We present a cognitive-physicalist account of phenomenal consciousness. We argue that phenomenal concepts do not differ from other types of concepts. When explaining the peculiarities of conscious experience, the right place to look at is sensory/ perceptual representations and their interaction with general conceptual structures. We utilize Jerry Fodor’s psycho- semantic theory to formulate our view. We compare and contrast our view with that of Murat Aydede and Güven Güzeldere, who, using Dretskean psychosemantic theory, arrived at a solution (...) different from ours in some ways. We have suggested that the representational atomism of certain sensory experiences plays a central role in reconstructing the epistemic gap associated with conscious experience, still, atomism is not the whole story. It needs to be supple- mented by some additional principles. We also add an account of introspection, and suggest some cognitive features that might distinguish representational atoms with phenomenal character from those without it. (shrink)

Journal Name: Semiotica Issue: Ahead of print.

Perceptual experience seems to involve distinct intentional and qualitative features. Inasmuch as one can visually perceive that there is a Coke can in front of one, perceptual experience must be intentional. But such experiences seem to differ from paradigmatic intentional states in having introspectible qualitative character. Peacocke argues that a perceptual experience’s qualitative character is determined by intrinsic, nonrepresentational properties. But and also argues that perceptual experiences have nonconceptual representational content in addition to conceptual content and nonrepresentational sensational properties. He (...) thus distinguishes between conceptual, nonrepresentational, and nonconceptual but representational aspects of perceptual experience. I will argue that Peacocke posits too much. Contrary to his arguments, the sensational properties Peacocke claims are nonrepresentational are best construed as representational; they are best explained in terms of their relation to the perceptible properties they enable us to perceive. Since sensational properties are arguably nonconceptual, they are best construed as nonconceptual representational properties. I offer the Homomorphism View of sensory qualities, pioneered by Sellars , as a unified account of qualitative character and nonconceptual sensory representation. According to this view, a sensory quality represents a perceptible stimulus property in virtue of resembling and differing from other sensory qualities in ways parallel to the ways the stimulus property resembles and differs from other perceptible properties. (shrink)

Descartes’ accounts of sensory perception have long troubled his interpreters, for their lack of clear and explicit statements on some fundamental issues. His readers have wondered whether he allows spatial sensory ideas (spatial qualia); whether sensory ideas such as color or pain are representations and, if so, what they represent; and what cognitive value Descartes attributed to sense perception. Recent discussions take differing stands on the questions just mentioned, and also disagree over Descartes’ account of the (...) externalization of sensory qualities, on the origin and correct analysis of the “material falsity” he attributes to some sensory ideas, and on the value of the “teachings of nature.” Such disagreement should not be surprising, for although sensory perception was an important topic for Descartes, his treatment of these particular issues is not systematic – or at least not apparently so. Generally, there are no proof texts that unequivocally settle questions about Descartes’ views on spatial qualia, the representationality of sensory ideas, their cognitive value, externalization, material falsity, and the status of the teachings of nature. Yet these questions and topics naturally arise from matters about which Descartes is explicit and (reasonably) consistent, regarding the role of the senses in philosophy and everyday life and concerning the nature of minds and ideas. It is, therefore, worthwhile to ask what his positions might have been. This chapter develops answers by considering Descartes’ systematic doctrines on the nature of the mind and its ideas and by combing his statements on sensation and perception for hints about how to apply such principles. The first section reviews some key texts. Succeeding sections develop positions on representationality, cognitive value, externalization, material falsity, and the teachings of nature. Ultimately, I favor an interpretation in which, for Descartes, all sensory ideas represent by resemblance, different kinds of sensory ideas vary in cognitive value, externalization arises through spatial localization, and, with sensory ideas of color and the like, as materially false they do not intrinsically misrepresent but afford occasion for false judgments, which arise as merely apparent, and so not actually legitimate, teachings of nature. (shrink)

