Results for 'Robert Kendall'

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  1. Minding the Frontier: Teaching Hypertext Poetry and Fiction Online.Robert Kendall - 1998 - Kairos (Université de Toulouse-Le Mirail. Faculté de philosophie) 3:2.
     
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    The Plague of War: Athens, Sparta, and the Struggle for Ancient Greece by Jennifer T. Roberts.Seth Kendall - 2020 - Classical World: A Quarterly Journal on Antiquity 114 (1):99-100.
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    Reconstructing the Rhythm of "Beowulf.". Robert Payson Creed.Calvin Kendall - 1992 - Speculum 67 (3):651-653.
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    "Definitions and Divisions of Philosophy" by David the Invincible Philosopher, by Bridget Kendall and Robert W. Thomson. [REVIEW]Stephen Gersh - 1984 - Ancient Philosophy 4 (1):117.
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  5.  58
    The Woman in the Painting and the Image in the Penny: An Investigation of Phenomenological Doubleness, Seeing-in, and “Reversed Seeing-In”.Robert Schroer - 2008 - Philosophical Studies 139 (3):329 - 341.
    The experience of looking at a tilted penny involves a “phenomenological doubleness” in that it simultaneously seems to be of something circular and of something elliptical. In this paper, I investigate the phenomenological doubleness of this experience by comparing it to another case of phenomenological doubleness––the phenomenological doubleness of seeing an object in a painting. I begin by pointing out some striking similarities between the phenomenological characters of these two experiences. I then argue that these phenomenological characters have a common (...)
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  6.  96
    Imagination and Insight: A New Acount of the Content of Thought Experiments.Letitia Meynell - 2014 - Synthese 191 (17):4149-4168.
    This paper motivates, explains, and defends a new account of the content of thought experiments. I begin by briefly surveying and critiquing three influential accounts of thought experiments: James Robert Brown’s Platonist account, John Norton’s deflationist account that treats them as picturesque arguments, and a cluster of views that I group together as mental model accounts. I use this analysis to motivate a set of six desiderata for a new approach. I propose that we treat thought experiments primarily as (...)
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  7. On Kendall Walton's Mimesis as Make-BelieveMemesis As Make-Believe. [REVIEW]Noel Carroll & Kendall Walton - 1991 - Philosophy and Phenomenological Research 51 (2):383.
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  8. Wat is een afbeelding?Hans Maes - 2011 - Esthetica: Tijdschrift Voor Kunst En Filosofie 3.
    This paper addresses what is arguably ?? one of the most fundamental questions in the debate on depiction, What is a Picture? It offers a critical discussion of traditional theories of pictorial representation, such as the Resemblance Theory, Conventionalism, and the Illusion Theory; it introduces and analyses the crucial notions of ‘seeing as’ and ‘seeing in’, and concludes by presenting some of the most recent accounts of depiction defended by Kendall Walton, Dominic Lopes, Robert Hopkins, and John Hyman.
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  9.  42
    Aesthetics: The Key Thinkers.Alessandro Giovannelli (ed.) - 2012 - Continuum.
    Offers a comprehensive historical overview of the field of aesthetics. Eighteen specially commissioned essays introduce and explore the contributions of those philosophers who have shaped the subject, from its origins in the work of the ancient Greeks to contemporary developments in the 21st Century. -/- The book reconstructs the history of aesthetics, clearly illustrating the most important attempts to address such crucial issues as the nature of aesthetic judgment, the status of art, and the place of the arts within society. (...)
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  10. On Considering a Possible World as Actual: Robert Stalnaker.Robert Stalnaker - 2001 - Supplement to the Proceedings of the Aristotelian Society 75 (1):141-156.
    [Robert Stalnaker] Saul Kripke made a convincing case that there are necessary truths that are knowable only a posteriori as well as contingent truths that are knowable a priori. A number of philosophers have used a two-dimensional model semantic apparatus to represent and clarify the phenomena that Kripke pointed to. According to this analysis, statements have truth-conditions in two different ways depending on whether one considers a possible world 'as actual' or 'as counterfactual' in determining the truth-value of the (...)
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  11.  45
    I—Robert Audi: Moral Perception and Moral Knowledge.Robert Audi - 2010 - Aristotelian Society Supplementary Volume 84 (1):79-97.
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  12.  47
    Free Will and Indeterminism: Robert Kane’s Libertarianism.Robert Francis Allen - 2005 - Journal of Philosophical Research 30:341-355.
