In this article, the authors study the phenomenon of mystical death in the spirituality of Saint Teresa of Ávila. They first explain the phenomenon of mystical death in the history of Christian spirituality. The authors note that the history of this phenomenon goes as far back as the New Testament, where it can be found in the texts by St. Paul and St. John, but it was first formulated explicitly by an unknown author much later—in the seventeenth century. Mystical death (...) is a concept used to explain mystics’ experience of transformation from self-centeredness to other-centeredness. The authors want to use this concept to open up a further interpretation of Teresa of Ávila’s work, it provides a key for unlocking a major theme of her work. In the mysticism of Saint Teresa of Ávila, the authors investigate this phenomenon in two of her books: The Interior Castle or The Mansions and The Life of Teresa of Jesus. Firstly, this phenomenon is in her description of the fifth mansion of The Interior Castle or The Mansions in the symbolism of the transformation of a caterpillar into a butterfly, conditioned by ascending of internal energies. Secondly, they can trace the phenomenon of mystical death in her work The Life of Teresa of Jesus, especially in her explanation of her near-death experience. According to the authors, the phenomenon of mystical death in the mysticism of Teresa of Ávila constitutes a condition for higher spiritual states, especially the state of mystical unity. Finally, the authors outline that the phenomenon of mystical death in the spirituality of Teresa of Ávila is similar to mysticism in Eastern spiritual traditions. They discuss the importance of revealing these similarities for a better understanding of the human being and hir further spiritual development. (shrink)

In this article, the authors are concerned with the question of the nature of print and the impact print has on shaping the collective mentality, especially in the context of the electronic media “boom”. Based on their analysis, they state that print has, since its creation, promoted a subject-object dualism, the development of abstract, linear thinking and the shaping of a collective mentality. Print is currently already under the strong, paradigmatic influence of electronic media resulting in a qualitatively new kind (...) of “reading”. That is to say that the electronic media cyberspace encourages the “hyper-textual” interlinking of different kinds of information in our learning or thinking, which can be referred to as “rhizomorphic”. This kind of process is bound up with non-linear “reading”, where the image dominates the word in cyberspace. The electronic media cyberspace thus dominates and shapes the contemporary collective mentality in our culture, including its approach to print. (shrink)