (geometric) space is examined from the perspective of the so-called “conceptual space” or “semantic space”. Semantic space is characterized by its fundamental “locality” that generates an “implicit” mode of geometrizing. This view is examined from within three perspectives. First, the role that various diagrammatic entities play in the everyday life and pragmatic activities of selected ethnic groups is illustrated. Secondly, it is shown how conceptual spaces are fundamentally linked to the meaning effects of particular natural languages and (...) these are very different from the global and universal aspects of Euclidean spaces. Thirdly, it is contended that these modes of creating body and culture-based spatial frameworks and related cosmogonies and cosmologies can be described as forms of “latent geometry” that initially appear unexplainable in any rational way. Nonetheless, and thanks to the deep mathematical reflections provided by René Thom, it is illustrated how the various ways of generating space can be further analyzed as distortions of mainstream spatialization furnished by Euclidean geometry that established the dominant universality of the ideas of space (and time). (shrink)

This print edition of Read's account of logical thought includes the original publication's diagrams and tables. In this excellent book, Read commences by offering an overview of past attitudes and definitions of logic. Individual chapters consider the various means by which logical processes are conceived and developed in the mind. Philosophical arguments, spatial reasoning and mathematical forms of logic are discussed in great depth, with illustrations appended where deemed necessary. Read, an academic and philosopher, employs his (...) decades long experience of teaching students about the logical disciplines to write a detailed and comprehensive accounts of logic's aspects. Throughout this work, he attempts to retain a clarity of expression which makes the concepts discussed understandable for readers previously unversed in the types of logical expression. Read also sets out the principles behind setting up a hypothesis, and highlights the common logical fallacies which crop up in human reasoning. Extensive attention is given to the process of syllogism, by which sound conclusions are drawn from the premises offered. Throughout the book, Read is attentive in defining and explaining the esoteric terminology native to logic. As well as allowing the reader swift comprehension of the various subtopics, this explanatory style confers improved flow to the book. At the conclusion we are offered many questions corresponding to each chapter: these are intended to test the reader's understanding, and enforce the mental habits of utilising logical and critical thought. First published in 1898 and subject to several editions with revisions and refinements thereafter, Logic Deductive and Inductive retains a good reputation among academics and logicians. Its successful balance between striking a concise introductory tone with an embrace of the core elements of the subject has served to preserve its popularity into the modern day. (shrink)

This paper analyses a hitherto unknown technique of using logic diagrams to create argument maps in eristic dialectics. The method was invented in the 1810s and -20s by Arthur Schopenhauer, who is considered the originator of modern eristic. This technique of Schopenhauer could be interesting for several branches of research in the field of argumentation: Firstly, for the field of argument mapping, since here a hitherto unknown diagrammatic technique is shown in order to visualise possible situations of arguments (...) in a dialogical controversy. Secondly, the art of controversy or eristic, since the diagrams do not analyse the truth of judgements and the validity of inferences, but the persuasiveness of arguments in a dialogue. (shrink)

Reasoning with diagrams is considered to be a peculiar form of reasoning. Diagrams are often associated with imagistic representations conveyed by spatial arrangements of lines, points, figures, or letters that can be manipulated to obtain knowledge on a subject matter. Reasoning with diagrams is not just ‘peculiar’ because reasoners use spatially arranged characters to obtain knowledge – diagrams apparently have cognitive surplus: they enable a quasi-intuitive form of knowledge. The present paper analyses the issue of (...) diagrams’ cognitive value by enquiring into the tradition of symbolic cognition developed by Leibniz, Lambert, and Kant. The proposal resulting from this enquiry is to question the idea that the cognitive value of diagrams lies solely in allowing evidence for inferences. The imaginative dimension of diagrams connects reasoning to doxastic attitudes of meditation and enquiry. (shrink)

