In this chapter, we defend an explanationist version of proper functionalism. After explaining proper functionalism’s initial appeal, we note two major objections to proper functionalism: creatures with no design plan who appear to have knowledge (Swampman) and creatures with malfunctions that increase reliability. We then note how proper functionalism needs to be clarified because there are cases of what we call warrant-compatible malfunction. We then formulate our own view: explanationist proper functionalism, which explains the warrant-compatible malfunction cases and helps to (...) block the above objections. We also advance a positive argument for explanationist proper functionalism. (shrink)

Nanotechnology: Considering the Complex Ethical, Legal, and Societal Issues with the Parameters of Human Performance Content Type Journal Article Pages 265-275 DOI 10.1007/s11569-008-0047-6 Authors Linda MacDonald Glenn, Albany Medical College/Center Alden March Bioethics Institute Albany NY 12208 USA Jeanann S. Boyce, Montgomery College Dept. of Computer Science and Business 7600 Takoma Avenue Takoma Park MD 20912 USA Journal NanoEthics Online ISSN 1871-4765 Print ISSN 1871-4757 Journal Volume Volume 2 Journal Issue Volume 2, Number 3.

Despite a widespread impression that the public is woefully ignorant of science and cares little for the subject, U.S. National Science Foundation (NSF) surveys show the majority are very interested and understand that they are not well informed about science. The data are consistent with the author’s view that the popularity of pseudoscience does not indicate a rejection of science. If this is so, opportunities for scientists to communicate with the public promise a more rewarding result than is commonly believed (...) among scientists. In fact, the increasing visibility of science in the mass media correlates with a slow, steady improvement in public understanding of science in recent years. (shrink)

The rise of conspiracy culture and the growing influence of conspiracy theories have attracted the attention of scholars from a range of fields. In recent years, Daniel Jolley, Asbjørn Dyrendal and others have noted the prevalence of conspiracy theories amongst adolescent schoolchildren in Scandinavia and the UK. This article draws on Paulo Freire’s concept of the ‘banking model’ of education to make the case against a ‘debunking’ approach to anti-conspiracist education. It argues that conspiracism should be understood as a feature (...) of our culture and as such it should be interrogated rather than dismissed by educators who are engaged in the process of educating for democracy. (shrink)

Rudolf Eucken on the meaning and value of life: the anthropotheistic standpoint of religious idealism.--The alleged revolutionism of Eucken's philosophy.--Activism and adolescence.--The religion of the spirit.--The principle of fruition.--Religion and morality.--Fruition and action.--The passion of love.--Pragmatism and religious idealism.--Universalism and the problem of evil.

Readers of the Journal may know little of Melchior Palágyi. Even on the Continent his work has been very inadequately recognized. It is not that he has written little: he published some books and many articles during his lifetime, in German as well as in Magyar, and since his death, Barth of Leipzig has issued an edition of his selected works, including his most important contribution, Naturphilosophische Vorlesungen, also the Wahrnehmungslehre and Zur Weltmechanik. He has many enthusiastic admirers, and those (...) who care to look up the Preussische Jahrbücher, March 1926, will find there a most informative and highly appreciative article on his general philosophy by Werner Deubel, who in the same journal, some two years previously, discussed the work of a kindred spirit, Ludwig Klages. It was Deubel's article that first roused my interest in Palágyi and led me to study his more important writings. (shrink)

The problem of multi-peer disagreement concerns the reasonable response to a situation in which you believe P1 … Pn and disagree with a group of ‘epistemic peers’ of yours, who believe ∼P1 … ∼Pn, respectively. However, the problem of multi-peer disagreement is a variant on the preface paradox; because of this the problem poses no challenge to the so-called ‘steadfast view’ in the epistemology of disagreement, on which it is sometimes reasonable to believe P in the face of peer disagreement (...) about P. After some terminology is defined (§1), Peter van Inwagen's challenge to the steadfast view will be presented (§2). The preface paradox will then be presented and diagnosed (§3), and it will be argued that van Inwagen's challenge relies on the same principle that generates the preface paradox (§4). The reasonable response to multi-peer disagreement will be discussed (§5), and an objection addressed (§6). (shrink)

Skeptical theists have been charged with being committed to global skepticism. I consider this objection as it applies to a common variety of skeptical theism based on an epistemological principle that Stephen Wykstra labeled “CORNEA.” I show how a recent reformulation of CORNEA (provided by Stephen Wykstra and Timothy Perrine) affords us with a formal apparatus that allows us to see just where this objection gets a grip on that view, as well as what is needed for an adequate response. (...) I conclude by arguing that, given some plausible, modest, and independently motivated anti-skeptical principles, this objection poses no threat to Wykstra’s brand of skeptical theism. (shrink)