    Drawing on Aristotle’s notion of “ultimate responsibility,” Robert Kane argues that to be exercising a free will an agent must have taken some character forming decisions for which there were no sufficient conditions or decisive reasons. That is, an agent whose will is free not only had the ability to develop values and beliefs besides those that presently make up her motives, but could have exercised that ability without being irrational. An agent wills freely, on this view, by beingultimately (...)
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  13. Free Will and Indeterminism: Robert Kane’s Libertarianism.Robert Francis Allen - 2005 - Journal of Philosophical Research 30:341-355.
    Drawing on Aristotle’s notion of “ultimate responsibility,” Robert Kane argues that to be exercising a free will an agent must have taken some character forming decisions for which there were no sufficient conditions or decisive reasons.<sup>1</sup> That is, an agent whose will is free not only had the ability to develop other dispositions, but could have exercised that ability without being irrational. To say it again, a person has a free will just in case her character is the product (...)
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  14.  16
    I—Robert Stalnaker.Robert Stalnaker - 2001 - Aristotelian Society Supplementary Volume 75 (1):141-156.
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  15. Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. Walton - 1990 - Harvard University Press.
    Mimesis as Make-Believe is important reading for everyone interested in the workings of representational art.
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  16. Metaphor and Prop Oriented Make‐Believe.Kendall L. Walton - 1993 - European Journal of Philosophy 1 (1):39-57.
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  17.  39
    Kendall Walton's ‘Categories of Art’: A Critical Commentary: Articles.Brian Laetz - 2010 - British Journal of Aesthetics 50 (3):287-306.
    Kendall Walton's ‘Categories of Art’ is one of the most famous and, arguably, most important papers in modern aesthetics. Despite this, and the various references to it and discussions of it within the literature, there are no general commentaries on this essay. In addition to outlining a general framework for approaching the article, I identify and explicate the two main exegetical issues regarding it. The first concerns how to understand Walton's main thesis that the aesthetic character of artworks is (...)
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  18.  24
    II—Robert Stalnaker.Robert Stalnaker - 2002 - Aristotelian Society Supplementary Volume 76 (1):153-168.
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  19. Robert William Spence, Third Archbishop of Adelaide and Sixth Occupant of the See: Aspects of His Theology and Practice.Robert Rice - 2008 - The Australasian Catholic Record 85 (3):274.
  20.  17
    Robert M. Veatch: Hippocratic, Religious, and Secular Medical Ethics: The Points of Conflict. Georgetown University Press, 2012. [REVIEW]Robert Baker - 2013 - Bioethics 27 (9):514-515.
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  21. Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.
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  22.  20
    II—Robert Sugden: On Modelling Vagueness—and onnotModelling Incommensurability.Robert Sugden - 2009 - Aristotelian Society Supplementary Volume 83 (1):95-113.
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  23. On Representing True-in-L'in L Robert L. Martin and Peter W. Woodruff.Robert L. Martin - 1984 - In Recent Essays on Truth and the Liar Paradox. Oxford University Press. pp. 47.
     
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  24. Transparent Pictures: On the Nature of Photographic Realism.Kendall L. Walton - 1984 - Critical Inquiry 11 (2):246-277.
    That photography is a supremely realistic medium may be the commonsense view, but—as Edward Steichen reminds us—it is by no means universal. Dissenters note how unlike reality a photograph is and how unlikely we are to confuse the one with the other. They point to “distortions” engendered by the photographic process and to the control which the photographer exercises over the finished product, the opportunities he enjoys for interpretation and falsification. Many emphasize the expressive nature of the medium, observing that (...)
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  25.  55
    Siobhan Roberts. King of Infinite Space: Donald Coxeter, the Man Who Saved Geometry.James Robert Brown - 2007 - Philosophia Mathematica 15 (3):386-388.
    Donald Coxeter died in 2003, at a ripe old age of 96. Though I had regularly seen him at mathematics talks in Toronto for over twenty years, I never felt rushed to seek him out. It seemed he would go on forever. His death left me regretting my missed opportunity and Siobhan Robert's excellent book makes me regret it even more. Like any good biography of an intellectual, King of Infinite Space contains personal details and mathematical achievements in some (...)
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  26. Aesthetics—What? Why? And Wherefore?Kendall Walton - 2007 - Journal of Aesthetics and Art Criticism 65 (2):147–161.
    It is a very great honor to address my friends and colleagues as president of the American Society for Aesthetics, an organization that plays a unique role in a field that is, at once, a major traditional branch of philosophy and also central to disciplines often regarded as remote from philosophy, as well as depending crucially on their contributions.