The notion of representation figures centrally both in Descartes’ scientific theorizing about sense in humans and in his conceptual speculations about the nature of human cognition.Descartes’ philosophical innovation in the Dioptrics is the claim that sensing in humans is a kind of representing rather than a kind of resembling. This provides the cornerstone for his attack on traditional theories of sense, and it underwrites his own position that sensing is a kind of thinking, ascribable to the rational soul rather than (...) to any Aristotelean sensitive soul. (shrink)

The notion of representation figures centrally both in Descartes’ scientific theorizing about sense in humans and in his conceptual speculations about the nature of human cognition.Descartes’ philosophical innovation in the Dioptrics is the claim that sensing in humans is a kind of representing rather than a kind of resembling. This provides the cornerstone for his attack on traditional theories of sense, and it underwrites his own position that sensing is a kind of thinking, ascribable to the rational soul rather than (...) to any Aristotelean sensitive soul. (shrink)

Background. Although genital sensations are an essential aspect of sexual behavior, the cortical somatosensory representation of genitalia in women and men remain poorly known and contradictory results have been reported. Objective. To conduct a systematic review of studies based on electrophysiological and functional neuroimaging studies, with the aim to identify insights brought by modern methods since the early descriptions of the sensory homunculus in the primary somatosensory cortex . Results. The review supports the interpretation that there are two distinct (...) representations of genital sensations in SI, one on the medial surface and the other on the lateral surface. In addition, the review suggests that the secondary somatosensory cortex and the posterior insula support a representation of the affective aspects of genital sensation. Conclusion. In view of the erogenous character of sensations originating in the genitalia, future studies on this topic should systematically assess qualitatively as well as quantitatively the sexually stimulating and/or sexually pleasurable characteristics of sensations felt by subjects in response to experimental stimuli. (shrink)

1. Clark’s book is a detailed study of the nature of sensory representation. It is highly informed by empirical results in the psychology of perception, and philosophically rich and significant. I admire the book and learned a great deal from reading it. As it covers a wide range of topics, and as I have no overarching critique to present, in this commentary I will briefly address three issues that come up in the book: Clark’s relational type-identity thesis for (...) class='Hi'>sensory qualities, his theory that sensory representations involve proto-singular terms referring to spatio-temporal regions in the subject’s environment, and his interesting proposal concerning color to treat it as “difference coding”. Some of my remarks will be critical, but others will just explore some of the implications of his view. 2. Clark distinguishes “phenomenal properties” from “qualitative properties”, the former being appearance properties of things in the world (their colors, shapes, tastes, odors, etc.) and the latter being the properties of sensations by virtue of which they are sensations of their corresponding phenomenal properties. So when I see a red ball I am “directly” aware of the ball’s redness and roundness - it appears red and round to me. This awareness of the ball’s redness and roundness is accomplished, however, by my having a visual experience with certain qualitative properties; those that are of the sort one has when seeing something as red and round. It is these latter qualitative properties that are the subject of his relational type-identity thesis. Before addressing that thesis, however, I want to quickly note and respond to another point Clark makes concerning the qualitative properties of sensory states. He.. (shrink)

Certain representations are bound in special ways to our sensory capacities; consider, for instance, pictures, sound recordings, and the various forms of mental sensory imagery. What do these representations have in common, and what makes them different from representations of other kinds? Dominic Gregory employs novel ideas on perceptual states and sensory perspectives to explain the special nature of the contents of distinctively sensory representations. The book contains extensive discussions of e.g. perceptual (...) imagination, pictorial representation, and memories. (shrink)

Raffaella De Rosa discusses the theory of sensory perception, especially color perception, offered by Ren Descartes. She offers a detailed overview of the recent literature on the topic and provides a new reading of Descartes' theory; she also raises questions of great interest in the contemporary philosophy of mind and cognitive science.

