The Russian philosopher and cultural theorist Mikhail Bakhtin has traditionally been seen as the leading figure in the group of intellectuals known as the Bakhtin Circle. The writings of other members of the Circle are considered much less important than his work, while Bakhtin's achievement has been exaggerated in proportion to the downgrading of the thinkers with whom he associated in the 1920s. This volume, which includes new translations and studies of the work of the most important members of (...) the Circle, sets out to correct the distortions in the established representations of its activity. The original contributions to literary and linguistic theory made by Valentin Voloshinov and Pavel Medvedev (but frequently credited to Bakhtin) are assessed, and the distinctiveness of their approaches is highlighted. (shrink)

Violence is a natural human state, a natural means of communication between one individual and another and it will remain so as long as society is in the stage of its "animal" evolution, as long as man in the mass remains, as Nietzsche put it, a "superchimpanzee." Violence is natural, and goodness and altruism are artificial; one must make a great effort to be good. To be good is an art. There are no laws that make us love one another. (...) But there are laws according to which we must fear or hate, or try to subjugate others. These are the laws of nature. (shrink)

This article sets out an analysis of the issue of the interrelationship between ethics and ideology in Russian culture in the 18th and 19th centuries, using historical materials to explore the fate of theoretical ethics in Russia, the diversity of the theoretical forms of the study of ethics in the culture of this period, the formation of an objective originality in ethical thinking, and the principal issues defining the distinctive pattern of moral introspection in Russian (...) class='Hi'>culture. (shrink)

The article deals with the role of Russian culture in the period of the RF war against Ukraine. The history is considered as the basic structure that shapes the discursive foundation of identity. Historical narratives as well as the cultural background of imperial identity and risks of the full scale representation of Russian culture in the Ukrainian social consciousness are analyzed. The two tendencies are also comprehended — junk science foundation of geopolitical projects and devalu- ation (...) of the historically formed senses. So the communicative action is penetrated by the strategic action bazed on the false reality fundament, this significant element of the war of the world. The vivid example of junk science is the neoeurasian ideology, that defines the strategy of Kremlin informational attack on the Ukrainian identity. Standoff between the identities takes place in the course of the imperial mobilization project development. The symbiosis of governmental authorities and artists plays the key role in its realization. The author outlines the main features of the strategic effect of penetration into the core of communicative process and the false reality building. Also the author develops the thought that the heartbreaking and impetuous change of con- tradictory narratives are the one of the fundamental resources of information war. In particular it deals with the great Russian Simulacrum as the vivid example of the instrumental reason that is in the base of the information war against Ukraine. It is also defined the historical origin of the simulacra as the instrument of the Russian special services and the role of their partners — the iconic figures of the Russian literature — in the projects of the public opinion manipulation. (shrink)

This article is devoted to Russian religious thinker Semyon L. Frank’s philosophical interpretation of Alexander S. Pushkin’s work. The article identifies the place and significance of the Pushkin...

Rather paradoxically, the personal and intellectual roots of Sir Isaiah Berlin, an influential contributor to liberal political theory and Western political thought, stem from East-European autocra...

The correlational study is aimed at validating theAuthenticity Scalein Russian culture. Authenticity is considered a trait responsible for a person’s ability to be oneself. It helps people resist environment pressure and prevent self-alienation, which contributes to maintaining psychological wellbeing. The original Authenticity Scale includes three subscales:Authentic Living, Accepting External Influence, andSelf-Alienation. In total, 2,188 respondents (Mage= 26.30,SDage= 13.81; 78.1% female) participated in the survey. The dimensionality of theAuthenticity Scaleand its measurement invariance across sex, age, and depression rate subgroups (...) was examined with exploratory and confirmatory factor analyses; the original tripartite structure was kept. Convergent validity was tested through correlation analyses with theWarwick-Edinburgh Mental Well-being Scale, theInternational Positive and Negative Affect Schedule Short-Form, theCentre of Epidemiological Studies-Depression Scale, theRosenberg Self-Esteem Scale, and theSatisfaction with Life Scale. According to the CFA results, the structure of the Russian version differs from the original one slightly (item 1 was moved from the subscaleAuthentic Livingto the subscaleAccepting External Influenceand item 4 was excluded); however, the modified factor model showed the best absolute and comparative fit statistics [CFI = 0.961, TLI = 0.949, RMSEA = 0.050 (90% CI [0.40; 0.60]) and SRMR = 0.037]. The reliability (McDonald’s Omega) of theAuthenticity Scalesubscales was satisfactory and ranged from 0.78 to 0.84. It was revealed that youth are more likely to have high scores onAccepting External InfluenceandSelf-Alienationthan adults. Men and women did not significantly differ on the sub-scores ofAuthenticity Scale. Multigroup CFA also showed thatAuthenticity Scalescores may be biased in people with high levels of clinical depression, in terms of the item intercepts.Authentic Livingis positively connected with mental wellbeing, self-esteem, positive affect, satisfaction with life, and negatively with depressive symptoms and negative affect; reverse trends were found forAccepting External InfluenceandSelf-Alienationsubscales. The Russian version of theAuthenticity Scaleis a valid, reliable tool that may be recommended for use in various areas of non-clinical practice. (shrink)

