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Saurabh Todariya
Jawaharlal Nehru University
  1.  11
    Emotions and Mahābhārata: A Phenomenological Study of Yudhiṣṭhira’s Grief in Śānti Parva.Saurabh Todariya - 2024 - Journal of the Indian Council of Philosophical Research 41 (1):93-102.
    The complexity and fluidity of emotions in the epic of Mahābhārata present before us an interesting case for delving into the phenomenology of emotions. In the rationalist tradition of Kant, emotions are considered as an impediment to moral discernment. The rationalist account of emotions considers it as an animal instinct which needs to be controlled through the exercise of Reason. The paper problematizes the rationalist interpretation of emotions mainly on two counts. First, it ignores the evaluative content of the emotions (...)
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  2.  7
    Embodiment and Disorientation: A Phenomenological Analysis of Work from Home During COVID-19.Neha Aggarwal, Saurabh Todariya & Kriti Trehan - forthcoming - Human Studies:1-15.
    Working from home (WFH) is a new reality and norm in today’s work culture. COVID-induced lockdown introduced the concept of WFH for many people. Blurring home and workplace boundaries was a prominent cause of disorientation in people’s lives. Hence, WFH becomes a significant phenomenon to explore as it raises the fundamental question of body and space in shaping people’s experiences. To study this, the researchers designed a phenomenological inquiry and examined the lived phenomenon of WFH during the COVID lockdown. Borrowing (...)
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  3.  42
    Aesthetic Delight and Beauty: A Comparison of Kant’s Aesthetics and Abhinavagupta’s Theory of Rasa.Sangeetha Menon, Shankar Rajaraman & Saurabh Todariya - 2022 - Journal of Dharma Studies 5 (1):51-62.
    The study aims to address the existing research gap through a thematic comparison between the aesthetics of Kant and Abhinavagupta. This paper explores Kant’s notion of aesthetic judgment based on disinterestedness with Abhinavagupta’s analysis of sādhāraṇīkaraṇa. We argue that the notions of “disinterested judgment” in Kant and sādhāraṇīkaraṇa in Abhinavagupta points towards the impersonal nature of aesthetic delight which makes the universality of aesthetic experience possible. Hence, aesthetics in both Kant and Abhinavgupta are not the personal and subjective experience but (...)
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  4.  47
    Synthesis and Transcendental Ego: A Comparison of Kant and Husserl.Saurabh Todariya - 2020 - Journal of the Indian Council of Philosophical Research 37 (2):265-277.
    The paper deals with the notion of synthesis and transcendental ego in Kant and Husserl. It will argue that the actual difference between Kant and Husserl’s notion of transcendental ego can be understood through their conception of time. Kant accepts transcendental ego as the kind of logical necessity for synthesizing the various temporal units which provides unity to the consciousness. However, Husserl discards the necessity of transcendental ego by giving the phenomenological interpretation of time as internal time consciousness. The interpretation (...)
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  5.  19
    AI, Consciousness and The New Humanism: Fundamental Reflections on Minds and Machines.Sangeetha Menon, Saurabh Todariya & Tilak Agerwala (eds.) - 2024 - Springer Nature Singapore.
    This edited volume presents perspectives from computer science, information theory, neuroscience and brain imaging, aesthetics, social sciences, psychiatry, and philosophy to answer frontier questions related to artificial intelligence and human experience. Can a machine think, believe, aspire and be purposeful as a human? What is the place in the machine world for hope, meaning and transformative enlightenment that inspires human existence? How, or are, the minds of machines different from that of humans and other species? These questions are responded to (...)
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