Descartes and the Puzzle of Sensory Representation is an intensely polemical attack on many recent expositions of sensory representation in Descartes, and a defense of De Rosa’s own Descriptive-Causal Account of Sensory Representation. For Descartes, she says, there are two kinds of ideas, sensible and intelligible, both of which have presentational and referential content. The presentational content of sensible ideas consists of touches, tastes, sounds, odors, and colored visual images that are obscure and confused, in that there (...) is nothing like these sensible ideas in the material world. The presentational content of intelligible ideas, on the other hand, is clear and distinct, in that it consists of geometric representations of material bodies that do exist in the world outside the mind. Thus, whenever one has a clear and distinct intelligible perception of a material body that exists outside the mind, one also has at the same time an obscure and confused sensible image of that body as hard, sweet, squeaky, odiferous, and colored. Nothing like these sensible images actually exists in bodies. De Rosa says that the role of sensible imagery is to individuate and differentiate material bodies from one another, which would be difficult to do for. (shrink)

Raffaella De Rosa discusses the theory of sensory perception, especially color perception, offered by René Descartes. She offers a detailed overview of the recent literature on the topic and provides a new reading of Descartes' theory; she also raises questions of great interest in the contemporary philosophy of mind and cognitive science.

En este ensayo se examina de manera crítica el desarrollo de la filosofía analítica y, en particular, de la filosofía analítica latinoamericana. Se propone que esta última adopte un giro político y uno pedagógico con el fin de recuperar su espíritu original y reconectarse con la tradición intelectual latinoamericana. This essay is a critical examination of the development of analytic philosophy and, in particular, of Latin American analytic philosophy. It is argued that the latter ought to adopt a political and (...) pedagogical turn in order to recover its original spirit and to be reconnected to Latin American intelectual tradition. (shrink)

Some sensory modalities, such as sight, touch and audition, are arguably spatial, and one way to understand these spatial senses is to investigate spatial representations in them. Here I focus on a specific element in this area— the interplay between perspectival variation and spatial constancy—and discuss recent interdisciplinary works on this topic. With these relevant experimental works, we will see clearly how traditional controversies in philosophy, for example, whether we perceive perspectival shapes as well as objective shapes, and (...) whether any sensory field should be postulated in senses other than vision, can benefit from considerations in empirical sciences. (shrink)

A book review of Raffaella De Rosa's Descartes and the Puzzle of Sensory Representation".

David Papineau develops a new argument against representationalism, centering on the idea that sensory experiences are essentially representational on this view. He defends his own “qualitative view” according to which sensory experiences are only contingently representational. I discuss his main argument against essentialist representationalism and then provide two challenges for his positive account. First, Papineau's theory faces a dilemma when it comes to explaining the contents of our perceptual beliefs in situations where the conscious character of sensory (...) experience comes apart from what it represents. Second, we may need to abandon the idea that sensory experiences are assessable for veridicality. (shrink)

In the target article Pylyshyn revives the spectre of the “little green man,” arguing for a largely symbolic representation of visual imagery. To clarify this problem, we provide precise definitions of the key term “picture,” present some examples of our definition, and outline an information-theoretic analysis suggesting that the problem of addressing data in the brain requires a partially analogue and partially symbolic solution. This is made concrete in the ventral stream of object recognition, from V1 to IT cortex.

This paper is about the nature of conscious sensory properties. My initial thesis is that these properties should not be equated with representational properties. I argue that any such representationalist view is in danger of implying that conscious sensory properties are constituted by relations to propositions or other abstract objects outside space and time; and I add that, even if this implication can be avoided, the broadness of representational properties in any case renders them unsuitable to constitute conscious (...) properties. In place of the representational account, I then defend an equation of conscious sensory properties with intrinsic non‐relational properties of subjects, and I show how this view deals naturally with all the difficulties facing representationalism. I conclude by defending this non‐relational account of conscious experience against arguments from the ‘transparency’ and the ‘intrinsic intentionality’ of experience. (shrink)

In the nearly half a century since its modern inception (Anscombe (1965), Hintikka (1969)), the Representation theory has faced no more implacable enemy than Ned Block. He has offered objection after objection, usually in the form of apparent counterexamples, and as I write this he shows no sign of flagging.

In attempting to integrate the authors' proposed model with results from analogous human event-related potential (ERP) research, we found difficulties with: (1) its apparent disregard for supraordinate representations at posterior multimodal association cortices, (2) its failure to address contextual task effects, and (3) its strict architectural dichotomy between memory storage and control functions.