In Volume 33:1 of the Notre Dame Journal of Formal Logic, a system for diagramming syllogistic inferences using straight line segments is presented by Englebretsen. In light of recent research on the representational power of diagrammatic representation systems by the authors, we point out some problems with the proposal, and indeed, with any proposal for representing logically possible situations diagrammatically. We shall first outline the proposed linear diagrammatic system of Englebretsen, and then show by means of counterexamples that it (...) is inadequate as a representation scheme for general logical inferences (the task for which the system is intended). We also show that modifications to the system fail to remedy the problems. The considerations we present are not limited to the particular proposal of Englebretsen; we thus draw a more general moral about the use of spatial relations in representation systems. (shrink)

In this thesis, I investigate the nature of geometric knowledge and its relationship to spatial intuition. My goal is to rehabilitate the Kantian view that Euclid's geometry is a mathematical practice, which is grounded in spatial intuition, yet, nevertheless, yields a type of a priori knowledge about the structure of visual space. I argue for this by showing that Euclid's geometry allows us to derive knowledge from idealized visual objects, i.e., idealized diagrams by means of non-formal logical (...) inferences. By developing such an account of Euclid's geometry, I complete the "standard view" that geometry is either a formal system or an empirical science, which was developed mainly by the logical positivists and which is currently accepted by many mathematicians and philosophers. My thesis is divided into three parts. I use Hans Reichenbach's arguments against Kant and Edmund Husserl's genetic approach to the concept of space as a means of arguing that the "standard view" has to be supplemented by a concept of a geometry whose propositions have genuine spatial content. I then develop a coherent interpretation of Euclid's method by investigating both the subject matter of Euclid's geometry and the nature of geometric inferences. In the final part of this thesis, I modify Husserl's phenomenological analysis of the constitution of visual space in order to define a concept of spatial intuition that allows me not only to explain how Euclid's practice is grounded in visual space, but also to account for the apriority of its results. (shrink)

Every linear perspective image has a center of the perspective construction. Only when observed from that location does a 2D image provide the same stimulus as the original 3D scene. Geometric analyses indicate that observing the image from other vantage points should affect the perceived spatial structure of the scene conveyed by the image, involving transformations such as shear, compression, and dilation. Based on previous research, this paper presents a detailed account of these transformations. The analyses are presented in (...) a uniform manner, illustrated with special 3D diagrams, and embedded in a wider framework of related perspective paradigms. Such analyses provide the potential theoretical basis for empirical work on the effects of changes of observer vantage points on the perception of spatial structure in perspective images. (shrink)

Here are considered the conditions under which the method of diagrams is liable to include non-classical logics, among which the spatial representation of non-bivalent negation. This will be done with two intended purposes, namely: a review of the main concepts involved in the definition of logical negation; an explanation of the epistemological obstacles against the introduction of non-classical negations within diagrammatic logic.

Many systems of logic diagrams have been offered both historically and more recently. Each of them has clear limitations. An original alternative system is offered here. It is simpler, more natural, and more expressively and inferentially powerful. It can be used to analyze not only syllogisms but arguments involving relational terms and unanalyzed statement terms.

This paper describes Peirce's systems of logic diagrams, focusing on the so-called ''existential'' graphs, which are equivalent to the first-order predicate calculus. It analyses their implications for the nature of mental representations, particularly mental models with which they have many characteristics in common. The graphs are intended to be iconic, i.e., to have a structure analogous to the structure of what they represent. They have emergent logical consequences and a single graph can capture all the different ways in (...) which a possibility can occur. Mental models share these properties. But, as the graphs show, certain aspects of propositions cannot be represented in an iconic or visualisable way. They include negation, and the representation of possibilities qua possibilities, which both require representations that do not depend on a perceptual modality. Peirce took his graphs to reveal the fundamental operations of reasoning, and the paper concludes with an analysis of different hypotheses about these operations. (shrink)

