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  1.  75
    Between Races and Generations: Materializing Race and Kinship in Moraga and Irigaray.Sabrina L. Hom - 2013 - Hypatia 28 (3):419-435.
    Juxtaposing Cherríe Moraga's Loving in the War Years and Luce Irigaray's Speculum of the Other Woman, I explore the ways that sex and race intersect to complicate an Irigarayan account of the relations between mother and daughter. Irigaray's work is an effective tool for understanding the disruptive and potentially healing desire between mothers and daughters, but her insistence on sex as primary difference must be challenged in order to acknowledge the intersectionality of sex and race. Working from recent work on (...)
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  2.  60
    Engaging with Race Theory.Sabrina L. Hom - 2018 - Philosophy Today 62 (1):31-50.
    Rebecca Tuvel’s controversial “In Defense of Transracialism” has been criticized for a lack of engagement with critical race theory. Disengagement with salient material on race is a consistent feature of the philosophical conversation out of which it arises. In this article, I trace the origins of feminist philosophy’s disengaged and distorted view of “transracialism” and racial passing through the work of Janice Raymond, Christine Overall, and Cressida Heyes, and consider some of the relevant work on passing that is omitted in (...)
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  3.  24
    Impure at the Origins.Sabrina L. Hom - 2021 - Critical Philosophy of Race 9 (2):323-341.
    Although race mixing is often treated as a marginal matter or a transgression against dominant racial logic, this article argues that mixed-race bodies and interracial sexuality are central to the invention of whiteness and the origin of the white settler state in several ways. Race mixing is at the foundation of the modern conception of race; at the material and political origin of the white settler state; and serves as the grounding against which cultural and legal categories of race are (...)
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    Thinking with Irigaray.Mary C. Rawlinson, Sabrina L. Hom & Serene J. Khader (eds.) - 2011 - State University of New York Press.
    An interdisciplinary and contemporary response to Irigaray’s work.
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