The object of the research is the processing of Yakut folk songs stored in the fund of the first Yakut composer M.N. Zhirkov in the National Library of the Republic of Sakha. The subject of the study is the manuscript "100 Yakut songs". Some of them were published in the collections "Sakha Yryalara" and "Yakut folk Songs". Special attention in the comparative aspect is paid to the already published samples, in particular, in the music collections of A.V. Scriabin and F.G. (...) Kornilov. The article examines the internal content of the treatments of the songs included in the manuscript "100 Yakut songs", expert reviews, testimonies of contemporaries. The article for the first time raises the problem of co-authorship of tunes and completed treatments, some of which are folk tunes. Samples characterized by a developed melodic structure are considered as the result of the melodic creativity of amateur authors, as well as the impact of musical professionalism of the European type. As a result of the analysis of M.N. Zhirkov's handwritten heritage, it was found that many treatments of Yakut folk songs were performed by him in collaboration with Moscow composers G.I. Litinsky and G.G. Lobachev. Also, for the first time, a comparative analysis of the corpus of song treatments from M.N. Zhirkov's manuscript "100 Yakut songs", which is stored in the collections of the National Library of the RS, was carried out. (shrink)

The subject of the study is the research work of M.N. Zhirkov, which became the first monographic study of the musical culture of the Yakuts. The object of the study is the problems of musicology first posed by the author of this study. The article discusses such aspects as the difficult fate of the manuscript of M.N. Zhirkov's research, which was unpublished for a long time, and at the first publication was not published in its full form, in addition, the (...) experience of a new reprint of this work in the 9th volume of M.N. Zhirkov's "Collected Works". Special attention is paid to those areas of his work that at that time were in the circle of the most pressing theoretical problems of musical culture of the peoples of the former Soviet Union. The main conclusions of the study are the author's generalizations of the fundamental results of M.N. Zhirkov's work, which at the time of writing this work were advanced not only in terms of the level of development of Russian musicology, but now look quite modern in their relevance and fundamental nature. A special contribution of the author to the topic under development is the analysis of those parts of the study that were not published in the first publication of 1981. The novelty of the study lies in the fact that for the first time attention is drawn to the original full text of the original version of the "Yakut folk Music" by M.N.Zhirkov. The article summarizes the author's experience of the new edition of this unique work. (shrink)

The article is devoted to the life and work of the first Even composer P.M. Starostin in the context of the development of national composition schools of the East. The purpose of the study is to review the life and work of the Even composer P.M. Starostin. The object of the study is the professional musical art of the Even people, the subject of the study is the creative heritage of the first Even composer. The research is based on comparative (...) and typological methods, taking into account the theoretical developments of Russian musicologists in the field of studying the patterns of development of young national composer schools. The main conclusions include the following. The formation of the first Even composer P.M. Starostin took place within the framework of the Yakut national School of composition. The main source of P.M. Starostin's creativity was the rich Even folklore: epic tales, ritual genres, song lyrics. The creative heritage of P.M. Starostin is distinguished by originality and genre originality: from large forms – operas and cantatas to chamber-vocal works and compositions for children. The geography of the spread of young national composer schools has advanced to the north-east of Russia, where the Yakut National Composer School is currently functioning quite actively. The Yakut National School of Composition is already becoming a new center itself, on the periphery of which the prerequisites for the formation of national composition schools of the small peoples of the North living in the Arctic zone are being formed. The experience of reviewing the work of the first Even composer P.M. Starostin, considered by us in the article, marks this process. The novelty of the research lies in the fact that for the first time data on the life and work of the Even composer P.M. Starostin are introduced into scientific circulation. Until now, his name has remained virtually unknown to musicology. Such a review is being conducted for the first time. (shrink)

The article is devoted to an important area of scientific research related to the history and culture of Yakutia. Written monuments of historical and cultural heritage, along with material ones, occupy their permanent place. The solution to the problem of their preservation and interpretation is inextricably linked with publishing activities – modern technical capabilities increase its effectiveness. In the article we study the existing experience in this field by the example of the publication of Russian cursive sources of the XVII (...) century about the history of Yakutia, as well as cultural heritage. The object of the study is the historical and cultural heritage of Yakutia. The subject of the study ate the samples in various forms. The research summarized the experience of publishing historical and cultural heritage monuments on the example of Russian cursive documents of the XVII century about Yakutia, as well as the works of the first Yakut composer M.N. Zhirkov. Since they are of great value as samples of archival documents reflecting regional specifics, we have carried out work to determine their historical significance for the culture of Yakutia. In this article, based on an assessment of the internal content of the collections considered as examples and the quality of their publication, recommendations have been developed to improve further work in this direction. Undoubtedly, further work should be continued to identify such written monuments that require special storage and interpretation, have great historical and cultural value for the Yakut people, as well as transfer to modern media of this information, taking into account the necessary publication rules. For the first time, the question of creating a pan-Yakut electronic database of written monuments of historical and cultural heritage of Yakutia was raised. (shrink)

Meta Analyses for Improvements in Wetlands, Terrestrial Habitat, and Surface Water Quality.….

The authors of the article analyze the phenomenon and symbol of hope in the philosophical views of Pascal and Seneca in terms of the invariance of the content against the background of social transformations. Through the distinction between hope-phenomenon and hope-symbol, the authors conclude that establishing a connection between the phenomenon of hope and the main categories of time makes it possible to trace the theological orientation in Pascal's views and Epicureanism in Seneca's teachings. The primary importance for Seneca of (...) the problem of "death" as an alternative to "hope" is completely denied by Pascal in his reflections on sin, salvation of the soul, good, freedom, beauty, will, virtue and love (both God's and man's). The authors prove that the ideas of rationalistic reflection and the transcendence of the phenomenon of hope can be considered as a basis for contrasting the philosophical systems of Seneca and Pascal. (shrink)

У статті досліджується психоаналітична теорія Жака Лакана, зокрема проблематика співвідношення в єдиному смисловому полі його концепції понять «культура» і «особистість». Розкривається зв’язок між складовими структури людської психіки та позитивним змістом культури, а також акцентується увага на проблемі несвідомого та концепті підозри до онтології присутності. Пропонується авторський погляд на взаємозв’язок цих питань в теорії французького мислителя.

I consider problem of questions used with the purpose of manipulating. If one is proficient in the art of asking questions, he/she can manipulate answers to the posed questions. If one does not want to be manipulated by questions, one should manipulate questions themselves. Moreover, I show that questions are not only a tool of gaining new information.

In the Borisova’s O. V. article on the basis of analysis of works of some medieval Arabic authors the different models of historical process open up and the of genius attempt of the sharp changing of the Koran picture of the world, accomplished by the Arabic theologian and philosopher Ibn Haldun, is analysed, that, however, appeared unsuccessful. However a negative result is in science is too a result. On some important features of works of the Arabic authors paid attention (...) in science first. (shrink)