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  27. Transparent Pictures: On the Nature of Photographic Realism.Kendall L. Walton - 1984 - Noûs 18 (1):67-72.
    That photography is a supremely realistic medium may be the commonsense view, but—as Edward Steichen reminds us—it is by no means universal. Dissenters note how unlike reality a photograph is and how unlikely we are to confuse the one with the other. They point to “distortions” engendered by the photographic process and to the control which the photographer exercises over the finished product, the opportunities he enjoys for interpretation and falsification. Many emphasize the expressive nature of the medium, observing that (...)
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  28.  64
    Review of Robert D. Rupert, Cognitive Systems and the Extended Mind[REVIEW]Robert A. Wilson - 2010 - Notre Dame Philosophical Reviews 2010 (3).
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  29.  23
    Epistemic Consequentialism: Robert Stalnaker.Robert Stalnaker - 2002 - Supplement to the Proceedings of the Aristotelian Society 76 (1):153-168.
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  30. Mimesis as Make-Believe.Kendall L. Walton - 1996 - Synthese 109 (3):413-434.
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  31. Fearing Fictions.Kendall L. Walton - 1978 - Journal of Philosophy 75 (1):5-27.
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  32. Kendall Walton's 'Categories of Art': A Critical Commentary.Brian Laetz - 2010 - British Journal of Aesthetics 50 (3):287-306.
    most famous and, arguably, most important papers in modern aesthetics. Despite this, and the various references to it and discussions of it within the literature, there are no general commentaries on this essay. In addition to outlining a general framework for approaching the article, I identify and explicate the two main exegetical issues regarding it. The first concerns how to understand Walton's main thesis that the aesthetic character of artworks is determined, in part, by their ‘correct category’. I suggest that (...)
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  33. Feys Robert. Logique formalisee et philosophie. Synthese, vol. 6 , pp. 283–298.Robert E. Luce - 1948 - Journal of Symbolic Logic 13 (4):221-222.
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  34. Review: Robert Feys, Logique Formalisee et Philosophie. [REVIEW]Robert E. Luce - 1948 - Journal of Symbolic Logic 13 (4):221-222.
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    Robert Ackermann. Some Remarks on Kyburg's Modest Proposal. The Philosophical Review, Vol. 71 , Pp. 236–240.Robert L. Causey - 1972 - Journal of Symbolic Logic 37 (1):177-178.
  36. Robert Greystones on Certainty and Skepticism: Selections From His Works.Robert Andrews, Jennifer Ottman & Mark Henninger (eds.) - 2020 - Oup/British Academy.
    This volume is a continuation of Robert Greystones on the Freedom of the Will: Selections from His Commentary on the Sentences. From this, five of the most relevant questions were selected for editing and translation in this timely volume. This edition should prompt not just a footnote to, but a re-writing of the history of philosophy.
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    Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. Walton - 1990 - Journal of Aesthetics and Art Criticism 49 (2):161-166.
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  38. Robert Nichols in Conversation with Kelly Aguirre, Phil Henderson, Cressida J. Heyes, Alana Lentin, and Corey Snelgrove.Robert Nichols, Phil Henderson, Cressida J. Heyes, Kelly Aguirre, Alana Lentin & Corey Snelgrove - 2021 - Journal of World Philosophies 6 (2):181-222.
    Kelly Aguirre, Phil Henderson, Cressida J. Heyes, Alana Lentin, and Corey Snelgrove engage with different aspects of Robert Nichols’ Theft is Property! Dispossession and Critical Theory. Henderson focuses on possible spaces for maneuver, agency, contradiction, or failure in subject formation available to individuals and communities interpellated through diremptive processes. Heyes homes in on the ritual of antiwill called “consent” that systematically conceals the operation of power. Aguirre foregrounds tensions in projects of critical theory scholarship that aim for dialogue and (...)
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  39. Almeder, Robert, Human Happiness and Morality: A Brief Introduction to Ethics (Amherst: Prometheus Books, 2000), 211 Pages. Audi, Robert, Epistemology: A Contemporary Introduction to the Theory of Knowledge (London: Routledge, 1998), 340 Pages. [REVIEW]Robert Baird, Reagan Ramsower, Stuart E. Rosenbaum, Victoria Davion, Clark Wolf, John Martin Fischer, S. J. Mark Ravizza, Margaret Gilbert, Christopher W. Gowans & Jorge J. Gracia - 2000 - The Journal of Ethics 4:419-422.