The article provides proof that the concept of time articulated in Russian philosophy of the nineteenth century was very close to the understanding of time in the philosophy of Henri Bergson. This explains the close attention of Russian culture to the philosophical system of the French thinker at the beginning of the twentieth century. It also allows us to hypothesize about the possible influence of the ideas of Russian philosophers of the late nineteenth century on Bergson. (...) Bergson’s most original idea is the recognition of the metaphysical primacy of the subjective, inner time of the human in relation to physical time. In physical time, only the moment of the present has real existence; in internal time, designated by Bergson as duration, all moments of the past are preserved as real, and this is expressed by memory. Internal time turns out to be the spiritual Absolute from which the entire material world originates. A very similar metaphysical concept is presented in Pyotr Chaadaev’s Philosophical Letters. According to Chaadaev, each person is directly involved in the spiritual Absolute, which has the characteristic of integral time. In this time, all moments are in unity, and there is no division into the past, present, and future; this division arises only in the time intrinsic to the material reality that originates from the spiritual Absolute. In the religious teaching of Leo Tolstoy, personality is defined as the appearance of God within the limits of material existence, so a person is simultaneously involved in the earthly physical time and absolute time, which manifests itself through memory. The article concludes that Bergson’s ideas determined the most important features of Russian avant-garde culture of the twentieth century; in particular, thanks to them, the opposite trends of Russian thought were brought to unity: metaphysics of pan-unity and personalism. (shrink)

"The essay discusses the question in which sense there are continuities between the pre-Soviet, the Soviet, and the post-Soviet phase of Russian culture. It discovers in the rejection of the bourgeois value system an important constant factor. Even if originally rooted in the specific orthodox Christian sensibility, it helped prepare the Soviet revolution and survived even after 1991. From the Song of Igor’s Campaign to Tolstoy’s dramas, Eisenstein’s films and his film theory, and Maxim Kantor’s iconic interpretations of (...) the late Soviet Union and its aftermath the essay tries to unveil crucial features of Russian culture. Der Aufsatz diskutiert die Frage, in welchem Sinne es Kontinuitäten zwischen der vor-sowjetischen, der sowjetischen und der post-sowjetischen Phase der russischen Kultur gibt, und entdeckt in der Ablehnung des bürgerlichen Wertesystems einen wichtigen konstanten Faktor. Auch wenn sie ursprünglich in der spezifischen orthodoxen christlichen Sensibilität verwurzelt war, half sie, die sowjetische Revolution vorzubereiten, und überlebte auch noch nach 1991. Von dem Igorlied bis hin zu Tolstois Dramen, Eisensteins Filmen und Filmtheorie sowie Maxim Kantors ikonischen Interpretationen der späten Sowjetunion und ihren Nachwirkungen enthüllt der Aufsatz entscheidende Merkmale der russischen Kultur. ". (shrink)

The essay discusses the question in which sense there are continuities between the pre-Soviet, the Soviet, and the post-Soviet phase of Russian culture. It discovers in the rejection of the bourgeois value system an important constant factor. Even if originally rooted in the specific orthodox Christian sensibility, it helped prepare the Soviet revolution and survived even after 1991. From the Song of Igor’s Campaign to Tolstoy’s dramas, Eisenstein’s films and his film theory, and Maxim Kantor’s iconic interpretations of (...) the late Soviet Union and its aftermath the essay tries to unveil crucial features of Russian culture. (shrink)

Known today mostly as an author of Romantic short stories and fairy tales for children, Prince Vladimir Odoyevskiy was a distinguished thinker of his time, philosopher and bibliophile. The scope of his interests includes also history of magic arts and alchemy, German Romanticism, Church music. An attempt to understand the peculiarity of eight specific modes used in chants of Russian Orthodox Church led him to his own musical theory based upon well-known writings by Zarlino, Leibniz, Euler, Prony. He realized (...) his theoretical ideas in an enharmonical piano with nineteen notes for every octave. His call for a different musical scale remained largely ignored in the nineteenth century, until the topic was raised anew by twentieth-century composers and musicians. (shrink)

This article analyzes the artistic experience of Osip E. Mandelstam in the context of the aesthetic and ideological transformations of Russian and European culture during the first half...

