Over a span of thirty years, twentieth-century French philosophers Emmanuel Levinas and Jacques Derrida held a conversation across texts. Sharing a Jewish heritage and a background in phenomenology, both came to situate their work at the margins of philosophy, articulating this placement through religion and literature. Chronicling the interactions between these thinkers, Sarah Hammerschlag argues that the stakes in their respective positions were more than philosophical. They were also political. Levinas's investments were born out in his writings on Judaism and (...) ultimately in an evolving conviction that the young state of Israel held the best possibility for achieving such an ideal. For Derrida, the Jewish question was literary. The stakes of Jewish survival could only be approached through reflections on modern literature's religious legacy, a line of thinking that provided him the means to reconceive democracy. Hammerschlag's reexamination of Derrida and Levinas's textual exchange not only produces a new account of this friendship but also has significant ramifications for debates within Continental philosophy, the study of religion, and political theology. (shrink)

Introduction -- Roots, rootlessness, and fin de siècle France -- Stranger and self: Sartre's Jew -- Anti-Semite and Jew -- Dialectical history, unhappy consciousness, and the Messiah -- The ethics of uprootedness: Emmanuel Levinas's postwar project -- Literary unrest: Maurice Blanchot's rewriting of Levinas --"The Last of the Jews": Jacques Derrida and the case of the figure -- The cut -- The exemplar -- Conclusion.

This essay traces the development of Levinas’s conception of Judaism from 1928 to1947 with an aim to reveal how Levinas’s postwar conceptions of Jewish election and anti-historicism derive from his early treatments of the Heideggerian themes of Geworfenheit (thrownness) and historicality. In the process, I show how the similarities that Levinas perceived between Heidegger and Rosenzweig allowed him to recast Heideggerian categories in Jewish terms. Finally the essay considers the potential political implications and tensions that follow from Levinas’s concern after (...) World War II to maintain Rosenzweig’s contention that Judaism stands outside of History. (shrink)

This article argues that literature is the necessary foil to Emmanuel Levinas’s development of the category of religion, as the site of relation between the same and the other. The essay tracks Levinas’s dependence on literature to illustrate alterity, but also shows that literature functions as religion’s rival in Levinas’s thought. Playing the terms of religion, literature, and philosophy off one another, the article argues, Levinas was also making an interception into a larger post-World War II debate over which of (...) philosophy’s competing discourses, literature or religion, would win the ascendant seat in the post-war context. (shrink)

By examining the ambivalence around the application of the concept of religion to Judaism at the first meeting of the Colloque des Intellectuels Juifs de langue Francaise, this essay shows how Levinas’s employment of the term in Totality and Infinity and after emerged in and through the cloaking of Judaism in the terminology of Christianity, a procedure which began with Levinas’s reception of Catholic thinkers such as Paul Claudel and Jacques Maritain in the 1930s and developed through his interpretation of (...) Franz Rosenzweig’s Star of Redemption at the second meeting of the Colloque in 1959. Rather than a straightforward appropriation of the Christian conception, religion is a term for Levinas designated to register what it is to be stunned by the Christian gaze. The reclamation of the term, the essay argues is itself a kind of therapy that embraces the designation of scapegoat as Judaism’s historical mission. (shrink)