In Sisyphus's Boulder, Eric Dietrich and Valerie Hardcastle argue that we will never get such a theory because consciousness has an essential property that..

Philip Villamor rethinks Albert Camus’ famous rock’n’roll parable. Pointing out that Camus' "The Myth of Sisyphus" is a sort of intellectual dishonesty designed to support the idea that one can be happy without the hope of something more than existence, Villamor challenges the idea that "the struggle itself" is enough to make one "happy." Villamor concludes that we must imagine Sisyphus as "hopeful" and "more human.".

One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of (...) life lived with dignity and authenticity. (shrink)

Albert Camus’ reflection in _The Myth of Sisyphus_ presents the absurd, the intrusion of the meaningless and irrational universe into the order and future focus of modern life. Central to Camus’ reading of Sisyphus and his dammed eternal labour, was time. Camus clearly saw that modernity and modern life was predicated on tensions in time. Moderns perceived, and lived, in the timescale of past-present-future. A commitment to chronology that promised an allusion of meaning within a world of essential meaninglessness. (...) Modern law, the law forged by the structural violence of positivism and sovereignty, shared this commitment to time. However, transitions to the digital are presenting different relationships of law and time. Emergent digital legality manifests a Sisyphean closed loop of repeat, return and enclosure, past and future become a blurred undistinguished present. The modern terror of mundane life that Camus tried to recast, seems intensified and totalised in the digital. However, rather than the possibility of the joy of the absurd, there is something else. Sisyphus, Camus imaged, had weathered to look like his rock, but he never merges with it. But in the unfolding of the digital and its legality, the secure subjectivity that Camus exalted is less then certain. This might not be bad. (shrink)

This paper suggests that there are three kinds of meaning: Everyday, Cosmic, and Ultimate. Everyday meaning refers to the value and significance in our everyday lives, including values such as beauty, morality, and truth, and the significance of engagement with them. Cosmic meaning refers to our meaningful role in the cosmos: to the significance and value of our cosmic niche, to the purposes of the cosmos and our place in it. Ultimate meaning is the end-regarding justifying reason, the valued end, (...) or the point of leading a life at all. It is here argued that procreating can be a deep source of Everyday meaning, and perhaps Cosmic meaning. But nothing can provide us with Ultimate meaning. The implications this may have for procreative ethics is considered. (shrink)

The tragedy of the commons is a primary contributing factor in ensuring that humanity makes no serious inroads in averting climate change. As a recent Canadian politician pointed out, we could shut down the Canadian economy tomorrow, and it would make no measurable difference in global greenhouse gas emissions. When coordinated effort is required, it would seem that doing the “right thing” alone is irrational: it will harm oneself with no positive consequences as a result. Such is the tragedy. And (...) that is the challenge that we take up here. Though Garrett Hardin suggests that the solution is a governmental process that rules over all contenders, since a world government seems unlikely before the planet hits the tippy point, we suggest an educational initiative instead: one that holds a mirror up to the behaviour of individuals, rather than to the behaviour of individuals in groups. Such an educational initiative would be focused on priming individuals to keep constant track of what they do as individuals as opposed to focusing on the behaviour of humanity in general. Such an educational initiative would focus on tackling the “problem solvers” rather than just “the problem”. (shrink)

On the Theory and Philosophy of Education In her Reminiscences of Froebel the Baroness Marenholz- Btilow1 tells of her efforts to win ...