Why, for a long time, was there no linguistic means to distinguish between the concepts experience and experiment in many European languages, such as Italian, French, and Russian? Was the Russian case influenced by French culture? This article addresses these issues. The most important finding of the study is that no idea of personal experience existed in Russian literature before the second half of the eighteenth century, and the word opyt was later borrowed from the scientific (...) lexicon for expressing the meaning of experience. This is the opposite of what happened in other European languages. This suggests that the concept of experiment is more basic in the Russian mentality. Experience grows from experiment but not vice versa. All these aspects of the semantic history of “experiment” and “experience” are illustrated with extensive textual citations found in the Russian National Corpus and in the electronic library of Institute of Russian Literature. (shrink)

All of the principal tendencies in philosophy were represented in Russia during the brief period of the "religious and philosophical renaissance." However, at that time [the early twentieth century] a quite independent philosophical movement-the metaphysics of total-unity [vseedinstvo]-stood at the focus of philosophical development [in Russia]. That metaphysics was based on one of the most essential intuitions of Russian spirituality, namely, the conviction that there is a wholeness in nature and a harmonious unity of all existence. The idea of (...) total-unity was originally expressed in philosophical terms by Vladimir Solov'ev during the 1870s. And at the beginning of the present century, Pavel Florenskii gave a new impulse to this idea with his symbolic philosophy. (shrink)

In the article, the author shows how the government and the opposition interact in the political process. Actors representing opposition constantly produce political texts illustrating their alternative views. The existence of the opposition subject in a critical state in regards to the existing institutions of power is historically predetermined, which proves an active reflection from prominent theorists of political thought. A free dialogue of the government and the opposition is hardly possible in every single political system. In the case of (...) totalitarian and authoritarian regimes, this dialogue may be difficult. The consequences of free will for the subject of opposition can be quite severe. The author analyzes the political discourse of opposition as exemplified by the Soviet culture. The author is interested in the metaphors of opposition and their political context, which seems to be an inevitable condition and framework limiting creativity of one or another intellectual. The author studies a number of texts of the Soviet culture representatives, who used metaphors of opposition, and had a reputation of troublemakers. Such position of an intellectual generates sanctions of the repressive machine and predetermines very specific forms of presenting texts of opposition and apophasis. For convincing his own arguments, the author constantly turns to the heritage of the USSR representatives of unofficial culture in. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:After the Future. The Paradoxes of Postmodernism and Contemporary Russian CultureDmitry KhaninAfter the Future. The Paradoxes of Postmodernism and Contemporary Russian Culture, by Mikhail Epstein; translated with an introduction by Anessa Miller-Pogacar; xvi & 394 pp. Amherst: University of Massachusetts Press, 1995, $55.00 cloth, $19.95 paper.Mikhail Epstein, a renowned Soviet critic—his books in Russian include Paradoxes of the New (1988) and Faith and Image: (...) The Religious Subconscious in [End Page 508] Twentieth Century Russian Culture (1994)—emigrated to the U.S. in 1988. After the Future is the first collection of his major essays (written from 1986 to 1991) in English translation. It begins with the article “New Currents in Russian Poetry: Conceptualism, Metarealism, and Presentism,” which first introduced to the Soviet reader a group of postmodernist poets, just coming out (with the advent of glasnost) from the literary underground. Other articles (“Avant-Garde Art and Religion,” “After the Future: On the New Consciousness in Literature”), though first published in Russian literary journals, were shipped to Russia from “the other shore” (to use Alexander Herzen’s description of emigre writers’ whereabouts vis-à-vis their homeland). The latest studies (“Relativistic Patterns in Totalitarian Thinking: The Linguistic Games of Soviet Ideology,” “The Origins and Meaning of Russian Postmodernism”) were not only sent from the other shore but apparently produced for the other shore. Instead of analyzing the recent Russian literary crop and emerging aesthetic sensibilities, Epstein focuses on Russian historic experience in its entirety, which he somewhat didactically clarifies for the foreign reader.Despite its shifting perspectives, After the Future features a distinctive approach toward Russian postmodernism, its bona fide subject matter. Following Jean Baudrillard, Epstein defines postmodernism as simulation (“the production of reality as a series of plausible copies”) that engenders some new hyperreality and in so doing supplants “reality itself, which then becomes irrecoverable” (p. 189). The originality of Epstein’s position lies, however, in his claim that Russia as a historic and cultural entity is a postmodernist phenomenon in its own right that simulates and masterminds reality. Epstein’s claim that postmodernism is ingrained in Russian tradition is pitted specifically against those who doubt that Russia is ready to enjoy its own postmodernist bash since (contrary to the West) it never went through prior modernist phases. To prove that Russia foreshadowed postmodernism, Epstein draws on a number of historic illustrations. He cites the forceful adoption of Christianity under Prince Vladimir in 988, Peter the Great’s building of Petersburg in the “Finnish swamp” and Prince Potemkin’s infamous make-up villages as examples of the Russian tendency to forfeit the status quo for the sake of trumped-up, ersatz realities.However, Epstein’s arguments to the effect that Russia, and not the West, is the birthplace of postmodernism are not very convincing since (in accordance with his own premise) other countries can claim such a dubious distinction as well. (“Russia is the motherland of elephants”—the Russians joke about claims by zealous patriots that all great discoveries were known in their country before they appeared elsewhere.) Elsewhere, the building of the Chinese wall and the ensuing Chinese policies of isolationism, draconian enclosures of peasant land in England that led to a speedy transition to capitalism, drastic economic and social reforms after the French Revolution, and the racist policies of the Third Reich were just as arbitrary, and yet transformative of prior realities, as any of [End Page 509] Russia’s most foolhardy experiments. Ironically, Epstein’s claim that Russia is the motherland of postmodernism harks back to the turn-of-the-century controversy as to whether it is pertinent to apply Marxist theory to rustic Russia. Lenin argued that Russia can claim Marxism as its own because all of its long-suffering history was an anticipation of Marxism and leading toward it. Epstein analogously contends that there is a special, indigenous Russian route to postmodernism, a statement that evokes similar pronouncements ingrained in Russian philosophical tradition: Epstein’s thesis that Russia is “irreal” reminds one of Peter Chaadaev’s contention that Russia does not have a history; his idea that Russia is on the threshold of a cultural synthesis with the... (shrink)

