In his writings Philosophical Remarks, the Austrian-British Philosopher Ludwig Wittgenstein draws an octahedron with the words of pure colours such as “white”, “red” and “blue” at the corners and argues: “The colour octahedron is grammar, since it says that you can speak of a reddish blue but not of a reddish green, etc”. He uses the word “grammar” in such a specific way that the grammar or grammatical rules describe the meanings of words/expressions, in other words, how we use them (...) in our language. Accordingly, the colour octahedron can also be taken to represent grammatical rules about how we apply words of colour, e.g., that we can call a certain colour “reddish-blue”, but not “reddish-green”. In a different context, the Japanese philosopher Shūzō Kuki explores in his work The Structure of Iki what the Japanese word “iki” means. This word is often translated as “chic” or “stylistic” in English, but Kuki holds that it is an aesthetic Japanese concept that cannot be translated one-to-one, instead encompassing three aspects: “coquetry”, “pride and honour” and “resignation”. To explain the meanings of the word “iki” and other related words all of which Kuki calls “tastes”, he introduces a rectangular prism as a geometrical representation similar to Wittgenstein’s colour octahedron. In this paper, I argue that the rectangular prism does not solely explain how the modes of Japanese tastes are related to each other, but also has a grammatical character. On this score, I suggest that one can regard this rectangular prism as a description of the grammatical rules of the Japanese language. By appeal to the arguments of both philosophers and in comparison with them, I will not only clarify what they claim by geometrical representations but also examine what role this kind of representation plays as an explanation of grammar in general. Keywords: grammar, colour octahedron, rectangular prism, Shūzō Kuki, Wittgenstein. (shrink)

For a robot to cohabit with people, it should be able to learn people’s nonverbal social behavior from experience. In this paper, we propose a novel machine learning method for recognizing gestures used in interaction and communication. Our method enables robots to learn gestures incrementally during human–robot interaction in an unsupervised manner. It allows the user to leave the number and types of gestures undefined prior to the learning. The proposed method (HB-SOINN) is based on a self-organizing incremental neural network (...) and the hidden Markov model. We have added an interactive learning mechanism to HB-SOINN to prevent a single cluster from running into a failure as a result of polysemy of being assigned more than one meaning. For example, a sentence: “Keep on going left slowly” has three meanings such as, “Keep on (1)”, “going left (2)”, “slowly (3)”. We experimentally tested the clustering performance of the proposed method against data obtained from measuring gestures using a motion capture device. The results show that the classification performance of HB-SOINN exceeds that of conventional clustering approaches. In addition, we have found that the interactive learning function improves the learning performance of HB-SOINN. (shrink)

1960年代以後、日本の思想・哲学に大きな影響力をもった廣松渉(1933‐94)。この独自な哲学者の人と思想と時代と影響関係の全体を思想史上に位置づけ、その思考過程を精密に追跡した、気鋭の書。.

「論理」と「合理性」は文化が作る。日・米・仏・イランの思考表現スタイルからその原理を読み解く。.

Preliminary evidence suggests that daydreaming about other people has adaptive value in daily social lives. To address this possibility, we examined whether daydreaming plays a role in maintaining close, stable relationships using a 1-year prospective longitudinal study. We found that individuals’ propensity to daydream about their marital partner is separate to general daydreaming. In contrast to general daydreaming, which was associated with lower subsequent relationship investment size in the marital partner, partner-related social daydreaming led to a greater subsequent investment size. (...) Additionally, attachment styles moderated these effects. The effect of daydreaming regarding investment size was found only in securely attached individuals. This research advances the emerging field of social daydreaming and highlights self-generated thought as a critical tool that can help people navigate the complex social world. (shrink)

Collection of texts published previously.

The coronavirus has brought unprecedented shifts to our world. Fracturing social arrangements, yet evincing also long-time weaknesses therein, the pandemic beckons from us now new forms of organizi...

古代西洋より伝わったとされる対称美の分析―黄金比。しかし、本書では葛飾北斎、歌川広重など偉大な日本の先人たちはすでに、黄金比を会得していたことを証明しています。なぜ、北斎がすばらしいのか?なぜ、俳句は 5・7・5なのか?富士山はどの角度から眺めるのが一番美しいのか?すべては黄金比を使い、美の世界を数値化することで見える新たな世界。初めて黄金比を用い、実例を分析した本書は日本初の試み。.

Narrative views of the self argue that we constitute our self in self-narratives. Embodied views hold that our self is shaped through embodied experiences. In that case, what is the relation between embodiment and narrativity in the process of self-constitution? The question demands a clear definition of embodiment, but existing studies remains unclear on this point (section 2). We offer a correction to this situation by drawing on Merleau-Ponty’s analysis of the body that highlights its habituality. On this account, the (...) body has an inherent tendency to cultivate an organization of habits through its history of engagement with the world (section 3). Next, we explore its role in narrative self-constitution by distinguishing between two aspects of the narrative self, the narrated I and the narrating I (section 4). We argue on phenomenological grounds that self-narratives are informed by bodily perspectives in both respects. Furthermore, a focus on the habituality of the body allows for a better explanation of self-constitution than those based on implicit self-narratives (section 5). For these phenomenological and theoretical reasons, we conclude that narrative self-constitution is an embodied and embedded practice (section 6). (shrink)