Historically, Nelson Goodman’s paradox involving the predicates ‘grue’ and ‘bleen’ has been taken to furnish a serious blow to Carl Hempel’s theory of confirmation in particular and to purely formal theories of confirmation in general. In this paper, I argue that Goodman’s paradox is no more serious of a threat to Hempel’s theory of confirmation than is Hempel’s own paradox of the ravens. I proceed by developing a suggestion from R. D. Rosenkrantz into an argument for the conclusion that these (...) paradoxes are, in fact, equivalent. My argument, if successful, is of both historical and philosophical interest. Goodman himself maintained that Hempel’s theory of confirmation was capable of handling the paradox of the ravens. And Hempel eventually conceded that Goodman’s paradox showed that there could be no adequate, purely syntactical theory of confirmation. The conclusion of my argument entails, by contrast, that Hempel’s theory of confirmation is incapable of handling Goodman’s paradox if and only if it is incapable of handling the paradox of the ravens. It also entails that for any adequate solution to one of these paradoxes, there is a corresponding and equally adequate solution to the other. (shrink)

Paradigmatic examples of logical arguments from evil are attempts to establish that the following claims are inconsistent with one another: (1) God is omnipotent, omniscient and wholly good. (2) There is evil in the world. Alvin Plantinga’s free will defense resists such arguments by providing a positive case that (1) and (2) are consistent. A weakness in Plantinga’s free will defense, however, is that it does not show that theism is consistent with the proposition that there are non-moral evils in (...) the world (i.e., that there obtain morally bad states of affairs for which no creature is morally responsible). But many of us firmly believe that there are evils of that sort. I show how Plantinga’s free will defense can be extended so as to redress this weakness. (shrink)

With certain topics the general reader experiences a double-whammy wherein one must peer through a curtain of needlessly obscure jargon to try glimpsing something that is inherently weird in nature. Bell’s nonlocality was once such a topic, but authors have had considerable success over the years in showing where the line is between the enigma itself and the human-made oddities surrounding it . Libet-ology has yet to undergo that de-mystifying process. Accordingly, our first order of business here is to restate (...) its basic tenets in plain English so that only nature’s inherent puzzle is left on the table, free of certain peculiarities of the existing technical literature. We also address the question of the central topic versus its byways, as alluded to by ‘left turn into veto-as-volition’ in our title. In the ensuing parts of the paper, we look outside the field to see how hypnotherapy and Hinduism might shed light on it. (shrink)

Midwest Studies In Philosophy, Volume 44, Issue 1, Page 260-278, December 2019.

Der Aufsatz betrachtet die Geschichte und Praxis des Devising als ein Feld, um die Dynamik zwischen der Gewalt der Entscheidungsfindung und dem Potenzial für Kollektivität und Dissoziation zu untersuchen. Insbesondere beleuchtet dieser Artikel die Tradition des devised theatre, wie sie im Gefolge der Theater- und Performancegruppen der 1960er Jahre entstanden ist, die Kollektivität als politische Ideologie in den Vordergrund stellten. Ausgehend von den jüngsten partizipatorischen Performances des New Yorker Künstlerduos 600 HIGHWAYMEN im Rahmen des Tryptichons A Thousand Ways wird der (...) Begriff devised acts verwendet, um Facetten der Intervention und Entscheidungsfindung zu beschreiben. Der Aufsatz stellt dabei die Frage, wie die Kräfte der Gewalt durch devising transformiert werden können. Ausgehend von der Behauptung der US-amerikanischen Theaterregisseurin Anne Bogart, dass Entscheidungen eine generative Kraft der Gewalt hervorbringen können (2001, S. 45ff.), schaut dieser Beitrag auf Momente dieser „notwendigen Gewalt“ (ebd., S. 46), die sich nicht aus dem Prozess des Theatermachens und der Performance herauslösen lassen. (shrink)

