- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Works by Robert Hatten
15 found
Order:
Disambiguations
Disambiguations:
| Robert S. Hatten [14] | Robert Hatten [2] |
- The place of intertextuality in music studies.Robert S. Hatten - 1985 - American Journal of Semiotics 3 (4):69-82.
- Raymond Monelle.Francois Delalande Clarke, Robert Hatten, Michel Imberty, Vladimir Karbusicky, Jaroslav Jiranek, Francois-Bernard Mache, Julian Rushton, Ivanka Stoianova, Philip Tagg & Bernard Vecchione - 1999 - Semiotica 123 (3/4):349-355.No categoriesExport citation
Bookmark - Mario Baroni Accompaniment formulas in Verdi's Ernani 129-140 Daniel Charles Son et temps 171-179.Rossana Dalmonte, Christie Davies, Martha Davis, François Delalande, Célestin Deliège, Françoise Escal, Bruce E. Fleming, Robert S. Hatten, Shuhei Hosokawa & Vladimir Karbusicky - 1987 - Semiotica 66:455.Export citation Bookmark
- An Introduction to Virtual Agency in Music.Robert S. Hatten - 2015 - Semiotics:1-9.
- Aspects of dramatic closure in Beethoven: a semiotic perspective on music analysis via strategies of dramatic conflict.Robert S. Hatten - 1987 - Semiotica 66 (1-3):197-210.Export citation Bookmark
- A theory of virtual agency for Western art music.Robert S. Hatten - 2018 - Bloomington, Indiana: Indiana University Press.Introduction -- Prelude: from gesture to virtual agency -- Foundations for a theory of agency -- Virtual environmental forces and gestural energies: actants as agential -- Virtual embodiment: from actants to virtual human agents -- Virtual identity and actorial continuity -- Interlude I: from embodiment to subjectivity -- Staging virtual subjectivity -- Virtual subjectivity and aesthetically warranted emotions -- Staging virtual narrative agency -- Performing agency -- An integrative agential interpretation of Chopin's Ballade in F minor, op. 52 -- Interlude (...)
- Explaining Style Growth and Change.Robert S. Hatten - 1980 - Semiotics:185-194.No categories
- Grounding Interpretation.Robert S. Hatten - 1996 - American Journal of Semiotics 13 (1-4):25-42.No categories
- Grounding Interpretation.Robert S. Hatten - 1996 - American Journal of Semiotics 13 (1-4):25-42.
- Interrogating a Complex Artistic Trope.Robert S. Hatten - 2010 - Semiotics:325-334.
- Interpreting the Grotesque in Music.Robert S. Hatten - 2011 - Semiotics:419-426.
- Musical Agency as Implied by Gesture and Emotion.Robert S. Hatten - 2009 - Semiotics:162-169.
- Metaphor in music.Robert S. Hatten - 1995 - In Eero Tarasti (ed.), Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton de Gruyter. pp. 121--373.
- Thematic gestures, topics, and tropes. Grounding expressive interpretation in Schubert.Robert Hatten - 2003 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical Semiotics Revisited. International Semiotics Institute. pp. 80--91.Export citation Bookmark
- The troping of temporality in music.Robert S. Hatten - 2006 - In Byron Almén & Edward Pearsall (eds.), Approaches to meaning in music. Bloomington: Indiana University Press.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-7c76586df8-5tf24 uwo