     
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  40. Robert Elliott, Faking Nature: The Ethics of Environmental Restoration. [REVIEW]Robert Kirkman - 2000 - Journal of Value Inquiry 34 (1):129-133.
  41.  62
    The Hiddenness of God*: ROBERT McKIM.Robert McKim - 1990 - Religious Studies 26 (1):141-161.
    Neither the existence of God nor the nature of God is apparent or obvious. If God exists, why is it not entirely clear to everyone that this is so? How can theists explain God's hiddenness, and how plausible are their explanations? God, if God exists, is an omnipotent, morally good, omnipresent being, than whom none greater can be conceived. Surely it is well within the abilities of God to let God's existence and nature be known to us. Why isn't the (...)
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  42.  19
    Thinking as a Team: Towards an Explanation of Nonselfish Behavior*: Robert Sugden.Robert Sugden - 1993 - Social Philosophy and Policy 10 (1):69-89.
    For most of the problems that economists consider, the assumption that agents are self-interested works well enough, generating predictions that are broadly consistent with observation. In some significant cases, however, we find economic behavior that seems to be inconsistent with self-interest. In particular, we find that some public goods and some charitable ventures are financed by the independent voluntary contributions of many thousands of individuals. In Britain, for example, the lifeboat service is entirely financed by voluntary contributions. In all rich (...)
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  43. Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. WALTON - 1990 - Philosophy 66 (258):527-529.
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  44.  77
    Marvelous Images: On Values and the Arts.Kendall Walton - 2008 - Oxford University Press.
    The twelve essays by Kendall Walton in this volume address a broad range of issues concerning the arts. Walton introduces an innovative account of aesthetic value, and explores relations between aesthetic value and values of other kinds. His classic 'Categories of Art' is included, as is 'Transparent Pictures', his controversial account of what is special about photographs. A new essay investigates the fact that still pictures are still, although some of them depict motion. New postscripts have been added to (...)
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  45.  79
    Robert Owen on Education.Robert Owen - 1969 - London: Cambridge University Press.
    Robert Owen was one of the most extraordinary Englishmen who ever lived and a great man. In a way his history is the history of the establishment of modern industrial Britain, reflected in the mind and activities of a very intelligent, capable and responsible industrialist, alive to the best social thought of his time. The organisation of industrial labour, factory legislation, education, trade unionism, co-operation, rationalism: he was passionately and ably engaged in all of them. His community at New (...)
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  46. Robert T. Gunther: A Pioneer in the History of Science, 1869-1940 by A. E. Gunther. [REVIEW]Robert Kargon - 1972 - Isis 63:460-460.
     
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  47.  19
    Johnson , Robert N. Self-Improvement: An Essay in Kantian Ethics Oxford: Oxford University Press, 2011. Pp. Viii+174. $55.00 (Cloth). [REVIEW]Robert B. Louden - 2012 - Ethics 122 (4):811-815.
    Book Reviews Anne Margaret Baxley, Kantian Review, FirstView Article.
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  48. Restricted Quantification, Negative Existentials, and Fiction.Kendall L. Walton - 2003 - Dialectica 57 (2):239–242.
    Realist theories about fictional entities must explain the fact that, in ordinary contexts people deny, apparently in all seriousness, that there are such things as the Big Bad Wolf and Santa Claus. The usual explanation treats these denials as involving restricted quantification: The speaker is said to be denying only that the Big Bad Wolf and Santa Claus are to be found among real or actual things, not that there are no such things at all. This is unconvincing. The denials (...)
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  49. Robert Smithson Une Rétrospective : Le Paysage Entropique, 1960-1973 : 22 Avril-13 Juin 1993, Ivam, Centre Julio Gonzalez, Valence [Et] 17 Juin-28 Ao Ut 1994, Palais des Beaux-Arts, Bruxelles [Et] 23 Septembre-11 Décembre 1994, Mac, Galeries Contemporaines des Musées de Marseille. [REVIEW]Robert Smithson, Belgium) Ivam Centre Julio González & Musées de Marseille - 1994
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  50. Kant's Virtue Ethics: Robert B. Louden.Robert B. Louden - 1986 - Philosophy 61 (238):473 - 489.
    Among moral attributes true virtue alone is sublime. … [I]t is only by means of this idea [of virtue] that any judgment as to moral worth or its opposite is possible. … Everything good that is not based on a morally good disposition … is nothing but pretence and glittering misery. 1.
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