[We present below a preliminary translation of an ancient Greek manuscript, recently discovered by Dr. __________, containing two variations on the myth of Sisyphus. The document is in fragments, with gaps at the beginning and partway through.… [Upon] his capture, Sisyphus was brought before the council of the gods, who were informed of all his crimes. After withdrawing from the chamber for many hours, they returned to sentence Sisyphus to his fate. He was doomed to roll a (...) rock up a hill, watch it roll back to its starting place, and begin again, and to repeat this for all eternity. He would do this alone, without the comfort of company, in perpetual dark. He would not need sleep, food, or drink, and so would not... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Triumph Of SisyphusJeffrey GordonThe gods had condemned Sisyphus to ceaselessly rolling a rock to the top of the mountain, whence the stone would fall back of its own weight. They had thought with some reason that there is no more dreadful punishment than futile and hopeless labor.1The words are, of course, Albert Camus's. They were first published in 1942. Since then, this voice—at once lyrical and austere, (...) personal and oracular—and the ancient image he calls up in these lines have become permanent parts of our postmodern consciousness. Like all the images that capture and create the character of our age, Sisyphus is always there for each of us. In the intimate space of our imagination, we can turn to him at will, and with only the slightest effort, we will find him as before—solitary, weather beaten, resigned, without illusion. I want to make that effort now, not to disturb Sisyphus in his labors, nor to uproot him, surely, but to try to be precise about a matter which is, perhaps, fatally elusive of precision, to try to make explicit the significance of this figure whose implicit significance has haunted us now for over half a century. Let us turn to Sisyphus, then, as we might turn, one aimless afternoon, to some old photographs of a person close to us, perhaps even of ourselves, in the hope that we might find in them something we had missed, some expression or gesture that inadvertently reveals the essence of a life.But we must be silent now, for the figure is emerging. There is the hill, and it is morning, a slight chill in the soundless air. The landscape here is treeless, the land covered only with broken rock and scattered brush. A wide path of sterile earth has been cut in the thick brush of [End Page 183] the hill. And there, at the base of the hill, the rock—grey, mottled with holes, enormous. Slow, laborious breathing is audible. The rough hand comes into view, the flesh thick, sun-burnt, heavily veined. It finds a jut on the rock to grip. And now the weather-worn clothes, the thick trunk and powerful back. And here at last the face of Sisyphus—our own face, of course, or the face of one of our own personae, the eyes squinting against the sun, hair disheveled. He takes his hand from the rock and brings it to his side. Perhaps he is not quite ready yet, perhaps he needs a moment longer of rest. He stands motionless, eyes turning up. What is he gazing at? The summit of the hill, every square inch of which he has seen a million times before? What could he hope to discover there? Is it the cloudless sky that has his attention? Is he noting the progress of the sun? Does he seek in reflection on its course some inspiration for the renewal of his labor? He continues to stare without expression. We can afford to leave him for a moment.The legend abounds in perplexities, or at least this is true of that retelling of the myth that has made it so important to us. Camus calls Sisyphus "the absurd hero." This is, then, the best that we can hope to be, for our lives, too, according to Camus, are absurd. But why should we believe this? Surely it is ludicrously question-begging to conduct an imaginative exercise in which we strip a life of all that could possibly make it worthwhile, then appeal to this figment of ours as proof of the futility of human existence.If we are tempted to see in Sisyphus's eternal rock-rolling a revelation of the emptiness of our own labors, we should be easily dissuaded from this when we consider what little alteration is required to transform this myth from the perfect image of meaninglessness to a perfectly serviceable conception of a meaningful life.2 All we need is to introduce some point, some minimal, common, everyday point to his labors, such as any one of our lives abounds in, and the transformation is accomplished. Assume, then, that Sisyphus rolls... (shrink)