From the mid-1600s to the beginning of the eighteenth century, there were two main circles of German scholars which focused extensively on diagrammatic reasoning and representation in logic. The first circle was formed around Erhard Weigel in Jena and consists primarily of Johann Christoph Sturm and Gottfried Wilhelm Leibniz; the second circle developed around Christian Weise in Zittau, with the support of his students, particularly Samuel Grosser and Johann Christian Lange. Each of these scholars developed an original form of (...) using geometric diagrams in logic. In this paper, I will trace the historical notes of John Venn and other modern logicians back to the original works published in the Weigel and Weise circles and describe the development of using geometric figures for logical reasoning and representation in that period of time. (shrink)

Robert Brandom’s expressivism argues that not all semantic content may be made fully explicit. This view connects in interesting ways with recent movements in philosophy of mathematics and logic (e.g. Brown, Shin, Giaquinto) to take diagrams seriously - as more than a mere “heuristic aid” to proof, but either proofs themselves, or irreducible components of such. However what exactly is a diagram in logic? Does this constitute a semiotic natural kind? The paper will argue that such a (...) natural kind does exist in Charles Peirce’s conception of iconic signs, but that fully understood, logical diagrams involve a structured array of normative reasoning practices, as well as just a “picture on a page”. (shrink)

In recent years, a number of authors have started studying Aristotelian diagrams containing metalogical notions, such as tautology, contradiction, satisfiability, contingency, strong and weak interpretations of contrariety, etc. The present paper is a contribution to this line of research, and its main aims are both to extend and to deepen our understanding of metalogical diagrams. As for extensions, we not only study several metalogical decorations of larger and less widely known Aristotelian diagrams, but also consider metalogical decorations (...) of another type of logical diagrams, viz. duality diagrams. At a more fundamental level, we present a unifying perspective which sheds new light on the connections between new and existing metalogical diagrams, as well as between object- and metalogical diagrams. Overall, the paper studies two types of logical diagrams and four kinds of metalogical decorations. (shrink)

The founder of both American pragmatism and semiotics, Charles Sanders Peirce is widely regarded as an enormously important and pioneering theorist. In this book, scholars from around the world examine the nature and significance of Peirce’s work on perception, iconicity, and diagrammatic thinking. Abjuring any strict dichotomy between presentational and representational mental activity, Peirce’s theories transform the Aristotelian, Humean, and Kantian paradigms that continue to hold sway today and, in so doing, forge a new path for understanding the centrality of (...) visual thinking in science, education, art, and communication. The essays in this collection cover a wide range of issues related to Peirce’s theories, including the perception of generality; the legacy of ideas being copies of impressions; imagination and its contribution to knowledge; logical graphs, diagrams, and the question of whether their iconicity distinguishes them from other sorts of symbolic notation; how images and diagrams contribute to scientific discovery and make it possible to perceive formal relations; and the importance and danger of using diagrams to convey scientific ideas. This book is a key resource for scholars interested in Perice’s philosophy and its relation to contemporary issues in mathematics, philosophy of mind, philosophy of perception, semiotics, logic, visual thinking, and cognitive science. (shrink)

Logic diagrams have seen a resurgence in their application in a range of fields, including logic, biology, media science, computer science and philosophy. Consequently, understanding the history and philosophy of these diagrams has become crucial. As many current diagrammatic systems in logic are based on ideas that originated in the 18th and 19th centuries, it is important to consider what motivated the use of logic diagrams in the past and whether these reasons are (...) still valid today. This paper proposes that transcendental philosophy was a key inspiration for the development of logic diagrams and that such diagrams can be employed in transcendental arguments, even after the linguistic turn. (shrink)

