Results for 'Sergei Art��mov'

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  1. Nravstvennostʹ i pravo: realʹnostʹ i perspektivy vzaimodeĭstvii︠a︡: sbornik nauchnykh trudov.V. M. Artëmov & O. I︠U︡ Rybakov (eds.) - 2019 - Moskva: Prospekt.
     
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  2. Nauchno-tekhnologicheskie transformat︠s︡ii v sovremennom obshchestve: nravstvenno-filosofskoe osmyslenie i osobennosti pravovogo regulirovanii︠a︡: sbornik nauchnykh trudov.V. M. Artëmov & O. I︠U︡ Rybakov (eds.) - 2019 - Moskva: Prospekt.
     
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  3. The Routledge Handbook of Biopolitics.Sergei Prozorov & Simona Rentea (eds.) - 2016
    The problematic of biopolitics has become increasingly important in the social sciences. Inaugurated by Michel Foucault's genealogical research on the governance of sexuality, crime and mental illness in modern Europe, the research on biopolitics has developed into a broader interdisciplinary orientation, addressing the rationalities of power over living beings in diverse spatial and temporal contexts. The development of the research on biopolitics in recent years has been characterized by two tendencies: the increasingly sophisticated theoretical engagement with the idea of power (...)
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  4.  22
    Frozen Tombs of SiberiaA Heritage of ImagesAlienationMilton StudiesFilm Culture ReaderHerbert Read, a Memorial SymposiumAesthetic Concepts and EducationThe Expanded Voice: The Art of Thomas Traherne.Barbara Woodward, Sergei I. Rudenko, M. W. Thompson, Saxl Fritz, R. Schacht, James D. Simmonds, P. A. Sitney, Robin Skelton, R. A. Smith & Stewart Stanley - 1971 - Journal of Aesthetics and Art Criticism 29 (3):429.
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  5.  13
    Sergei Parajanov's Differential Cinema.Robert Efird - 2018 - Film-Philosophy 22 (3):465-483.
    The films of Sergei Parajanov remain some of the most stylistically unique in the history of the medium and easily place him within the pantheon of the world's great filmmakers. This article offers a new perspective on Parajanov's art through a detailed examination of the two works at the center of his oeuvre, The Colour of Pomegranates and The Legend of Suram Fortress. In addition to their undeniable aesthetic value, these films may be appreciated as meaningful discourse on our (...)
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  6.  16
    Realization of Intuitionistic Logic by Proof Polynomials.Sergei N. Artemov - 1999 - Journal of Applied Non-Classical Logics 9 (2-3):285-301.
    ABSTRACT In 1933 Gödel introduced an axiomatic system, currently known as S4, for a logic of an absolute provability, i.e. not depending on the formalism chosen ([God 33]). The problem of finding a fair provability model for S4 was left open. The famous formal provability predicate which first appeared in the Gödel Incompleteness Theorem does not do this job: the logic of formal provability is not compatible with S4. As was discovered in [Art 95], this defect of the formal provability (...)
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  7. O Modernizme.Sergeĭ Efimovich Mozhni͡agun - 1970
     
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  8. Art's Self-Disclosure: Hegelian Insights Into Cinematic and Modernist Space.C. A. Tsakiridou - 2013 - Evental Aesthetics 2 (1):44-72.
    This article uses Hegel’s analysis of the Romantic form to elucidate the relationship between aesthetic space and subjectivity in modernist painting (Paul Klee) and cinema (Sergei Eisenstein). The movement that brings art to realization in Hegel thus includes genres and modalities of art that did not exist in his time: in cinema and modernist painting, the Idea or truth of art evolves and brings itself to completion. Plasticity, the movement of aesthetic form toward self-expression, abandons the rigid substantiality it (...)
     
