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  1.  7
    Contextual interference processing during fast categorisations of facial expressions.Sascha Frühholz, Sina A. Trautmann-Lengsfeld & Manfred Herrmann - 2011 - Cognition and Emotion 25 (6):1045-1073.
  2.  18
    Functional neuroimaging of human vocalizations and affective speech.Sascha Frühholz, David Sander & Didier Grandjean - 2014 - Behavioral and Brain Sciences 37 (6):554-555.
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  3.  6
    A Randomized Controlled Trial Study of a Multimodal Intervention vs. Cognitive Training to Foster Cognitive and Affective Health in Older Adults.Maria Brasser, Sascha Frühholz, Andres R. Schneeberger, Gian G. Ruschetti, Rahel Schaerli, Michèle Häner & Barbara Studer-Luethi - 2022 - Frontiers in Psychology 13.
    Research over the past few decades has shown the positive influence that cognitive, social, and physical activities have on older adults’ cognitive and affective health. Especially interventions in health-related behaviors, such as cognitive activation, physical activity, social activity, nutrition, mindfulness, and creativity, have shown to be particularly beneficial. Whereas most intervention studies apply unimodal interventions, such as cognitive training, this study investigates the potential to foster cognitive and affective health factors of older adults by means of an autonomy-supportive multimodal intervention. (...)
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  4.  9
    Neural Dynamics of Karaoke-Like Voice Imitation in Singing Performance.Sascha Frühholz, Wiebke Trost, Irina Constantinescu & Didier Grandjean - 2020 - Frontiers in Human Neuroscience 14.
  5.  2
    The evolutionary benefit of less-credible affective musical signals for emotion induction during storytelling.Caitlyn Trevor & Sascha Frühholz - 2021 - Behavioral and Brain Sciences 44.
    The credible signaling theory underexplains the evolutionary added value of less-credible affective musical signals compared to vocal signals. The theory might be extended to account for the motivation for, and consequences of, culturally decontextualizing a biologically contextualized signal. Musical signals are twofold, communicating “emotional fiction” alongside biological meaning, and could have filled an adaptive need for affect induction during storytelling.
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