Both current and past analyses and critiques of transhumanist and posthumanist theories have had a propensity to cite the Greek myth of Prometheus as a paradigmatic figure. Although stark differences exist amongst the token forms of posthumanist theories and transhumanism, both theoretical domains claim promethean theory as their own. There are numerous definitions of those two concepts: therefore, this article focuses on posthumanism thought. By first analyzing the appropriation of the myth in posthumanism, we show how the myth fails to (...) be foundational and how we need to rethink the posthumanist mythological framework. We then introduce Haldane’s Daedalus figure as a fruitful analogy to understand the demiurgic posture that critics mean to unveil by first using Prometheus. Daedalus embodies the artisan role, whose status as an inventor for the mighty preserves from the gods' direct opprobrium. Thereafter, we introduce the Camusian Myth of Sisyphus as a competing analogy that ultimately serves as a myth better suited to address the posthumanist position on an existential standpoint. we ultimately show that Sisyphus, as the ‘absurd man’ that Camus claims him to be, is himself the posthuman, thus serving as a more ideal foundational myth for posthumanism and preserving the importance of narrative in posthuman discourses. To conclude, we specifically show that the concept of Sisyphus as a posthuman icon has significance that reaches beyond narrative value to current ecological debates in posthumanism. (shrink)

The myth of Sisyphus symbolizes the archetypal process of becoming without the consolation of absolute achievement. It is a poignant reflection of idealized aspirations and actual limitations of the human condition. It is also a prominent framing text for the interpretation of classical and patristic literature, medieval allegorical and alchemical interpretations of mythology, and humanist philosophical, educational, and utopian ideologies, and erotic and heroic theories of human perfectibility. Sisyphus defines the modalities of human transcendence in classical and Christian (...) terms; he is the personification of the unrequited lover; and he is the embodiment of the aspirant renaissance hero. (shrink)

Resumen: A mediados del siglo XX, Blanchot elabora una crítica minuciosa de algunos tópicos de Camus. Su interés, sobre todo, se centra en la renovación camusiana del cogito sintetizada en la fórmula Me rebelo, luego somos. Para Blanchot, el hombre desgraciado ha perdido el poder de decir “Yo” y, por ello, es una figura de lo impersonal que no puede ser reconducida a la persona. Sin embargo, esto no implica la renuncia a la insumisión: Blanchot recupera la figura de Sísifo (...) para mostrar que hay una rebeldía de lo impersonal que excede al hombre, marcando así el camino a la “resistencia de lo neutro” que sería reivindicada por la filosofía francesa e italiana del siglo XXI.: In the mid-20th century, Blanchot developed a thorough critique of some of Camus’ topics. His interest mainly focused on the renewal of the camusian cogito synthesized in the formula “I rebel, therefore we are.” For Blanchot, the hapless man has lost the power to say “I” and is thus a figure of the impersonal that cannot be redirected to the person. Nevertheless, this does not entail a waiver of rebelliousness: Blanchot recovered the figure of Sisyphus to show that there is a rebellion of the impersonal that exceeds man, indicating the way to the “resistance of the neutral” to be claimed by French and Italian philosophy of the 21st century. (shrink)

In Stoic philosophy, the writing of the Early Church Fathers, and in its allegorical interpretations in medieval and renaissance mythologies, Sisyphus is the archetypal model of human perfectibility. The Myth of Sisyphus investigates this archetype as a principal theme in renaissance theories of astral magic; in humanist theories of eugenic education; and in utopian thought.

Despite several attempts, the prolific writings of Gottfried Wilhelm Leibniz have not yet been brought together in a single edition. Efforts have been hampered by the sheer volume and diversity of the Leibniz estate, and also by changing political circumstances. This paper traces the history of the Leibniz edition as a long-term project of the Berlin-Brandenburgische Akademie and its predecessors.

Doom and gloom may be unpopular, but it's better than banking on the bad faith hope of ‘I have a pastoral dream.’ Whether you frame it as the ‘long emergency,’ the ‘great disruption,’ the ‘end of n...

