The Oxford Companion to the Mind is a classic. Published in 1987, to huge acclaim, it immediately took its place as the indispensable guide to the mysteries - and idiosyncracies - of the human mind. In no other book can the reader find discussions of concepts such as language, memory, and intelligence, side by side with witty definitions of common human experiences such as the 'cocktail-party' and 'halo' effects, and the least effort principle. Richard Gregory again brings his wit, wisdom, (...) and expertise to bear on this most elusive of subjects. Research into the mind and brain has moved on in bounds in recent years, and interest in the subject has never been so high. There has been a shift in focus away from Freud's concept of the unconscious onto consciousness itself. The new edition of the Companion includes three 'mini symposia' - on consciousness, brain scanning, and artificial intelligence - with contributions from a number of specialists, and encompassing a range of approaches. Cultural as well as scientific in approach, this accessible book offers authoritative descriptions and analysis. With new entries on controversial topics such as artificial life, attachment theory, caffeine, cruetly, drama, extra-terrestrial intelligence, genetics of mental illness, imagination, lying, puzzles, and twins, this highly-anticipated second edition explores the most intriguing of subjects. (shrink)

Contains 1,001 entries that explore issues of philosophy, psychology, and the physiology of the brain, touching on topics such as sleep, bilingualism, criminology, language, and the workings of the nervous system, and includes biographies of major authorities on the workings of the mind.

This informative and conceptually stimulating target article is very useful. I merely query whether the term “illusory contours” is appropriate for gap filling; “illusory surfaces” seems better – and “fictional surfaces” better still. These seem to be rule based rather than knowledge based, suggesting indeed the importance of distinguishing rules (analogous to syntax in language) from knowledge (equivalent to semantics) for classifying perceptual phenomena.