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  9. Problematika voĭny v gumanitarnykh naukakh.A. D. Kumanʹkov, Sergeĭ Li︠u︡bimov & M. A. Sidorova (eds.) - 2019 - Sankt-Peterburg: Aleteĭi︠a︡.
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  10.  35
    Magic and Myth of the MoviesThe Film Sense.Milton S. Fox, Parker Tyler, Sergei M. Eisenstein & Jay Leyda - 1950 - Journal of Aesthetics and Art Criticism 8 (3):203.
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  11.  6
    Lermontov and Post-Lermontov Intertext in the Story of Sergei Dovlatov “The Reserve”.O. V. Bogdanova & E. A. Vlasova - 2019 - Liberal Arts in Russia 8 (2):129.
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  12.  6
    Tragic Loneliness in Cycle of “Stories of Last Summer” by Sergei Dovlatov.E. A. Vlasova - 2018 - Liberal Arts in Russia 7 (3):185.
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  13. The Moving Eye: Film, Television, Architecture, Visual Art, and the Modern.Edward Dimendberg (ed.) - 2019 - New York, NY: Oxford University Press.
    Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities (...)
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  14.  15
    Film as a Dream of the Modern Man: Interpretation of Susanne Langer’s “Note on the Film”.Tereza Hadravová - 2020 - Eidos. A Journal for Philosophy of Culture 4 (1):38-48.
    The paper concerns a “Note on the Film,” a short appendix to Feeling and Form by Susanne Langer. The interpretation interweaves the Note into a larger context of Langer’s philosophical work – primarily in terms of her understanding of the dream as a lower symbolic form, to which the film is compared – as well as in terms of her account of literary arts among which, she suggests, cinema belongs. Langer’s references to Sergei Eisenstein are discussed and their respective (...)
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  15.  37
    Between Utopia and Event: Beyond the Banality of Local Politics in Eisenstein.Julia Vassilieva - 2011 - Film-Philosophy 15 (1):140-160.
    Sergei Eisenstein’s 110th anniversary celebrated in 2008 calls for a re-assessment of his overall heritage, which until now has been customarily perceived in Western film scholarship as - in Annette Michelson’s words - ’indissolubly linked to the project of construction of socialism’ - a view shared from Marie Seton to Jacques Aumont, from Kristin Thompson to Ian Christie and from David Bordwell to Anna Bohn. Not only did Eisenstein’s output magnificently and persuasively outlive this project, but from our vantage (...)
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  16.  9
    Russian Avant-Garde and Radical Modernism: An Introductory Reader.Denis G. Ioffe & Frederick H. White (eds.) - 2012 - Academic Studies Press.
    I. An introduction -- II. Russian futurism and the related currents -- III. Russian suprematism and constructivism -- IV. The OBERIU circle (Daniil Kharms and his associates) -- V. Russian experimental performance and theater -- VI. Avant-garde cinematography: Sergei Eisenstein and Dziga Vertov.
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  17.  15
    Modernism: An Anthology of Sources and Documents.Vassiliki Kolocotroni, Jane Goldman & Olga Taxidou (eds.) - 1998 - University of Chicago Press.
    From Bauhaus to Dada, from Virginia Woolf to John Dos Passos, the Modernist movement revolutionized the way we perceive, portray, and participate in the world. This landmark anthology is a comprehensive documentary resource for the study of Modernism, bringing together more than 150 key essays, articles, manifestos, and other writings of the political and aesthetic avant-garde between 1840 and 1950. By favoring short extracts over lengthier originals, the editors cover a remarkable range and variety of modernist thinking. Included are not (...)
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  18. Film as Philosophy: In Defense of a Bold Thesis.Aaron Smuts - 2009 - Journal of Aesthetics and Art Criticism 67 (3):409-420.
    I argue for a position close to what Paisley Livingston calls the bold thesis of cinema as philosophy. The bold thesis I defend is that films can make innovative, independent philosophical contributions by paradigmatic cinematic means. I clarify the thesis before presenting what Livingston thinks is a fatal problem for any similar position—the problem of paraphrase. As an example in defense of the bold thesis, I offer the "For God and Country" sequence in Sergei Eisenstein’s October (1928). I argue (...)
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  19. Naukata i zhiznenii︠a︡t svi︠a︡t: sbornik v chest na 60-godishninata na prof. Sergeĭ Gerdzhikov.Sergeĭ Gerdzhikov, Konstantin I︠A︡nakiev & Dimitŭr Elchinov (eds.) - 2017 - Sofii︠a︡: Universitetsko izdatelstvo "Sv. Kliment Okhridski".
     
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  20. Arte Classica Ch 6900 Lugano. Via Peri 9-Tel. 091 23 38 54.Bernheimer'S. Antique Arts & Antique Jewelry - 1991 - Minerva 2.
  21. Artes plásticas.Laís Moura—Duas Artes Primitivas, Homem Comum, M. Silveira & Domingos Crippa—O. Humanismo Marxista - 1967 - Convivium: revista de filosofía 10.
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  22.  12
    Psikodilbilimsel Yaklaşıma Dayalı Araştırmalarda Terminolojik Sorunlar.Muhammadhan Haki̇mov - 2016 - Journal of Turkish Studies 11 (Volume 11 Issue 15):209-209.
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  23.  7
    Sergei Vsekhsvyatskii’s Studies on Philosophical Issues of Cosmology and Cosmogony.Sergii Rudenko & Yaroslav Sobolievskyi - 2022 - Философия И Космология 28:146-158.
    This paper analyses the methodological ideas of Sergei Vsekhsvyatskii’s Studies on Philosophical Issues of Cosmology and Cosmogony. The article examines the background and history of the development of astronomy and cosmology in Ukraine and its gradual transition from a descriptive method to mathematical analysis. The authors have studied the influence of Ukrainian scholars and philosophers on studies in cosmology, astronomy, philosophical issues in cosmology, and computational cosmology. The philosophical understanding of cosmology and cosmogony is always a search for alternative (...)
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  24. Constructive Negations and Paraconsistency.Sergei Odintsov - 2008 - Dordrecht, Netherland: Springer.
    Here is an account of recent investigations into the two main concepts of negation developed in the constructive logic: the negation as reduction to absurdity, and the strong negation. These concepts are studied in the setting of paraconsistent logic.
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  25. Foucault, Freedom And Sovereignty. [REVIEW]Sergei Prozorov - 2008 - Foucault Studies:123-127.
     
