13 found
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  1.  46
    Meinong and bühler.Serena Cattaruzza - 1996 - Axiomathes 7 (1-2):103-110.
  2.  13
    Synaesthetic Interactions between Sounds and Colour Afterimages: Revisiting Werner and Zietz’s Approach.Tiziano Agostini, Serena Cattaruzza, Walter Coppola, Marco Prenassi & Giulia Parovel - 2022 - Gestalt Theory 44 (1-2):161-174.
    We ran a pilot experiment to explore, using a new psychophysical method, the hypothesis proposed by Zietz and Werner in the ’30s, that a sound presented simultaneously with an afterimage can change its phenomenal appearance in non-synaesthetes. The method we adopted is able to directly collect and visualise the apparent changes in intensity of the afterimages, by recording observers’ interactions with a physical feedback mechanism, without referring to verbal descriptions. These first findings support some of the most meaningful observations reported (...)
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  3. Brentano and Boltzmann: The Schubladenexperiment.Serena Cattaruzza - 1998 - In Roberto Poli (ed.), The Brentano puzzle. Brookfield, Vt.: Ashgate.
     
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  4.  4
    Bühler i “prorok z prawej strony: filozofia”.Serena Cattaruzza - 2014 - Filozofia i Nauka 2:437-460.
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  5.  4
    Beyond Stereotypes. Knowledge and Medical Care in the Man-Animal Relationship.Serena Cattaruzza & Paolo Tosolini - 2014 - Dialogue and Universalism 24 (2):125-147.
    The possible contribution that the figure of the veterinarian provides to a progressive clarification of the knowledge inherent in the animal subject can be highlighted by an epistemological reflection which throws into relief the distinctive modes of approach and the most suitable curative procedures. At the same time a comparison between such procedures and the methods developed by different contemporary philosophical-scientific sectors, including those of the human sciences, could prove instructive in reporting the junctions and obligatory crossings of common problems.
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  6.  57
    Foreword.Serena Cattaruzza - 1999 - Axiomathes 10 (1-3):7-10.
  7.  9
    Gestalt and Movement between Music and Dance.Serena Cattaruzza & Walter Coppola - 2020 - Gestalt Theory 42 (3):221-232.
    Summary The famous essay by Christian von Ehrenfels, Über Gestaltqualitäten (1890), opens up, as is well-known, an important seam not only in the psychology of perception but also of aesthetics, of the psychology and philosophy of music, art and language. Here, in fact, the form understood as ‘Gestalt’ is something concretely audible and visible and not simply a formal abstraction. It is about a pioneering programme rich in ideas and original connections. The author does not mean simply to define the (...)
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  8.  19
    Historical-biographical outline.Serena Cattaruzza - 1999 - Axiomathes 10 (1-3):221-223.
  9.  38
    Karl Bühler: The Principle of Gestalt.Serena Cattaruzza - 2015 - Dialogue and Universalism 25 (4):77-85.
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  10. Millenovecentonovantatrè.Serena Cattaruzza - 2003 - Rivista di Estetica 43 (24):41-44.
     
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  11.  44
    Philosophical theories and experimental design in Vittorio benussi.Serena Cattaruzza - 1999 - Axiomathes 10 (1-3):11-29.
  12.  9
    Rudolf Hallers Studien zu ästhetischen Grundlagenfragen.Serena Cattaruzza - 2022 - Grazer Philosophische Studien 99 (2):223-227.
    In this essay, the highly original contribution made by Rudolf Haller to aesthetic studies and the philosophy of art is analysed. In particular, the volume Facta und Ficta (1986) is examined, which takes as its starting point the contrast between real and imaginary objects, including works of art. According to Haller, it is problematic to give a definition of a work of art because one can refer to very different creations, from poetic compositions to architectural structures and musical scores. Therefore, (...)
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  13. Theodor Lipps-Edith Stein: sull’empatia.Serena Cattaruzza - 2002 - Discipline Filosofiche 12 (2).
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