This book review discusses the new research of the Russian philosopher and cultural study scholar Olga A. Zhukova. What is special about the Russian intellectual movement Russian Europeanism? Zhukova reconstructs the ideas of Russian Europeanism, and she evaluates the approaches of Russian thinkers to national cultural history. The author manages to introduce the reader to current discussions about the specifics of the Russian cultural and philosophical “project” and to propose new approaches for the interpretation (...) of the intellectual and literary heritage of Russia. In addition to offering a critical analysis of Zhukova’s volume, the book review presents this thought provoking monograph as a great piece of scholarly work. (shrink)

The development of Russian culture predetermined three propensities which form the intellectual framework of Russian national philosophy—historicism, mysticism and aestheticism. The most significant conceptions of Russian philosophy, united by the idea and image of Sophia, are defined by this framework.There is no contradiction in Russian philosophy between rational and mystical modes of thought because they are complementary in this tradition. It is, however, necessary to redefine the conception of rationality.I would like to finish with Solovyov's (...) words: “The idea of a nation is not what it thinks of itself in time, but what God thinks of it in eternity”. (shrink)

I argue that the Nineteenth Century phenomenon of Russian nihilism, rather than belonging to the spiritual crisis that threatened Europe, was an independent and historically specific attitude of the Russian intelligentsia in their wholesale and utopian rejection of the prevailing values of their parents’ generation. Turgenev’s novel, Fathers and Sons, exemplifies this revolt in the literary character Bazarov, who embodies an archetypical account of the conflict between generations, social values, and traditions in Russian—but not just Russian— (...) class='Hi'>culture. (shrink)