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  26.  7
    Semiotics of Art Literature• Painting• Film.Sémiotique des Arts - 1971 - In Julia Kristeva, Josette Rey-Debove & Donna Jean Umike-Sebeok (eds.), Essays in Semiotics. The Hague: Mouton. pp. 397.
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  27. Art as the Measure of Man.Bruno Bettelheim, Irwin Edman, George Dinsmore Stoddard & National Committee on Art Education - 1964 - [Published by] the Museum of Modern Art for the National Committee on Art Education; Distributed by Doubleday, Garden City, N. Y.
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  28. .Sergeĭ Belkhov - 2006
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  29. Scénarios Schématiques de la Vie Et de la Narration.Sergei Iou Neklioudov - 2010 - Iris 31:41-50.
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  30. Thinking Art Beyond Traditional Aesthetics.Andrew E. Benjamin, Peter Osborne & Institute of Contemporary Arts - 1991
     
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  31.  16
    Sergei S. Goncharov. Countable Boolean Algebras and Decidability. English Translation of Schetnye Bulevy Algebry I Razreshimost′. Siberian School of Algebra and Logic. Consultants Bureau, New York, London, and Moscow, 1997, Xii + 318 Pp. [REVIEW]Valentina Harizanov - 1998 - Journal of Symbolic Logic 63 (3):1188-1190.
  32.  90
    The Moral Duty to Reduce the Risk of Child Sexual Abuse.Sergei Levin - 2019 - Human Affairs 29 (2):188-198.
    A paedophile is a person with a sexual attraction to children; some paedophiles commit child sex abuse offences. For such acts, they hold moral and legal responsibility, which presupposes that paedophiles are moral agents who can distinguish right from wrong and are capable of self-control. Like any other moral agents, paedophiles have moral duties. Some moral duties are universal, e.g., the duty not to steal. Whether there are any specific moral duties related to paedophilia is the topic of this paper. (...)
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  33.  21
    Sergei Nirenburg, Victor Raskin, Ontological Semantics.Manuel Bremer - 2008 - Minds and Machines 18 (2):293-295.
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  34. Art Agency and the Continued Assault on Authorship.Simon Blond - 2023 - New York: Routledge.
    This book presents a counter-history to the relentless critique of the humanist subject and authorial agency that has taken place over the last fifty years. It is both an interrogation of that critique and the tracing of an alternative narrative from Romanticism to the twenty-first century which celebrates the agency of the artist as a powerful contribution to the well-being of community. It does so through arguments based on philosophical aesthetics and cultural theory interspersed with case histories of particular artists. (...)
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  35. L'art, la Science Et la M'etaphysique 'Etudes Offertes Áa Andr'e Mercier Áa l'Occasion de Son Quatre-Vingtiáeme Anniversaire Et Recueillies au Nom de l'Acad'emie Internationale de Philosophie de L'art.Luz Garcâia Alonso, E. Moutsopoulos, Gerhard Seel, Andrâe Mercier & Acadâemie Internationale de Philosophie de L'art - 1993
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  36.  7
    Was soll in der Sinnespsychologie und -Physiologie als "Adaequater Reiz" gelten?Sergei Feitelberg - 1939 - Synthese 4 (12):57 - 60.
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  37.  68
    Closing the Gap Between Ideal and Real Behavior: Scientific Vs. Engineering Approaches to Normativity.Sergei Gepshtein - 2009 - Philosophical Psychology 22 (1):61 – 75.
    Early normative studies of human behavior revealed a gap between the norms of practical rationality (what humans ought to do) and the actual human behavior (what they do). It has been suggested that, to close the gap between the descriptive and the normative, one has to revise norms of practical rationality according to the Quinean, engineering view of normativity. On this view, the norms must be designed such that they effectively account for behavior. I review recent studies of human perception (...)
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  38. Sobornyĭ personalizm--kli︠u︡ch k russkoĭ filosofii: N.O. Losskiĭ i O.P. Florenskiĭ ; ot︠s︡enka t︠s︡ivilizat︠s︡ionnoĭ teorii N.I︠A︡. Danilevskogo: k 150-letii︠u︡ vykhoda "Rossii i Evropy". [REVIEW]Sergeĭ Dmitrievich Baranov - 2019 - Moskva: Knizhnyĭ mir.
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  39. Bernheimer's Antique Arts.Antique Jewelry & Arte Classica - 1991 - Minerva 2.
     
