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  1.  67
    Mythologies.Roland Barthes & Annette Lavers - 1973 - Journal of Aesthetics and Art Criticism 31 (4):563-564.
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  2. Camera Lucida : reflections on photography.Roland Barthes - 2010 - In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
  3. Elements of semiology.Roland Barthes - unknown
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  4.  58
    The Neutral: Lecture Course at the College de France (1977-1978).Roland Barthes (ed.) - 2005 - New York: Columbia University Press.
    "I define the Neutral as that which outplays the paradigm, or rather I call Neutral everything that baffles paradigm." With these words, Roland Barthes describes a concept that profoundly shaped his work and was the subject of a landmark series of lectures delivered in 1978 at the Collège de France, just two years before his death. Not published in France until 2002, and appearing in English for the first time, these creative and engaging lectures deepen our understanding of Roland Barthes's (...)
  5. 2 theory of the text.Roland Barthes - 1981 - In Robert Young (ed.), Untying the text: a post-structuralist reader. Boston: Routledge & Kegan Paul. pp. 31.
     
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  6.  24
    The Grain of the Voice: Interviews 1962-1980.Roland Barthes - 1991 - Berkeley: University of California Press.
    This book brings together the great majority of Barthes's interviews that originally appeared in French in _Le Figaro Littéraire, Cahiers du Cinéma, France-Observateur, L'Express_, and elsewhere. Barthes replied to questions—on the cinema, on his own works, on fashion, writing, and criticism—in his unique voice; here we have Barthes in conversation, speaking directly, with all his individuality. These interviews provide an insight into the rich, probing intelligence of one of the great and influential minds of our time.
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  7.  36
    L'obvie et l'obtus: Essais critiques III.Vincent B. Leitch & Roland Barthes - 1983 - Substance 12 (4):91.
  8. Comment vivre ensemble ? – Sur l'idiorrythmie.Roland Barthes - forthcoming - Rhuthmos.
    01. Leçon inaugurale/Inaugural lecture - janvier/January 7, 1977 « Comment vivre ensemble – Sur l'idiorrythmie » Leçons au Collège de France – 1977 02. Comment vivre ensemble 01 - janvier/January 12, 1977 03. Comment vivre ensemble 02 - janvier/January 19, 1977 04. Comment vivre ensemble 03 - janvier/January 26, 1977 05. Comment vivre ensemble 04 - février/February 2, 1977 06. Comment vivre ensemble 05 - février/February 9, 1977 07. Comment vivre ensemble 06 - février/February 16, (...) - Comment penser le (...)
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  9.  65
    How to Live Together: Novelistic Simulations of Some Everyday Spaces.Roland Barthes - 2012 - Columbia University Press.
    In _The Preparation of the Novel_, a collection of lectures delivered at a defining moment in Roland Barthes's career (and completed just weeks before his death), the critic spoke of his struggle to discover a different way of writing and a new approach to life. _The Neutral_ preceded this work, containing Barthes's challenge to the classic oppositions of Western thought and his effort to establish new pathways of meaning. _How to Live Together_ predates both of these achievements, a series of (...)
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  10.  23
    The Critical DifferenceS/Z.Barbara Johnson, Roland Barthes & Richard Miller - 1978 - Diacritics 8 (2):2.
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  11.  12
    Artaud: Schreibweise / Figur.Roland Barthes - 2017 - Zeitschrift für Kulturphilosophie 2017 (1):233-235.
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  12. Names and terms.Theodor Wiesengrund Adorno, Giorgio Agamben, Louis Althusser, Hannah Arendt, John Langshaw Austin, Gaston Bachelard, Alain Badiou, Mikhail Mikhaylovich Bakhtin, Roland Barthes & Georges Bataille - 2006 - In Paul Wake & Simon Malpas (eds.), The Routledge Companion to Critical Theory. Routledge.
     
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  13. AD Coleman.Roland Barthes - 1989 - In Richard Kostelanetz (ed.), Esthetics contemporary. Buffalo, N.Y.: Prometheus Books. pp. 339.
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  14. Arcimboldo lub Retor i Magik.Roland Barthes - forthcoming - Estetyka I Krytyka 15 (15/16):225-239.
     