This paper will critique the values embedded in the Western classical tradition from a Foucauldian perspective. It will identify issues of power as a central problem for Western culture which is developing into a monoculture in which many people are disempowered. It identifies the role of the dialogic imagination in challenging the dominant culture and how this might inform work with children. It will see a way forward as the valuing of difference, drawing on the work of Martin Buber, Emmanuel (...) Levinas, and Jacques Derrida. It will examine the origins of the hierarchy of the Western classical music tradition in the development of patriarchal values in early Christianity. It will analyze the use of the arts as cultural intervention for personal and cultural re-empowerment, drawing examples from Improvisation Theatre, Carnival, heteroglossia in contemporary poetry and Victor Turner's notion of liminality. It will draw on examples from a variety of art forms and then look at how music might be re-envisioned. It will interrogate a musical event drawing on these strands to encourage children to think outside the cultural conventions and to value difference. (shrink)

The philosophy and theory of film began with the skeptical question of whether film could be an art, given the mechanical way its moving pictures were produced. Theorists such as Noël Carroll and Victor Perkins have persuasively argued that the legacy of its defensive beginnings continues to compromise both philosophy and theory of film. This chapter seeks to contribute to an ongoing collective effort to overcome the effects of this legacy. It focuses on two films that invite comparisons not to (...) painting or theater but to dance—Powell and Pressburger’s The Red Shoes and The Tales of Hoffmann. It argues that the right kind of attention to these films sheds new light on both what film is and how it is related to the other arts. (shrink)

The literary style of Henry James has attracted the attention of a number of leading analytic philosophers who are drawn to make claims for the philosophical significance of works of literature. Many of these philosophical commentators share a common approach: namely, they locate the philosophical center of gravity of James’s style in a philosophical view that his way of writing is understood to embody or corroborate. The aim of this essay is to argue that such an approach fails to capture (...) what is philosophically most significant about how James writes. By contrast, the essay works out a comparison between James’s literary forms of expression and the logically perspicuous modes of representing thought developed by Gottlob Frege. It highlights one use to which Frege sought to put his Begriffsschrift: namely, as a tool for the task of clarifying forms of philosophical confusion. This comparison helps to illuminate what is philosophically most distinctive and powerful about the modes of perspicuously representing human life that James develops. These literary forms inherit a time-honored aspiration of philosophical writing: seeking to represent a reader’s life to the reader herself in such a way as to allow her to recognize her own confusions in living. (shrink)

This paper will examine the transformative possibilities of liminal space as described by Victor Turner and Isabel Clark in the musical experience. It draws on the author's previous phenomenography of musical experience an analytical frame based on the liminality of musical experience using the notion of difference-in-relationship drawing on Martin Buber's "I-Thou experience" and including theorists such as Dewey, Maslow, Levinas, Derrida, Noddings and Shore, M and I. S. Csikszentmihalyi, and Custodero. It will examine the implications of the use of (...) a liminal music space for cultural and personal transformation including its relationship between this space and the everyday world, the loss of boundaries, collective vulnerability, the opportunity to try out new personas, the handing over of responsibility to a higher power and the capacity for joyful play and the possibility of empowerment. It draws on Shakespeare's play Midsummer Night's Dream (drawing, as it does on Ovid's Metamorphoses) to illuminate the nature of transformation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Introduction to Creative Writing ContributionsAlexis Pauline Gumbs, Akasha Gloria Hull, Cheryl Clarke, doris diosa davenport, Cheryl Boyce-Taylor, Asha French, Sharon Bridgforth, Omi Osun Joni L. Jones, Alexis De Veaux, and Sokari Ekinewhen i first began to dream of creative writing contributions for this special issue of Feminist Studies celebrating the fortieth anniversaries of This Bridge Called My Back: Writings by Radical Women of Color and All the Women (...) Are White, All the Blacks Are Men, But Some of Us Are Brave: Black Women's Studies, I imagined a wealth of examples of the world and the work made possible by these two groundbreaking anthologies. I wondered what their editors and contributors were writing now. I wondered about the work of their students and people like me: those of us who understand everything we write as indebted to the path-making, silence-clearing, generative, and bodacious work of the participants in the miracles that are This Bridge Called My Back and But Some of Us Are Brave.But today as I reread the contributions that actually emerged from this process, I realize that my dream was too small. I imagined writing that would provide evidence of the ongoing impact made by these two anthologies. Instead, the creative writing in this special issue offers something more crucial and beautiful than I had imagined. These works are not mere evidence of a transformed world; these works are continuing to transform the world in urgent and visionary ways. As repeated again and again by participants in the 2022 celebration for the fortieth anniversary celebration of This Bridge Called My Back, the work that inspired these anthologies is not over. The writings featured in this issue not only show [End Page 198] how this work continues, but they feed, nurture, and provoke us as we honor our responsibility to transform this world.For example, when Akasha Gloria Hull, coeditor of But Some of Us Are Brave, shares her daily early morning meditative writing in "Writing and Rebirth: A Set of Journal Poems," we remember not only her fundamental work excavating the daily lives of Black women writers from the nineteenth century—most notably in Give Us Each Day, her edited book based on the diaries of poet Alice Dunbar Nelson—but also our own imperative. Hull's reflections on health challenges, interpersonal conflict, resurrection, collaboration, and writing itself remind us that our feminist praxis is impactful because of its dailyness. Those of us who wake up tomorrow will need to ask the same critical questions the editors of But Some of Us Are Brave asked of the fields of Black studies and women's studies. We will find surprises and repetitions in the days we meet, and then we will have to do it again.When we read two new prose poems by Cheryl Clarke, an original contributor to This Bridge Called My Back, we have an opportunity to time travel. In "Living as a Lesbian in the Archive of Style," we venture into a critical engagement with the term "hardcore lesbian," displacing the desires of the person who needs to classify others using that term with those of someone who has been hailed by it. Clarke's poem is a reminder that as we work in literary traditions and fields of study made possible by the revolutionary identity politics of an earlier era, we are still responsible for centering the experiences of those most impacted by our fluent and fluid naming practices. In "History," Clarke offers us a timely Black lesbian feminist lens on many iterations of responding to police violence, centering the perspective of a lesbian, her lover, and her lover's husband.The poem "On Being an hbcu Graduate, Teacher, Professor-Scholar at Stillman College, Tuscaloosa, AL, in May 2015" by doris diosa davenport—an original contributor to But Some of Us Are Brave—highlights the intimacy, hilarity, and poignancy of the daily work of intergenerational critical and creative praxis. In particular, she considers the context of institutions and regions that are sometimes excluded from the imaginary of how and where feminist work happens. davenport transmits the lessons and energy gained through her practice of thinking and gathering otherwise... (shrink)