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  40.  50
    Two Psychologies of Perception and the Prospect of Their Synthesis.Sergei Gepshtein - 2010 - Philosophical Psychology 23 (2):217 – 281.
    Two traditions have had a great impact on the theoretical and experimental research of perception. One tradition is statistical, stretching from Fechner's enunciation of psychophysics in 1860 to the modern view of perception as statistical decision making. The other tradition is phenomenological, from Brentano's “empirical standpoint” of 1874 to the Gestalt movement and the modern work on perceptual organization. Each tradition has at its core a distinctive assumption about the indivisible constituents of perception: the just-noticeable differences of sensation in the (...)
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  41.  1
    On Some Features of Russian Liberalism.Sergei L. Chizhkov - 2022 - Russian Studies in Philosophy 60 (2):89-95.
    Why does the theory of law have such a significant role in Russian liberalism, and how is this related to the state of the legal system in Russia and to the public’s legal consciousness? This intro...
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  42.  4
    Boris N. Chicherin and the Problem of the Political Identification of His Legacy.Sergei L. Chizhkov - 2021 - Russian Studies in Philosophy 59 (1):1-12.
    This article examines a still contentious question: how conservative and liberal elements are combined in Boris N. Chicherin’s worldview and political doctrine. It considers several points of view...
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  43. Explicit Provability and Constructive Semantics.Sergei N. Artemov - 2001 - Bulletin of Symbolic Logic 7 (1):1-36.
    In 1933 Godel introduced a calculus of provability (also known as modal logic S4) and left open the question of its exact intended semantics. In this paper we give a solution to this problem. We find the logic LP of propositions and proofs and show that Godel's provability calculus is nothing but the forgetful projection of LP. This also achieves Godel's objective of defining intuitionistic propositional logic Int via classical proofs and provides a Brouwer-Heyting-Kolmogorov style provability semantics for Int which (...)
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  44.  1
    On the Progress of Mathematics.Sergei Demidov - 2000 - In Emily Grosholz & Herbert Breger (eds.), The Growth of Mathematical Knowledge. Kluwer Academic Publishers. pp. 377--386.
  45. Chapter Ten Art Constructs as Generators of the Meaning of the Work of Art Viktor F. Petrenko and Olga N. Sapsoleva.Art Constructs as Generators - 2007 - In L. I͡A Dorfman, Colin Martindale & Vladimir Petrov (eds.), Aesthetics and Innovation. Cambridge Scholars Press.
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  46. The Analysis of Art.De Witt H. Parker & N. Metropolitan Museum of Art York - 1926 - Yale University Press H. Milford, Oxford University Press.
     
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  47. The Logic of Justification.Sergei Artemov - 2008 - Review of Symbolic Logic 1 (4):477-513.
    We describe a general logical framework, Justification Logic, for reasoning about epistemic justification. Justification Logic is based on classical propositional logic augmented by justification assertions t: F that read t is a justification for F. Justification Logic absorbs basic principles originating from both mainstream epistemology and the mathematical theory of proofs. It contributes to the studies of the well-known Justified True Belief vs. Knowledge problem. We state a general Correspondence Theorem showing that behind each epistemic modal logic, there is a (...)
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  48.  1
    Democratic Biopolitics: Popular Sovereignty and the Power of Life.Sergei Prozorov - 2019 - Edinburgh University Press.
    Sergei Prozorov challenges the assumption that the biopolitical governance means the end of democracy, arguing for a positive synthesis of biopolitics and democracy. He develops a vision of democratic biopolitics where diverse forms of life can coexist on the basis of their reciprocal recognition as free, equal and in common.
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  49. Justification Logic.Sergei Artemov - forthcoming - Stanford Encyclopedia of Philosophy.
  50. The Philosophy of Pseudoabsolute.Sergeĭ Shalvovich Avaliani - 2018 - Hauppauge, New York: Nova Science Publisher's.
    The book represents a comprehensive account of the principles of the philosophy of the pseudoabsolute and is intended for readers interested in the issues of theoretical philosophy. It is also meant for a wide range of readers interested in the relative and absolute nature of human mentality.
     
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