In this article, we propose to reconceptualize phenomenology in a relational way. Instead of taking subjective consciousness as the starting point for the constitution of meaning, we consider meaning (as well as subjects and subjectivities) as something that is produced in social relations, or more precisely, in communicative actions. In order to explore how this works we empirically study mutual gaze as a critical case. At first sight, the reciprocity that arises when two subjects look into each other’s eyes and (...) perceive how they look and are being looked at reciprocally seems to be “pure,” i.e. free of any mediation by language, gestures or other objectivations. It turns out, however, that mutual gaze unfolds, albeit highly ambivalently and fluidly, as an “object in time”. In contrast to non‑subjectivist approaches, we argue that we need some sort of subjectivity to understand phenomena such as mutual gaze. However, we also need to understand its embeddedness in cultures as well as in social relations. This is what Relational Phenomenology means. (shrink)

Starting from the metaphor of “playing chamber music at a rock festival” used by Peter L. Berger in 1992 to describe the impact of The Social Construction of Reality on US sociology, this article works out how the book’s somewhat puzzling legacy as a bestseller and a classic with remarkably rare direct follow-ups in the US discourse can indeed be conceived. I argue that one needs to take into account the theoretical-historical context in which Berger and Luckmann developed their ideas, (...) including the specific forms of knowledge production in US sociology at the time, the institutional background of the book’s emergence at the New School for Social Research and the author’s biographical trajectories. On this basis, on can explain why Berger and Luckmann’s reformulation of the sociology of knowledge both perfectly met the 1960s Zeitgeist and at the same time remained theoretically marginal. (shrink)

Starting from the metaphor of “playing chamber music at a rock festival” used by Peter L. Berger in 1992 to describe the impact of The Social Construction of Reality on US sociology, this article works out how the book’s somewhat puzzling legacy as a bestseller and a classic with remarkably rare direct follow-ups in the US discourse can indeed be conceived. I argue that one needs to take into account the theoretical-historical context in which Berger and Luckmann developed their ideas, (...) including the specific forms of knowledge production in US sociology at the time, the institutional background of the book’s emergence at the New School for Social Research and the author’s biographical trajectories. On this basis, on can explain why Berger and Luckmann’s reformulation of the sociology of knowledge both perfectly met the 1960s Zeitgeist and at the same time remained theoretically marginal. (shrink)