15 found
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Robert Fudge [11]Robert S. Fudge [7]Robert Stephen Fudge [1]
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Robert Fudge
Weber State University
  1.  28
    Imagination and the Science-Based Aesthetic Appreciation of Unscenic Nature.Robert S. Fudge - 2001 - Journal of Aesthetics and Art Criticism 59 (3):275–285.
  2.  97
    Motivating Employees to Act Ethically: An Expectancy Theory Approach. [REVIEW]Robert S. Fudge & John L. Schlacter - 1999 - Journal of Business Ethics 18 (3):295 - 304.
    Employees face an array of moral issues in their everyday decision making. Environmental concerns, employee and community welfare, and the interests of other companies (competitors, customers, and suppliers) are only a few examples. Yet, businesses do not always address the issue of how employees should assess the moral import of their actions and incorporate these considerations into their decisions. As a result, moral considerations are often ignored, leading to unethical practices which may hurt the long-term interests of the company. In (...)
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  3.  4
    Aesthetic Consolation in an Age of Extinction.Robert S. Fudge - 2021 - Philosophical Papers 50 (1-2):141-162.
    In light of the environmental pressure humans are currently placing on the biosphere, there is overwhelming evidence to think that we have entered the early stages of a major extinction event. Inde...
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  4.  67
    Sympathy, Beauty, and Sentiment: Adam Smith's Aesthetic Morality.Robert Fudge - 2009 - Journal of Scottish Philosophy 7 (2):133-146.
    One of the more striking aspects of Adam Smith's moral theory is the degree to which it depends on and appeals to aesthetic norms. By considering what Smith says about judgments of propriety – the foundational type of judgment in his system – and by tying what he says in The Theory of Moral Sentiments to certain of his other writings, I argue that Smith ultimately defends an aesthetic morality. Among the challenges that any aesthetic morality faces is that it (...)
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  5.  42
    New Essays on Adam Smith’s Moral Philosophy, Wade L. Robison, David B. Suits.Robert Fudge - 2013 - Polish Journal of Philosophy 7 (2):145-149.
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  6.  38
    A Dialogic Approach to Introducing Informal Fallacies.Robert S. Fudge - 2001 - Teaching Philosophy 24 (4):371-377.
    In critical thinking courses, informal fallacies are often best taught through using myriad examples that illustrate the subtle differences between the different fallacies. However, since a heavy reliance can become tedious for students and instructors, one challenge that teaching a critical thinking course involves is striking an appropriate balance between presenting too many and too few examples. This paper presents a way to introduce informal fallacies through an acted-out dialogue, while reserving more traditional examples for homework or in-class discussion.
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  7. Arnold Berleant (Ed.), Environment and the Arts.Robert Fudge - 2004 - Environmental Values 13 (1):121-122.
     
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  8. Richard B. Brandt, Facts, Values, and Morality Reviewed By.Robert S. Fudge - 1998 - Philosophy in Review 18 (1):8-9.
     
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  9.  52
    A Vindication of Strong Aesthetic Supervenience.Robert Fudge - 2005 - Philosophical Papers 34 (2):149-171.
    Abstract Disagreement persists concerning whether aesthetic properties supervene on non-aesthetic properties. This issue is complicated by the fact that the notion of an aesthetic property is itself contentious. In this paper, I begin by identifying three conditions that arguably characterize a large number of aesthetic properties. After defending aesthetic supervenience against a number of objections, I argue that a strong version of the supervenience thesis applies to those properties that satisfy my initial conditions.
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  10.  24
    The Beautiful and the Good: Introduction.Robert Fudge - 2016 - Essays in Philosophy 17 (1):1-4.
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  11.  25
    The Art Type Theory of Art.Robert S. Fudge - 2015 - Philosophical Papers 44 (3):321-343.
    The theory I present and defend in this paper—what I term the art type theory— holds that something is a work of art iff it belongs to an established art type. Something is an established art type, in turn, either because its paradigmatic instances standardly satisfy eight art-making conditions, or because the art world has seen fit to enfranchise it as such. It follows that the art status of certain objects is independent of what any individual or culture might say (...)
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  12.  32
    Problems with Contextualizing Aesthetic Properties.Robert Fudge - 2003 - Journal of Aesthetics and Art Criticism 61 (1):67-70.
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  13.  12
    MACNEILL, PAUL, Ed. Ethics and the Arts. Dordrecht, Netherlands: Springer, 2014, Xiii + 273 Pp., 8 B&W Illus., $129.00 Cloth. [REVIEW]Robert Fudge - 2016 - Journal of Aesthetics and Art Criticism 74 (4):423-425.
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  14.  15
    On Harwood's Plural Voting System.Robert Fudge & Carol Quinn - 2001 - Journal of Social Philosophy 32 (4):500–504.
  15.  16
    Discussion.Robert Fudge & Marcia Muelder Eaton - 2003 - Journal of Aesthetics and Art Criticism 61 (1):67–71.
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