:The biography of Anaxagoras, the most brilliant scientist of antiquity, contains many unresolved contradictions, which are best explained as follows. After he ‘predicted’ the fall of the meteorite at Aegospotami in 466, he lived nearby at Lampsacus as the protege of its ruler Themistocles. In 460 Pericles became his patron at Athens, where he lived for the next 30 years. In 431, Pericles was taking part in an expedition to the Peloponnese when the sun was eclipsed; he tried to dispel (...) his helmsman’s fear by covering his face with his cloak, illustrating Anaxagoras’ correct account of eclipses. In 430 he led a second such expedition, which failed badly; its return coincided with the plague. The seer Diopeithes brought in a decree that targeted the ‘atheist’ Anaxagoras by banning astronomy. This enabled Thucydides son of Melesias and Cleon to attack Pericles by prosecuting Anaxagoras, on the ground that Pericles’ impiety had angered the gods, thereby causing the plague. Pericles sent Anaxagoras back to Lampsacus, where he soon died; Pericles was himself deposed and fined, in a first triumph for the Athenian populist reaction against the fifthcentury Enlightenment. (shrink)

The On Poems by Philodemus of Gadara is our main source for Hellenistic literary and critical theory. This first edition of Book 2 includes a Greek text and facing English translation of the newly reconstructed treatise on poetry in ancient Greek, as well as a comprehensive introduction and incisive analytical commentary.

Nouns and personal names ending in –εύς –ῆϝος are unique to Greek, and have often been deemed pre-Hellenic in origin simply on account of the lack of Proto-Indo-European correspondences. Our failure to find convincing etymologies for βασιλεύς, ἑρμηνεύς, and βραβεύς has itself contributed to this view. However, we should hesitate, for general reasons, to posit pre-Hellenic origins for these words, since viable explanations both of βασιλεύς and of ἑρμηνεύς lie near to hand. Although the explanation of βασιλεύς that will be (...) proposed below still presents difficulties, I believe that it improves on previous attempts. (shrink)

The more I understand the Southslavic poetry and the nature of the unity of the oral poem, the clearer it seems to me that the Iliad and the Odyssey are very exactly, as we have them, each one of them the rounded and finished work of a single singer…. I even figure to myself, just now, the moment when the author of the Odyssey sat and dictated his song, while another, with writing materials, wrote it down verse by verse, even (...) in the way that our singers sit in the immobility of their thought, watching the motion of Nikola's hand across the empty page, when it will tell them it is the instant for them to speak the next verse. (shrink)

In Python's comic satyr play Agen Harpalus, Alexander's errant treasurer, is mocked for erecting costly buildings left and right to honour his dead lover, the notorious prostitute Pythionice: ἔστιν δ’ ὅπου μὲν ὁ κάλαμος πέϕυχ’ ὅδε †ϕέτωμ’ ἄορνον, οὑξ ἀριστερᾶς δ’ ὅδε πόρνης ὁ κλεινὸς ναός, ὃν δὴ Παλλίδης τεύξας κατέγνω διὰ τὸ πρᾶγμ’ αὑτοῦ ϕυγήν. 1–2 πέϕυκε· ὁ δ’ εϕετωμα ορνον Athenaei cod. A: ὅδε scr. Dindorf, ἄορνον Fiorillo †ϕέτωμ’ vox desperata: ϕάτνωμ’ Fiorillo, ἕλωμ’ Meineke, πέτρωμ’ Pezopulus, ϕλέωμ’ A. (...) von Blumenthal, στόμωμ’ Erbse, ϕηγὼν Friebel. (shrink)

The more I understand the Southslavic poetry and the nature of the unity of the oral poem, the clearer it seems to me that the Iliad and the Odyssey are very exactly, as we have them, each one of them the rounded and finished work of a single singer…. I even figure to myself, just now, the moment when the author of the Odyssey sat and dictated his song, while another, with writing materials, wrote it down verse by verse, even (...) in the way that our singers sit in the immobility of their thought, watching the motion of Nikola's hand across the empty page, when it will tell them it is the instant for them to speak the next verse. (shrink)