Justifying involuntary psychiatric treatment on the basis of a judgment that a person lacks capacity is usually expressed in terms of a person’s ability to make a decision about his or her health and treatment. Typically, this relates to the ability to refuse treatment. Exactly what “capacity” means, however, and how one determines when another individual lacks capacity, or lacks sufficient capacity, in this context is particularly controversial, with the United Nations Committee on the Rights of Persons with Disabilities insisting (...) that involuntary treatment be abandoned altogether and capacity tests avoided.Capacity is a concept that has multiple meanings and applications across different disciplines and... (shrink)

The US National Institute of Health’s Human Microbiome Project aims to use genomic techniques to understand the microbial communities that live on the human body. The emergent field of microbiome science brought together diverse disciplinary perspectives and technologies, thus facilitating the negotiation of differing values. Here, we describe how values are conceptualized and negotiated within microbiome research. Analyzing discussions from a series of interdisciplinary workshops conducted with microbiome researchers, we argue that negotiations of epistemic, social, and institutional values were inextricable (...) from the reflective and strategic category work that defined and organized the microbiome as an object of study and a potential future site of biomedical intervention. Negotiating the divergence or tension between emerging scientific and regulatory classifications also activated “values levers” and opened up reflective discussions of how classifications embody values and how these values might differ across domains. These data suggest that scholars at the intersections of science and technology studies, ethics, and policy could leverage such openings to identify and intervene in the ways that ethical/regulatory and scientific/technical practices are coproduced within unfolding research. (shrink)

The general chemistry curriculum includes a prelude that consumes nearly all of the first semester and occupies the first third of the typical textbook. This necessary prelude to the main event is comparable in scope to precalculus though not broken out as a formal ‘prechemistry’ course. Atomic orbitals account for much of this prelude-to-chemistry. By tradition, orbital theory is conveyed to the student in three disjunct pieces, presented in the following illogical order: the Pauli principle, the Aufbau principle, and Hund’s (...) rule. (Often the n + l rule is tossed into the mix as well, though with no fixed place in the scheme). In the early twentieth century, as various researchers announced new insights into the atom at unpredictable intervals, no one could have been faulted for teaching orbitals in such a manner, catch-as-catch-can. A hundred years on, the vestiges of that (presumed) practice look wrong, and are indefensible. In the approach advocated here, orbitals would be taught as a single hierarchical rule-set, with the parts coherently sequenced as Aufbau–Hund–Pauli (and with Madelung’s n + l rule rehabilitated as part of Aufbau, no longer a free-floating mnemonic aid only). Logic aside, pragmatism offers its own argument for adopting this scheme: A tighter approach to Aufbau can lighten the ‘prechemistry’ burden significantly and bring the student that much sooner to chemistry itself. (shrink)