The article is dedicated to the famous folklorist, literary critic, ethnographer, candidate of philological science, and doctor of historical science, Lev Grigorievich Barag, whose research and teaching activity for several decades was linked to the Bashkir State University. The authors of the article present main milestones of his scientific work as well as brief annotated overview of the major works of this outstanding Russian philologist in fairytale folklore and mark his contribution to the study of one of the most (...) important pages in the Russian literature of the 18th century, D. I. Fonvizin’s comediography. Multifaceted activities of Professor Barag are described, who successfully combined practical work of collecting folklore with research that was focused on the comparative study of fairytale epos. The authors consider the question of what place in Russian philology took this researcher, who made significant additions, refinements in the analysis of not only Eastern Slavic, but Turkic fairy story repertoire and who became one of the creators of the most authoritative index of East Slavic fairy stories and laid the foundations for the development of the study of Bashkir folklore. The main features of the Barag’s polemical research strategy aimed at the justification of potentially prorealistic method of Fonvizin-playwright were identified. Attention is drawn to the postulated by Barag judgments that anticipated modern scientific ideas about the processes of genre decanonization, about semiotic mechanism of transformation of the ‘unfamiliar‘ to ‘familiar‘, about genre originality of ‘The Minor‘ as a socio-psychological comedy, about trust of the author of ‘The Brigadier-General‘ in evaluative point of view of ‘nonpositive‘ characters. (shrink)

The author examines, historically and theoretically, issues related to the state and current tendencies of post-Soviet Russian philosophy. The accent falls on the meta-philosophical question, what is philosophy?, or as the Russians often say, what is philosophizing?. In the Russian case, this question has presently to be handled in a cultural context ridden with a sense of discontinuity following the Soviet collapse. The author sketches some concepts intended to shed light on the nature of the relation between a (...) philosophical culture and the wider socio-cultural context in which it is embedded. The model is applied to the case of post-Soviet philosophy in order to see if and to what extent the logic of Soviet philosophizing and its place in the Soviet socio-cultural order has affected current philosophical tendencies in Russia, above all at the meta-philosophical level. The author concludes with a summary and commentary of the views of A.S. Akhiezer. (shrink)

The current study explores the contribution of cultural mediators to the dissemination of Russian literature in Greece between 1893 and 1917. More precisely, it examines the case of F. M. Dostoevsky’s reception during this time frame, which can be considered as the period of the writer’s introduction and beginning of his establishment among the Greek readership. The focus is on two types of mediators with a significant influence on the fortune of Dostoevsky and other Russian writers in Greece. (...) The two main groups investigated more closely are Russian-speaking mediators and Western-oriented mediators. The study aims to discuss some of the following questions: What are the main characteristics of the groups in question? What are the differences between their roles? How did their critical and translational engagement affect Dostoevsky’s reception? It should be noted that the current study presents part of the results of the author’s ongoing doctoral research project on the Greek reception of F. M. Dostoevsky. (shrink)

This volume is an unprecedented compilation of research papers from esteemed Russian psychophysiologists, cognitive scientists, and neuroscientists. It also provides a detailed exposition of Russian advances in neuropsychology and cognitive science from the late nineteenth century to the present.

AimThe article presents the results of a study of psychological factors of consumer loyalty concerning electric vehicles. An electric scooter was used as an example of an electric vehicle. The study involved a total of 165 people in China and 150 people in Russia. The study aimed to compare the psychological characteristics of Russian and Chinese consumers based on their attitudes toward an innovative product such as the electric scooter.Hypotheses The identity of Russian and Chinese consumers and the (...) perceived individuality of the product differ significantly; The proximity of the consumer's identity and the image of the product enhances the positive attitude toward the product; Risk strategies of consumer behavior of Chinese and Russians differ.MethodsThe questionnaire included the scales: “Measuring brand personality” by J. Aaker, “Measuring consumer identity” elaborated by Morozova and Antononva, The risk behavior scale by Vasilenko, Tkachenko.Results The first hypothesis was confirmed: there were revealed differences in the consumer behavior of the respondents of these two groups concerning in their self-perception, as well as in the perception of electric scooters. The Russians perceive an electric scooter as energetic, young, extravagant, modern, and unusual; the Chinese are down-to-earth, family-oriented, real. The hypothesis that the correlation of the consumer's identity and the individuality of the product is one of the psychological factors that determine the consumer's loyalty to a product is also confirmed. The Chinese consumers' identity is more close to the product individuality and their loyalty to the product is higher. Risk strategies of consumer behavior of Chinese and Russians significantly differ in terms of satisfaction with choosing of vehicle, the frequency of its use, and the importance of family approval of the choice of vehicle. The results can be used in the marketing strategy development. From the scientifical perspective, these results contribute to an understanding of the consumer loyalty mechanisms associated with consumer identity. (shrink)