This article argues that Orlando Patterson is a key contributor to postcolonial fiction and postcolonial theory as well as historical sociology and social theory, whose work contains crucial lessons for sociology in general. Patterson has coined striking concepts such as social death and human parasitism and made original historical interpretations such as the origins of freedom in the experiences of female slaves. Patterson has contributed to historical knowledge, social theory, and an alternative epistemology of interpretive social science. And through his (...) fiction, he exemplifies an alternative understanding of the métier of the social scientist, in which literary-aesthetic sensuousness and lyrical pleasure are combined with analytic rigor. The first part of the article suggests that Patterson’s work represents an overlooked foundation for postcolonial sociology. Demonstrating this involves reconstructing Patterson’s early intellectual context and then tracing the interplay between fiction and social analysis in his work. The article then analyses Patterson’s fictional writing, arguing that it is a crucial part of his overall production of social knowledge. The article’s final section argues that Patterson’s work lays out a non-positivist foundation for historical sociology and sociology as a whole. (shrink)

How do actors cope when their repeated efforts to bring change seem futile? In this qualitative study, we consider sustainable development initiatives within a U.S. higher education institution where repeated efforts by actors led to nominal change. We focus on understanding how actors sought to enact sustainable development initiatives in the face of an unresponsive context, that is, in a context characterized by pressures to maintain the status quo. We show how actors’ attempts to embed sustainable development practices into the (...) university represent a dynamic process, characterized by periods of persistence and suspension. Our theorizing reveals that actors used three coping mechanisms to maintain focus on their sustainability goals: community building, resourcefulness, and vision. By emphasizing these dimensions of their initiatives, actors’ emotional response is focused on encouragement and hope to persist in a context that is largely unresponsive to sustainable development. Our study contributes to the sustainability literature by explicating how actors develop resilience in their efforts to pursue sustainable development in unresponsive contexts. (shrink)

Coming Back to the Absurd is a celebration of the enduring significance and impact of Albert Camus's first philosophical essay The Myth of Sisyphus. This collection of essays, from some of the world's leading Camus scholars, examines Camus's unique contribution to philosophy through The Myth since its publication.

An English version of a work which has attracted wide attention since its publication in France some 15 years ago. It represents an effort to face and to resolve a problem implicit in much so-called "existential" thinking and writing, the problem of suicide: does not the existential recognition of the absurdity of life compel one to leave it? M. Camus' argument is often hard to follow, but his answer is plain: suicide is not justified, even though absurdity is inevitable; the (...) proper response to absurdity, indeed, is just the affirmation of life. We must, like Sisyphus, continue to struggle, even though the struggle nought availeth; "One must," concludes M. Camus, "imagine Sisyphus happy." The five short pieces which accompany the title essay in this volume include some examples of what M. Camus probably does best--intense evocations of the North African landscape and mood.--V. C. C. (shrink)

The pseudo-Platonic dialogue Sisyphus considers the nature of deliberation, asking whether it does or does not involve knowledge. Difficulties for both options are canvassed, in ways that recall Meno’s Paradox and that also compare interestingly with Aristotle’s account of deliberation in his ethical writings.

Inspired by Camus’ portrayal of Sisyphus, this essay examines the act of teaching as an absurd profession, one that faces numerous obstacles and challenges and continually falls short of its intended goals. I begin my analysis by demonstrating that Camus’ understanding of the absurd was heavily influenced by Nietzsche’s conception of nihilism. I argue that for Camus the sense of absurdity comes from the conflict between humans’ longing for order and meaning and the disorder and meaninglessness that we experience (...) in our daily lives. Next, I show that Camus’ understanding of absurdity can help us make sense of the recent wave of educational reform. More fundamentally, I argue that that the existential conditions of schooling that many teachers have to negotiate daily are themselves absurd in Camus’ sense of the term. In the last part of this article, I take a close look at how a number of teachers are attempting to resist and even rebel against the new educational mandates. (shrink)

From the jumping bean controversy, through his jousts with Malraux, to his charge against Picasso, Roger Caillois's attitude remained the same: a fear of the seductions of misunderstood originality, a condemnation of the fear of influence that characterized the moderns, and praise for imitation, conceived as the only true school of art. Originality, according to the formula he was fond of repeating time and again in the most varied contexts, consists not in refraining from imitating anyone else, but rather in (...) beine inimitable. (shrink)

