Thêsauroi, or treasure-houses, are small, temple-like structures, found typically in the sanctuaries of Delphi and Olympia. They were built by Greek city-states to house the dedications of their citizens. But a thêsauros is not just a storeroom: it is also a frame for costly votives, a way of diverting elite display in the interest of the city. When placed on view in a treasure-house, the individual dedication is re-contextualized: although it still reflects well on its dedicant, it also glorifies the (...) polis. Thêsauroi effectively nationalize votives—and, with them, a dedicant's privileged relationship to the gods. The sculptural program of the Siphnian treasury exemplifies these issues. (shrink)

This study makes a pair with the author's “Framing the Gift: The Politics of the Siphnian Treasury at Delphi,” Classical Antiquity 20 : 273–336. Like that essay, it argues that the function of a treasury is to provide a civic frame for ostentatious dedications by wealthy citizens: in effect, to “nationalize” votives. In this sense, the Athenian Treasury is a material trace, or fossil, of city politics in the 480s. The article tracks this function through the monument's iconography; its use (...) of marble from the medizing island of Paros; its relation to the “Alkmeonid” temple of Apollo; and the responses it evoked at Delphi and in Athens. Special attention is given to the methodological problem of finding meaning in non-iconic or non-representational features, such as building materials. The article concludes with a new reading of Pindar's sixth Pythian, for Megakles of Athens, which neatly encapsulates what was at stake in this building project. (shrink)