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  15.  13
    'A very fine gift': and other writings on theory.Roland Barthes - 2015 - London: Seagull Books. Edited by Chris Turner & Roland Barthes.
    Roland Barthes, whose centenary falls in 2015, was a restless, protean thinker. A constant innovator, often as a daring smuggler of ideas from one discipline to another, he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text, and Camera Lucida. In 1976, this one time structuralist outsider was elected to (...)
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  16.  15
    Colouring, Degree Zero.Roland Barthes - 2020 - Theory, Culture and Society 37 (4):35-42.
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  17.  14
    Den fremmede/utenlandske kvinnen. (Kristevas Séméiotiké).Roland Barthes - 2003 - Agora Journal for metafysisk spekulasjon 21 (1):30-33.
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  18.  6
    Incidents.Roland Barthes & Bishan Samaddar - 1992 - Berkeley: Seagull Books.
    The late French literary and social critic's intimate journal, first published after his death and translated into English here for the first time, and three other autobiographical texts in which he explores his homosexuality are combined in one volume. Original.
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  19.  31
    Lettres.Roland Barthes, Frederick Crews & J. P. Faye - 1971 - Substance 1:v.
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  20.  56
    On Émile Benveniste.Roland Barthes - 1981 - Semiotica 37 (s1):25-46.
  21. Part 6. Poststructuralism and postmodernism : The death of the author.Roland Barthes - 2000 - In Clive Cazeaux (ed.), The Continental Aesthetics Reader. New York: Routledge.
     
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  22.  55
    relationship between writing, reading and the dominant cultural discourse. Perhaps the most important philo-sophical influence on Barthes was the.Roland Barthes - 2005 - In Siobhan Chapman & Christopher Routledge (eds.), Key thinkers in linguistics and the philosophy of language. Edinburgh: Edinburgh University Press. pp. 27.
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  23.  10
    Tessa Boffin: A Lover's Distance.Roland Barthes - 1987 - Feminist Review 25 (1):99-107.
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  24.  39
    The Dolls of Bunraku.Roland Barthes & David Savran - 1976 - Diacritics 6 (4):44.
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  25.  14
    The neutral: lecture course at the Collège de France, 1977-1978.Roland Barthes - 2005 - New York: Columbia University Press. Edited by Thomas Clerc & Eric Marty.
    Roland Barthes' renowned and never before translated lectures pursue a central theme in his work, namely the quest for the neutral.
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  26.  27
    Taking Sides.Roland Barthes - 1988 - In Barry Smart (ed.), Michel Foucault: critical assessments. New York: Routledge. pp. 24.
  27. U9 Roland Barthes.Roland Barthes - 2007 - In Diarmuid Costello & Jonathan Vickery (eds.), Art: key contemporary thinkers. New York: Berg. pp. 149.
     
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  28.  21
    Primary works.Fontana Press, Annette Lavers, Roland Barthes & Harvester Wheatsheaf - 2005 - In Siobhan Chapman & Christopher Routledge (eds.), Key thinkers in linguistics and the philosophy of language. Edinburgh: Edinburgh University Press.
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  29.  40
    Roland Barthes: A Conservative EstimateImage-Music-Text.Steven Ungar, Philip Thody, Roland Barthes & Stephen Heath - 1979 - Substance 8 (1):119.
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  30. (1 other version)Barthes, R. (1977). Image, music, text. (S. Heath, Ed.)The Journal of Aesthetics and Art Criticism (Vol. 37, p. 220). Hill and Wang. doi:10.2307/429854Image, music, text. [REVIEW]Roland Barthes - 1977 - Journal of Aesthetics and Art Criticism 37 (2):235-236.
    Roland Barthes, the French critic and semiotician, was one of the most important critics and essayists of this century. His work continues to influence contemporary literary theory and cultural studies. Image-Music-Text collects Barthes's best writings on photography and the cinema, as well as fascinating articles on the relationship between images and sound. Two of Barthes's most important essays, "Introduction to the Structural Analysis of Narrative" and "The Death of the Author" are also included in this fine anthology, an excellent introduction (...)
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