Teleological accounts of sensory normativity treat normal functioning for a species as a standard: sensory error involves departure from normal functioning for the species, i.e. sensory malfunction. Straightforward reflection on sensory trade-offs reveals that normal functioning for a species can exhibit failures of accuracy. Acknowledging these failures of accuracy is central to understanding the adaptations of a species. To make room for these errors we have to go beyond the teleological framework and invoke the notion of (...) an ideal observer from vision science. The notion of an ideal observer also sheds light on the important distinction between sensory malfunction and sensory limitation. (shrink)

This article seeks the origin, in the theories of Ibn al-Haytham (Alhazen), Descartes, and Berkeley, of two-stage theories of spatial perception, which hold that visual perception involves both an immediate representation of the proximal stimulus in a two-dimensional ‘‘sensory core’’ and also a subsequent perception of the three dimensional world. The works of Ibn al-Haytham, Descartes, and Berkeley already frame the major theoretical options that guided visual theory into the twentieth century. The field of visual perception was the first (...) area of what we now call psychology to apply mathematics, through geometrical models as used by Euclid, Ptolemy, Ibn al-Haytham, and Descartes (among others). The article shows that Kepler’s discovery of the retinal image, which revolutionized visual anatomy and entailed fundamental changes in visual physiology, did not alter the basic structure of theories of spatial vision. These changes in visual physiology are advanced especially in Descartes' Dioptrics and his L'Homme. Berkeley develops a radically empirist theory vision, according to which visual perception of depth is learned through associative processes that rely on the sense of touch. But Descartes and Berkeley share the assertion that there is a two-dimensional sensory core that is in principle available to consciousness. They also share the observation that we don't usually perceived this core, but find depth and distance to be phenomenally immediate, a point they struggle to accommodate theoretically. If our interpretation is correct, it was not a change in the theory of the psychology of vision that engendered the idea of a sensory core, but rather the introduction of the theory into a new metaphysical context. (shrink)

The consensus in contemporary philosophy of mind is that how a perceptual experience represents the world to be is built into its sensory phenomenology. I defend an opposing view which I call ‘moderate separatism’, that an experience's sensory phenomenology does not determine how it represents the world to be. I argue for moderate separatism by pointing to two ordinary experiences which instantiate the same sensory phenomenology but differ with regard to their intentional content. Two experiences of an (...) object reflected in a mirror can possess the same spatial phenomenology while representing that object to occupy different spatial locations. So, contrary to the current consensus, the representation of spatial location is not fixed by an experience's sensory phenomenology. (shrink)

Synesthesia is a phenomenon in which an additional nonstandard perceptual experience occurs consistently in response to ordinary stimulation applied to the same or another modality. Recent studies suggest an important role of semantic representations in the induction of synesthesia. In the present proposal we try to link the empirically grounded theory of sensory-motor contingency and mirror system based embodied simulation to newly discovered cases of swimming-style color synesthesia. In the latter color experiences are evoked only by showing the (...) synesthetes a picture of a swimming person or asking them to think about a given swimming style. Neural mechanisms of mirror systems seem to be involved here. It has been shown that for mirror-sensory synesthesia, such as mirror-touch or mirror-pain synesthesia, concurrent experiences are caused by the overactivity in the mirror neuron system responding to the specific observation. The comparison of different forms of synesthesia has the potential of challenging conventional thinking on this phenomenon and providing a more general, sensory-motor account of synesthesia encompassing cases driven by semantic or emulational rather than pure sensory or motor representations. (shrink)

The capacity for feature binding is typically explained in terms of the attribution model: a perceptual state selects an individual and attributes properties to it (Kahneman & Treisman 1984; Clark 2004; Burge 2010). Thus features are bound together in virtue of being attributed to the same individual. While the attribution model successfully explains some cases of binding in perception, not all binding need be understood as property attribution. This chapter argues that some forms of binding—those involving holistic iconic representations, (...) which bind features outside the limits of attention and object files—don’t fit the attribution model. The chapter then sketches an alternative coordination model of binding that construes icons as complex analog representations. (shrink)

