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  1.  47
    Between critique and metaphysics.Frédéric Worms & Robin Mackay - 2005 - Angelaki 10 (2):39 – 57.
    (2005). Between Critique And Metaphysics. Angelaki: Vol. 10, continental philosophy and the sciences the french tradition issue editor: andrew aitken, pp. 39-57.
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  2.  12
    Construction site for possible worlds.Amanda Beech & Robin Mackay (eds.) - 2020 - Falmouth, United Kingdom: Urbanomic Media.
    Given the highly coercive and heavily surveilled dynamics of the present moment, when the tremendous pressures exerted by capital on contemporary life produce an aggressively normative 'official reality', the question of the construction of other possible worlds is crucial and perhaps more urgent than ever. This collection brings together different perspectives from the fields of philosophy, aesthetics, and art to discuss the mechanisms through which possible worlds are thought, constructed, and instantiated, forcefully seeking to overcome the contemporary moment's deficit of (...)
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    Christo-Fiction: The Ruins of Athens and Jerusalem.Robin Mackay (ed.) - 2015 - Cambridge University Press.
    François Laruelle's lifelong project of "nonphilosophy," or "nonstandard philosophy," thinks past the theoretical limits of Western philosophy to realize new relations between religion, science, politics, and art. In_ Christo-Fiction_ Laruelle targets the rigid, self-sustaining arguments of metaphysics, rooted in Judaic and Greek thought, and the radical potential of Christ, whose "crossing" disrupts their circular discourse. Laruelle's Christ is not the authoritative figure conjured by academic theology, the Apostles, or the Catholic Church. He is the embodiment of generic man, founder of (...)
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  4. Philosophers' Islands.Robin Mackay - 2010 - Collapse: Philosophical Research and Development 6:431-57.
     
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  5.  4
    The Brain-Eye: New Histories of Modern Painting.Robin Mackay (ed.) - 2015 - Rowman & Littlefield International.
    English-language translation of a major work by French philosopher Eric Alliez, in which he offers a new perspective on critical problems in modern aesthetics.
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