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    Cross-Dressing and Gender (Tres)passing: The Transgender Move as a Site of Agential Potential in the New Iranian Cinema.Roshanak Kheshti - 2008 - Hypatia 24 (3):158 - 177.
    This article traces the historical becoming of the contemporary supersaturation of images of queer and transgendered Iran through the narrative and tropic devices introduced by filmmakers in the past twenty years. I argue that the censorship code enforced by the Ministry of Culture and Islamic Guidance is partly responsible for the formation of what has come to be a ubiquitous figure in the New Iranian cinema: the "cross-dressing" or "passing" figure. By performing close readings of "Baran" and "Dokhtaraneh Khorshid"—two films (...)
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    Cross-Dressing and Gender (Tres)Passing: The Transgender Move as a Site of Agential Potential in the New Iranian Cinema.Roshanak Kheshti - 2008 - Hypatia 24 (3):158-177.
    This article traces the historical becoming of the contemporary supersaturation of images of queer and transgendered Iran through the narrative and tropic devices introduced by filmmakers in the past twenty years. I argue that the censorship code enforced by the Ministry of Culture and Islamic Guidance is partly responsible for the formation of what has come to be a ubiquitous figure in the New Iranian cinema: the “cross-dressing” or “passing” figure. By performing close readings of Baran and Dokhtaraneh Khorshid—two films (...)
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