Volume 11 Apollonius, or the Future of Psychical Research E N Bennett Originally published in 1927 "Admirably conceived, skilfully executed." Liverpool Post "His exposition of the case for psychic research is lucid and interesting." The Scotsman This volume summarizes the results secured by the scientific treatment of psychical phenomena, and to forecast the future developments of such research. 88pp ************** Socrates Or the Emancipation of Mankind H F Carlill Originally published in 1927 "One of the most brilliant and important of (...) a remarkable series." Westminster Gazette This volume examines the differences between humans and animals and discusses the freedom that a proper understanding of psychology will bring to the human race. The author argues that the whole psycho-physical organism will be regarded as what it is – a mechanism full of inherited tendencies and untapped energies which needs to be consciously adjusted and controlled. 90pp Morpheus or the Future of Sleep D F Fraser-Harris Originally published in 1928. "His arguments, clearly and ably presented, hold our interest." Clarion "Shows that the doctors do not as yet know much about the subject." Queen This volume discusses sleep and the part it plays in maintaining health. It contains suggestions for sufferers from insomnia, discusses dreams and their causes and suggests the probable line of investigation of sleep problems. 94pp Sisyphus or the Limits of Psychology M Jaeger Originally published in 1929. "Much acumen and knowledge. All students of psychology should read it." Manchester Guardian This volume argues that Psychology has just as an important role to play as Physics and Chemistry, because it affects the ordinary person and is not merely limited to the scientific community. The opportunities is provides, as well as its limits, are discussed. 88pp The Passing of The Phantoms A Study of Evolutionary Psychology and Morals C J Patten Originally published in 1924 "This bright and bracing little book." Literary Guide "Interesting and original." Medical Times This volume examines the evolution of the mental and moral faculties of animals. This knowledge, in the author’s opinion is critical for understanding the evolution of human mortality. 90pp. (shrink)

[straipsnis lietuvių kalba] Straipsnyje aptariama Alberto Camus kūrybos bruožai ir jo esė „Sizifo mitas“. Teigiama, kad pagrindinė šio kūrinio tema yra absurdas ir su juo susijusios sąvokos: maištas, laisvė, aistra ir panašiai. Absurdas yra pasaulio dėsnis, o kartu proto maištingas pasipiktinimas, nes proto įstatymas yra išmintingas motyvavimas, - absurdas ir išmintis negali būti kartu. Absurdas yra santykis tarp pasaulio ir žmogaus. Absurdą reikia suprasti, įsisąmoninti ir paniekinti. Žmogus, išsirinkdamas gyvenimą per laisvę ir maištą, neigia absurdą, nors jo nesunaikina. Patyręs absurdą (...) ir pasirinkęs gyvenimą, o ne savižudybę, žmogus iš naujo įvertina kiekvieną būties akimirką. Daroma išvada, kad pradėjęs nuo svarstymų apie mirtį ir savižudybę, A. Camus savo samprotavimus baigia gyvenimo teigimu, džiaugsmo troškimu stoiškos ir sąmoningos būties akimirkos sąlygomis. (shrink)

Fast‐forward two hundred years to the opening sequence of Alien: Resurrection where United Systems Military (USM) science officers aboard the Auriga are toying with her DNA—salvaged from frozen blood samples on Fiorina 161—to try to create a cloned version of the alien queen that was growing inside her at the time of her death. The absurd is what links the two— Ripley's desire to make some sense out of her troubling existence and the fact that the world is unable to (...) offer her any such sense. French essayist, Albert Camus, repeatedly stresses this point in different, sometimes rather poetic, ways throughout his classic essay, “The Myth of Sisyphus”. Ripley‐8 has one messed‐up and confusing life. When Camus talks about philosophical suicide, he is really talking about an irrational “leap of faith”. Ripley and Call are both artificial creations living a similar sort of existence. (shrink)