You ask if metaphysics is possible after modernity, or after Barth and Wittgenstein and Derrida and the critique of foundationalism? May I invite you, by way of response, to listen in on a conversation? It is a dialogue between what I will call a postcritical philosopher ("P") and a postcritical scriptural theologian —— I'll label the latter a "textualist" ("T"). What I mean by "postcritical" would be displayed as the pattern of inquiry traced by this dialogue. I take the term (...) "postcritical" from George Lindbeck, whose theological work is described by his commentators as more properly "textualist" rather than "philosophic." I believe my usage is, however, true to Lindbeck's discourse. This means that one of the arguments of this essay is that there is a mode of philosophic inquiry proper to the postcritical orientation in theology that we may associate with such Christian theologians as Hans Frei, etc., as well as Lindbeck. A second argument, offered indirectly, is that there is a family of Jewish thinkers whose work may also be labeled "postcritical" on the model of these Christian thinkers, and that this Jewish postcritical theology would also be displayed in dialogues between philosophic and textualist tendencies. A third argument is that, if we listen in on the philosophic side of any of these dialogues, we will hear a postcritical philosophy. By philosophy, I mean primarily logic, defined as an inquiry that examines problematic rules of reasoning and recommends testable ways of correcting them. Secondarily, philosophy includes metaphysics, defined as an inquiry that, for the sake of assuring people about the reliability of a given logic, constructs pictures of the world whose existence would warrant this logic. We need not assume either that logic and metaphysics can be conducted only in the manner of modern and scholastic foundationalism, or that non-foundationalist theology must be "textualist" in a manner that excludes any philosophic generalization. I will argue that there are, indeed, non-foundationalist ways of conceiving of both logical and metaphysical inquiry and that these ways contribute to the dialogic activity of postcritical inquiry. (shrink)

In the vein of a renewed interest in diagrammatic reasoning, this paper challenges an opposition between logic diagrams and formal languages that has traditionally been the common view in philosophy of logic and linguistics. We examine, from a philosophical point of view, what we call five dogmas of logic diagrams. These are as follows: (1) diagrams are non-linguistic; (2) diagrams are visual representations; (3) diagrams are iconic, and not symbolic; (4) diagrams (...) are non-linear; (5) diagrams are heterogenous, and not homogenous. Using historical examples, we argue that none of these dogmas is an adequate criterion to distinguish logic diagrams from formal languages. Instead, we advocate that there is a common core between linguistic and diagrammatic representation and reasoning. (shrink)

A spatial logic is a formal language interpreted over any class of structures featuring geometrical entities and relations, broadly construed. In the past decade, spatial logics have attracted much attention in response to developments in such diverse fields as Artificial Intelligence, Database Theory, Physics, and Philosophy. The aim of this handbook is to create, for the first time, a systematic account of the field of spatial logic. The book comprises a general introduction, followed by fourteen (...) chapters by invited authors. Each chapter provides a self-contained overview of its topic, describing the principal results obtained to date, explaining the methods used to obtain them, and listing the most important open problems. Jointly, these contributions constitute a comprehensive survey of this rapidly expanding subject. (shrink)

This is the first work to explicitly target Bourdieu's philosophy of space as a basic organizing force for his social theory. It draws together his work on both social space and physical space, and it applies the logic that binds them together to problems of architecture and urban development.

We focus on a branch of region-based spatial logics dealing with affine geometry. The research on this topic is scarce: only a handful of papers investigate such systems, mostly in the case of the real plane. Our long-term goal is to analyse certain family of affine logics with inclusion and convexity as primitives interpreted over real spaces of increasing dimensionality. In this article we show that logics of different dimensionalities must have different theories, thus justifying further work on different (...) dimensions. We then focus on the three-dimensional case, exploring the expressiveness of this logic and consequently showing that it is possible to construct formulas describing a three-dimensional coordinate frame. The final result, making use of the high expressive power of this logic, is that every region satisfies an affine complete formula, meaning that all regions satisfying it are affine equivalent. (shrink)

This paper argues that a particular point raised by Schröder – that Frege's logical notation fails to be modelled on arithmetical notation – is based on a misunderstanding, for the modelling was meant as conceptual, rather than notational.