Mr. Brumbaugh gives several accounts in the course of his work of the main purpose of his study, and the emphasis falls now one way and now another. Readers may easily be misled by the opening sentence of the introduction, which suggests that Plato's mathematical illustrations are pointers to "diagrams which Plato had designed, and were intended to accompany and clarify his text." If that is what Mr. Brumbaugh intended, he has failed to make out his case. There is no (...) direct evidence that Plato designed diagrams; and there is some good inferential evidence to the contrary. It would be surprising, for example, if Plato's diagrams had survived that long, that Aristotle should have described the Divided Line in terms of an arithmetical progression and ignored Plato's express indication of proportion between the upper and lower segments. Mr. Brumbaugh himself faces this passage and admits that "no continuous tradition connects the figures of Hellenistic scholars with Plato's original design." But it really does not matter. If we design diagrams in the light of our knowledge of Plato's mathematical imagination, it is most certainly a help to the interpretation of the passages concerned. This, as a matter of fact, seems to be Mr. Brumbaugh's main reason for ascribing the diagrams to Plato, and while the conclusion does not follow, the premiss is correct; and the premiss, not the conclusion, is the main point at issue. (shrink)

There are two mutually indispensable ways of doing it. The first is to study the development of Plato's literary style. The second is to follow the sequence of his thought from one dialogue to another. Neither test is infallible; that is why Platonic scholarship goes happily on and on. In the course of a brilliant article concerning the place of the Timaeus in the order of the dialogues, Mr. G. E. L. Owen has shown how a merely statistical study of (...) stylistic mannerisms may seriously mislead; and as for thought sequences, they notoriously depend on hypothetical intuitions and vary widely from one critic to another. But along both lines a certain advance is possible. Since Owen, mechanical stylometry is discredited; and no one would now do what Schleiermacher did in his time--place the Phaedrus chronologically first among the dialogues on the ground that it contains in brief the whole of Plato's philosophy. There is progress in these matters, if not finality. (shrink)

The three books before us are consolingly conservative. They observe the pieties; they display an unusually acute sense of history; they try to find out what Plato said instead of being angry with him for neglecting to read J. S. Mill and Wittgenstein; and they say faithfully and sympathetically what can be said for him even when he tries them hard. This is true criticism: and it stands out sharply against the spleen of the "detractors," as Professor Levinson has happily (...) called them. (shrink)

It is one of the many merits of the book that the greater part of it--in fact, all of its twenty-five chapters with the exception of XVI-XVIII--can be read by any intelligent reader with the necessary persistence. It has been reconstructed from Gifford Lectures given at the University of St. Andrews, and Professor Paton is one of the few lecturers on this foundation who has adapted himself to Lord Gifford's direction that the lectures "should be open to the whole community (...) without matriculation." There can rarely have been a more successful attempt to speak of deep and difficult things in simple and dignified language. (shrink)

The guiding idea of Palágyi's Monism is what he has called the Principle of Polarity. This is made clear in Palágyi's own preface to the second edition of his main work, the Naturphilosophische Vorlesungen. The lectures were originally given in 1908. The Second Edition and the Preface date from 1924. In this preface we learn that the quest for the creative on the one hand, and for unity through polarity on the other, were ever the two leading motives of his (...) thought. Both are pervasive and permanent, and they support each other; but in so far as the intellectual urge towards unity prevails over the more artistic impulse to creative freedom, it is the principle of polarity that receives the main stress and exercises the greater influence. For Palágyi, as for Hegel, it is the main principle of mental evolution. “ Polarity,” so Palágyi tells us, does not simply mean “ opposition,” the. (shrink)

In his introduction, Loriaux cites a passage from Etienne Gilson's L'être et l'essence, p. 30, in which Plato is represented as the typical "essentialist" thinker; i.e., a thinker who, when he talks about "being," is really talking about "essences." It is Loriaux's main contention that when Plato talks about being, or οὐσία, he refers to "the intelligible Form explicitly considered as Being and as existing in itself". It is important to see just what the issue is. It is not whether (...) Plato means, when he says "being," what the rest of us would call "essence;" he clearly thinks of whatever it is he is thinking about, just as "being." The question is whether, from his account of it, it is such that, in the light of later distinctions, we should have to call it "essence." This is the question which after an exhaustive study of the relevant dialogues Loriaux answers in the negative. (shrink)