David Papineau’s _The Metaphysics of Sensory Experience_ is deep, insightful, refreshingly brisk, and very readable. In it, Papineau argues that sensory experiences are intrinsic and non-relational states of subjects; that they do not essentially involve relations to worldly facts, properties, or other items (though they do happen to correlate with worldly items); and that they do not have truth conditions simply in virtue of their conscious (i.e., phenomenal) features. I am in enthusiastic agreement with the picture as described (...) so far. But Papineau also argues that sensory experiences are in no interesting sense essentially representational and that what is responsible for their truth conditions is their correlations with the environment. Here, I disagree. Indeed, I think Papineau does not follow his arguments to their proper conclusions. For if sensory experiences are intrinsic, non-relational, and only contingently correlated with worldly conditions (as Papineau and I agree they are), then the phenomenal features of sensory states are representational in an important sense: they constitute what we think, perceptually experience, or otherwise entertain, making up how things seem to us from a first-person perspective. Because of this, the truth conditions of perceptual experiences cannot be entirely independent of their phenomenal features. They cannot merely be a matter of environmental correlations. If we follow Papineau’s arguments to their proper conclusions, we end up with a view much closer to a version of representationalism that Papineau dismisses, a view he calls “pure phenomenal intentionalism”. (shrink)

Intermodal representationalists hold that the phenomenal characters of experiences are fully determined by their contents. In contrast, intramodal representationalists hold that the phenomenal characters of experiences are determined by their contents together with their intentional modes or manners of representation, which are nonrepresentational features corresponding roughly to the sensory modalities. This paper discusses a kind of experience that provides evidence for an intermodal representationalist view: intermodal experiences, experiences that unify experiences in different modalities. I argue that such experiences are (...) much easier to explain on the intermodal view. (shrink)

The phenomenal character of conscious experience has long been regarded as the major problem for physicalist accounts of consciousness. In recent years, defenders of physicalism have typically been relying on the so-called Phenomenal Concept Strategy to avoid dualism. In this paper, we argue with PCS that cognitive-physicalistic explanations can account for the peculiarities of phenomenal character. However, we think that the conceptual features PCS investigates are not the genuine causes of the special characteristics of phenomenal consciousness but only symptoms, which (...) can themselves be explained in terms of the features of the sensory-perceptual representations underlying conscious experiences, namely that some, but not all, of these states are representationally unstructured. (shrink)

Sensory substitution devices (SSDs) are most familiar from their use with subjects who are deficient in a target modality (e.g. congenitally blind subjects), but there is no doubt that the use and potential value of SSDs extend to persons without such deficits. Recent work by Amedi and his team (in particular Levy-Tzedek et al. 2012) has begun to explore this. Their idea is that SSDs may facilitate behavioural transference (BT) across sense modalities. In this case, a motor skill learned (...) through visual perception might be subsequently employed in response to auditory perception, using an SSD as a mediator. They infer from the existence of such BT that the learned skill is amodally represented. After a brief overview I identify ways to more fully test for BT within this experimental paradigm and argue that their conclusion about amodal representation is premature. Additionally, I argue that their preferred SSD (Eyemusic) is of limited value for the project. While my remarks are critical, my intention is to be constructive, particularly in light of the fact that Levy-Tzedek et al. (2012), is, I believe, the first output from Amedi's lab concerning this line of research. (shrink)

Philosophers and psychologists seeking an accessible introduction to current neuroscience will find much value in this volume. Befitting the neuroscientific focus on sensory processes, many essays address explicitly the binding problem. Theoretical and experimental work pertaining to the “temporal synchronicity” solution is prominent. But there are also some surprising implications for current philosophical concerns, such as the intemalism/extemalism debate about representational content, epistemological realism, a “bottom-up” approach to naturalizing intentionality, Humean concerns about the self, and implications from phantom-limb phenomena. (...) Higher-level theorists about the mind ignore results like these from current neuroscience at their own peril, at least from the point of view of discourse worthy of serious attention as the sciences of the mind/brain push forward into the 21st century. (shrink)