In Baghdad in the mid twelfth century Abū al-Barakāt proposes a radical new procedure for finding the conclusions of premise-pairs in syllogistic logic, and for identifying those premise-pairs that have no conclusions. The procedure makes no use of features of the standard Aristotelian apparatus, such as conversions or syllogistic figures. In place of these al-Barakāt writes out pages of diagrams consisting of labelled horizontal lines. He gives no instructions and no proof that the procedure will yield correct results. (...) So the reader has to work out what his procedure is and whether it is correct. The procedure turns out to be insightful and entirely correct, but this paper may be the first study to give a full description of the procedure and a rigorous proof of its correctness. (shrink)

From the beginning of the 16th century to the end of the 18th century, there were not less than ten philosophers who focused extensively on Venn’s ostensible analytical diagrams, as noted by modern historians of logic (Venn, Gardner, Baron, Coumet et al.). But what was the reason for early modern philosophers to use logic or analytical diagrams? Among modern historians of logic one can find two theses which are closely connected to each other: M. Gardner (...) states that since the Middle Ages certain logic diagrams were used just in order to teach “dull-witted students”. Therefore, logic diagrams were just a means to an end. According to P. Bernhard, the appreciation of logic diagrams had not started prior to the 1960s, therefore the fact that logic diagrams become an end the point of research arose very late. The paper will focus on the question whether logic resp. analytical diagrams were just means in the history of (early) modern logic or not. In contrast to Gardner, I will argue that logic diagrams were not only used as a tool for “dull-witted students”, but rather as a tool used by didactic reformers in early modern logic. In predating Bernhard’s thesis, I will argue that in the 1820s logic diagrams had already become a value in themselves in Arthur Schopenhauer’s lectures on logic, especially in proof theory. (shrink)

What is logical relevance? Anderson and Belnap say that the “modern classical tradition [,] stemming from Frege and Whitehead-Russell, gave no consideration whatsoever to the classical notion of relevance.” But just what is this classical notion? I argue that the relevance tradition is implicitly most deeply concerned with the containment of truth-grounds, less deeply with the containment of classes, and least of all with variable sharing in the Anderson–Belnap manner. Thus modern classical logicians such as Peirce, Frege, Russell, Wittgenstein, and (...) Quine are implicit relevantists on the deepest level. In showing this, I reunite two fields of logic which, strangely from the traditional point of view, have become basically separated from each other: relevance logic and diagram logic. I argue that there are two main concepts of relevance, intensional and extensional. The first is that of the relevantists, who overlook the presence of the second in modern classical logic. The second is the concept of truth-ground containment as following from in Wittgenstein’s Tractatus. I show that this second concept belongs to the diagram tradition of showing that the premisses contain the conclusion by the fact that the conclusion is diagrammed in the very act of diagramming the premisses. I argue that the extensional concept is primary, with at least five usable modern classical filters or constraints and indefinitely many secondary intensional filters or constraints. For the extensional concept is the genus of deductive relevance, and the filters define species. Also following the Tractatus, deductive relevance, or full truth-ground containment, is the limit of inductive relevance, or partial truth-ground containment. Purely extensional inductive or partial relevance has its filters or species too. Thus extensional relevance is more properly a universal concept of relevance or summum genus with modern classical deductive logic, relevantist deductive logic, and inductive logic as its three main domains. (shrink)

Name der Zeitschrift: Semiotica Jahrgang: 2014 Heft: 202 Seiten: 459-480.

Linear diagrams (sometimes called ‘Line diagrams’) have an old history. Their past supporters include distinguished logicians such as Leibniz, Lambert and (J. N.) Keynes. Although circular diagrams...

© 2018, Springer International Publishing AG, part of Springer Nature. Aristotelian diagrams are used extensively in contemporary research in artificial intelligence. The present paper investigates the geometric and cognitive differences between two types of Aristotelian diagrams for the Boolean algebra B4. Within the class of 3D visualizations, the main geometric distinction is that between the cube-based diagrams and the tetrahedron-based diagrams. Geometric properties such as collinearity, central symmetry and distance are examined from a cognitive perspective, focusing (...) on diagram design principles such as congruence/isomorphism and apprehension. The cognitive effectiveness of the different visualizations is compared for the representation of implication versus opposition relations, and for subdiagram embeddings. (shrink)

One effect of information technology is the increasing need to present information visually. The trend raises intriguing questions. What is the logical status of reasoning that employs visualization? What are the cognitive advantages and pitfalls of this reasoning? What kinds of tools can be developed to aid in the use of visual representation? This newest volume on the Studies in Logic and Computation series addresses the logical aspects of the visualization of information. The authors of these specially commissioned papers (...) explore the properties of diagrams, charts, and maps, and their use in problem solving and teaching basic reasoning skills. As computers make visual representations more commonplace, it is important for professionals, researchers and students in computer science, philosophy, and logic to develop an understanding of these tools; this book can clarify the relationship between visuals and information. (shrink)

This article offers an analysis of the cognitive role of diagrammatic movements in the theater. Based on the recognition of a theatrical work’s inherent ability to provide new insights concerning reality, the article concentrates on the way by which actors’ movements on stage create spatial diagrams that can provide new insights into the spectators’ world. The suggested model of theater’s epistemology results from a combination of Charles S. Peirce’s doctrine of diagrammatic reasoning and David Lewis’s theoretical account of (...) the truth value of counterfactual conditionals. I argue that in several theatrical works – in particular those whose central image is dominated by movements – the relation of what Lewis names “comparative overall similarity” between the fictional and the actual world is based on diagrammatic homology. The cognitive process involved in deciphering them is, hence, based on diagrammatic reasoning. The main emphasis of the analysis is on the previously unnoticed but important cognitive role of observation in the theater: the idea that observation takes an active role in the reasoning process that enables the spectators to form new knowledge about their actual world. Samuel Beckett’s plays Quad and Come and Go serve here as case studies. (shrink)

In this paper, we present a survey of the development of the technique of argument diagramming covering not only the fields in which it originated - informal logic, argumentation theory, evidence law and legal reasoning – but also more recent work in applying and developing it in computer science and artificial intelligence. Beginning with a simple example of an everyday argument, we present an analysis of it visualised as an argument diagram constructed using a software tool. In the context (...) of a brief history of the development of diagramming, it is then shown how argument diagrams have been used to analyze and work with argumentation in law, philosophy and artificial intelligence. (shrink)

Science, technology, engineering, and mathematics disciplines commonly illustrate 3D relationships in diagrams, yet these are often challenging for students. Failing to understand diagrams can hinder success in STEM because scientific practice requires understanding and creating diagrammatic representations. We explore a new approach to improving student understanding of diagrams that convey 3D relations that is based on students generating their own predictive diagrams. Participants’ comprehension of 3D spatial diagrams was measured in a pre- and post-design (...) where students selected the correct 2D slice through 3D geologic block diagrams. Generating sketches that predicated the internal structure of a model led to greater improvement in diagram understanding than visualizing the interior of the model without sketching, or sketching the model without attempting to predict unseen spatial relations. In addition, we found a positive correlation between sketched diagram accuracy and improvement on the diagram comprehension measure. Results suggest that generating a predictive diagram facilitates students’ abilities to make inferences about spatial relationships in diagrams. Implications for use of sketching in supporting STEM learning are discussed. (shrink)

Spatial and diagrammatic reasoning is a significant part not only of logical abilities, but also of logical studies. The authors of this paper consider some novel trends in studying this type of reasoning. They show that there are the following two main trends in spatial logic: (i) logical studies of the distribution of various objects in space (logic of geometry, logic of colors, etc.); (ii) logical studies of the space algorithms applied by nature itself ( (...) class='Hi'>logic of swarms, logic of fungi colonies, etc.). (shrink)